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EDITION
GLOB AL
that it has been imported without the approval of the Publisher or Author.
Fundamentals of
Applied Electromagnetics
and legacy of its predecessors by including updated content and features. These features
have been designed to help students develop deep understanding of electromagnetic
concepts and familiarize them with its wide-ranging applications in today’s technological
society. The book is also complemented by web-based interactivities that learners can
use in conjunction with the material in the book.
Key Features
EIGHTH EDITION
• 52 web-based simulation modules allow learners to analyze and design
transmission-line circuits; generate spatial patterns of the electric and magnetic fields
induced by charges and currents; visualize in 2-D and 3-D space how the gradient, Fawwaz T. Ulaby
divergence, and curl operate on spatial functions; observe the temporal and spatial
waveforms of plane waves propagating in lossless and lossy media; calculate and Umberto Ravaioli
display field distributions inside a rectangular waveguide; and generate radiation
patterns for linear antennas and parabolic dishes.
• Chapters use enhanced and updated graphs and illustrations to establish
correlations between core concepts of electromagnetics and their engineering and
scientific applications.
• Technology Briefs (short discussions on commonly used electronic objects)
have been updated to reflect the most recent advancements in the field of
electromagnetism.
EDITION
• The companion website provides learners with a wide range of practice questions
EIGHTH
to test their understanding.
Ravaioli
Ulaby
Fawwaz T. Ulaby
University of Michigan, Ann Arbor
Umberto Ravaioli
University of Illinois, Urbana-Champaign
Pearson Education Limited
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The rights of Fawwaz T. Ulaby and Umberto Ravaioli to be identified as the authors of this work have been asserted
by them in accordance with the Copyright, Designs and Patents Act 1988.
Authorized adaptation from the United States edition, entitled Fundamentals of Applied Electromagnetics, Eighth
Edition, ISBN 978-0-13-668158-8 by Fawwaz T. Ulaby and Umberto Ravaioli, published by Pearson Education ©
2023.
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This eBook is a standalone product and may or may not include all assets that were part of the print version. It also
does not provide access to other Pearson digital products like MyLab and Mastering. The publisher reserves the right
to remove any material in this eBook at any time.
Building on the core content and style of its predecessor, this NEW TO THIS EDITION
eighth edition (8/e) of Applied Electromagnetics includes fea-
tures designed to help students develop deep understanding of • Additional exercises
electromagnetic concepts and applications. Prominent among • Updated Technology Briefs
them is a set of 52 web-based simulation modules∗ that allow
the user to interactively analyze and design transmission line • Enhanced figures and images
circuits; generate spatial patterns of the electric and magnetic
fields induced by charges and currents; visualize in 2-D and • New/updated end-of-chapter problems
3-D space how the gradient, divergence, and curl operate on
* The interactive modules and Technology Briefs
spatial functions; observe the temporal and spatial waveforms
can be found at the book companion website:
of plane waves propagating in lossless and lossy media;
em8e.eecs.umich.edu.
calculate and display field distributions inside a rectangular
waveguide; and generate radiation patterns for linear anten-
nas and parabolic dishes. These are valuable learning tools; ACKNOWLEDGMENTS
we encourage students to use them and urge instructors to
incorporate them into their lecture materials and homework As authors, we were blessed to have worked on this book with
assignments. the best team of professionals: Richard Carnes, Leland Pierce,
Janice Richards, Rose Kernan, and Paul Mailhot. We are
Additionally, by enhancing the book’s graphs and illustra- exceedingly grateful for their superb support and unwavering
tions and by expanding the scope of topics of the Technology dedication to the project.
Briefs, additional bridges between electromagnetic fundamen-
tals and their countless engineering and scientific applications We enjoyed working on this book. We hope you enjoy
are established. learning from it.
FAWWAZ T. U LABY
U MBERTO R AVAIOLI
4
PREFACE 5
CONTENT tions for the time-varying case, which are then specialized to
electrostatics and magnetostatics. These chapters will provide
the student with an overall framework for what is to come
This book begins by building a bridge between what should
and show him or her why electrostatics and magnetostatics are
be familiar to a third-year electrical engineering student and
special cases of the more general time-varying case.
the electromagnetics (EM) material covered in the book. Prior
Chapter 6 deals with time-varying fields and sets the stage
to enrolling in an EM course, a typical student will have
for the material in Chapters 7 through 9. Chapter 7 covers
taken one or more courses in circuits. He or she should be
plane-wave propagation in dielectric and conducting media,
familiar with circuit analysis, Ohm’s law, Kirchhoff’s current
and Chapter 8 covers reflection and transmission at discon-
and voltage laws, and related topics.
tinuous boundaries and introduces the student to fiber optics,
Transmission lines constitute a natural bridge between elec-
waveguides, and resonators. In Chapter 9, the student is in-
tric circuits and electromagnetics. Without having to deal with
troduced to the principles of radiation by currents flowing in
vectors or fields, the student will use already familiar concepts
wires, such as dipoles, as well as to radiation by apertures,
to learn about wave motion, the reflection and transmission
such as a horn antenna or an opening in an opaque screen
of power, phasors, impedance matching, and many of the
illuminated by a light source.
properties of wave propagation in a guided structure. All of
To give the student a taste of the wide-ranging applications
these newly learned concepts will prove invaluable later (in
of electromagnetics in today’s technological society, Chap-
Chapters 7 through 9) and will facilitate the learning of how
ter 10 concludes this book with presentations of two system
plane waves propagate in free space and in material media.
examples: satellite communication systems and radar sensors.
Transmission lines are covered in Chapter 2, which is preceded
The material in this book was written for a two-semester
in Chapter 1 with reviews of complex numbers and phasor
sequence of six credits, but it is possible to trim it down to
analysis.
generate a syllabus for a one-semester, four-credit course. The
The next part of this book, contained in Chapters 3
accompanying table provides syllabi for each of these options.
through 5, covers vector analysis, electrostatics, and magneto-
statics. The electrostatics chapter begins with Maxwell’s equa-
Suggested Syllabi
Two-Semester Syllabus One-Semester Syllabus
6 credits (42 contact hours per semester) 4 credits (56 contact hours)
Chapter Sections Hours Sections Hours
1 Introduction: All 4 All 4
Waves and Phasors
2 Transmission Lines All 12 2-1 to 2-8 and 2-11 8
3 Vector Analysis All 8 All 8
4 Electrostatics All 8 4-1 to 4-10 6
5 Magnetostatics All 7 5-1 to 5-5 and 5-7 to 5-8 5
Exams 3 2
Total for first semester 42
6 Maxwell’s Equations All 6 6-1 to 6-3, and 6-6 3
for Time-Varying Fields
7 Plane-Wave Propagation All 7 7-1 to 7-4, and 7-6 6
8 Wave Reflection All 9 8-1 to 8-3, and 8-6 7
and Transmission
9 Radiation and Antennas All 10 9-1 to 9-6 6
10 Satellite Communication All 5 None —
Systems and Radar Sensors
Exams 3 1
Total for second semester 40 Total 56
Extra Hours 2 0
6 PREFACE
7
Contents
Contents
Preface 4
List of Modules 12
Photo Credits 13
2 Transmission Lines 62
2-1 General Considerations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
2-2 Lumped-Element Model . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66
2-3 Transmission-Line Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69
2-4 Wave Propagation on a Transmission Line . . . . . . . . . . . . . . . . . . . . . . . . . . 70
2-5 The Lossless Microstrip Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75
2-6 The Lossless Transmission Line: General Considerations . . . . . . . . . . . . . . . . . . 78
2-7 Wave Impedance of the Lossless Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
2-8 Special Cases of the Lossless Line . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 90
TB3 Microwave Ovens . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
2-9 Power Flow on a Lossless Transmission Line . . . . . . . . . . . . . . . . . . . . . . . . . 98
2-10 The Smith Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
2-11 Impedance Matching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
2-12 Transients on Transmission Lines . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
8
CONTENTS 9
4 Electrostatics 188
4-1 Maxwell’s Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
4-2 Charge and Current Distributions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 189
4-3 Coulomb’s Law . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
4-4 Gauss’s Law . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 196
4-5 Electric Scalar Potential . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 199
TB7 Resistive Sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
4-6 Conductors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
TB8 Supercapacitors as Batteries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207
4-7 Dielectrics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
4-8 Electric Boundary Conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
TB9 Capacitive Sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
4-9 Capacitance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 225
4-10 Electrostatic Potential Energy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 229
4-11 Image Method . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 231
5 Magnetostatics 243
5-1 Magnetic Forces and Torques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 244
5-2 The Biot–Savart Law . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
5-3 Maxwell’s Magnetostatic Equations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 258
5-4 Vector Magnetic Potential . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 262
TB10 Electromagnets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 263
5-5 Magnetic Properties of Materials . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 267
5-6 Magnetic Boundary Conditions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 270
5-7 Inductance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
5-8 Magnetic Energy . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 277
TB11 Inductive Sensors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 278
Bibliography 484
Index 486
12
Photo Credits
p. 20 (Ch 01-01A): Thales of Miletus (624–546 BC), Photo p. 22 (Ch 01-02E): De Forest seated at his invention, the
Researchers, Inc./Science Source radio-telephone, called the Audion, New York Public
p. 20 (Ch 01-01B): Isaac Newton, World History Archive/Alamy Library/Science Source
Stock Photo p. 22 (Ch 01-02F): The staff of KDKA broadcast reports of the
p. 20 (Ch 01-01C): Benjamin West, Benjamin Franklin Drawing 1920 presidential election, Bettmann/Getty Images
Electricity from the Sky, Painting/Alamy Stock Photo p. 23 (Ch 01-02G): This bottle-like object is a Cathode Ray tube
p. 20 (Ch 01-01D): Replica of the Voltaic pile invented by which forms the receiver of the new style television invented
Alessandro Volta 1800, Gio.tto/Shutterstock by Dr. Vladimir Zworykin, Westinghouse research engineer,
who is holding it, Album/Alamy Stock Photo
p. 20 (Ch 01-01E): Hans Christian Ørsted, Danish Physicist, New
York Public Library/Science Source p. 23 (Ch 01-02H): Radar in operation in the Second World War,
Library of Congress Department of Prints and Photographs
p. 20 (Ch 01-01F): Andre-Marie
´ Amp ère, Nickolae/Fotolia [LC-USZ62-101012]
p. 21 (Ch 01-01G): Michael Faraday, Nicku/Shutterstock
p. 23 (Ch 01-02I): Shockley, Brattain, and Bardeen with an
p. 21 (Ch 01-01H): James Clerk Maxwell (1831–1879), apparatus used in the early investigations which led to the
Nicku/Shutterstock invention of the transistor, New York Public Library/Science
p. 21 (Ch 01-01I): Heinrich Rudolf Hertz, New York Public Source
Library/Science Source p. 23 (Ch 01-02J): A Photograph of Jack Kilby’s Model of the First
p. 21 (Ch 01-01J): Nicola Tesla, NASA Working Integrated Circuit Ever Built circa 1958,
Fotosearch/Archive Photos/Getty Images
p. 21 (Ch 01-01K): Early X-Ray of Hand, Science History
Images/Alamy Stock Photo p. 23 (Ch 01-02K): Shown here is the 135-foot rigidized inflatable
p. 21 (Ch 01-01M): Albert Einstein, LOC/Science Source balloon satellite undergoing tensile stress test in a dirigible
hanger at Weekesville, North Carolina, NASA
p. 22 (Ch 01-02A): Telegraph, Morse apparatus, vintage engraved
illustration, Morphart Creation/Shutterstock p. 23 (Ch 01-02L): Pathfinder on Mars, JPL/NASA
p. 22 (Ch 01-02B): Thomas Alva Edison with his ‘Edison Effect’ p. 24 (Ch 01-03A): Abacus isolated on white, Sikarin
Lamps, Education Images/Universal Images Group/Getty Supphatada/Shutterstock
Images, Inc. p. 24 (Ch 01-03B): Pascaline; a mechanical calculator invented by
p. 22 (Ch 01-02C): Replica of an early type of telephone made by Blaise Pascal in 1642, New York Public Library/Science
Scottish-born telephony pioneer Alexander Graham Bell Source
(1847–1922), Science & Society Picture Library/Getty p. 24 (Ch 01-03C): Original Caption: Portrait of American
Images FAD82/Shutterstock electrical engineer Vannevar Bush, Bettmann/Getty Images
p. 22 (Ch 01-02D): Guglielmo Marconi, Pach Brothers/Library of p. 24 (Ch 01-03D): J. Presper Eckert and John W. Mauchly, are
Congress Prints and Photographs Division pictured with the Electronic Numerical Integrator and
[LC-USZ62-39702] Computer (ENIAC) in this undated photo from the University
13
14 PHOTO CREDITS
of Pennsylvania Archives, University of Pennsylvania/AP p. 133 (TF4-2): Setup for a percutaneous microwave ablation
images procedure shows three single microwave applicators
p. 24 (Ch 01-03E): Description: DEC PDP-1 computer, on display connected to three microwave generators, Radiological
at the Computer History Museum, USA, Volker Society of North America (RSNA)
Steger/Science Source p. 134 (TF4-3): Bryan Christie Design and the Institute of Electrical
p. 25 (Ch 01-03F): Classic Antique Red LED Diode Calculator, and Electronics Engineers. IEEE Spectrum by Institute of
James Brey/E+/Getty Images Electrical and Electronics Engineers. Reproduced with
permission of Institute of Electrical and Electronics
p. 25 (Ch 01-03G): Apple I computer. This was released in April Engineers, in the format Republish in a book via Copyright
1976 at the Homebrew Computer Club, USA, Mark Clearance Center
Richards/ZUMAPROSS.com/Alamy Stock Photo
p. 166 (Mod. 3-2): Screenshot: Gradient. Graphics created with
p. 25 (Ch 01-03H): UNITED STATES—DECEMBER 07: The Wolfram Mathematica R used with permission
IBM Personal Computer System was introduced to the
market in early 1981, Science & Society Picture p. 167 (TF5-1): Touchscreen smartphone with GPS navigation
Library/Getty Images, Inc. isolated on white reflective background, Oleksiy
Mark/Shutterstock
p. 25 (Ch 01-03I): NEW YORK, UNITED STATES: Chess
enthusiasts watch world chess champion Garry Kasparov on a p. 167 (TF5-2): SCaN’s Benefits to Society—Global Positioning
television monitor as he holds his head in his hands, Adam System, U.S. Department of Defense as a navigation tool for
Nadel/AP/Shutterstock military, developed in 1980
p. 26 (Fig. 1-2(a)): The Very Large Array of Radio Telescopes, p. 168 (TF5-3): SUV, Konstantin/Fotolia
VLA, NRAO/NASA p. 172 (Mod. 3-3): Screenshot: Divergence, Graphics created with
p. 26 (Fig. 1-2(b)): SCaN’s Benefits to Society—Global Wolfram Mathematica R used with permission
Positioning System, Jet Propulsion Laboratory/NASA p. 175 (TF6-1): X-ray of pelvis and spinal column, Cozyta
p. 26 (Fig. 1-2(c)): Motor, ABB Moment/Getty Images, Inc.
p. 26 (Fig. 1-2(d) and page 338 (Fig. TF14-04)): TV on white p. 175 (TF6-2): CT scan advance technology for medical diagnosis,
background, Fad82/Shutterstock Tawesit/Fotolia
p. 26 (Fig. 1-2(e)): Nuclear Propulsion Through Direct Conversion p. 176 (TF6-3(c)): Digitally enhanced CT scan of a normal brain in
of Fusion Energy, John Slough/NASA transaxial (horizontal) section, Scott Camazine/Science
Source
p. 26 (Fig. 1-2(f)): Tracking station has bird’s eye view on VAFB,
Ashley Tyler/US Air Force p. 178 (Mod. 3-4): Screenshot: Curl, Graphics created with Wolfram
Mathematica R used with permission
p. 26 (Fig. 1-2(g)): Glass Fiber Cables, Valentyn Volkov/123RF
p. 202 (TF7-1): Most cars use over 100 sensors, National Motor
p. 26 (Fig. 1-2(h)): Touchscreen smartphone, Oleksiy Museum/Shutterstock
Mark/Shutterstock
p. 207 (TF8-1): Various electrolytic capacitors. Source:
p. 26 (Fig. 1-2(i)): Line Art: Electromagnetics is at the heart of ultracapacitor.org
numerous systems and applications. Source: Based on IEEE
Spectrum p. 207 (TF8-2(a)): High-speed train in motion, Metlion/Fotolia
p. 34 (TF1-1(a)): Lightbulb, Chones/Fotolia p. 207 (TF8-2(b)): Cordless Drill, Derek Hatfield/Shutterstock
p. 34 (TF1-1(b)): Fluorescent bulb, Wolf1984/Fotolia p. 207 (TF8-2(c)): The 2006 BMW X3 Concept Gasoline Electric
Hybrid uses high-performance capacitors (or “Super Caps”)
p. 34 (TF1-1(c)): 3d render of an unbranded screw-in LED lamp, to store and supply electric energy to the vehicle’s Active
isolated on a white background, Marcello Bortolino/Getty Transmission, Passage/Car Culture/Corbis
Images, Inc.
p. 207 (TF8-2(d)): LED Electric torch—laser pointer isolated on
p. 35 (TF1-3): Line Art: Lighting efficiency. Source: Based on white background, Artur Synenko/Shutterstock
National Research Council, 2009
p. 222 (TF9-6): Elements of a fingerprint matching system. Bryan
p. 48 (Fig. 1-17): Individual bands of the radio spectrum and their Christie Design and the Institute of Electrical and Electronics
primary allocations in the U.S. [See expandable version on Engineers. IEEE Spectrum by Institute of Electrical and
book website: em8e.eecs.umich.edu.] Source: U.S. Electronics Engineers. Reproduced with permission of
Department of Commerce Institute of Electrical and Electronics Engineers, in the format
p. 75 (Fig. 2-10(c)): Circuit board, Gabriel Rebeiz Republish in a book via Copyright Clearance Center
p. 133 (TF4-1): Microwave ablation for cancer liver treatment, p. 222 (TF9-7): Line Art: Fingerprint representation, Source:
Radiological Society of North America (RSNA) Courtesy of Dr. M. Tartagni, University of Bologna, Italy
PHOTO CREDITS 15
p. 265 (TF10-5(a)): CHINA—JUNE 20: A maglev train awaits p. 363 (TF15-1(a)): Optical Computer Mouse, Satawat
departure in Shanghai, China, on Saturday, June 20, 2009, Anukul/123RF
Qilai Shen/Bloomberg/Getty Images p. 363 (TF15-1(b)): Laser eye surgery, Will & Deni
p. 265 (TF10-5(b) and (c)): Line Art: Magnetic trains—(b) internal McIntyre/Science Source
workings of the Maglev train. Used with permission—Amy p. 363 (TF15-1(c)): Laser Star Guide, NASA
Mast, “Maglev trains are making history right now.” Flux,
Volume 3, Issue 1, National High Magnetic Field Laboratory p. 421 (TF17-1(a)): Smiling woman using computer,
Edbockstock/Fotolia
p. 307 (TF12-2): Ultrasonic Transducer, NDT Resource
p. 421 (TF17-1(b)): Vector silhouette of Power lines and electric
p. 329 (TF13-1): Jersey cow on pasture, Lakeview pylons, Ints Vikmanis/Alamy Stock Photo
Images/Shutterstock
p. 421 (TF17-1(c)): Telecommunications tower, Poliki/Fotolia
p. 330 (TF13-2): Line Art: How an RFID system works is illustrated
through this EZ-Pass example: Tag. Source: Cary p. 430 (Fig. 9-25): The AN/FPS-85 Phased Array Radar Facility in
Wolinsky/Cavan Images/Alamy Stock Photo the Florida panhandle, near the city of Freeport, NASA
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Chapter 1
Introduction: Waves and Phasors
17
18 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
Exit polarizer
1-1 Historical Timeline magnetic field induces an electric field (and hence a voltage).
The converse relation, namely that a changing electric field
The history of EM may be divided into two overlapping eras. induces a magnetic field, was first proposed by James Clerk
The first is the classical era, during which the fundamental Maxwell in 1864 and then incorporated into his four (now)
laws of electricity and magnetism were discovered and formu- famous equations in 1873.
lated. Building on these formulations, the modern era of the
past 100 years ushered in the birth of the field of applied EM
as we know it today. ◮ Maxwell’s equations represent the foundation of classi-
cal electromagnetic theory. ◭
1-1.1 EM in the Classical Era
Maxwell’s theory, which predicted the existence of elec-
Chronology 1-1 provides a timeline for the development of
tromagnetic waves, was not fully accepted by the scientific
electromagnetic theory in the classical era. It highlights those
community at that time. It was later verified experimentally
discoveries and inventions that have impacted the historical
by means of radio waves by Heinrich Hertz in the 1880s. X-
development of EM in a very significant way, even though the
rays, another member of the EM family, were discovered in
selected discoveries represent only a small fraction of those
1895 by Wilhelm Röntgen. In the same decade, Nikola Tesla
responsible for our current understanding of electromagnet-
was the first to develop the ac motor, which was considered a
ics. As we proceed through this book, some of the names
major advance over its predecessor, the dc motor.
highlighted in Chronology 1-1, such as those of Coulomb
Despite the advances made in the 19th century in our
and Faraday, will appear again as we discuss the laws and
understanding of electricity and magnetism and how to put
formulations named after them.
them to practical use, it was not until 1897 that the fundamental
The attractive force of magnetite was reported by the Greeks
carrier of electric charge, the electron, was identified and its
some 2800 years ago. It was also a Greek, Thales of Miletus,
properties quantified by Joseph Thomson. The ability to eject
who first wrote about what we now call static electricity: He
electrons from a material by shining electromagnetic energy,
described how rubbing amber caused it to develop a force
such as light, on it is known as the photoelectric effect.
that could pick up light objects such as feathers. The term
“electric” first appeared in print around 1600 in a treatise
on the (electric) force generated by friction, authored by the ◮ To explain the photoelectric effect, Albert Einstein
physician to Queen Elizabeth I, William Gilbert. adopted the quantum concept of energy that had been
About a century later, in 1733, Charles-François du Fay advanced a few years earlier (1900) by Max Planck.
introduced the notion that electricity involves two types of Symbolically, this step represents the bridge between the
“fluids,” one “positive” and the other “negative,” and that classical and modern eras of electromagnetics. ◭
like-fluids repel and opposite-fluids attract. His notion of a
fluid is what we today call electric charge. The invention
of the capacitor in 1745, originally called the Leyden jar, 1-1.2 EM in the Modern Era
made it possible to store significant amounts of electric charge
in a single device. A few years later, in 1752, Benjamin Electromagnetics play a role in the design and operation
Franklin demonstrated that lightning is a form of electricity. of every conceivable electronic device, including the diode,
He transferred electric charge from a cloud to a Leyden jar via transistor, integrated circuit, laser, display screen, bar-code
a silk kite flown in a thunderstorm. The collective eighteenth- reader, cell phone, and microwave oven, to name but a few.
century knowledge about electricity was integrated in 1785 by Given the breadth and diversity of these applications (Fig. 1-2),
Charles-Augustin de Coulomb, in the form of a mathematical it is far more difficult to construct a meaningful timeline
formulation characterizing the electrical force between two for the modern era than for the classical era. That said,
charges in terms of their strengths and polarities and the one can develop timelines for specific technologies and link
distance between them. their milestone innovations to EM. Chronologies 1-2 and 1-3
The year 1800 is noted for the development of the first elec- present timelines for the development of telecommunications
tric battery by Alessandro Volta, and 1820 was a banner year and computers, technologies that have become integral parts
for discoveries about how electric currents induce magnetism. of today’s societal infrastructure. Some of the entries in these
This knowledge was put to good use by Joseph Henry, who chronologies refer to specific inventions, such as the telegraph,
developed one of the earliest electromagnets and dc (direct the transistor, and the laser. The operational principles and
current) electric motors. Shortly thereafter, Michael Faraday capabilities of some of these technologies are highlighted in
built the first electric generator (the converse of the electric special sections called Technology Briefs that are scattered
motor). Faraday, in essence, demonstrated that a changing throughout this book.
20 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
Telecommunications
Telecommunications
1923 Vladimir Zworykin 1958 Jack Kilby (American) builds first integrated circuit (IC) on
(Russian-American) germanium and, independently, Robert Noyce (American)
invents television. In builds first IC on silicon.
1926, John Baird (Scottish)
transmits TV images
over telephone wires
from London to Glasgow.
Regular TV broadcasting
began in Germany (1935),
England (1936), and the
United States (1939).
1933 Edwin Armstrong (American) invents frequency 1969 ARPANET is established by the U.S. Department of
modulation (FM) for radio transmission. Defense and will evolve later into the Internet.
1935 Robert Watson-Watt 1979 Japan builds the first cellular telephone network:
(Scottish) invents radar. • 1983: Cellular phone networks start in the United States.
• 1990: Electronic beepers become common.
• 1995: Cell phones become widely available.
1938 H. A. Reeves (American) • 2002: Cell phone supports video and Internet.
invents pulse code
modulation (PCM).
1984 Worldwide Internet becomes operational.
Computer Technology
ca 1100 The abacus is the earliest known calculating device. 1941 Konrad Zuze (German) develops the first programmable
BC digital computer, making use of binary arithmetic and
electric relays.
1945 John Mauchly and J. Presper Eckert (both American)
develop the ENIAC, which is the first all-electronic
computer.
1820 Charles Xavier Thomas de Colmar (French) builds the 1958 Bell Labs develops the modem.
Arithmometer: the first mass-produced calculator.
1885 Dorr Felt (American) invents and markets a key-operated 1960 Digital Equipment
adding machine (and adds a printer in 1889). Corporation introduces the
first minicomputer, the PDP-1,
to be followed with the PDP-8
1930 Vannevar Bush (American) develops the differential analyzer,
in 1965.
which is an analog computer for solving differential equations.
Computer Technology
1968 Douglas Engelbart (American) demonstrates a 1989 Tim Berners-Lee (British) invents the World Wide Web by
word-processor system, the mouse pointing device introducing a networked hypertext system.
and the use of “windows.”
1971 Ted Hoff (American) invents the Intel 1997 IBM’s Deep Blue computer defeats World Chess
4004, which is the first computer microprocessor. Champion Garry Kasparov.
Astronomy:
The Very Large
Array of Radio
Telescopes
LCD
Screen
Plasma
propulsion
Radar
Telecommunication
Optical fiber
Ultrasound transducer
Ablation catheter
Liver
Ultrasound
Cell phone image
Table 1-1 Fundamental SI units. Table 1-2 Multiple and submultiple prefixes.
1-3.1 Gravitational Force: A Useful Analogue Figure 1-4 Gravitational field ψ 1 induced by a mass m1 .
According to Newton’s law of gravity, the gravitational
force Fg21 acting on mass m2 due to a mass m1 at a distance
R12 from m2 (Fig. 1-3) is given by not physically emanate from the object, yet its influence exists
at every point in space such that, if another object of mass m2
Gm1 m2 were to exist at a distance R12 from the object of mass m1 , the
Fg21 = −R̂12 (N), (1.2)
R212 object of mass m2 would experience a force acting on it equal
to
where G is the universal gravitational constant, R̂12 is a unit Fg21 = ψ 1 m2 , (1.3)
vector that points from m1 to m2 , and the unit for force where
is newton (N). The negative sign in Eq. (1.2) accounts for Gm1
the fact that the gravitational force is attractive. Conversely, ψ 1 = −R̂ (N/kg). (1.4)
R2
Fg12 = −Fg21 , where Fg12 is the force acting on mass m1 due to
In Eq. (1.4), R̂ is a unit vector that points in the radial direction
the gravitational pull of mass m2 . Note that the first subscript
away from object m1 ; therefore, −R̂ points toward m1 . The
of Fg denotes the mass experiencing the force and the second
force due to ψ 1 acting on a mass m2 , for example, is obtained
subscript denotes the source of the force.
from the combination of Eqs. (1.3) and (1.4) with R = R12 and
R̂ = R̂12 . The field concept may be generalized by defining the
◮ The force of gravitation acts at a distance. ◭ gravitational field ψ at any point in space such that, when a
test mass m is placed at that point, the force Fg acting on it is
related to ψ by
The two objects do not have to be in direct contact for each to Fg
ψ= . (1.5)
experience the pull by the other. This phenomenon of action m
at a distance has led to the concept of fields. An object of The force Fg may be due to a single mass or a collection of
mass m1 induces a gravitational field ψ 1 (Fig. 1-4) that does many masses.
1-3 THE NATURE OF ELECTROMAGNETISM 29
◮ Coulomb’s experiments demonstrated that: where R is the distance between the charge and the observation
point, and R̂ is the radial unit vector pointing away from the
(1) two like charges repel one another, whereas two charge. Figure 1-6 depicts the electric field lines due to a
charges of opposite polarity attract, positive charge. For reasons that will become apparent in later
chapters, the unit for E is volt per meter (V/m).
(2) the force acts along the line joining the charges, and
(3) its strength is proportional to the product of the mag-
nitudes of the two charges and inversely proportional ◮ If a point charge q′ is present in an electric field E (due
to the square of the distance between them. ◭ to other charges), the point charge will experience a force
acting on it equal to Fe = q′ E. ◭
These properties constitute what today is called Coulomb’s
law, which can be expressed mathematically as Electric charge exhibits two important properties.
q1 q2
Fe21 = R̂12 (N) (in free space), (1.7)
4πε0 R212 ◮ The first property of electric charge is encapsulated by
the law of conservation of electric charge, which states
that the (net) electric charge can neither be created nor
where Fe21 is the electrical force acting on charge q2 due
destroyed. ◭
to charge q1 when both are in free space (vacuum), R12 is
30 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
+ +
− +
+ −
− +
+ +
+
− − − −
ˆ
−
R
− +
+ − +
+ −
− +
+ − +
+
− −
−
+
− +
+ − + − + − +
− − − + − + − +
+q
+ − + − + − + − + − + − + − + − +
Electric q
+ − + − + − −
field lines
+ −
− + − + − + −
+ +
+ − −
− +
+ −
+ −
−
−
− + −
+ +
+
− −
− +
+ −
−
−
+ −
− −
+ + + +
+
Figure 1-6 Electric field E due to charge q.
Figure 1-7 Polarization of the atoms of a dielectric material by
a positive charge q.
If a volume contains np protons and ne electrons, then its total
charge is
to become distorted. The center of symmetry of the electron
q = np e − nee = (np − ne )e (C). (1.9) cloud is altered with respect to the nucleus with one pole of
the atom becoming positively charged relative to the other
Even if some of the protons were to combine with an equal pole. Such a polarized atom is called an electric dipole, and
number of electrons to produce neutrons or other elementary the distortion process is called polarization. The degree of
particles, the net charge q remains unchanged. In matter, polarization depends on the distance between the atom and
the quantum mechanical laws governing the behavior of the the isolated point charge, and the orientation of the dipole is
protons inside the atom’s nucleus and the electrons outside it such that the axis connecting its two poles is directed toward
do not allow them to combine. the point charge, as illustrated schematically in Fig. 1-7. The
net result of this polarization process is that the electric fields
◮ The second important property of electric charge is of the dipoles of the atoms (or molecules) tend to counteract
embodied by the principle of linear superposition, which the field due to the point charge. Consequently, the electric
states that the total vector electric field at a point in space field at any point in the material is different from the field that
due to a system of point charges is equal to the vector would have been induced by the point charge in the absence
sum of the electric fields at that point due to the individual of the material. To extend Eq. (1.8) from the free-space case
charges. ◭ to any medium, we replace the permittivity of free space ε0
with ε , where ε is the permittivity of the material in which the
electric field is measured and is therefore characteristic of that
This seemingly simple concept allows us in future chapters particular material. Thus,
to compute the electric field due to complex distributions of
charge without having to be concerned with the forces acting q
on each individual charge due to the fields by all of the other E = R̂ (V/m). (1.10)
4πε R2
charges. (material with permittivity ε )
The expression given by Eq. (1.8) describes the field
induced by an electric charge residing in free space. Let us
now consider what happens when we place a positive point Often, ε is expressed in the form
charge in a material composed of atoms. In the absence of ε = εr ε0 (F/m), (1.11)
the point charge, the material is electrically neutral with each
atom having a positively charged nucleus surrounded by a where εr is a dimensionless quantity called the relative per-
cloud of electrons of equal but opposite polarity. Hence, at mittivity or dielectric constant of the material. For a vacuum,
any point in the material not occupied by an atom, the electric εr = 1; for air near the Earth’s surface, εr = 1.0006; and the
field E is zero. Upon placing a point charge in the material, as values of εr for materials that we have occasion to use in this
shown in Fig. 1-7, the atoms experience forces that cause them book are tabulated in Appendix B.
1-3 THE NATURE OF ELECTROMAGNETISM 31
N
D = εE (C/m2 ), (1.12)
B
◮ The attraction–repulsion property for magnets is similar B
to the electric force between electric charges, except
for one important difference: Electric charges can be
isolated, but magnetic poles always exist in pairs. ◭ Figure 1-9 The magnetic field induced by a steady current
flowing in the z direction.
a very long wire residing in free space leads to the result that
◮ We stated earlier that E and D constitute one of two
the magnetic flux density B induced by a constant current I
pairs of electromagnetic field quantities. The second pair
flowing in the z direction is given by
is B and the magnetic field intensity H, which are related
to each other through µ :
µ0 I
B = φ̂φ (T), (1.13) B = µ H. (1.16)
2π r
◭
Light Sources
The three dominant sources of electric light are
the incandescent, fluorescent, and LED light bulbs (b)
(Fig. TF1-1). We examine each briefly.
Light-Emitting Diode
100
Noon sunlight The LED contained inside the polymer jacket in
Energy (arbitrary units)
Holes Electrons
◮ To broaden the mercury spectrum into one that
resembles that of white light, the inside surface of the
_
fluorescent light tube is coated with phosphor parti- +
cles [such as yttrium aluminum garnet (YAG) doped V
with cerium]. The particles absorb the UV energy
and then reradiate it as a broad spectrum extending Figure TF1-4 Photons are emitted when electrons combine
from blue to red; hence the name fluorescent. ◭ with holes.
Coal
3 100
Blue LED
0
400 500 600 700 0
0.4 0.5 0.6 0.7
Wavelength (nm)
Wavelength (micrometers)
Figure TF1-5 The addition of spectra from three monochro-
Figure TF1-6 Phosphor-based white LED emission spectrum.
matic LEDs.
Luminous Efficacy
~12 ~40 ~70 ~150
(lumens/W)
Useful Lifetime
~1000 ~20,000 ~60,000 ~100,000
(hours)
Estimated Cost
~$410 ~$110 ~$100 ~$40
over 10 Years
Figure TF1-7 Even though the initial purchase price of a white LED is several times greater than that of the incandescent light bulb, the
total 10-year cost of using the LED is only one-fourth of the incandescent’s (in 2010) and is expected to decrease to one-tenth by 2025.
38 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
Concept Question 1-4: What do the electrical permit- Answer: (a) B = 0, (b) B = 2B1 . (See EM
.)
tivity and magnetic permeability of a material account
for?
1-4 Traveling Waves
Concept Question 1-5: What are the three branches Waves are a natural consequence of many physical processes:
and associated conditions of electromagnetics? Waves manifest themselves as ripples on the surfaces of
oceans and lakes; sound waves constitute pressure distur-
bances that travel through air; mechanical waves modulate
Exercise 1-1: Given charges q1 = 10 mC, q2 = −10 mC, stretched strings; and electromagnetic waves carry electric
and q3 = 5 mC, all in free space, what is the direction of and magnetic fields through free space and material media as
the force acting on charge q3 ? microwaves, light, and X-rays. All of these various types of
waves exhibit a number of common properties, including:
y
q3 • Moving waves carry energy.
• Waves have velocity; it takes time for a wave to travel
from one point to another. Electromagnetic waves in a
vacuum travel at a speed of 3 × 108 m/s, and sound waves
2m 2m
in air travel at a speed approximately a million times
slower, specifically 330 m/s. Sound waves cannot travel
q1 q2 in a vacuum.
x
• Many waves exhibit a property called linearity. Waves
that do not affect the passage of other waves are called
2m linear because they can pass right through each other.
Figure E1.1 The total of two linear waves is simply the sum of
the two waves as they would exist separately. Electro-
magnetic waves are linear, as are sound waves. When
Answer: Along +x̂ direction. [See (the “ EM ” symbol
EM
two people speak to one another, the sound waves they
refers to the book website: em8e.eecs.umich.edu).] generate do not interact with one another but simply
pass through each other. Water waves are approximately
linear; the expanding circles of ripples caused by two
Exercise 1-2: Two parallel, very long, wires carry cur- pebbles thrown into two locations on a lake’s surface do
rents I1 and I2 . The magnetic field due to current I1 alone not affect each other. Although the interaction of the two
is B1 . What is the magnetic field due to both currents at a circles may exhibit a complicated pattern, it is simply
point midway between the wires if the linear superposition of two independent expanding
circles.
(a) I1 = I2 and both currents flow along the +ŷ direction?
Waves are of two types: transient waves caused by sudden
(b) I1 = I2 , but I2 flows along the −ŷ direction? disturbances and continuous periodic waves generated by a
repetitive source. We encounter both types of waves in this
I1 I2 book, but most of our discussion deals with the propagation of
continuous waves that vary sinusoidally with time.
An essential feature of a propagating wave is that it is a
B=?
self-sustaining disturbance of the medium through which it
travels. If this disturbance varies as a function of one space
variable, such as the vertical displacement of the string shown
in Fig. 1-10, we call the wave one-dimensional. The vertical
displacement varies with time and with the location along
Figure E1.2 the length of the string. Even though the string rises up
into a second dimension, the wave is only one-dimensional
1-4 TRAVELING WAVES 39
(a) Circular waves (b) Plane and cylindrical waves (c) Spherical wave
Figure 1-11 Examples of two-dimensional and three-dimensional waves: (a) circular waves on a pond, (b) a plane light wave exciting a
cylindrical light wave through the use of a long narrow slit in an opaque screen, and (c) a sliced section of a spherical wave.
40 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
compact form as
y(x, 0)
A P
2π
y(x,t) = A cos 2π f t − x
λ
x
λ λ 3λ = A cos(ω t − β x), (1.28)
2 2
−A (wave moving along +x direction)
(a) t = 0
up where ω is the angular velocity of the wave and β is its phase
y(x, T/4) constant (or wavenumber), defined as
P
A
ω = 2π f (rad/s), (1.29a)
x 2π
λ λ 3λ β= (rad/m). (1.29b)
2 2 λ
−A
(b) t = T/4 In terms of these two quantities,
y(x, T/2) ω
up = f λ = . (1.30)
P β
A
So far, we have examined the behavior of a wave traveling
x in the +x direction. To describe a wave traveling in the −x
λ λ 3λ direction, we reverse the sign of x in Eq. (1.28):
2 2
−A
(c) t = T/2
2π t
y(x,t) = A cos(ω t + β x). (1.31)
Figure 1-13 Plots of y(x,t) = A cos T − 2λπ x as a function
of x at (a) t = 0, (b) t = T /4, and (c) t = T /2. Note that the wave (wave moving along −x direction)
moves in the +x direction with a velocity up = λ /T .
The wave frequency f is measured in cycles per second and y(x,t) = A cos(ω t − β x + φ0). (1.32)
has been assigned the unit hertz (Hz), named in honor of the
German physicist Heinrich Hertz (1857–1894), who pioneered A plot of y(x,t) as a function of x at a specified t or as
the development of radio-wave instrumentation. a function of t at a specified x is shifted in space or time,
Using Eq. (1.26), Eq. (1.20) can be rewritten in a more respectively, relative to a plot with φ0 = 0 by an amount
42 CHAPTER 1 INTRODUCTION: WAVES AND PHASORS
t
T T 3T
2 2
−A
Figure 1-14 Plots of y(0,t) = A cos [(2π t/T ) + φ0 ] for three different values of the reference phase φ0 .
Module 1.1 Sinusoidal Waveforms Learn how the shape of the waveform is related to the amplitude, frequency, and
reference phase angle of a sinusoidal wave.
y(x)
y(x)
10 m Wave envelope
10e-0.2x
5m
0 x (m)
1 2 3 4 5 6 7 8
-5 m
-10 m
Figure 1-15 Plot of y(x) = (10e−0.2x cos π x) meters. Note that the envelope is bounded between the curve given by 10e−0.2x and its
mirror image.
The real unit of α is (1/m); the neper (Np) part is a dimen- is 1 kHz, the velocity of sound in water is 1.5 km/s, the wave
sionless, artificial adjective traditionally used as a reminder amplitude is 10 N/m2 , and p(x,t) was observed to be at its
that the unit (Np/m) refers to the attenuation constant of maximum value at t = 0 and x = 0.25 m. Treat water as a
the medium, α . A similar practice is applied to the phase lossless medium.
constant β by assigning it the unit (rad/m) instead of just (l/m).
Solution: According to the general form given by Eq. (1.17)
for a wave traveling in the positive x direction,
Concept Question 1-6: How can you tell if a wave is
traveling in the positive x direction or the negative x 2π 2π
direction? p(x,t) = A cos t− x + φ0 (N/m2 ).
T λ
An acoustic wave traveling in the x direction in a fluid (liquid which yields the result (φ0 − π /3) = cos−1 (1), or φ0 = π /3.
or gas) is characterized by a differential pressure p(x,t). The Hence,
unit for pressure is newton per square meter (N/m2 ). Find an
expression for p(x,t) for a sinusoidal sound wave traveling in 4π π
p(x,t) = 10 cos 2π × 103t − x+ (N/m2 ).
the positive x direction in water given that the wave frequency 3 3
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"Oh, don't mind us."
"Thank you. It's really for your benefit, so you'd better listen. Let me
see, where were we? Oh yes, 'One pound of beef, ninepence; three pounds
of potatoes, fourpence; one piece of emery paper for the blanc-mange,
tuppence; one pound of india-rubber——'"
"'Dearest, I do try; and after all, love, it wasn't I who fell into the cocoa
last night.'"
"'I didn't fall in, I simply dropped my pipe in, and it was you insisted on
pouring it away afterwards. And then, look at this—One yard, of lace, 4s.
6d. That's for the cutlets, I suppose. For people in our circumstances paper
frillings are quite sufficient.'"
Archie and Dahlia listened to us with open mouths. Then they looked at
each other, and then at us again.
"You'll pardon me, Archibald, but Miss Blair is dancing this with me."
Archie objected strongly, but I left, him with Myra, and took Miss Blair
away. We sat on the stairs and thought.
"That's just where I don't agree with you. You know, we think it's
greatly over-rated. Falling in love, I mean."
"Who's 'we'?"
"Myra and I. We've been talking it over. That's why we rather dwelt
upon the sordid side of it just now. I suppose we didn't move you at all?"
"That's exactly it," I said. "I should hate to be settled. It's so much more
fun like this. Myra quite agrees with me."
"I don't know. I never look more than a week ahead. 'It has been great
fun this week, and it will probably be great fun next week.' That's my
motto."
CHAPTER I
"Do I know everybody?" I asked Myra towards the end of the dinner,
looking round the table.
"I think so," said Myra. "If there's anybody you don't see in the window
ask for him."
"I can see most of them. Who's that tall handsome fellow grinning at me
now?"
"You've got a lady on each side of you," I said heatedly, "why don't you
talk to them? It's simply scandalous that Myra and I can't get a moment to
ourselves."
"Then pull a cracker with yourself. Surely you can think of something,
my lad."
"He has a very jealous disposition," said Myra, "and whenever Dahlia
—— Bother, he's not listening."
I looked round the table again to see if I could spy a stranger.
"Oranges don't point. Waggle your knife round. Oh, him? Yes, he's a
friend of Archie's—Mr Derry."
"He does, rather. You know those little riddles in the Christmas
crackers?"
"Yes?"
"But why——"
"No, I didn't. I simply asked you if you knew them. And he plays the
piano beautifully, and he's rather a good actor, and he never gets up till
about ten. Because his room is next to mine, and you can hear everything,
and I can hear him not getting up."
"That doesn't sound much like an electrical engineer. You ask him
suddenly what amperes are a penny, and see if he turns pale. I expect he
makes up the riddles, after all. Simpson only does the mottoes, I know. Now
talk to Thomas for a bit while I drink my orange."
"Now then," I said, as I examined the crystallised fruit, "I'm with you in
one minute."
"I'll try.... Yes, I can eat them all right. Now, let's see if I can listen....
Yes, I can listen all right."
"Then it's this. I've been putting it off as long as I can, but you've got to
be told to-night. It's—well—do you know why you're here?"
"Stave it off again with an almond," said Myra, pushing them along to
me. "What I really meant was why you're here in the house."
"Because you all love me," I started; "because you put the wrong
address on the envelope; because the regular boot-boy's ill; because you've
never heard me sing in church; because—stop me when I'm getting warm—
because Miss Fortescue refused to come unless I was invited; because——"
"Stop," said Myra. "That was it. And, of course, you know I didn't mean
that at all."
"What an awful lot of things you don't mean to-night. Be brave, and
have it right out this time."
"All right, then, I will. One, two, three—we're going to act a play on
Saturday."
"You can't, because, you see, you're going to act too. Isn't it jolly?" said
Myra breathlessly.
I gave what, if I hadn't just begun the last sweet, would have been a
scornful laugh.
"Me act? Why, I've never—I don't do it—it isn't done—I don't act—not
on Saturdays. How absurd!"
"Don't talk about me as 'him'!" I said angrily. "And I'm not taking it all
right. I'm not taking it at all."
"It's only such a very small part—we're all doing something, you know.
And your costume's ordered and everything. But how awfully sporting of
you."
"A rat-catcher."
"You said a small one. Does that mean that I'm of diminutive size, or
that I'm in a small way of business, or that my special line is young ones?"
"It means that you haven't much to say."
"Look here. I suppose you know that I've never acted in my life, and
never been or seen a rat-catcher in my life. It is therefore useless for you to
tell me to be perfectly natural."
"You have so little to do; it will be quite easy. Your great scene is where
you approach the Emperor very nervously——"
"Miss Fortescue."
"Yes, I doubt if I can make that bit seem quite so natural. Still, I'll try."
"Mr Derry will go through your part with you to-morrow. Some of it is
funnier than that."
"Nothing, only——"
"They have to be really bright green sweets. Poor man! What a job he'll
have with us all."
"Yes," said Myra, as she prepared to leave me. "Now you know why he
doesn't get up till ten."
CHAPTER II
I was, I confess, very late the next morning, even for a rat-catcher. Mr
Derry was in the middle of his breakfast; all the others had finished. We
saluted, and I settled down to work.
"I shall be there," I said, "if I have to bring the marmalade with me.
You're going to coach us?"
"Though I have never assumed the buskin myself," I went on, "I have,
of course, heard of you as an amateur actor." (Liar.) "And if you could tell
me how to act, while I am finishing my bacon, I should be most awfully
obliged."
"Haven't you really done any?"
"Only once, when I was very small. I was the heroine. I had an offer, but
I had to refuse it, I said, 'Alath, dear heart, I may not, I am married
already.'"
"Well, as it turned out, I had made a mistake. It was my first who had
been married already. The little play was full of surprises like."
Derry coughed, and took out his pipe. "Let me see," he began, "what's
your part?"
"Grand hereditary," I said stiffly. "It had been in the family for years."
"Quite so."
"On the contrary, I'm eating practically nothing—a nut and one piece of
parsley off the butter. The fact is, I glanced at my part before I went to bed,
and there seemed such a lot of it I hardly slept at all."
"Why, you don't come on very much," said Archie. "Neither do I. I'm a
conjuror. Can any gentleman here oblige me with a rabbit? ... No, sir, I said
a rabbit. Oh, I beg your pardon, I thought you were coming up on to the
stage.... Any gentleman——"
"Have some jam instead. What do you mean by saying I don't come on
very much?" I took the book out of my pocket, and began to turn the leaves.
"Here you are, nearly every page—'Enter R.,' 'Exit R.,' 'Enter L.'—I don't
know who he is—'Exeunt R.,'—why, the rat-catcher's always doing
something. Ah, here they're more explicit—'Enter R.C.' Hallo, that's funny,
because I'd just—— Oh, I see."
"One of our oldest and most experienced mimes," said Archie to Derry.
"You must get him to talk to you."
"There's one very jolly story about Ellen Terry and the fireproof curtain.
Let me see, were you Macbeth then, or Noise of Trumpets? I always forget."
Outside, in the hall, there was a large crowd of unemployed, all talking
at once. I caught the words "ridiculous" and "rehearsal," and the connection
between the two seemed obvious and frequent. I singled out Thomas,
abstracted his pouch, and began to fill up.
"What is all this acting business?" I asked. "Some idea about a little
play, what? Let's toddle off, and have a game of billiards."
"They've let me in for a bally part," said Thomas, "and you needn't think
you're going to get out of it. They've got you down, all right."
"If you mean it's very bad, I agree with you," said Thomas.
"If you will give me two minutes, Simpson," I said, "I will liven up my
own part better than that. What rhymes with rat-catcher?"
"Cat-catcher."
"Well, I did just hear it before," said Myra. "I wish you'd make up one
for me. I think we might all announce ourselves like that, and then the
audience will have no difficulty in recognising us."
"'Oh, I am her Majesty's maid,'" declared Simpson. "We all begin with
'Oh,' to express surprise at finding ourselves on the stage at all. 'Oh, I am
her Majesty's maid, I'm a sad little flirt, I'm afraid.'"
"Thank you, sir. You'll have to pay me a lot more of those before the
play is over."
"Will I really?"
"It is too ridiculous," she complained; "none of us know our parts yet,
and if we have a rehearsal now—what do you think about it?"
I looked at Myra and smiled to myself. "I'm all for a rehearsal at once,"
I said.
CHAPTER III
A REHEARSAL
"Now this is a very simple trick," said Archie, from the centre of the
stage. "For this little trick all I want is, a hippopotamus and a couple of
rubies. I take the hippopotamus in one hand—so—and cover it with the
handkerchief. Then, having carefully peeled the rubies——"
Thomas put the last strip of silver paper on to his axe, and surveyed the
result proudly.
"But how splendid!" said Myra, as she hurried past. "Only you want
some blood." And she jumped over the footlights and disappeared.
"Hey, presto! it's gone. And now, sir, if you will feel in your waistcoat
pockets you will find the hippopotamus in the right-hand side and the red
ink in the left. No? Dear, dear, the hippopotamus must have been a bad
one."
"Be an artist, Thomas," I said, "and open a vein or two. Do the thing
properly, Beerbohm. But soft, a winsome maid, in sooth; I will approach
her. I always forget that sooth bit. But soft, a win——"
"Oh, of course it's Blair. Blair, when you come up to me and say——"
They retired to the back of the stage to arrange a very effective piece of
business.
"Any card you like, madam, so long as it is in the pack. The Queen of
Hearts? Certainly. Now I take the others and tear them up—so. The card
remaining will be yours. Ah, as I thought—it is the Queen of Hearts."
"Archie, you're talking too much," said Dahlia, "and none of it comes
into your part really."
"I'm getting the atmosphere. Have you an old top hat on you, dear,
because if so we'll make a pudding. No top hat? Then pudding is horf."
"But stay, who is this approaching? Can it be—I say, mind the
footlights. When are we going to begin?"
"There!" said Thomas proudly. "Anybody would know that was blood."
"But how perfectly lovely," said Myra. "Only you want some notches."
"What for?"
"To show where you executed the other men, of course. You always get
a bit off your axe when you execute anybody."
"Why don't you do something for a change? What about the trap or
whatever it is you catch your bally rats with? Why don't you make that?"
"It isn't done with a trap, Thomas dear. It's partly the power of the
human eye and partly kindness. I sit upon a sunny bank and sing to them."
"Which is that?"
"Hallo, Emperor, what's that you're saying? Quite so, I agree with you. I
wonder if your High Fatness can lend me such a thing as a hard-boiled egg.
Simpkins, when this rehearsal is over—that is to say, to-morrow—I'll take
you on at juggling; I'm the best——"
Deny finished his conversation with Miss Fortescue and turned to the
stage.
"Now then, please, please," he said. "We'll just take the First Act.
Scene, The Emperor's Palace. Enter Rat-catcher. You come on from the
left."
"Well, that's how I read the part. Hang it, I ought to know if I've been
bitten or not. But I won't show it if you like; I'll come on briskly."
"'Nay, do not flee from me, pretty one. It is thus that——' I say, Myra,
it's no good my saying do not flee if you don't flee."
"I was just going to. You didn't give me a chance. There, now I'm
fleeing."
"Oh, all right. 'It is thus that the rats flee when they see me approaching.
Am I so very fearsome?'"
"'Orrid," said Archie to himself from the wings.
"Nay, do not frown," Myra went on, "'tis only my little brother, who is
like unto a codfish himself, and jealous withal."
"Ay, ay, and I thought it was a codfish. So that I had e'en brought the
egg-sauce with me."
"Trouble not thyself for that," said Archie. "For verily the audience will
supply thee with all the eggs thou wantest. I say, we are being funny."
"I'm not, I'm quite serious, I really did think it was a co—— 'But tell
me, fair one,'" I said hurriedly, "'for what dost the Emperor want me?'"
"Yes, yes," said Derry, "I'm sorry I had to interrupt you. I think perhaps
we had better begin again. Yes, from the beginning."
* * * * * * *
"I think it went splendidly," said Myra. "If only we had known our parts
and come in at the right moments and been more serious over it."
"If there's any laughing to be done it will have to be done by us. The
audience won't laugh."
"'Mr Derry having explained that the author was not in the house, the
audience collected their cauliflowers and left quietly.' I think it's a rotten
play."
"Well, it isn't frightfully funny," said Myra, "but we can put that in
ourselves."
"It's so jolly hard to say the lines properly—they're so unnatural,"
complained Thomas. "'Truly thou hast created a favourable impression with
the damsel'—well, I mean, it's absurd. Any ordinary person would say
'Truly thou art amongst them, old spot,' or something of that kind."
"We might put a few songs in," said Dahlia, "and a dance or two."
"I think you've forgotten that we've done only Act I.," remarked Archie.
"His Majesty's conjuror doesn't really let himself go till Act II. Still, I'm all
for a song and a dance. Simpson, come and Apache with me."
CHAPTER IV
LAST MOMENTS
"Has anybody here seen Kelly?" asked Dahlia, putting her head in at the
billiard-room door. "I mean Archie."
"A rat-catcher's best suit is not an elaborate one; I can put it on in about
five minutes. It is now seven-thirty, we begin at eight-thirty—hence the
billiard cue. More chalk."
"Oh, why aren't you nervous? How you can stand calmly there——"
"I am nervous. Look." I aimed carefully and put the red into a pocket
some miles away. "There you are. Have you ever seen me do that in real
life? Of course not. If my hand had been steady I should have been a foot to
the right. Still more chalk."
"Well, I want Archie, and I shall cry if I don't find him. That's how I
feel." She sat down and got up again.
"My dear Dahlia," I said solemnly, "now you can understand a father's
feelings—I mean, now, you see what you women have brought on
yourselves. Who suggested a play? The women. Who dragged me into it?
The women. Who said rat-catchers always wore whiskers? The women.
Who is designing me a pair of whiskers at this moment? The wom——
Simpson. Who but for whom (this is going to be a very difficult sentence)
who but for whom, would be just thinking of dressing leisurely for dinner,
instead of which we had a hasty snack, and have now got to put on heaven
knows what? The women. Well, it serves you right."
"Don't be horrid. I want Archie." She got up for the third time and
drifted out of the room.
"Golly, you do, you really do!" I said at last. "Did they always dress like
that in the Bong era? Short skirts, long pigtail, bare arms—lovely!"
"'I can sit in the sun and look just twenty-one,'" sang Myra as she
dropped into the sofa.
"As for calisthenics, well, what I say is, 'My daughter is Church of
England, and if you don't like it, she can come away. I'm not going to have
her stuffed up with all that nonsense.'"
"It is. Have you ever thought that, if we refused to begin, the play
couldn't continue, and then the audience would be able to go home? My
idea was to tackle the people as they arrive, and come to terms with them.
I'm sure there's money in it."
"Of course, I am. I'd give a hundred pounds to be out of it. No, I
wouldn't—I'd give a hundred pounds if you'd always wear that frock and do
your hair like that. Will you? And you shall go on with your French, child."
It was not the whiskers, however, but Archie and Thomas in full
costume; Archie in green and Thomas in black.