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L E A R N T O D R AW

Pat ri ci a Wat wood


Supplies & Materials

Leaf Onion & Leek


• 11" x 14" pad of drawing paper, white in addition to same materials for leaf and skull
(Patty recommends Strathmore) • Light blue Canson paper, (15.5" x 12.75"),
• Drawing board with clips prepared as an 11" x 14" rectangle formatting
• No. 2 pencils • White pastel pencil
• White eraser • White NuPastel stick
• Kneaded eraser
• Blending stump
STILL LIFE OBJECTS
Two leeks and one white onion (medium to large)
STILL LIFE OBJECTS
Small branch with leaf, or leaf cutting, mounted
vertically to the wall or a board with a nail or pin.
Gray paper background.
Pitcher & Jar
in addition to same materials for leaf, skull, onion & leek
• Green “Mi-Tiente” Canson paper (15.5" x 12.75"),
Skull prepared as an 11" x 14" rectangle formatting
• White pastel
in addition to same materials for leaf
• White NuPastel stick
• Ruler, 12" or 18" • White Pitt pastel (soft) pencil
• HB pencils • Ruler or caliper
• 3B pencils
• Homemade viewfinder
• Slender knitting needle or long skewer

STILL LIFE OBJECTS


Deer skull mounted vertically to the wall or a board with a
nail, and twine. Held in place with screws and modeling clay.
Gray paper background.

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Reference Photos

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Reference Photos

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Reference Photos

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Reference Photos

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Reference Photos

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Reference Photos

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Reference Photos

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Glossary

• Block-in: Quickly made marks • Form shadow: The dark side of the • Gesture line: A fluid line that
representing the general shape object on which light falls indicates the central line of energy
and proportion of masses, or the in an object, often expressing
act of making those marks. The • Cast shadow: Shadow made by an movement or growth
block-in functions as an armature or object or figure as it blocks the light
guide with which you can create an • Z-axis: Any line that leads to a
accurate contour drawing. vanishing point (as opposed to
following a horizontal or vertical axis)
Light
• Block-in lines: Line segments that Source
make up the block-in. • Pictorial space: Area within the
Highlight Reflected picture plane that appears to recede
• Line quality: The visual features of a Light into space
line (e.g. light, dark, sketchy, crisp)
• Local color: The color of a subject
• Triangulation: Technique used to Terminator Cast Shadow (e.g. green leaf of a leek) that doesn’t
measure the relative position of two change regardless of light and dark
or more points • Highlight: The brightest point where • Ground plane: The surface on which
• Soft edge: Fuzzy or blurry edge the light hits object and is then objects in your picture plane rest,
reflected towards the eye perpendicular to the picture plane
• Hard edge: Sharp edge, an edge
depicted with a clear line • Reflected light: Light reflecting off • Hatching: The building of tone using
the surface and other forms onto thin, parallel strokes or lines
Hard an object. It is always located on the
Edge shadow side of the object. • Crosshatching: The building of tone
using two or more intersecting layers
• Turning edge: The boundary of hatching
between the light mass and the
terminator, characterized by gentle
transitions
Soft
Edge • Terminator: The place on an object
where the light source no longer hits
the object and it falls into shadow;
• Envelope: A three- to six-sided the edge of the form shadow
simple shape that contains your
object • Horizon line: Line that separates sky
from land or water. Also refers to Hatching
• Contour: Lines that define the outer height of viewer’s eye when looking
edges of a shape, creating an outline; at a scene. • Picture plane: The surface of a
a type of drawing that ues line to picture, perpendicular to the ground
define shapes and forms. • Ellipse: Circle in perspective plane; an imaginary “window” behind
which the picture is viewed.
• Value: Relative lightness and • Central axis: An imaginary line down
darkness of an object, shape or the middle of an object that shows
material its primary direction in the longest
direction
• Tone: Light and dark values used to
render an object

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