MYSORE PALACE

Also known as Amba Vilas Palace

PRESENTATION BY -
05 - BRIYA DESAI
17 - ASTHA JARIWALA
39 - MAHEK MISTRY
46 - NANDINI NAHATA
49 - ANMOL PANDYA
78 - TANVI SHAH
MASTER PLAN
CHAMRAJPURA,
KARNATAKA
The Palace has four entrances. Main entrance is
called “Jaya Maarthaanda” to the east,
“Jayarama” to the North, ”Balarama” to the South
and “Varaha” to the west.
INTRODUCTION
LOCATION : SayyajiRaoRd, Chamrajpura,
Karnataka

MysuruSITE AREA : 152 square kilometer

CONSTRUCTION PERIOD : 1897 to 1912

BUILT BY : Maharani Pramoda Devi

WadiyarARCHITECT : Henry Irwin

ARCHITECTURAL STYLE : Indo–Saracenic style

MATERIALS USED : Wood , Marble, Steel,

Timber

TOTAL COST OF PALACE : Rs 4147913 ($30

million )
HISTORY
The present building is relatively new,
constructed over the old palace that
was destroyed in fire.
The first palace in Mysore was built in
14th century, which was demolished &
constructed several times.
In 1897 the wooden palace was
destroyed by fire and Majesty Maharani
Vani Vilas Sannidhna, regent of Mysore,
delegated Lord Henry Irwin, a British
architect, to construct a new palace.
Construction of the current Palace was
commissioned in 1897 & completed in
1912.
 ARCHITECTURE OF MYSORE PALACE
The Architectural style of Mysore Palace is commonly described as Indo-Saracenic. It blends together Hindu, Muslim,
Rajput & gothic styles of Architecture.
The three-storey stone structure is made with fine granite, grey in colour, having deep pink marble stones at top and a five-
storey tower measuring 145 ft.
Size of palace: 245 ft. by 156 ft
Design of the dome: incorporates elements from Indian, Indo-Islamic, NeoClassical and Gothic revival styles.
The palace has 3 gates:
Gate 1 - Front gate opens for VIP'S or during Dasara
Gate 2 - South gate designated to general public
Gate 3 - West gate normally remains open for Dasara
The palace has many secret tunnels that lead to several confidential areas and other places like the town of Srirangapatna.
Several fancy arches adorn the façade of the building with two smaller arches on either side of the central one that is
supported with long pillars.
A sculpture of the goddess of good luck, prosperity and wealth, Gajalakshmi, with her elephants is seated at top of central
arch.
The palace facing Chamundi Hills is a manifestation of the devotion of the Maharajas of Mysore towards Goddess
Chamundi.
The emblem and coat of arms of the Mysore Kingdom adorns the entrance gate and arch.
A large, beautiful and well-maintained garden surrounding the palace makes the site even more spectacular.
 Things to See in Mysore Palace

Ambavilasa, a Golden Howdah, the Wrestling Courtyard Public Durbar Hall, a

beautifully designed Maharaja’s elephant large hall from where
hall which was used seat made of 85 the Maharajas used to
by the Maharajas for kilograms of gold address the public
their private audience
 ABOVE THE CENTRAL ARCH OF THE
EXTERIOR DETAILS
FRONT FACDE IS A SCULPTURE OF OF MYSORE PALACE
GODDESS GAJALAKSHMI. THIS IS A
COMMON FEATURE IN HINDU
ARCHITECTURE AS THE GODDESS
GAJALAKSHMI IS CONSIDERED OF
WEALTH, PROSPERITY ABUNDAIS ERINE
DEDICATED TO GANESHA & IS ATTACHED
TO THE MYSORE PALACE BUILDING
SERVES AS A PRIVATE SHRINE TO THE
WODEYAR FAMILY.
ACCORDING TO LEGENDS, THIS SHRINE
WAS SAVED WHEN THE WHOLE OF THE
PALACE WAS DESTROYED IN A FIRE IN
1897.
LATER WHEN THE PALACE WAS REBUILT
IN THE PRESENT FORM, THE GANESHA
SHRINE GOT INTEGRATED TO THE PALACE
STRUCTURE.
MATERIALS-

Wood-teak (yellow-brown) and Rosewood (coffee Colour)

Marble
Stones
Hard Granite
Tinted Glass
Cast Iron, Steel
Ivory, Gold, Silver
Brass
Stucco work
DESIGN FEATURES-

'Jharokha' (protruding balconies) - Rajasthani Architecture

Pointed arches - Persian in origin
Gombe Thotti (Doll's Pavilion) - European influence
Kalyana Mantapa (Ceremonial Hall) with wrought-iron pillars and a stained glass ceiling with a prominent
peacock motif- Persian influence
Entrance of Amba Vilas (Diwan-e-Khas) is a rosewood doorway inlaidwith ivory that opens into a shrine to
Ganesha-Hindu Influence
Great deal of plaster work on the ceiling - Blend of Native and gothic stvles.
 CRITICAL ANALYSIS

1. Architectural Significance:
Some critics argue that the fusion of various architectural styles might be seen as an attempt
to please diverse cultural and religious sentiments, leading to a lack of a distinct architectural
identity.
2. Historical Importance:
Critics may argue that the emphasis on the Wadiyar dynasty overshadows other historical
facets that might be equally or more important in understanding the region's history.
3. Cultural Significance:
Some may argue that the commercialization of the palace, with large crowds and entry fees, has
diluted its authenticity and turned it into a tourist attraction rather than a genuine cultural and
historical experience.
4. Conservation and Maintenance:
Critics might point out instances where the preservation efforts fell short, leading to damage or
deterioration. The balance between modernization and preservation could be a point of
contention.
5. Tourism Impact:
Over-tourism could lead to wear and tear, and there might be concerns about the impact on the
local environment and infrastructure due to the influx of tourists.
 REFERENCE
https://www.scribd.com/document/411100852/Case-Study-Mysore-Palace
https://mysore.ind.in/architecture-of-mysore-palace
https://www.slideshare.net/NehaAswal2/the-mysore-palace-an-architectural-overview
https://www.fabhotels.com/blog/mysore-palace-mysore/
https://www.scribd.com/presentation/490563970/mysore
https://mysorepalace.karnataka.gov.in/architecture.html