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DEDICATION
1 General Physiology..•••..••..••...••..••..••...••..••..•••..••..•••..•...••..•••. 1
Homeostasis • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • 1
Membrane Transport Mechanisms •.•••••••••.••••••••••••••••••.•.•.•••••••••••••••••••••••••• 4
Membrane Potentials ••••••••••••••••••••••••••••.•••••••••••••••••••••••••••••••••••••••••••• 1O
Action Potential .............................................................................. 14
Synaptic Transmission .•.••••••••••.•.•.•.•.•.•.•.••••••••••.•••.•.•.•.•.•.•.•.••••••••••.•.•. 16
Skeletal Muscle ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 17
Smooth Muscle•.•.•.•.•.••••••••••.•.•.•.•.•.•.•.••••••••••.•.•.•.•.•.•.•.•.•.••••••••••.•.•. 28
Study Questions••••••••••••••••••••••••••••••••••••••••••••••••.••••••••••••••••••••••••••••• 31
2 Neurophysiology................................................................35
Structural Overview of the Nervous System .•.••••••••••••••••••.•.•.•.•.•.••••••••••••••••••• 35
Brain Extracellular Fluids •••••••••••.•.•.•.•.•.••••••••••••••.•••.•.•.•.•.•.••••••••••••••.•.•. 46
Cellular Neuroscience •••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 51
Fundamentals of Sensory Neurophysiology •••••••••••••••••••••.•.•••.•.•.••••••••••••••.•.•. 59
The Somatosensory System ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 62
The Visual System •••••••••••••••••.•.•.•.••••••••••••••••••••••.•.•••••.•.••••••••••••••.•••. 69
The Auditory System ••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••• 83
The Vestibular System •••••••••••••.•.•••.••••••••••••••••••••••.•.•••••••.••••••••••••••••••. 90
Gustation and Olfaction 94
Motor Neurophysiology 96
The Autonomic Nervous System •••.•.•.•.•.•.•.•.••••••••••••••.•.•.•.•.•.•.•.••••••••••.•.• 109
Overview of Integrative and Behavioral Functions •••••••••••••••.•.•••••••••••••••••••••••••• 113
Contents
Answers 499
Index ..••...••..••...••..••...•...••..••...••..••..••...••.•••..••...••..••..• 525
he goal of this textbook is to help medical students to efficiently learn and
T review physiology. The text oifers a complete yet concise treatment of the major
topics in medical physiology. Several design features are included to make the text
easy to use.
High-yield clinical pearls 'Y are integrated throughout to the text; and c:linical
examples highlight the relevance and application of physiologic concepts.
Key concepts are highlighted using italics, and buic term& are shown in bold
when first used.
Full-color tigures illustrate essential processes; explanatory figure legends allow
figures to be used for review.
Bullets and numbering are used to break down complex processes.
Study questions and answers are provided at the end of each chapter. A final exam-
ination is also provided, which is organized by body system to allow either compre-
hensive testing or focused review.
This page intentionally left blank
articular thanks to my first edition coauthor Colby Halsey and artist Matt
P Chamky; to the second edition editorial team from McGraw-Hill. especially
Tuuseen Qadri and Kirti Sharma Kaistha; and to the project leader Michael Weitz
for his patience and support
This page intentionally left blank
onathan Kibble is a professor of physiology at the University of Central Florida,
J College ofMedicine in Orlando. He was recognized by the American Physiological
Society in 2018 as the Arthur C. Guyton Physiology Educator of the Year and also
received the Alpha Omega Alpha. Robert J. Glaser Distinguished Teacher Award in
201 S from the Association of American Medical Colleges. Jon trained in the United
Kingdom in the early 1990s and also worked in the Caribbean and Canada before
moving to the United States in 2008. Dr. Kibble brings 25 years of experience in
teaching medical phygiology to write a ten that is both accessible and relevant for
student. of medicine.
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Homeostasis
1. Medical physiology is about how the body systems function and how they are
controlled.
2. HomeoltU:la is the maintenance ofa stable internal environment and requires
integration of organ system functions (Table 1-1).
3. Negative feedback controL
a. The stability of the body's internal environment is defined by the
maintenance of phyaiologk controlled ftriabl.ea within narrow normal
ranges (Table 1-2).
b. Minimal variation in a controlled variable iB explained by the presence of
negative feedback control mechani!ms.
c. Negative feedback respon1es counter deviations of a controlled variable from
ita normal range; this is the major control process used to maintain homtostasis.
1
The Big Picture Physiology: Medical Course &Step 1 Review
d. A negative feedback control system has the following elements (Figure 1-1):
i A set point value, which is at the cente.r of the normal range and is
treated by the control system as the target value.
ii Senson that monitor the controlled variable.
ill. A comparator, which interprets input from the sensors to determine
when deviations from the set point have occurred. The comparator
initiates a counter response.
iv: Eirectors are the mechanisms that restore the set point
e. Using the control of blood pressure as an example:
i 1he confl'olled variable is mean arterial blood pressure (MAP).
ii 1he normal set point for MAP is approximately 95 mm Hg.
ill. Pressure sensors are located in the carotid sinus and relay information
to a comparator located in the central nervous system.
I normal
Recognizes
deviations
from
Measures
controlled
I set pointv value
varlable
OOMPARATOR
Error
I EFFECTOR
signal
Negative
Iimportant variable
maintained within
feedback:
effector
opposes
narrow normal llmlts stimulus
EXTRACELLULAR FLUID
INTRACELLULAR INlERSTITIAL
I BLOOD
FLUID FLUID PLASMA
25L 13L 3L
[Na+J=15mM
[K+]= 120 mM
(Na+]= 145 mM
(K+]=4.2mM
• (Na+] = 142 mM
(K+]=4mM
[CrJ=20mM (Ct"] = 113 mM (Ct"] = 103 mM
[ProlBln] = 3 mM (Protein] = OmM (Protein] = 1 mM
OSmolarlty =285 mOSM OSmolarlty = 285 mOsM 0Smolar1ty = 285 mOsM
ENERGY REQUIREMENT
PASSIVE ACTIVE
I I
...
PRIMARY
I
AC'TlVE
TRANSPORT
" "
SIMPLE FACILIU\TED SECONDARY ENDOCYTOSIS
ACTIVE
DIFFUSION DIFFUSION EXOCYTOSIS
TRANSPORT
• •
'
t
THROUGH MEMBRANE
MEMBRANE-SPANNING
LIPID VESICLE
TRANSPORT PROTEIN
BILAYER
t I t
TRANSPORT MECHANISM
A. Selected
3Na+ organic
Plasma
~~
D solutes
~DR
t 7 . :"oP+P1
2K+
Cytoplasm
ADP+P; ATP
~~ (---- '-...
c-~ F---:>
---- --------
Smooth
endoplasmlc
reticulum
B. Cotransporters Exchangers
Plasma
membrane
\
Figure 1-4. Active transport. A. Examples of primary active transporters (ATPases) in the plasma membrane and in organelles. B. Examples
of secondary active transporters; cotransporters transport solutes in the same direction, and exchangers transport solutes in opposite
directions. ADP, adenosine di phosphate; ATP, adenosine triphosphate; MOR, multidrug resistance.
The Big Picture Physiology: Medical Course & Step 1 Review
. a
'
...
Simple diftusion Simple diffusion Facili1at&d
through lipid through diffusion through
bilayer channel unlpor1Br
-----~~.,.--~ Facilitated
dtTualon
Simple
ll-----==~======== diffusion
through
External solute concentration bilayer
A. Oammla ~ Semipermeable
membrane -...__
: -.._.,. -...._ :
I ~..~
Dilute ·- - - ------'
solution
.
• ! • :•:•••
.
:.. .
: • • •
•
. .. ... ..
Wa'lar : ••
: .•.• llux : . • •
• • : .. ..
: •. • I • •
.•:---7-
,.
~L--
I
Semipenneable
membrane
C. Rdecllon caetllclent
:· :
~~
.
.. ..
••• ... .:.
It 0:
.. .. .....': ....
:
•• ~
•-o· •
~.
llJ
.... ..
:
..
'
• •
I •
~
:
•
(J "' 1
..
vA'I· •.jo ,,.•
:
(J =0
Figure 1-6. Osmosis. A. Illustration of osmotic water movement across a semi permeable
membrane. L The concept of osmotic pressure. C. Reflection coefficients: Solutes
that do not permeate the membrane exert all their osmotic pressure (a = 1); freely
permeable solutes (a = O) do not exert any osmotic pressure.
Membrane Potentials
1. All living cells have a membrane potential difference in which the cytoplasm is
negative with respect to the ECF (Figure 1-7A).
Chapter 1 General Physiology
I
10 mM KCI ("our)
C. Electrochemlcal gradle!Q
E. =+123mV
120
80 =
ENa +61 mV
40
(Vm-Ec:.) =-197 mV
0 (Vm- ~) = -135 mV (Inward flux)
Qnward flux)
-40
Vm=-74mV
-80 1--~~~~~_._ .........
~....._~
Figure 1-7. A. The resting membrane potential; all cells have a negative intracellular potential. B. Generation of a K+ diffusion potential.
In this example, K+ is the only permeable ion; a small amount of K+ diffuses to the lower compartment, creating a negative potential in
the upper compartment The Nernst equation predicts the equ!llbrlum potentlal (voltage), based on the size of the K+ concentration ratio
between compartments. c. Electrochemlcal gradients. Membrane potentlal (V.) Is shown by the dashed llne. Downward arrows Indicate
gradients for cation flux Into the cell; the upward arrow Indicates a gradient for catton efflux.
2. Membrane potentials arise because there are stable ion diffusion gradients across
the membrane and because cell membranes contain ion channels that provide
seleatve ion permeability.
3. The following steps are involved in the development of a diffiW.on
potential:
a. In the example in Figure 1-78. two potassium. chloride (KCl) solutions are
separated by a membrane that is permeable to K+ but not to et-.
b. x:+ diffiues from the upper to the lower compartment, down its
concentration gradient. In this case. Cl- cannot follow.
c. A voltage d11ference develops as the K+ ions leave the upper compartment,
leaving a net negative charge behind. A ..,ery slight separation ofKCI ion pairs
is enough to generate physiologic voltages.
d. 1he negative potential in the upper compartment attracts K+ ions and
opposes the K+ concentration gradient.
e. An equilibrium potentlal is established when the voltage difference and
the concentration gradient are equal but opposite driving forces. At the
f4.UIUbrium potenttai there l.s no net mcwement ofK+.
f. 1his simulated example is analogous to most resting cells, which contain a
high [K+] and have numerous open K+ channels at rest (note, however, that
the major intracellular anion in cells is protein, not Cl-).
4. The equilibrium potential is a function of the size of the ion concentration
gradient (Table 1-3) and is calculated using the Nern1t equation:
The Big Picture Physiology: Medical Course &Step 1 Review
E = -61.5 lo [XJ1
" z g[X]0 Equation 1-4
B,.=-94.SmV
- - og-[KJ1 ·mV
- -61.51
E -
... z [K]0
The Big Picture Physiology: Medical Course &Step 1 Review
E = -61.5 10 [155). mV
1 z g [9)0
E,.=-76mV
Re<:alculating the resting membrane potential, using the new value for Ba::
A.
B.
Unmyellnaled nerve axon
Continuous conduction
............
eoeo ee ccccccccc
~. . e e e e e e e e e e e e e e eJ
Myelin sheath
Figura 1-e. A. Nerve action potential. The upstroke of the action potential results from
Increased Na+ conductance, Repolarlz.atlon results from a declining Na+ conductance
combined with an Increasing K+ conductance; afterhyperpolarlzatlon Is due to sustained
high K+ conductance. B. Action potential propagation. Local current flow causes the
threshold potential to be exceeded in adjacent areas of the neuron membrane. Because
the upstream region is refractory, an action potential is only propagated downstream.
In myelinated axons, action potentials propagate faster by•jumping-from one node of
Ranvier to the next node by saltatory conduction. ARP, absolute refractory period; RRP,
relative refractory period.
Synaptic Transmission
1. Synapses are specialized cell-to-cell contacts that allow the information
encoded by action potentials to pass to another cell
2. 'Ihere are two types of synapses:
a. Electrical synapses occur where two cells are joined by gap junctions,
which conduct current from cell to cell via nonselective pores. Cardiac
musck is an example ofcells that are electrically coupled via gap junctions.
b. Chemical synapses involve the release of a chemical transmitter by one cell
that acts upon another cell (Figure 1-9).
i Action potentials in a presynaptic cell cause the release of the chemical
transmitter, which crosses a narrow cleft to interact with specmc
receptors on a post.synaptic cell.
ii Excitatory neurotransmitters depolarize the postsynaptic membrane.
producing an acltatory postsy.naptlc potential.
Chapter 1 General Physlology
.....em1....
..... ·--• Synaptic
\ cleft
Axon neurotransmitler ' \ \
1ermlnaJ"' Pl9synaptic
""9icles
.... ••.. -
•
•••
• •••
·.•
......
•
Pr8synaptic
oell
)r,._ _ 1Ce2-t ~
~
.••..
-----+
~\
Action
potential Postsynaptic
cell
C&2+
Voltage-gated
Ca2+ channels
Figura 1-9. Components of a chemical synapse. Action potentials In the pn!synaptlc
neuron cause voltage-gated c.a2+ channels to open. c.aJ+ Influx triggers exocytosls
of neurotransmitter molecules from storage vesides into the synaptic cleft.
Neurotransmitter molecules Interact with receptors on the postsynaptlc cell membrane
to induce either excitatory (depolarizing) or inhibitory (hyperpolarizing) postsynaptic
potentials.
Skeletal Muscle
1. There are three anatomic type$ of muscle: ~ cardiac, and amooth.
a. Both sbletal and cardiac muscles are class.ifted microscopically as striated
mmde.
b. Skdeta1 muscle is also referred to as voluntary because it remains relaxed in
the absence ofnerve stimulation.
c. Cardiac and smooth muscles can function without nerve input and are
referred to as imoluntary.
2. Skeletal muscle structure (Figure 1-10).
The Big Pidure Physiology: Medical Course & Step 1 Review
A.
Muscle / - / Tendon
, , ,/,, Bone
..- .'•
B.
., . ,.
_,
Sarcomere
.
·' '.
I band Abend I band
Hband
Zline
~
Myosln
r - -Actin
Miine
c.
Actin filament
CBlclum blndlna site
Tropomyosl\ \ ,/ I Active site
Myosin filament
~~~~-~~ ~~~~~- --
~~~~~~~~~~~~~~~~~
~- -
~~~~~~~~~~~~~~~~~-
Figure 1-10. A. Structure of skeletal muscle: Muscle cells (fibers) contain a group of
myofilaments, each composed of sarcomeres aligned end-to-end. B. The sarcomere. A
1"1!9Ular array offilament proteins between adjacent Z disks comprises a sarcomere. Thin
actln filaments extend from Z disks toward a central Mline, partlally overlapplng thick
myosln filaments. Under a microscope, the region of thick filaments (A band) appears
darker than adjacent areas with only thin filaments (I band}, producing the striated
appearance of skeletal muscle. Striations in adjacent myofibrils are also aligned. C.
Molecular components of thin and thick filaments. Thin filaments are composed of actin,
with the associated proteins tropomyosln and troponlns; thick filaments are composed
of myosln. ATP, adenoslne trlphosphate.
Chapter 1 General Physlology
4. Croaa-brldge cycllng
In the p.....,,c. of
c.z+andAlP
A band constant
Zline Zline
Figure 1-11. Sliding filament theory of muscle contraction. (.az+ binding to troponin C causes actin active sites to be exposed (compare
panels 2 and 3). In the presence of adenosine triphosphate (ATP), myosin repeats a cycle of binding to actin, performance of a power
stroke, detaching, becoming cocked, and reattaching further along the actln molecule (panel 4). Actln filaments are drawn over myosln. In
this example, muscle shortening occurs (compare panels 1 and 5). ADP, adenoslne dlphosphate.
The Big Picture Physiology: Medical Course &Step 1 Review
A. Motor unit
Spinal cord
Nerve cell
bodY --"C":-~
Terminal
bouton
Synaptic +
4.._ • +
deft - __::/- 4 t
,t
Postjunc:tional •
fold8 -----~t1~c:;
~\.---
Contractlle
apparatus --~~
=:;..~....;.....;;;.;....~~..;;J
C. Poltaynaptlc potentlala
Action
potential in
Miniature response
end-plate to motor
potential Summation neuron
impulse"-
I
·--- ------------r-----------------
_r.__ A
Figura 1-12. Innervation of skeletal muscle. A. Motor units Include a motor neuron and
the group of muscle fibers that are innervated by its branches. 8. The neuromuscular
junction. Acetyfcholine release from motor neuron terminals stimulates nicotinic
receptors in the muscle membrane, producing an excitatory postsynaptic potential. C.
End-plate potentials. Acetylcholine in a single presynaptic vesicle (quantum) evokes a
miniature end-plate potential. Action potential in a motor neuron triggers the release of
many quanta, and miniature end-plate potentials summate to exceed the threshold for
action potential In the muscle fiber.
J
llme
Figure 1-1 J. E·C coupling sequence in skeletal muscle. Force development depends on
increased intracellular Ca2+, which is preceded by the muscle action potential.
5. .Excitation-con1l'action coupling.
a. In all types ofmuscle. the key event causing contraction is increased
intracellular Ca2+ concentration (Figure 1-13).
b. In skeletal muscle, the source of caz+ for contraction is the sarcoplumtc
reticulum (SR).
c. The muscle action potential. triggers Ca2+ release from the SR in skeletal.
muscle.
d. 'Ihe only physiologic stimulus for skeletal muscle action potentials is the end-
p'/ate. pote.ntial, developed in response to motor nuve impulses.
e. The membrane system of the SR is enclosed within the cell and is comprised
oflongitudinal tubules, which surround the contractile apparatus and
terminate in lateral sacs (terminal cisternae).
f. Lateral sacs are closely associated with invaginations of the muscle cell
plasma membrane called T tubalea.
g. The lateral sacs from two neighboring sarcomeres converge on a T tubule to
form a structure known as a triad. Triads are located at the junction of the
A band and the I band of every sarcomere (Figure l-14A).
h. Action potentials in T tubules induce Cal+ release from the lateral sacs
(Figure l-14B).
i The Ca2+ release mechanism involves -voltage sensors in the T-tubule
membrane (L-type Cai+ channels), which are linked to ea>+ release
channels (ryanodine receptors) in the SR.
ii The voltage sensors respond to depolarization in the T tubule with
conformational changes that result in the opening of the Ca:i.+ release
channels of the SR.
i. The intracellular [Cai+] increases from about io-• Mat rest to about 10-s M
during a muscle contraction.
j. To return a muscle to the relaxed state, Ca2+ uptalre occurs in the
longitudinal tubules via Cai+-AT.Pases of the SR.
k. Following Cal+ reuptalre, most stored CaH is found in the lateral sacs,
where it is weakly bound to the protein Qlsequestrin.
6. Force of contraction.
Chapter 1 General Physlology
_S[j
e~l=a
. ~- ;:;
· EEt-
·rTtubula
Ryanodine
_.:;_
receptor
/
~~- ~t:=e~+
! '- voltage aenaor
Ce2+ l9leaae from lateral 88C
of sarooplasmic reticulum
Figura 1-14. A. Muscle triads. Each T tubule Is associated with a lateral sac from each of
the two nelghborlng sarcomeres to form a triad. 8. The excitation-contraction coupling
mechanism In skeletal muscle. The dose association of membranes In the triad allows
muscle action potentials to open the sarcoplasmic reticulum (.al+ ll!lease channels
through activlltion of voltage sensors in Ttubules.
Stimuli
Time--+
Figure 1-15. Temporal summation. Increased frequency of muscle stimulation (Indicated by downward atTOWS) causes Increased force of
contraction. At low-frequency stlmulatlon, Ca2+ reuptake Is complete and the muscle relaxes completely between stimuli. With high-
frequency stTmulatlon, TntracellularCa2 + concentration remains high; the contraction force reaches a plateau (tetanus) when all the
tropon!n C sites are filled with Cal+.
ii The toxin travels to the spinal cord where it bloc:ks inhibitory nerves,
allowing the excitatory motor neurons to fire rapidly.
iii Rapidly firing motor neurons summate to produce tetany, a potentially
fatal condition! 'Y
7. Skeletal muscle diversity (Table 1-5).
a. There are two major types of muscle fibers: Slow twitch (type I) and fast
twitch (type II).
b. Expression ofdifferent isoforms of myosin and other proteins accounts for
diiferent shortening speeds offast and slow twitch nbers.
c. Whole muscles are made up of different proportions ofslow and fast twitch
fibers. For example:
i Postural muscles contain a higher proportion of slow twitch fibers
because they must maintain tone and resist fatigue.
ii Extra.ocular muscles are required to make fast. brief movements of the
eye and therefore contain a high proportion of fast twitch fibers.
d. There are genetic differences in the general proportions of muscle fiber
types that are expressed among individuals, which accounts in part for the
tendency for a person to be either a better sprinter (more fast twitch :fibers)
or to have higher endurance (more slow twitch fibers).
e. The distribution offiber types is also affected by the firing patterns of motor
neurons and can, therefore, be modified by the type of training a person
does (e.g., endurance training increases the proportion of slow twitch fibers).
8. Muscle mechanics.
a. 1here are two general mocla of mu1cle contraction:
i An l1ometrk, or fixed-length contraction, occurs if both ends of a
muscle are fixed. 1he muscle can develop tension but it cannot shorten.
li. An i1otonk, or fixed-load contraction, occurs if a muscle is able to
shorten to carry a given load.
b. Resting mwcle length is an important determinant ofthe fora ofc:ontnu:tion.
1he le.ngth-temlon (length-force) relation is studied under isometric
conditions.
i. A resting muscle behaves like a rubber band. requiring force to stretch it
to different lengths.
ii. 1he preload is the amount of force applied to a resting muscle before
stimulation, creating pauive tention.
iii. When the muscle is stimulated. active tension is added to the passive
tension. 1he amount ofactive tension produced is the difference
between passive tension and total tension (Figure l-16A).
A.
Total '9n8lon t
Muscle length
I
v
~ u
1
I. ••
iv. 1here is an optimal range ofresting muscle length (preload) that produces
maximal contraction.
• At very short o.r very long muscle lengths, active force development
declines, producing the characteristic length-tension relationship of
striated muscle.
• The plateau ofthe length-unsion relation (see Figure l-16B, pointy)
reflects optimal overlap ofthin and thick filaments within sarcomeres,
providing maximum myosin cross-bridge binding.
• On the asc:ending limb (see Figure l-16B, between points x and y),
the muscle is too short, resulting in double overlap of thin filaments
and attachment offewer cross-bridges.
• On the descending limb ofthe curve (see Figure 1-168, points y and
z), the muscle is too long. resulting in inadequate overlap of thin and
thick filaments.
v. Skiktal muscles operate at the plateau oftheir length-tension relation
because preload is set at the optimal level by bony attachments at each
end of the muscle.
c. -. Preload is notfixed in cardiac muscle but varies according to tM amount
ofvenous return.
i In a healthy heart. an increased preload will stretch the cardiac
myocytes, resulting in a more forceful and speedy contraction.
ii However, in a diseased heart (e.g., left wntricular hypertrophy). cardiac
muscle can become sti1f. impairing its ability to stretch. Increasing
preload in this setting will mainly increase the pressures in
the heart without the benefit of improving contractile force
or speed. ,,.
d. Muscle performance can be studied under isotonic conditions to produce a
force-velocity relation (Figure 1-17).
i 1he resting muscle length is set by adding a given preload, and the
Initial velocity of shortening is then measured as the muscle is
stimulated to lift a range of additional weights.
ii The weight a muscle must lift upon stimulation after resting length has
been established is called afterload.
• The spud ofshortening decreases as the total load increases.
• Extrapolating this curve to a theoretical zero load indicates the
maximum possible speed of shortening (V_),which reft.ects the rate
ofmyosin ATPase activity.
• Ifpreload is increased, there is an increased speed of shortening for
any given total load, but without any change in Vma:·
iii Y In cardiac muscle, increased force and speed ofcontraction can be
produced without changingpreload. This is called increased umtractillty
and can be identified by an increase in V"""' (see Chapter 4). ,,.
Smooth Muscle
1. Smooth muscle lines the walls of most hollow organs, including organs
of the vascular, gastrointestinal, respiratory, urinary, and reproductive
systems.
Chapter 1 General Physlology
A.
v,..at~load
lncraasing aflerload
(same preload for
~asurements)
B.
z -'
V1111111 18 lenglh Independent
I
't5 Preload 2 > preload 1:
shortening is faster at
~ all total loads above
I
:!ii
a zero load
MP25848.
Meet Ezra Jack Keats. Jaqueline Shachter. 30 min., sd., b&w,
videotape (1/2 inch) (Profiles in literature) © Jaqueline Shachter;
28Mar74; MP25848.
MP25849.
Gatecliff: American Indian rockshelter. National Geographic
Society in association with Educational Expeditions International. 24
min., sd., color, 16 mm. © National Geographic Society; 30Sep74;
MP25849.
MP25850.
Search for fossil man. National Geographic Society in association
with Educational Expeditions International. 24 min., sd., color, 16
mm. © National Geographic Society; 16Aug74; MP25850.
MP25851.
Reachin’ for the lightning. National Safety Council. Made by Pilot
Productions, Inc. 10 min., sd., color, 16 mm. © National Safety
Council; 28Dec73; MP25851.
MP25852.
Technique for lifting. National Safety Council. A Crocus
production. 10 min., sd., color, 16 mm. © National Safety Council;
29Oct73; MP25852.
MP25853.
Stop a fire before it starts. National Safety Council. 10 min., sd.,
color, 16 mm. © National Safety Council; 28Nov73; MP25853.
MP25854.
The Movies go West. Geoffrey Bell. 14 min., sd., color, 16 mm.
Appl. states prev. reg. 1Nov73, MU8816. NM: revision. © Geoffrey
Bell; 15Jul74; MP25854.
MP25855.
Jump shots. Sports Instruction Aids. 5 min., sd., color, 16 mm. ©
Sports Instruction Aids; 15Nov73; MP25855.
MP25856.
Schooling behavior of fishes. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25856.
MP25857.
Conch fishing in the Coral Sea. Thorne Films, Inc. 4 min., si.,
color, Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in
notice: 1973); MP25857.
MP25858.
The Coral reef at night. Thorne Films, Inc. 4 min., si., color, Super
8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973);
MP25858.
MP25859.
Octopus behavior. Thorne Films, Inc. 4 min., si., color, Super 8
mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973);
MP25859.
MP25860.
Fishes of the coral reef, 1. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25860.
MP25861.
Fishes of the coral reef, 2. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25861.
MP25862.
Locomotion in invertebrates. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25862.
MP25863.
Urchins of the coral reef. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25863.
MP25864.
Locomotion in fishes. Thorne Films, Inc. 4 min., si., color, Super 8
mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973);
MP25864.
MP25865.
Coral reef environment. Thorne Films, Inc. 4 min., si., color, Super
8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973);
MP25865.
MP25866.
Territoriality in reef animals. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25866.
MP25867.
Shrimps of the coral reef. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25867.
MP25868.
Escape reactions in the pink-lipped conch. Thorne Films, Inc. 4
min., si., color, Super 8 mm. in cartridge. © Thorne Films, Inc.;
1Feb74 (in notice: 1973); MP25868.
MP25869.
Camouflage. Thorne Films, Inc. 4 min., si., color, Super 8 mm. in
cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973); MP25869.
MP25870.
Molluscs of the coral reef. Thorne Films, Inc. 4 min., si., color,
Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice:
1973); MP25870.
MP25871.
Crabs of the coral reef. Thorne Films, Inc. 4 min., si., color, Super
8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in notice: 1973);
MP25871.
MP25872.
Cleaning symbionts, barbers of the sea. Thorne Films, Inc. 4 min.,
si., color, Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in
notice: 1973); MP25872.
MP25873.
The Sargassum weed community. Thorne Films, Inc. 4 min., si.,
color, Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in
notice: 1973); MP25873.
MP25874.
Unusual behavior patterns in fishes. Thorne Films, Inc. 4 min., si.,
color, Super 8 mm. in cartridge. © Thorne Films, Inc.; 1Feb74 (in
notice: 1973); MP25874.
MP25875.
A Good thing. Paalo Cervantes, Ltd. 30 sec., sd., color, 16 mm.
Appl. au.: William Esty Company, Inc. © Paalo Cervantes, Ltd.;
19Nov73; MP25875.
MP25876.
Ice cream. Colgate-Palmolive Company. 30 sec., sd., color, 16 mm.
Appl. au.: William Esty Company, Inc. © Colgate-Palmolive
Company; 11Sep74; MP25876.
MP25877.
Little girl. Colgate-Palmolive Company. 30 sec., sd., color, 16 mm.
Appl. au.: William Esty Company, Inc. © Colgate-Palmolive
Company; 1Jul74; MP25877.
MP25878.
Love life—Steve Moynahan. Colgate-Palmolive Company. 30 sec.,
sd., color, 16 mm. Appl. au.: William Esty Company, Inc. © Colgate-
Palmolive Company; 6May74; MP25878.
MP25879.
Pam Higgins—cart ABC golf. Colgate-Palmolive Company. 30 sec.,
sd., color, 16 mm. Appl. au.: William Esty Company, Inc. © Colgate-
Palmolive Company; 4Feb74; MP25879.
MP25880.
Pam Higgins. Colgate-Palmolive Company. 30 sec., sd., color, 16
mm. Appl. au.: William Esty Company, Inc. Prev. reg. NM: revisions.
© Colgate-Palmolive Company; 26Feb74; MP25880.
MP25881.
Moran—bike ABC golf. Colgate-Palmolive Company. 30 sec., sd.,
color, 16 mm. Appl. au.: William Esty Company, Inc. © Colgate-
Palmolive Company; 4Feb74; MP25881.
MP25882.
Moran—bike. Colgate-Palmolive Company. 30 sec., sd., color, 16
mm. Appl. au.: William Esty Company, Inc. Prev. reg. NM: revisions.
© Colgate-Palmolive Company; 26Feb74; MP25882.
MP25883.
Woodcrafters Rowls NBC/CBS. Colgate-Palmolive Company. 30
sec., sd., color, 16 mm. Appl. au.: William Esty Company, Inc. ©
Colgate-Palmolive Company; 10Jan74; MP25883.
MP25884.
Monuments to erosion. Encyclopaedia Britannica Educational
Corporation. Produced in cooperation with Department of the
Interior, National Park Service and Canyonlands and Arches
National Parks, Utah. 11 min., sd., color, 16 mm. (AGI-EBE earth
science program) © Encyclopaedia Britannica Educational
Corporation; 10Jul74; MP25884.
MP25885.
The Tale of King Midas. Encyclopaedia Britannica Educational
Corporation. 18 min., sd., color, 16 mm. © Encyclopaedia Britannica
Educational Corporation; 30May74; MP25885.
MP25886.
Pandas: a gift from China. Encyclopaedia Britannica Educational
Corporation. 14 min., sd., color, 16 mm. © Encyclopaedia Britannica
Educational Corporation; 10Jun74; MP25886.
MP25887.
John Keats: his life and death. Encyclopaedia Britannica
Educational Corporation. 55 min., sd., color, 16 mm. ©
Encyclopaedia Britannica Educational Corporation; 20Aug73;
MP25887.
MP25888.
Storms: the restless atmosphere. Encyclopaedia Britannica
Educational Corporation. Produced in cooperation with the
American Geological Institute. 22 min., sd., color, 16 mm. ©
Encyclopaedia Britannica Educational Corporation; 29Apr74;
MP25888.
MP25889.
The Greek myths. Part 1: Myth as fiction, history, and ritual.
Encyclopaedia Britannica Educational Corporation. 27 min., sd.,
color, 16 mm. © Encyclopaedia Britannica Educational Corporation;
6Dec71; MP25889.
MP25890.
The Greek myths. Part 2: Myth as science, religion and drama.
Encyclopaedia Britannica Educational Corporation. 27 min., sd.,
color, 16 mm. © Encyclopaedia Britannica Educational Corporation;
9Dec71; MP25890.
MP25891.
The Atmosphere in motion. 2nd ed. Encyclopaedia Britannica
Educational Corporation. Produced in cooperation with the
American Geological Institute. 20 min., sd., color, 16 mm. Prev. reg.
& pub. 30Dec44, 15984. NM: additional cinematographic work. ©
Encyclopaedia Britannica Educational Corporation; 28Dec73;
MP25891.
MP25892.
The San Andreas fault. Encyclopaedia Britannica Educational
Corporation. Produced in cooperation with the American Geological
Institute. 21 min., sd., color, 16 mm. (AGI-EBE earth science
program) © Encyclopaedia Britannica Educational Corporation;
4Feb74; MP25892.
MP25893.
The Canadians: their land. Encyclopaedia Britannica Educational
Corporation. Made by Visual Education Centre. 16 min., sd., color, 16
mm. © Encyclopaedia Britannica Educational Corporation;
26Apr74; MP25893.
MP25894.
The Canadians: their cities. Encyclopaedia Britannica Educational
Corporation. Made by Visual Education Centre. 16 min., sd., color, 16
mm. © Encyclopaedia Britannica Educational Corporation;
26Apr74; MP25894.
MP25895.
The Bible as literature. Part two: History, poetry and drama in the
Old Testament. Encyclopaedia Britannica Educational Corporation.
24 min., sd., color, 16 mm. (Heritage of the humanities) ©
Encyclopaedia Britannica Educational Corporation; 21Mar74 (in
notice: 1973); MP25895.
MP25896.
The Bible as literature. Part one: Saga and story in the Old
Testament. Encyclopaedia Britannica Educational Corporation. 27
min., sd., color, 16 mm. (Heritage of the humanities) ©
Encyclopaedia Britannica Educational Corporation; 21Mar74 (in
notice: 1973); MP25896.
MP25897.
The Secret sharer. Encyclopaedia Britannica Educational
Corporation. 30 min., sd., color, 16 mm. (EBE humanities program)
© Encyclopaedia Britannica Educational Corporation; 27Feb73;
MP25897.
MP25898.
A Discussion of Joseph Conrad’s The Secret sharer. Encyclopaedia
Britannica Educational Corporation. 11 min., sd., color, 16 mm. (EBE
humanities program) © Encyclopaedia Britannica Educational
Corporation; 1Mar73: MP25898.
MP25899.
Exercise and physical fitness. 2nd ed. Encyclopaedia Britannica
Educational Corporation. Produced in collaboration with the
President’s Council on Physical Fitness. 17 min., sd., color, 16 mm.
Prev. reg. & pub. 19Dec41, M14212. © Encyclopaedia Britannica
Educational Corporation; 7Dec73; MP25899.
MP25900.
John Keats: poet. Encyclopaedia Britannica Educational
Corporation. 31 min., sd., color, 16 mm. © Encyclopaedia Britannica
Educational Corporation; 5Nov73; MP25900.
MP25901.
Energy: a matter of choices. Encyclopaedia Britannica Educational
Corporation. 22 min., sd., color, 16 mm. © Encyclopaedia Britannica
Educational Corporation; 7Dec73; MP25901.
MP25902.
Learning with today’s media. Encyclopaedia Britannica
Educational Corporation. 35 min., sd., color, 16 mm. ©
Encyclopaedia Britannica Educational Corporation; 28Jan74;
MP25902.
MP25903.
Central America: finding new ways. 2nd ed. Encyclopaedia
Britannica Educational Corporation. 17 min., sd., color. 16 mm. Prev.
reg. & pub. 22Sep44, M15908. NM: additional cinematographic
work. © Encyclopaedia Britannica Educational Corporation;
19Apr74; MP25903.
MP25904.
Adventure in Venice. Encyclopaedia Britannica Educational
Corporation. 25 min., sd., color, 16 mm:. © Encyclopaedia
Britannica Educational Corporation; 19Apr74; MP25904.
MP25905.
The Tale of Rumpelstiltskin. Encyclopaedia Britannica
Educational Corporation. 21 min., sd., color, 16 mm. ©
Encyclopaedia Britannica Educational Corporation; 15Mar74;
MP25905.
MP25906.
Parental roles: Don and Mae. Encyclopaedia Britannica
Educational Corporation. 29 min., sd., color, 16 mm. (Getting
together) © Encyclopaedia Britannica Educational Corporation;
15Aug73; MP25906.
MP25907.
Adolescent responsibilities: Craig and Mark. Encyclopaedia
Britannica Educational Corporation. 28 min., sd., color, 16 mm.
(Getting together) © Encyclopaedia Britannica Educational
Corporation; 15Aug73; MP25907.
MP25908.
Teenage relationships: Venessa and her friends. Encyclopaedia
Britannica Educational Corporation. 19 min., sd., color, 16 mm.
(Getting together) © Encyclopaedia Britannica Educational
Corporation; 24Aug73; MP25908.
MP25909.
Arica rhythm. Arica Institute, Inc. 15 min., sd., color, 16 mm. ©
Arica Institute, Inc.; 1Jul73; MP25909.
MP25910.
E-Z Open jar and bottle opener. E-Z Open, Inc. 60 seconds, sd.,
color, 16 mm. © E-Z Open, Inc.; 29Aug74; MP25910.
MP25911.
American tall tale heroes. Coronet Instructional Media, a division
of Esquire, Inc. 15 min., sd., color, 16 mm. © Coronet Instructional
Media, a division of Esquire, Inc.; 12Aug74; MP25911.
MP25912.
Male and female in plants and animals. Coronet Instructional
Media, a division of Esquire, Inc. 10 min., sd., color, 16 mm. ©
Coronet Instructional Media, a division of Esquire, Inc.; 13Aug74;
MP25912.
MP25913.
Germs and your body. Coronet Instructional Media, a division of
Esquire, Inc. 10 min., sd., color, 16 mm. © Coronet Instructional
Media, a division of Esquire, Inc.; 14Aug74; MP25913.
MP25914.
Mammals that gnaw. Coronet Instructional Media, a division of
Esquire, Inc. 12 min., sd., color, 16 mm. © Coronet Instructional
Media, a division of Esquire, Inc.; 20Aug74; MP25914.
MP25915.
Chassis and drive-line highlights: Trail Duster and Ramcharger.
Chrysler Corporation Training Center. Made by Ross Roy, Inc. 18
min., sd., color, Super 8 mm. © Chrysler Corporation; 19Aug74;
MP25915.
MP25916.
The New emission controls. Chrysler Corporation Training Center.
Made by Ross Roy, Inc. 18 min., sd., color, Super 8 mm. © Chrysler
Corporation; 24Sep74; MP25916.
MP25917.
The Man behind the dollar. Chrysler Coloration. Made by Ross
Roy, Inc. 18 min., sd., color, Super 8 mm. © Chrysler Corporation;
4Oct74; MP25917.
MP25918.
The Drug test. Avco Broadcasting Corporation. 55 min., sd., color,
videotape (2 inch) © Avco Broadcasting Corporation; 26Jan71;
MP25918.
MP25919.
A Time to heal. Child and family Service of Springfield, Inc. Made
by Gusfilms. 22 min., sd., b&w, 16 mm. Appl. au: Jeffrey Einstein. ©
Child and Family Service of Springfield, Inc.; 17Sep74; MP25919.
MP25920.
Threshold: the Blue Angels experience. Gardner-Marlow-Maes
Associates. 111 min., sd., color, 35 mm. Prev. reg. 5May72, LU3636.
NM: additional cinematography & editorial revision. © Gardner-
Marlow-Maes Associates; 5Dec73; MP25920.
MP25921.
Where have all the mothers gone? Avco Broadcasting Corporation.
49 min., sd., color, videotape (2 inch) Avco Broadcasting
Corporation; 21Mar72; MP25921.
MP25922.
Calories: enough is enough. Gilbert Altschul Productions, Inc.
Released by Journal Films, Inc. 12 min., sd., color, 16 mm. Appl. au:
Joel Altschul. © Gilbert Altschul Productions, Inc.; 26Jul74;
MP25922.
MP25923.
James A. Michener. Pt. 1–2. Jaqueline Shachter. 2 motion pictures
(31 min. each), sd., b&w, videotape (1/2 inch) (Profiles in literature)
Add. ti.: Meet James Michener. © Jaqueline Shachter; 28Mar74;
MP25923.
MP25924.
Skittles filled kids. Jack Candies, Ltd. 30 sec., sd., color, 16 mm. ©
Jack Candies, Ltd.; 15Jul74; MP25924.
MP25925.
Obstetrics/gynecology health series. The Educational Division of
Milner-Fenwick, Inc. 8 motion pictures (9 min. each), sd., color.
Super 8 mm. Add. ti: Ob/gyn health series © Milner-Fenwick, Inc.;
1Jun74; MP25925.
MP25926.
Muhammad Ali (Cassius Clay), champion, versus George Chuvalo,
challenger, for the heavyweight championship of the world. Maple
Leaf Gardens, Toronto, Canada, March 29, 1966. The Big Fights, Inc.
1 reel, sd., b&w, 16 mm. (The Big fights of the decades) Add. ti:
Muhammad Ali versus George Chuvalo for the heavyweight
championship of the world, March 29, 1966, Toronto, Canada. Appl.
au: William D. Cayton. © The Big Fights, Inc.; 15Apr66; MP25926.
MP25927.
Joe Frazier versus Oscar Bonavena, Philadelphia, Pennsylvania,
December 10, 1968. Greatest Fights of the Century, Inc. 1 reel, sd.,
color, 16 mm. (The Big fights of the decades) Add. ti: Joe Frazier
versus Oscar Bonavena for the New York State heavyweight title,
December 10, 1968, Philadelphia, Pennsylvania. Appl. au: William D.
Cayton. © Greatest Fights of the Century, Inc.; 28Jan71; MP25927.
MP25928.
Muhammed Ali versus Henry Cooper for the heavyweight
championship of the world, London, England, May 21, 1966.
Greatest Fights of the Century, Inc. 1 reel, sd., b&w, 16 mm. (The Big
fights of the decades) Appl. au: William D. Cayton. © Greatest Fights
of the Century, Inc.; 16Apr73; MP25928.
MP25929.
Floyd Patterson versus Joey Maxim, Brooklyn, New York, June 7,
1954. Greatest Fights of the Century, Inc. 1 reel, sd., b&w, 16 mm.
(The Big fights of the decades) Add. ti: Floyd Patterson versus Joey
Maxim boxing contest, June 7, 1954, New York City. Appl. au:
William D. Cayton. © Greatest Fights of the Century, Inc.; 7Jun69:
MP25929.
MP25930.
George Foreman versus Ionas Chapulos, Olympic Heavyweight
Championship, Mexico City, Mexico, October 23, 1968. Greatest
Fights of the Century, Inc. 1 reel, sd., color, 16 mm. (The Big fights of
the decades) Add. ti: George Foreman versus Ionas Chapulos for the
Olympic heavyweight title, October 23, 1968, Mexico City, Mexico.
Appl. au: William D. Cayton. © Greatest Fights of the Century, Inc.;
10Feb73; MP25930.
MP25931.
Muhammed Ali versus Oscar Bonavena, New York, New York,
December 7, 1970. Greatest Fights of the Century, Inc. 1 reel, sd.,
color, 16 mm. (The Big fights of the decades) Add. ti: Muhammed Ali
versus Oscar Bonavena boxing contest, December 7, 1970, New York
City. Appl. au: William D. Cayton. © Greatest Fights of the Century,
Inc.; 16Apr73; MP25931.
MP25932.
Muhammed Ali versus Jimmy Ellis, Houston Astrodome, July 26,
1971. The Big Fights, Inc. 1 reel, sd., color, 16 mm. (The Big fights of
the decades) Add. ti: Muhammed Ali versus Jimmy Ellis boxing
contest, July 26, 1971, Houston, Texas. Appl. au: William D. Cayton.
© The Big Fights, Inc.; 10Aug71; MP25932.
MP25933.
Official fight pictures, Muhammad Ali (Cassius Clay) versus Ernie
Terrell for the heavyweight championship of the world, February 6,
1967, Astrodome, Houston, Texas. The Big Fights, Inc. 1 reel, sd.,
color, 16 mm. (The Big fights of the decades) Add. ti: Cassius Clay
versus Ernie Terrell for the heavyweight championship of the world,
February 6, 1967, Houston, Texas. Appl. au: William D. Cayton. The
Big Fights, Inc.; 3Mar67; MP25933.
MP25934.
Muhammad Ali versus Henry Cooper, London, England, June 18,
1963. Greatest Fights of the Century, Inc. 1 reel, sd., b&w, 16 mm.
(The Big fights of the decades) Add. ti: Cassius Clay versus Henry
Cooper boxing contest, June 18, 1963, London, England. Appl. au:
William D. Cayton. © Greatest Fights of the Century, Inc.; 16Apr73;
MP25934.
MP25935.
Official motion pictures, Muhammad Ali (Cassius Clay) versus
Jerry Quarry, October 26, 1970, Atlanta, Georgia. The Big Fights,
Inc. 1 reel, sd., color, 16 mm. (The Big fights of the decades) Appl. au:
William D. Cayton. © The Big Fights, Inc.; 20Nov70; MP25935.
MP25936.
Joe Frazier versus Eddie Machen, Los Angeles, California,
November 21, 1966. Greatest Fights of the Century, Inc. 1 reel, sd.,
color, 16 mm. (The Big fights of the decades) Add. ti: Joe Frazier
versus Eddie Machen boxing contest, November 21, 1966, Los
Angeles, California. Appl. au: William D. Cayton. © Greatest Fights
of the Century, Inc.; 16Apr73; MP25936.
MP25937.
Joe Frazier versus Bob Foster, Detroit, Michigan, November 18,
1970. Greatest Fights of the Century, Inc. 1 reel, sd., color, 16 mm.
(The Big fights of the decades) Add. ti: Joe Frazier versus Bob Foster
for the heavyweight championship of the world, November 18, 1970,
Detroit, Michigan. Appl. au: William D. Cayton. © Greatest Fights of
the Century, Inc.; 28Jan71; MP25937.
MP25938.
Joe Frazier versus Manuel Ramos, New York City, New York, June
24, 1968. Greatest Fights of the Century, Inc. 1 reel, sd., b&w, 16 mm.
(The Big fights of the decades) Add. ti: Joe Frazier versus Manuel
Ramos for the New York State heavyweight title, June 24, 1968, New
York City. Appl. au: William D. Cayton. © Greatest Fights of the
Century, Inc.; 15Apr71; MP25938.
MP25939.
Floyd Patterson versus Pete Rademacher, Seattle, Washington,
August 22, 1957. Greatest Fights of the Century, Inc. 1 reel, sd., b&w,
16 mm. (The Big fights of the decades) Add. ti: Floyd Patterson
versus Pete Rademacher for the heavyweight title of the world,
August 22, 1957, Seattle, Washington. Appl. au: William D. Cayton.
© Greatest Fights of the Century, Inc.; 15Aug72; MP25939.
MP25940.
Joe Frazier versus Jimmy Ellis for world heavyweight title, New
York, February 16, 1970. Greatest Fights of the Century, Inc. 1 reel,
sd., color, 16 mm. (The Big fights of the decades) Add. ti: Joe Frazier
versus Jimmy Ellis for the heavyweight championship of the world,
February 16, 1970, New York City. Appl. au: William D. Cayton. ©
Greatest Fights of the Century, Inc.; 3Mar70; MP25940.
MP25941.
George Foreman versus Miguel Paez, Oakland, California, May 11,
1972. Greatest Fights of the Century, Inc. 1 reel, sd., color, 16 mm.
(The Big fights of the decades) Add. ti: George Foreman versus
Miguel Paez boxing contest. May 11, 1972, Oakland, California. Appl.
au: William D. Cayton. © Greatest Fights of the Century, Inc.;
17Mar73; MP25941.
MP25942.
Joe Frazier versus Jerry Quarry, New York City, New York, June
23, 1969. Greatest Fights of the Century, Inc. 1 reel, sd., color, 16
mm. (The Big fights of the decades) Add. ti: Joe Frazier versus Jerry
Quarry for the New York State heavyweight title, June 23, 1969, New
York City. Appl. au: William D. Cayton. © Greatest Fights of the
Century, Inc.; 15Apr71; MP25942.
MP25943.
Jersey Joe Walcott versus Ezzard Charles, Philadelphia,
Pennsylvania, June 5, 1952. Greatest Fights of the Century, Inc. 1
reel, sd., b&w, 16 mm. (The Big fights of the decades) Add. ti: Jersey
Joe Walcott versus Ezzard Charles for the heavyweight
championship of the world, June 5, 1952, Philadelphia,
Pennsylvania. Appl. au: William D. Cayton. © Greatest Fights of the
Century, Inc.; 15Feb72; MP25943.
MP25944.
Archie Moore versus Yvon Durelle for the light heavyweight
championship of the world, Montreal, Canada, August 12, 1959.
Greatest Fights of the Century, Inc. 1 reel, sd., b&w, 16 mm. (The Big
fights of the decades) Appl. au: William D. Cayton. Prev. pub.
20Apr67, MP17055. NM: additional cinematographic work. Greatest
Fights of the Century, Inc.; 16Apr73; MP25944.
MP25945.
Ike Williams versus Beau Jack for the lightweight title,
Philadelphia, Pennsylvania, July 12, 1948. Greatest Fights of the
Century, Inc. 1 reel, sd., b&w, 16 mm. (The Big fights of the decades)
Add. ti: Ike Williams versus Beau Jack for the lightweight
championship of the world, July 12, 1948, Philadelphia,
Pennsylvania. Appl. au: William D. Cayton. Prev. pub. 21Jul68,
MP18573. NM: additional cinematographic work. © Greatest Fights
of the Century, Inc.; 8Sep73; MP25945.
MP25946.
Muhammad Ali versus Karl Mildenberger, Frankfurt, Germany,
September 10, 1966. Greatest Fights of the Century, Inc. 1 reel, sd.,
b&w, 16 mm. (The Big fights of the decades) Add. ti: Muhammad Ali
versus Karl Mildenberger for the heavyweight championship of the
world, September 10, 1966, Frankfurt, Germany. Appl. au: William
D. Cayton. © Greatest Fights of the Century, Inc.; 15Apr73 (in notice:
1971); MP25946.
MP25947.
Playbuoy for fun! for sport! For exercise! Gilbert Sacks
Enterprises. 4 min., si., color, Super 8 mm. Appl. au: Gilbert B.
Sacks. © Gilbert Sacks Enterprises; 13Sep74; MP25947.
MP25948.
Field interviews—interview or interrogate. Keyes Hardin
Productions & Woroner Films, Inc. Made by Woroner Films, Inc. 26
min., sd., color, 16 mm. © Woroner Films, Inc.; 4Nov74; MP25948.
MP25949.
Advanced network design techniques. Edutronics Systems
International, Inc. 10 min., sd., color, 16 mm. (Data
communications) © Edutronics Systems International, Inc.;
17Oct74; MP25949.
MP25950.
Concepts of advanced network design. Edutronics Systems
International, Inc. 10 min., sd., color, 16 mm. (Data
communications) © Edutronics Systems International, Inc.;
30Sep74; MP25950.
MP25951.
Keypunch formats. Edutronics Systems International, Inc. 14 min.,
sd., color, 16 mm. (Keypunch 1/0) © Edutronics Systems
International, Inc.; 16Oct74; MP25951.
MP25952.
Executing programs in VS. Pt. 1. Edutronics Systems International,
Inc. 10 min., sd., color, 16 mm. (Virtual storage concepts) ©
Edutronics Systems International, Inc.; 9Sep74; MP25952.
MP25953.
Data control techniques. Edutronics Systems International, Inc. 10
min., sd., color, 16 mm. (Data controls) © Edutronics Systems
International, Inc.; 15Oct74; MP25953.
MP25954.
Living river. Martin Moyer Productions. 21 min., sd., color, 16 mm.
Appl. au: Martin Moyer. © Martin Moyer Productions; 23Aug74;
MF25954.
MP25955.
A Pond. Entheos Communication Corporation. 6 min., sd., color,
16 mm. © Entheos; 15Nov72; MP25955.
MP25956.
Saint Peter’s Church: a people on the move. Saint Peter’s Lutheran
Church of New York City & George C. Stoney Associates. 29 min., sd.,
b&w, 16 mm. © Saint Peter’s Lutheran Church of New York City;
10Dec73; MP25956.
MP25957.
Season of fire. A Hamlin-Barney production. 15 min., sd., color, 16
mm. Appl. au: Jerome Hamlin & John Barney. © Jerome Hamlin &
John Barney (in notice: A Hamlin-Barney production); 30May74 (in
notice: 1973); MP25957.
MP25958.
Ambroise Pare, military surgeon. Yale University, School of
Medicine, The Department of Anatomy & Section of Orthopedic
Surgery. 19 min., sd., color, 16 mm. © Yale University; 12Dec73;
MP25958.
MP25959.
Tonometry. American College of Physicians. 7 min., sd., color,
Super 8 mm. in cassette. (American College of Physicians medical
skills library) © American College of Physicians; 1Aug74; MP25959.
MP25960.