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[1] Able, Chris, “Architecture & Identity”, Towards A Global Eco Culture, Architectural Press
An Imprint Of Butter Worth, Heinemann, London, 1997.
] [2انشًبع ،زُٚخ أحًذ" ،انفصم ٔانٕصم كآنٛخ نهزٕاصم ف ٙانؼًبرح ،دراسخ رحهٛهٛخ نهزٕاصم ضًٍ يسزٕٖ انُظى انشكهٛخ فٙ
َزبجبد انؼًبرح انؼراقٛخ انًؼبصرح" ،اعرٔحخ يبجسزٛر يقذيخ إنٗ كهٛخ انُٓذسخ ،قسى انُٓذسخ انًؼًبرٚخ ،انجبيؼخ
انزكُهٕجٛخ.3002 ،
] [3انصٛبدَ ،سار“ ،انًجزًؼبد انز قهٛذٚخ ث ٍٛانٕاقغ ٔانزصٕر" ،ػٍ انزراس ٔانٕٓٚخ ف ٙزيٍ انزغٛرَ ،ذٔح اشكبنٛخ انُظرٚخ
ٔانزغجٛق ف ٙانؼًبرح انزقهٛذٚخ ،رُظٛى جًؼٛخ انًُٓذس ٍٛانجحرُٛٚخ ،انجحر.5994 ،ٍٚ
] [4انسهغبَ-ٙانسثٛذ٘ ،خبنذ-خبنذ" ،انؼُبصر انقٕيٛخ ف ٙانؼًبرح انؼرثٛخ" ،يجهخ انًُٓذسٌٕ انؼذد ( ،)3انسُخ األٔنٗ.5994 ،
] [5عبنت ،عبنت حًٛذ" ،انًبضٔ ٙانًسزقجم َٔظررُب نهؼًبرح انًؼبصرح" ،يجهخ انًذُٚخ انؼرثٛخ ،انؼذد ( ،)32انسُخ
انزبسؼخ ،يب.5990 ٕٚ
] [6حًُذ٘ ،يحًٕد" ،ػًبررُب انٕٛو ث ٍٛانفٕضٗ ٔانُظبو" ،يراجؼخ ٔرقذٚى د.خبنذ انسهغبَ ،ٙدار انشؤٌٔ انضقبفٛخ انؼبيخ،
ثغذاد.5993 ،
.ٍ انؼرةٛٚذ انًؼًبرٛ ث،"خٛؼٛزٓب انغجٕٚٓخ انًؼبصرح ٔقصٕر رٛخ انًحهَٛئخ انؼًراٛ "انج،ٌ ػضًبٙ ػه،[ انُبجى7]
www.arch.arab-eng.org
،"ًٙ انًُزج انًؼًبر٘ انؼبنٙخ فٛخ انًسبًْخ انؼراقٛ ػًبرح انشؼٕة اإلساليٙ فٙ "انضبثذ انؼراق،ٙ يؼًبر ػه،ُٕٙٚ[ ص8]
www.mesopotamia4374.com/adad .ذٕٚانس
خ" يؤسسخ انٕحذح نهصحبفخٛبش ثؤثؼبد اضبفٛخ يقٍٛ رسزٕػت انفٌُٕ األخرٖ انؼًبرح اإلساليٛ "ح، يُٓذ،[ ثحصبص9]
www.thawra.alwehda.gov.sy/archive2.asp?cat=culture&num=13617 .ٔانغجبػخ ٔانُشر
[10] Brown, Denise Scott, “architectural Taste In Pluralistic Society”,Harvard architectural
Review, Vol. (1), Spring 1980.
[11] Schulz, Christian Norberg, “The Two Faces Of Post-Modernism Architectural Design”,
Vol. (58), No. 7/8, London, 1988.
[12] Pressman, Andy, “architecture:101”, A Guide To Design Studio, John Wiley & Sons, Inc.
U.S.A., 1993.
[13] Eisenman, Peter, “The End Of The Classical; The End Of Beginning; The End Of The
End”, 1984; In Re Working Eisenman, Academy Group Ltd; Great Britain; 1993.
[14] Prophyriors, Demetri, “The Relevance Of Classical Architecture”, 1989.
.5994 ،ٗ انسُخ األٔن،)9( انؼذد،ٌٕ يجهخ يُٓذس،" انؼًبرحٙخ فٛ "انخصٕص،ٌ احسب،ٙ[ فزح15]
[16] Jencks, Charles, “The Language Of Post-Modern Architecture”, Fourth Revised Enlarged
Edition, Academy Edition, London, 1984.
[17] Giedion, Sigfried, “Space, Time And Architecture”, 1982.
[18] Venturi, Robert, “Iconography & Electronics Upon A Generic Architecture”, The M.I.T
Press, London, 1996.
.ّ ٔخبرجٙ انؼبنى اإلساليٙخ نفبئذح رٔ٘ األخزصبص فٛش فٌُٕ انؼًبرح اإلساليٚ[ رحذ19]
www.isesco.org.ma/arabe/publications/fonoun/meno.htm
ٙخ فُٛخ انٕعٛ َذٔح انخصٕص،"خ انؼًبرحٛ خصٕصٙخ فٚئخ انحضرٛر انجٛ "أصر رغ،يٕسٗ سؼبد- غبدح،ٙػجذ ػه-ٙ[ رزٔق20]
.5999 ،ٍ األٔلٚ رشر55-53 ، ثغذاد،خ انًؼبصرحٛانؼًبرح انؼرث
www.almadapaper.com .ٖذح انًذٚ جر،"ُخ انًؼبصرحٚ ٔانًذٙ "انزراس انحضبر٘ انؼرث،ذرٛ ح،[ كًَٕخ21]
.ٍ انؼرةٛٚذ انًؼًبرٛ ث،"خٛ ػًبرح انشؼٕة اإلساليٙر فٛ "انضبثذ ٔانًزغ،ٙ يؼًبر ػه،ُٕٙٚ[ ص22]
www.arch.arab-eng.org
ٍخ نًُظ انًسبجذ يٛهٛ يغ دراسخ رحه،ٌخ انؼًراُٛم أًَبط أثٛ ػهٗ رشكٍٙ اإلساليٚ "أصر انذ،٘ حفصخ ريس،٘[ انؼًر23]
.3003 ، جبيؼخ ثغذاد،خٚ قسى انُٓذسخ انًؼًبر،خ انُٓذسخٛ رسبنخ دكزٕراِ يقذيخ إنٗ كه،"٘ إنٗ انسبثغ انٓجرَٙانقرٌ انضب
.5995 ، يصر، دار انًؼبرف،"خٛ انؼًبرح االساليٙخ فٛى انجًبنٛ "انق، صرٔد،[ ػكبشخ24]
دار،"خٛ انزُبست ٔانًُظًبد ٔانًُظٕيبد انزُبسجٙ دراسخ ف، انؼًبرحٙبد فٛبضٚ "انُٓذسخ ٔانر،هخ فبرشٛ قج، ٙ[ انًبنك25]
.3003 ،ٌ ػًب،غٚانصفبء نهُشر ٔانزٕز
.ذح انصجبحٚ جر،"خُٛخ انؼراقٚ انًذٙخ فٛخٚخ ٔانًٕاقغ انزبرُٛخ انًحبفظخ ػهٗ األثًْٛ "أ،ذرٛ ح،[ كًَٕخ26]
www.alsabaah.com/paper.php?source=akbar&page=32
. يصر،خٚخ ٔانًؼًبرٛغٛ يركس انذراسبد انزخغ،"ٙ حسٍ فزح،ٌٕ انؼرةٚ "انًؼًبر،ٙ ػجذ انجبق،ىْٛ[ إثرا27]
www.cpas-egypt.com
Abstract
To create an architecture with a local identity, expresses its environment convenient with
contemporary time, we need to examine the architectural traditions of the region and get interest
from the results which produced by old architects to be suited with natural and social
circumstances.
Confusing ideas and non related modern architectural products in addition to the incorrect
following to the modern movements, led to lose the local identity and to harden distinguish
among different environments (general problem) then there's no closeness with those products
and feeling estrangement from them because they forced to our Arabic environment, by copying
known architectural compositions here & there in regions with civil and social values different
entirely from the west. Generally some of new architects (practically) , and specifically our
student (academically) concern with western Architecture more than Islamic Arabic architecture
history (specific problem) then the research problem is :there is non _clarity of means which
might be a common base and guide for our new Architects & students to create a local
architecture harmonize with society & environment , therefore the main objective of the research
is: to come out with clear image about these means & fix them in our student minds in
architectural schools (for both of academically & practically fields )
Accordingly we have to return to our traditions and investigate their properties and use them
in such a way suitable with needs of time and progressive technology. That doesn't mean we
have to metaphor formal and external language but we have to analyses the traditions and derive
the distinguished sides and using them in modern way to create new modern architecture with
local identity.