GROUP ACTIVITY 10

Members:Balid, Leah L. 3BSA_PEACE (MWF_8pm-9pm)

Donan, Caren Key C.
Rebalde, Eljean Mae

II. After reading the novel, complete the table to describe the setting of the novel. Cite
the chapters where the descriptions appeared
Aspects Description

The town of San The town of San Diego is introduced in Chapter 1 of the novel, which
Diego is described as a small and peaceful town located near the shore. It's
surrounded by greenery, with tall coconut trees and bamboo groves
that make it look even more natural. The environment is cool and
refreshing, and the town is famous for its beautiful scenery. This
chapter also includes mentions of the old Church and convent that are
at the heart of this city's social and religious life. San Diego is a place
where various characters and their stories are set in this novel, and
the author's vivid descriptions of town streets, houses, and gardens
give an overview of its atmosphere and environment. In this novel, the
town of San Diego is a major scene, which shows how Filipinos lived
and fought during Spanish colonization.

The house of The house of Capitan Tiago is a prominent setting in the novel. The
Capitan Tiago house is first introduced in Chapter 5, where it is described as a grand
and opulent mansion located in the heart of Binondo. The house is
situated on a spacious lot with a well-manicured garden and a
fountain. The exterior of the house is adorned with decorative
carvings, and the grand entrance is flanked by two massive stone
lions. The interior of the house is equally impressive, with elegant
furniture, chandeliers, and priceless artworks adorning the walls. In
Chapter 6, the house is the setting for a grand dinner party hosted by
Capitan Tiago, where the guests include prominent members of
Philippine society, such as the Spanish governor-general, the
Archbishop, and other high-ranking officials. However, beneath the
elegant facade of the house, there are dark secrets and hidden
agendas, and the house of Capitan Tiago becomes a symbol of the
corruption and moral decay of the ruling class in the Philippines.

Manila Manila is intricately woven throughout the narrative, offering a rich portrayal
of the colonial city. Chapter 2, "Crisostomo Ibarra," introduces readers to the
bustling cityscape, depicting the vibrant streets, the influence of Spanish
 colonial architecture, and the diverse social fabric of Manila. Subsequent
chapters, particularly Chapter 7, "The Betrothal Dinner," and Chapter 13,
"The Dinner," further explore Manila as a socio-political hub, emphasizing
the stark contrast between the opulent Intramuros, where the Spanish
authorities and elite reside, and the impoverished districts such as Binondo.
The city serves as a microcosm of the broader societal issues, highlighting the
disparities between the ruling class and the marginalized. Through detailed
descriptions and character interactions in Manila, Rizal effectively crafts a
setting that becomes integral to the exploration of colonial oppression and the
call for reform in his novel.

Pasig River l.

The Townspeople Father Salví and the other people of the town such as Ensign and
Dona
Consolacion with one another using their institutional powers. It would
be better if they make an effort to serve by helping the town of San
Diego, but sad to say, they are too busy spitting on each other to give
the locals any thought. The community they claim to serve suffers as a
result. In fact, the ensign's curfew and the priest's insistence on having
sermons go late into the day limit the townspeople's numerous
liberties. This can be proven by reading Chapter 11 of the Novel.

The Church and In Chapter 1, 2 & 3 of the novel, the church stands as an imposing
the clergy symbol of authority in the town, its architecture reflecting the influence
of Spanish colonization. It was being described as a grand structure,
the church's physical prominence suggests its pivotal role in the lives
of the townspeople. The angelic image within the church contradicts
with the impoverished conditions of the local population, specially the
socio-economic disparities perpetuated by colonial rule. Through
detailed descriptions of the church building and its interior, Jose Rizal
crafts a setting that symbolizes not only spiritual sanctity but also the
disparity and power dynamics inherent in the colonial context as
clergy members revealed in Chapter 7, 8 & 9.

Noli and Colonial Society

Directions: Complete the table below by identifying what the major characters in
Noli Me Tangere symbolize in relation to the colonial Philippine society
 Character Symbolism

Crisostomo Ibarra The Crisostomo Ibarra represents the

educated and wealthy class, who know of
injustices committed by the colonial
government but do not act against them.
It represents the desire of the Filipino
people for social change but also
represents the lack of action by the
wealthy and educated class against the
oppressive Spanish colonial government.

Maria Clara Maria Clara is an idealized image of a

Filipino woman in the 19th century who
has been regarded as obedient and
respectful to men. She's also a symbol of
Philippine purity, but her character shows
the suffering endured by Filipinos in
colonial times.

Kapitan Tiyago The rich Filipino businessman, Kapitan

Tiyago, represents a class of Filipinos
who gained wealth in trade and
commerce. He's a symbol of the rise of
the Filipinos in society, but he's also a
symbol of the willingness of the class to
adopt the Spanish colonial culture and
values.

Padre Damaso Padre Damaso in Jose Rizal's "Noli Me

Tangere" represents the corruption and
injustices perpetuated by the Spanish
friars in colonial Philippine society.His
character embodies the tyrannical
mentality of the Spanish friars, who use
their religious power for personal gain
while harboring profound biases against
native Filipinos. Damaso's angry deeds
and power abuse reflect greater societal
themes of injustice and cruelty during
Spanish colonial control. Rizal, through
Padre Damaso, criticizes the moral
bankruptcy of colonial religious
organizations, adding to a larger story of
resistance to the oppressive forces
defining Philippine society at the time.
Sisa Her name itself, "Sisa," is derived from
the Spanish word "cisa," which means "to
be distressed" or "to be worried." Sisa in
"Noli Me Tangere" is a poignant symbols
that depicts the hardship, oppression, and
loss endured by individuals and families
in a colonial society. Her character
enriches the novel's social critique and
serves as an important reminder of the
human cost of systemic injustice.

Pilosopo Tasyo Pilosopo Tasyo is a multifaceted figure in

"Noli Me Tangere" who symbolizes
intellectual dissent, educational system
critique, bourgeoisie satire, rejection of
superstition, isolation of critical thinkers,
and the tragedy encountered by
individuals who defy the established quo.
His character provides complexity to the
novel's investigation of social concerns
and acts as a potent symbol for readers
to consider and understand in the context
of social and political critique.

Donya Victorina She represents people who have a

confused understanding of who they are.

Basilio He symbolizes alongside the innocent

people who were falsely accused of
committing crimes.