-!

l5i NOVETYTBER

ALWAYS FIRST
WITH THE
. A4ORE NEW SONGS THAN
ANY OTHER MAGAZINE

r58l'; IN THE WORID.

A CHARLTON PUBLICATION
HIT HOT tIilE
HELP
t,M aowu
NOIH'NG BUI HEAR,IACHES
DO YOU BELIEVE MAG'C
'N
TATEST HOGI( & RHYTH}I HITS
tf,s tHE 9.AME Ot D 50wc
oolvN ,N IHE BOONDOC(S
ONE DY'A'G A'{D A EURT'NG
YOU'O BfTTER COINE HOME
CAI.'FORN'A G'RI,S
,N THI M'DN'GHI HOUR,
TU IU HAND FEAIURES

IHAI'S HOW SIRONG A{r

fHE BEAiLES
LAVE HERA,IA,VS HERMTTS
'S GE'VEP'TNfY
TATEST BALTAD HITS 7HE RO[I,'A'G SIONEs

SAVE YOUR, HEAR,T FOR, ME

IAKE ME BACK
PR,EffY L'ffLE EABY
IR,ACKS OF MY TEARS
, GOI YOU EABE
YOU rELL ME WHY
s'NCE I,OS7 MY BABY
' IHR,OUGH fHE fhe Eyrds * lockie Deshsnnon * lohniyRiven
IOOT'NG Shirley Ellis * Shangri-Los * Dickey Lee,
EYES OF LOVE lhe 4 fops " lhe Kinks * fom lones
 BEST s0tl0s - llou.
RECORDRIOT
SONGS FEATURE INDEX

6O!8H#'2|I
BEST

rHE BYRDS.... .........'........4

GENE PITNEY/JACKIE
DESHANNON ...............5
THE ROtLING STONES.'.......................6
Feotuilng
SHTRLEY ELLIS/JOHNNY
.s? RrvERS..........

ru
I'M HENRY THE VIII, ................7
,4 RECoAA; I AM" STAR CROSSWORD.............................'.8
. I LIKE IT LIKE THAT" KtsslNG QU12....................'.................9
..EASY
HERMAN',S HERMITS....'......................1 0
QUEsTION'' DTcKEY LEE/IHE SHANGRI'1AS.......'.1 I
,'SATI
SFACTION" THE FOUR TOPS..........'.......................1 2
THE KINKS/TOM JONES....'...........'.... I 3
CARA MIA
cApTroN c1pens.............................. I 4
'

'SEVENTH SON

...ond mony others

SONG INDEX

. Babv I'mYours.......'...........'."'.....'.....'7
o tncluder The Top Rock, Rhythm, Pop ond FOLI( HITS ' baliiornia Girls'.'.......'......'................. 1 1
Catch Us If You Can..........'.........'..'.. 13
o Music Golore For All The Current Dgnces Don't Just Stand There.......',.......-......' 10
Do You Believe In IVIagic..................... r ?
oA Complele Record Librory - Amozingly Priced Down In The BoondoCks...'........'........ I 2
aHours And Hours Of Lisiening And Doncing Fun Helol ............. .........,.......3
He'i Got No Love....................'...'...... l1
oMokes A Perfect PortY'Pok Hune On You......'..............'.........'..... 12
. I GoiYou Babe.....'.'.'...........'...........'. 10
I'll Always Love You.'..........'............... 5
YOU GET ItL OF THE FOIJ.OWI]IG SOIIGS: I'rn A F6ol To Care.....'.,.'....'...'.'.....".. 6
I'm A Happy Man..................'.......'.....' I
I'm Donin^..'..'... ....'.,....'.....3
l. I Know A Plocc 21. l'n Hcnry Thc Vlll, I Am 41. You Were Mode For Me In The Midnight Hour.......'.................. 8
2. l'm Tclling You Now 22. I Likq lr Likc Thot 12. Bock ln My Arms
42. It's The Samiold Song......'.'.....'..'.......9
3. Girl Don't Comc
4. Do You Wonno Donc
23. Eosy Quosiion
24, Sorirfoction 44. Enbin; Engine'9
Cl
rl3. Crying ln The Chopel i" i-w;;4C"ndy.............L...........'............ 1
JuJu Hand.........'..............'........'.....'.. 7
25. .t5. l..O-N-E't-Y Looking Through The Eves
5. tong tonelY Nights Coro Mio
46. Help Me Rhondo
6. Strongcr in Town ?6, Scvcnrh Son
47. I tccl
a7. tin.
o( Loib..........-.............".................... 10
7. Shr [ovor You 27. Tha Noma Goma
48. Scc About Mc
Nothing But Heartaches'..........'...'........ 3
8. Stcy 28. Tell Hcr No Comc Scc
One Dy-ryg And A Buryine"'......"........:1
9, Wc lovr You Bcqtlor 29. All Doy And All Deor Hcorl
Oowee.......,.............................. ru
10. Pleor Pl.orQM! of thc Night
30. This Dionond Ring
49. Thc Wcdding
50. Sho !o to ' -4owee.
Please bo Something......................'.... 13
I l. Hcllo Dolly Prettv Little Babv............,.......'...'... ".. " 5
i i. iil'ii"lols-, s.^t ' Tirc Jollv. Grcsn
3l Mv Girl
-
51. Aman
Savi Your Heari For lMe.'.................... 4
ii. i'w-irJr"iJ[* i'"a 32, ]]: Il ,',,1t,flt1
Giont 52. Dong Mc
53. Thc Liille Old Lodv Set Me Free'... ...........'....' 8
ll. A! Uluol :
il. 01"]i",". r., um, um, um, 34. oncc U.pon.A Timc 54. (From Porqdcnq) Since I Lost My Baby.'....................... 12
J5. Thrac Window CouPe 55. Under Thc Eoordwolk *:{f ake Me Back.. ;..........'.".. "...............'.6
16. Svrlin'Bitd 36. Chcpcl.Ol Lovc 56. Ro9 Doll Tell Me What You See......................'....5
!l'
It, fll:^iYf"odAHeqrt
Somcwhcrc
fi: il;l; 57. Within' And Hopin' That's How Strong My Love 1s....'....'..6
Lcodcr Of Thc Pock
38. 58. Nobody I Know
19. lomco And ,uliGl
39, ls lf Truo 59. You lcotly Got rr,rc
Tracks Of IVIv Tears, The'.........'...........E
20. lovc Mc With All Come Home..'...........'..... 1 I
Your Hcotl
il0. Thc Door 13 Srill Op.n To My Harl 60. I Don r Wcar fo Scr You Ago'i rYou're Better
-You'd
My Baby (And Don't
" You Forget It)-'..'...'..................'..........9
You Tell Me Why..... ".... "'.............'......6
What You're Doing'......'..'..........-.......... 4
MONEY.BACK oUARANTEE

-ff.ff- E : I.
Gentlemen:
-rt&" ( x o c'o'D''!)
Tli' r'ffrtr,t3oti'*:
Enclosed is $2.98 (cash, check, money order)'
BEST SONGS published bimonthlY bY
Charlton Pub. Corp., Yol. 24, No. 9,
Nov., 1965. Office of publication' ed-
itorial and executive office, Charlton
Bldg., Derby, Conn. Copyright 1965.
Please rush me my 60 SMASII ltITS. Single copies 15 cents. Authorized for
(Please Print) sale in ff,e U.S., its possessions and
Canada onlv. Printed in U.S.A. Adver-
Nsme Usins R€presintatives: George T. Franco,
529-Fifth Ave., 19th Floor, New York,
Address N.Y. 10017; William R. Stewart,.1085
Walnut St., Des Plaines, trl.; MurraY
Bothwell, 495 So. Arroyo ParkwaY'
Pasadena, Calif. 91101; Daniel L. Scali,
J 66 Cushing Ave., Belmont, Mass.

nffLIil[
oDO YOU BETIEVE
l IN MAGIC
-, i' (As recorded by the Lovin'spoonful,/
Kama Sutra )
JOH N SEBAST IAN
Do you believe in magic
In a young girl's heart
How the magic can free her
Whenever it starts.
And it's n'ragic
If the music is groovy
It makes you happy
Like an old time movie.
I'll tell you'bout the magic
And free your soul
Eut it's like trying to tell a stranger
'Bout a rock'h' roll.
If you beliwe in magic
Don't you bother toihoose
ff it'g jyS band music or rh5rthm
and blues
Just go on listening
It'll start with a smile
That won't wipe off your face
No matter how hard you try.
Your feet start tapping
And you can't seem to find
How you got there
So just blow your mind.
If you believe in magic
Come along with me
We'Il dance until morninc
nu til*tE't;d;-;e;"
And maybe if the music is right
And well go on dancing ba5y
theq you'Il see how the ma6c,s
ln the music
And the..music's in me.
o Copyrlght 1965 by Fatthfut Vhtu.
Mualo, Co., Inc.
ONOTHING BUT
HEARTACHES
(Ar rcco?dcd by thc SuprGmcs/
Motow n)
HOLLAND
ooz I ER
HOLLAND
Nothing but heartaches oh, oh
Nothing but heartactres
He brings nothing but heartactres
Oh, I can't break away from
hir 6169
I can't break away from his charms
I can't break awav from his kiss
'Cause hi8 kisg I'd surely miss
All my life I needed someone to
need me
So I do my very beat to please him
But the more and more I care
The more of hinr all the girls ahare
When I need a hand to hold
Tbat's the time he 1""r'gs rns nll alone
Tlx Beatles beg for mery witlt tbeir two neu
mouie songt, "Hclp!" ond "I'm Doutr.,'
Can tl)c louely Stpnma l)it tlrC {1
timq in a mru?
A *U
4u e-ffi"&*-\\{
Afut grwp,
Th
fil bat solid muhiambip, songwriting ability
and nat$t btmor in abandance.
Just keeps me, keeps me crying my-
self to sleep
Nothing but heartaches oh, oh
Nothing but heartaches
But I can't break away oh, no
Keep-a lovin'him more each day
Oh, I can't break away from his arms
I can't break away from his charms
I can't break away from his kiss
'Cause his kiss, I'd surely miss
To him I'm loyal
To him I'm true
Why can't he be the same way t<io
But the more in love I grow
The less in love he'becomes
He makes promises he doesn't keep
Sometimes I don't see him all weeli
Just _ keeps me, keeps me crSring myself
to sleep
Nothing but heartaches oh, oh
Nothing but heartaches
@
Copyrlcht 1965 by JobGt. Mu.lc
Co,, lnc,
oHELi )
(43 raco"dbd by the Beatles,/
C.pltol,
JOHN LENNON
PAUL MCCARTNEY
Help, I need somebody
Help, not just anybody
Help, you know I need someone
Help
When I was young
So much younger than today
I never needed anybodls help
In any way
And now these days are gone
I'm not so self-assured
Now I find I've changed my mind
I've opened up the door
Help me if you can I'm feeling down
And I do appreciate your being'round
Help me get my feet back on the ground
Won't you please, please heip me
And now my life is changed in oh,
so many ways
My independence seems to vanish
in the haze
But every now and then I feel so
insecure
I know that I need you like I nwer
done before
Help me if you can I'm feeling down
And I do appreciate your being'round
Help me get my feet back on the ground
spot tir Won't you please, please help me
@ Copyrlght 1965 bv Northern
Songs,
Ltd.,7'l-75 New Oxford St., London
W.C. 1. All rights tor the UnitedStates,
itg territorles and possessions, Canada,
Mcxico and the Phitippines controiled
by Macten i,lusic, lnc., c/o Watter
Holct,221 West s?th St., New york,
Ncw York.
//
.I'M DOWN ,
(As rccg,rdcd by the Beattes,/
Capltol,
JOHN LENNON
PAUL MCCARTNEY
You tell Iies thinking I can't see
You can't cry'cause your Iaughing
at me
I'm down, I'm down, I'm down
H_ow can you Iaugh when you know
. I'm down
Holr can you laugh when you know
I'm down
Where's my ring when she throws
it away
Same old thing happena wery day
I'm down, I'm down, I'm down
We are alone and nobody else
Shut your mouth, keep ybur hands
to yourself
I'm down, I'm down, I'm down
I'm down, yes I'm down, whoa I'm
down
I'm down, yeah, yeah, yeah, yeah,
yeah, yeah
I'm down, I'm down, I'm down
Yeah, baby I'm down
I'm down, down, down, down
Yeah, yeah.
@ Copyrlght 1965 by Northern Songs,
Ltd,, 7t -75 l{ew Oxford St., London
W.C. t. All for thc UnltcdStatca,
"lghta
Ita tcrrltorlaa and poascBslone, Canada,
Mcxlao and thc Phlllpplnes controllcd
by Maclcn Muelc, lnc., c/o Wattcr
Hota", 221 W.it s?th St., N6w York,
Ncw York.

,#{ttilt
oDO YOU BETIEVE
i\
IN MAGIC
(_As recorded by the Lovin,spoonful/
Kama Sutra )
JOH N SEBAST IAN
Do you believe in magic
tn a young girl's heart
How the magic can free her
Whenever it starts.
And it's magic
If the music is gloovy
It makes vou haoov
Like an oid time'rir6vie.
I'II tell you 'bout the magic
And free your soul
[ut it'sa like,trying
'tsout
to tell a stranger
rock'n' roll.
If you believe in magic
Don't you bother toihoose
If it's jgg band music or rh5rthm
and blues
Just go on listeninr(
It'U start with a sm-ile
That won't wipe offyour face
No matter how hard you try.
Your feet start tapping
And you can't seem to find
How you got there
So juet blow your mind.
If you believe in macic
Come alonc with me-
We'll dancdundl mornins
Till there'a juia t.;;e;;
And maybe if the music is right
And we'll.g_o on dancing bafu
l.heg you'Il see how the-magfc,a
ln the mueic
And the.music'B in me,
o Copyrlght t 965 by Fetthfut Vtrtu.
llu.lc, Co., lnc.
.NOTHING BUT /i
HEARTACHES
(4. racordcd
by thc SuprcmGa/
Motow nl
HOLLANO
DOZ ! ER
HOLLAND
Nothing but heartaches oh, oh
|r[efhing but heartadres
He brings nothing but beartactres
Oh, I can't break away from
nul arms
I can't break away from his charms
I can't break away from his kiss
'Cause his kiss I'd surely miss
All my life I needed eomeone to
need me
Q" I9o my very best to please him
But the more and more I care
The more of him all the girls ehare
When I need a hand to hold
Tbat's the time he leaves me
.HELi i1.,,'
(Ai rcco"&d by the Beaflesi/
Capttol,
JOHII LENNON
PAUL MCCARTNEY
Help, I need somebodv
Help, not just anvbodv
Help, you know I need someone
Help
When I was young
So much younger than today
I never needed anybodyls hslp
rn any way
And now these days are gone
Tbe Beatla beg uitb
for mercJ/ tbetir two new I'm not so self-assured
mouie rcngs, "Hclp!', aad ,,f,m Doun.,' Now I find I've changed my mind
I've opened up the doir
Help if you can l'm feeling down
Ald _me
I do appreciate your being".round
Help me get my feet back on the-eround
Won't you please, please help me -
And now my life is changed in oh,
so many ways
My independence seems to vanish
in the haze
But wery now and then I Ieel so
rnsecure
I know that I need you like I never
done before
HeIp if you can I'm feeling down
And -me
I do appreciate your beingl,round
Cn Stprema bit fif !-elp.me get_my feet back on the-ground
*
Won't you please, please help me
timet in a rcu?
Coplrtsht 1965 by Northern Sonss,
:Ltd.,
71-75 New Oxford St., London
W.C. 1. Atl righta for the UnitedStates,
its terrltorles and possessions, Canada,
Mexico and the phitippines controiled
by i/laclen Music, Inc., c/o Watter
Hofcr,221 West SZth St., New york,
Ncw York.
OI'M DOWN
(As rccorded by the Bcafles,/
Capltol)
JOHN LENNON
PAUL MCCARTNEY
You tell lies thinking I can,t see
You can't cry 'causd your laughing
&;k at me
A H' I'm down, I'm down, I'm down
fal bas solid muiciansbip, mnguriting ability How ,can you laugh when you know
and nat$t bamor in abandance. - l'm oown
H_ow
,can you laugh when you know
Just keeps me, keeps me crying my-
I'rn oown
sell to sleep
but heartaches oh, oh
Where's my ring when she throws
it awav
flotling
Nothing but heartaches
i'ffi .'H,S**illxrr",i:?"0.,
Brt I canl break away oh,
no
Keep-a lovin' him moie eabh dav We are alone and nobodv else
Oh, I can't break away from'his arme Shut your mouth, keep y6ur hands
I can't break away from-his charms to youraelf
I'm down, I'm down. I'm down
I can't break away frsm hir kiss I'm down, yes I'm dov,rn, whoa I,m
'Cause his kiss, I'-d surely miss down
I'm down, yeah, yeah, yeah, yeah,
To him I'm loval yean, yeah
To him I'm trrie
Why can't he be the same way too I'm down, I'm down. I,m down
But the more in love I srow Yeah, baby I'm down
The less in love he'becdmes I'm down,-down, down. down
Yeah, yeah.
He makes p_rgmiges he doesn't keep c Copy?leht 1965 by l{orthcrn
Songs,
Sometimes I don't see him all weef Ltd., 71-75 Ncw Oxfortt St,, London
Just, keeps me, keeps me cqring myself W.C. 1. All rtghta for thG UnttedStatea,
to sleep Itr tcrrltorlc. and poascsslona, Canaola,
lloQing but heartaches oh, ob llqxlco .nd tha phlllpptnrs contro[ed
Nothing but heartaches by lractcn M urlc, lnc,, c,/o Wattcr
o Copyrlght 1965 Hotct, 221 Wclt s?th St., Ncw york,
all alone by Jobctc Mu.lc
Co., lnc. Ncw York.
3
 ond {or one yeor wiih Bobby Dorin. He
hos olso been heord os o guitor occom-
ponisi on numerous recordings for such
singers os Judy Colliris ond Hoyt Axton.
McGuinn ploys l2-string guitor os well
linist, he is equolly odept ot ploying John
Coltrone solos orbluegross. DrummerMike
Clork wos ploying with vorious groups in
the Son Froncisco oreo when he wos osked
to ioin the Byrds six months ogo.

BArtADl os bonio" Dovid Crosby hos performed

os o solo singer-guitorisl forfive yeors
ot {olk nnusie clubs qll over the country.
With the Beotles in the moin streom os
one rock 'n' roll school, the Byrds ore
flying towords new heighls combining the
Guitorisl Gene Clork is on olumnus of the poetry of folk lyrics with o rocking beot.
New Christy Minstrels, hoving served for The Byrds hove o new ondexcitingsound
l5 montl'rs with thot group. Before ioin- thot hos been influenced by both rock
THE BYRDS ing the Christys, he toured with his own ond roll ond rhythm ond blues ond the
trio. Chriss i'lillmqn formerly led his own group moy well be storting o new lrend
A wove of folk-rock is developing in con- group, lhe Hillmen. An oulstonding mondo" in folk music.
temporory pop music, with Bob Dylon, os
the leoder ond the Byrds os the disciples.
Some British groups, for exomple, ihe
Animols ond the Noshville Teens, occosion-
olly used country-folk moleriol. But they
ore siill identified os being in lhe rock
& roll vein. Ihe first Americon rock group
to borrow its moteriol from the folk field iil*'
successlulfy, is the Byrds. Their hit single
is Bob Dylon's "Mr. Tombor.lrine Mon."
The sound of the Byrds unites folsetlo
hormony with bloring guitor chords ond
o putsing drum beot, o[T oppropriote for
doncing.
Currently performing ot vorious colleges
ond clubs in the Los Angeles or€o, the
Byrds consisl of five young men, eoch of
whom hos hod wide experience in the
lolk music ond rock ond roll fields. Jim
McGuinn, who serves os leoder, loured
for two yeors with the Chod Mitchell Trio

OI'M A HAPPY MAN Yeah baby, I'm a hapPy man

(Ag rccordcd by Jlvir FiYG/Unltcd Wooo wooo I'rn a happy man
Artlst. ) FOR ME
CASEY SPENCER Come on heip me sing this song
I'm a happy. man, I'm a happy man, Sing it just - a one more time (As rccordcd bY GarY Lowis and thc
.And when we take our stroll Playboy8/LibertY )
f,re, wo, wo, wo, my baby
You look so good, yea, yea, yea, yea, Tonight if it's cold we'll cuddle up close
my baby GARY GELD
Just like I knew you would. Then and then and then I'Il kiss you baby PETER UDELL
Tonight when we go out I'Il feel so proud We'll be as one yea, yea' Yea, in love
walkin' hand in hand down the lover's my baby
lane. Werll haie such fun 'cause I'm a haPPY Walk along the way with someone new
man Have youiself a surnmer fling or two
And I, I, I love you baby I love you so I'm a happy man, I'm a hapPY man But reriember I'm in love with You
wo, wo, wo, wo, my baby Yeah baby, I'm a happy man. And save your heart for me.
o Copyrlght 1965 by l,trnart Mueic
This you know cause I'm a happy man,
I'm a happy man, I'm a happy man Corporation.

\trflren the lunmer moQn ,is on the rise

And you're dancing on the gtarlite skies
Pleasd don't let the stars get in your eyee
/ .WHAT YOU'RE DOING You got rne crying girl Just save your heart for me.
Why should ii be so much to ask of you
Whqt you're doing to me.
(As recorded bv Thc Baatlca/Capltol)
JOHN LENNON I've been waiting here for You
PAUL MCCARTNEY Wondering what you're gonna do When you're all alone, far awaY from
Look what you're doing fuid silould you need a iove that's home
I'm feeling blue and lonelY tr.re, lt's me. Someone's gonna flirt with You
Would it be too much to ask oI You Iwon't thidk it's wrong, if you play along
What you're doing to me. Please stop your lying Just don't fall for someone new.
You got me crying girl i

You got me running trVhy shouid ii be so much to ask of yoq

And there's no fun in it What you're doing to me,
Why should it be so much to ask of You What you're doing to me
What you're doing to me. What you're doing to me. When the autumn winds begin to blow
o Copyright 1964 bv North€rn Songe' And the summertime is on the go
I've waiting here for You
been Ltcl.,71-75 Neri Oxford Street' Lon' You'll be in my arms 6gain, I know
Wondering what You're gonna do don lrtl,C. 1. Ensland. All rights for So save your heart for 'me.
And ghould you need a love that's ture' tho Untt.d States' Canada, Moxlco and
it's me. tho PhlllpFlnca controlled by Maclcn
Muslc' Ittc., c/oWaltcr Hofcr,22t lrllart
@ Copyrtght 1963 by Gcld - Udcll Muslc
Please stop your lYing 57th St., NGw York, NGw Yotk. Corp,
 JACKIE DESHANNOI\I when she oppeored wirh rhe Beottes on
their notionol tour lost summer. Since lhen
Jockie, who lives on the West Coost, hos
become port of ihe new rock-folk move-
Though she oppeors shy, put Jockie on meni, which is toking hold, os evidenced
o stoge ond-the fuse is iit for the mosi inherlotestsingle',WhotTheworld,Needs
exciting disploy of vccc! fireworks thot Now.,,
hos.hit the world of populor music. out Jockie is o songwriter os well os o sin-
of these. lips o rich husky voice sighs, ger. The seorcheis become fomous over-
.
sobs ond soolhes its woy through o bol. r,ight *hun ihey recorded two of Jockie
lod. Jockie is o twenty-yeoi old, Joe-eyed DJshonnon's songs, "when you wolk ln
blonde who pocks the vocol punch ,:f q The Room" ond "-Needles And pins," both
Sophie Tucker, the wormth o{ o Judy Gor- written by her.
lond ond the soul of o Rcy chorles. More tlion ony young rolent to emerge
this lostdecode,.Jockie DeShonnon is r.eody.
Things reolly storted hoppening farJockie Are you reody ior her?

singers together. Their firsi single wos

GENE PITNEY
Gene Pitney, is one of lhe mony pop-
ulor singers turning lo counlry music lo
record. He not only chose o country song,
he olso teomed up with the top countiy
singer, George Jones.
Poppy Doily, who hondles the country
music sounds for the Musicor lobel ond
Art Tolmoge, who is responsible for the
pop efforts on the some lobel, thought
it would be o good ideo to record both
"l've Got Five Dollors And lt's Soturdoy
Night."
Gene Pitney hos olr,,,oys odmired George
Jones os o singer ond hos olwoys hod o
love for country music,.so he got o big
kick out of being ollowed to sing some-
thing he olwoys liked to sing onywoy ond
he got on even bigger kick out of work-
ing with George.
Although Gene is o weil known rock
ond roll singer ond is known the world
over in thot field, he now gets mony re-
quests {or songs frorn his couniry olbum
with George, of c6urse you know thot he
do.esn't hove to be osked twice to sing
theml

Hear what I say

OPRETTY IITTIE BABV Stay here I pray. OI'LL ATWAYS LOVE YOU
(As recorded by Marvin Gaye,/
Tamla Why must Iplea (As recorded by The Spinnens/
)
GAY E
You know I'm rne Motown)
PAUL
Don't put me down
Keep me around WILLIAM STEVENSON
HAMILTON gVY HUNT ER
Pqrlin' please stay, don't go away And i sard. hev tirerc
What are heartaches foi heavdn's sake Hey, pretty iittle bab.y, Darling, you have my love wherever
Don't leave me blue of wanting you Don't leave me you go
Don't be untrue, what could I ilo. Hey, there, hey preity little l:ahy.
You gave me the world, Iittle girl Darling you give me jo;
When you gave me your love Am I vour tov?
Sometimes a man has too much pride
So if you take your love to see
I alwdys shaie your cvery care
You take my world with you too. AJI through the years, l'!r.ase hr,.,r. But only your dariing, can open
Hmmmm, hey, you've got me no fears. my eyes
o Copyright 1965 by Jobete illusic Co.,
Now can't you see I nc.

.TE[L ME V{HAT YOU SEE i,istcD to lne onc nroLe iirne

Horv can I get through
Darling, you are throwing our
(As recorded by ThG Beatlcs/Capltol) love away
Don't you try to see that i':n t4ring
JOHN LENNON to get to you And it hurts me more and more
PAUL MCCARTNEY ()pcn up your eyes now each day
If you let me take youi heart Teil me what you see
I will prove to you It is no surprize now I'Il always love you,' I,Il always love
We will never be apart What you see is rne you
If I'm part of you Tell me what you see
Open up your eyes now Listen to me one moie time
Tell me what you see How can I get through
It is no surprize now Don't you try to see that I'm trying Though you're breakiug my heart
What you see is me. to get to you
Open up your eyes now Taking my sunshine aivay
Big and black the clouds may be Tell me what vou see
Time will pass away It is no surprizg now Knowing that I'm to blame
If you put your trust in me What you see is me.
I'll make glad your days @ Sorry there's fothing that I can say
Copyrlght 1965 by Northern Sonss,
Look into these eyes now Ltd., 71-75 New Oxford Street, Lon- But darling, I've got to try
Tell me what you see don W.C. 1, Enotand- Ail rights f or the
Don't you realize now 'Cause in my heart I know that I,
United Stat6a, Canada, Mexico and the
What you see is me. Phlllppinea controlled by Maclen Mua- I'li always love you
lc, lnc., c,/o Walter Hofcr, 241 West o Copyright.l965 by .robete Music
Co.,
TelI me what you see 57th St,, Ncw York, Ncw York. lnc.

It oll storted in the summer of '62. Brion
Jones hod his own group ploying every
Iuesdoy in on Eoling Club; omongst the
lons *ere on up-ond-ioming vocolist Mick
Jogger ond guitorisl Keith Richord' All
flffiri thiee bovs hod one moin inierest, io pui
R & B on the moP. This inlerest led to
Mick ond Keith ioining lhe group. Soon
ofter ioining the three of them took o
flot in'Chelsleo; the term "flot" wos roiher
olornoror. for il wos o single room with
io .ooking or heoting focilities' Things
IHE ROTLING STONES got worse; the PoY ot ihe club wos noi
$Jc,=
$t1+:''
!)i.!;!
.YOU TELI ME WHY It's just the way love has to be
TelI me why
(As recorded by the Beau Brummels./
Autumn) Whv I cannot see
RON ELLIOTT Hoi., he won't let me see her
You tell me that I should not cry
You tell me all good things must
You ask me why I get upset
die
TeIl, tell, tell me why
You tell me I will find my way
You tell me that I will forget Tomorroiv won't be like today
Tell me why You tell me life was meant to be
One broken hearts means misery
You say I can't be blue for long Tell me why.
You say I'Il find a love that's strong @
Copyright 1965 by Taracreat
You teII me she was not for me Music, lnc,
.I'M A FOOL TO CARE oTAKE ME BACK
(As recorded bv Little Anthonv andThe
(As recorcied bY RaY Charles/ABC
Paramount) Imperials/DC P )
TED OAFFAN TEDDY RANDAZZO
I'm a fool to care, when You treat me Chorus
Take me back I beg you Please
this wavl
I know" I love You, but what can I do, Take me back I'm on mY knees
I'm a fool to care; For you to scold me, hurt me,
I'm a fool to crY, when You tell me hold me
eoodbve, Darling, take me back.
Y"ou Iefi me so blue, whcn yt.ru were un-
true, I'm a fool to care. When you belonged to me,
I had a jealous mind.,
I know I should laugh and call it a day, Too late I learned that You were
But I know I would cry ifyou went awayi not the cheating kind.
I'm a fool to care, when You don't care
for me, Nly jealous eyes learned to take a
So why should I pretend, I'Il lose in the walk or two
end, 'l'hey were to blind to see that I
I'm a fool to care. I'm a fool to care' was losing you.
a Copyright 1948 by Peer lnternation-
al Corporation They say you live and learn,
Copyright 1954 by Peer lnternational And though I've tried before
Corporation I promise never to be jealous
I nternational Copyright Secured any more.
All Right6 Reserved Including the Right Copyright 1965 bY South Mountain
of Public Performance f or Prof it. Music Corp.
6
-!
enouqh to keep them going -- lhey storl-
ed to- sell biti ond pieces of clothes ond
furniture in order to eot. Mick wos living
on his gront from the London School of
EconomLs ond Keith ond Brion occosion-
ollv {ound iobs. Still this olmost fonotic
interest in h & B kept them going' They
would proctice regulorly, experiment with
different styles to interpret theuninhibited
'were Still the going wosorough
blues they ployed.
ond they soon left with few
treosured possessions, one being o record
olover on'which they constontly ployed
discs by ortists likeChuckBerry, BoDiddley,
Little Wolter ond Jimmy Reed. Fish &
Chips become the one meol of the doY,
with on occosionol hot pie os o ireot'
The Stones corried on, ond ofter o per-
formonce oi the Scene Club on Boxing
Dov '63, thev took on o drummer Chorlie
":.
Woits, boss guitorist Bill Wymon ond lon
Stewort, who is now rood monoger, on
oiono ond morocos. With the new grouP
ihev decided to breok into o f reshventure,
::.l:trt,
ihoi of oro.oters. They hired donce holls
l*ffi
ffiilqffi
ond tool the moneY ot the door'
i'solisfoction" is o.mild'
Their new single
1
[;"' i"l""i''ltrJ,];;:l;;";or"i"i t
different from their previous work' Aport fl
'"
from their singles the Stones hove held f
the top position in the L' P' o-nd.E' Pr I
chorts'foi o number of weeks. The boys' I
fonlostic populority is evident for they I
were recentiy voted No. I British vocol I
group in the Record Mirror Poll. I
.THAT'S HOW STRONG I
MY IOVE lS
(As recorded bv the Rolling Stones,/
London)
ROOSEVELT JAM ISON
If I were the
sun uP there
-l
I would glow with Iove eve4rwhere
Even be the moon when the sun
eoes down
SE vou could see that I'm still
ar"ound
Oh! That's how strong - that's
how strong my love is
.i"
That's how strong mY love is
If I were a fish that had been east
uoon the land
I viould stay there il you would Iet
me hold vour hand
Even be tlie wind from a rolling
storm
I would stop for a moment and walk
vou home
O'h! That'show strong - that's how
strong my love is
That's how strong mY love is
If I were a weeping willow drowning in
mv own tears
Yoi could go swimming as long as
vou were near
E"ven be the rainbow after the tears
are sone
Wrap- you in niy pillow then I'd keep
vou warm
frat's how strong - that's how
strong my Iove is
That's-how strong mY Iove is.
@
Copyrlght 1964 bY Rlse Mu6la
Company.
 JOHNNY RIVERS ins Hoilywood oporrmenr ond diss Hoily-
r;
;i:l J,t",l:i".'l"ilin il:
vel ond remoins one "'''J.li "1x:;like_
of the nrost
Johnny Rivers hos groduoted from the oble entertoiners in the business. He hos
leencsg circle to nightclubs. He recently offers from every top supper club in the
finished o long stint in New York ol the country including ihe'sonds ond Flomingo
copocob-ono. Johnny olso does the theme in Los'vegos on-d Mr. Kelly,s in
chicojo,
1ong, "Secref Agent Mon," for o' new os well oi offers from every molor tele_
TV show colled "secrei Agent," it's o vision show including multipfe offers from
British-mode IV progrom coshing in on Ed sullivon, Jock p-oor .ra tn. Ji*,nf
the Jomes Bond success. Deon show...oll clomoring to gel on the
Born in Bolon Rouge, Lo.,2T.yeors ogo, Johnny Rivers bond*ogonl
Johnny studied music constontly ond soon As one notionol irogozine lobeled
goined o lorge locol following. Johnny..."He is o one mo"n Beotles,,...the
Johnny is o bochelor living in o swing- ,'Go,,'boy of the yeor.

ln between recordings, TV oppeoronces

SHIRLEY ETLIS
Shirlgy Ellis is currently clicking with
the hit single "The Puzzle Song.l, She
is under the ouspices of L, Chost, lnc.
ond is surrounded by competency, (her
recording compony, Congress Records, her
publisher, Al Gollico, Associoled Booking,
her ogency). Shirley's success is o perfeit
exomple of being reody when opportunity
knocks.
Morried, ond one of two sisters ond
three brothers, the rhythmic versotility
disployed in Sh irley's pe rf ormonces ref lects
her West lnciion heritoge.
ond engogements, Shirley designs much
of her wordrobe. A very procticol hobby
thot if not for Shirley's love of music could
eosily hove been o profession.
Her gool is "To entertoin os mony peo-
ple in the world os I con reoch in my
lifetime." ln the future, which most cei-
toinly will hold o constoni streom of hit
records, Shirley will ottoin her wish.
Shirley Ellis'sentiment is completely ex-
pressed in her olbum "The Nome Gome,,
ond the sentiments of her fons mode her
one of the top 20 femole vocolists of
1964 where she out beot such stolworts
os Betty Everetts ond Connie Froncis.

.I WANT CANDY :,
I want Candv
I want Candlr OJU JU HAND
(As recorded by the Strangeloves,/
Bang) Gotta see when her hand went down (As recorded by Sam .the Sham and
FELDMAN Ain't no finer girl in town the Pharaohs/MGM)
GOLDST EIN C_andy's just what the doctor ordered SAMUDIO
{'
GOTT E H ER S^he's so sweet she can fix me with water Jo-ga-ma-cha
BEFNS Candy- _in the street i. ."-"tfri"S i"it". Who-goJac mv iu iu hand
I know something soft and sweet But I -like Candy in a Urigfrt ieO'sile-ailr Oh, he's got ith6w.
She's so fine and can't be beat io4gqqy soon I'll make hel mine I got an allegator tail
Go gverything that I desire And I'11 have Candy aII the And some old gray dust
Sets Someone's soul on fire I Copyright 1965 by Web time. So you better do what you know
lV Music Co,,
lnc. you must
OBABY I'M YOURS .ONE DYING AND A I got a lock of vour hair
(As recorded by Barbara Lew is,/ And a bullfrosts eve
Atla ntic ) BURYING And if you brJak irv heart
VAN MCCOY (As recorded by Roser Mttt;V' You better say goori-bye
Baby I'm yours Smash)
And I'tl be yours until the stars ROGER MILLER I got a jo-ga-ma-cha
fall from the skv One dying and a burying Who-go-lac my ju ju hand
Yours until the rivers run dry One dying and a. burying A-jega-ma-cha
.
In other words till I die. Some crying and six carrying me Who-goJac-a sure is grand
I I want-a Makes your eyes look-reo
be free.
I Baby I'm yours and I'll be yours And your talk furn green
i until the sun no longer shines Well, I think I finally found a sure The strongest man that you ever seen.
Yours until the poets run out fire way to forget
I or rhymes It's so simple I'm surprised I hadn't Ju Ju Hand
In other words until the end of time done thought of it bdfore ygt Used to be rea.l strone
It's foolproof well it's foolhardy may- He kept me straisht -
I'm gonna stay right here by your- side be but who knows When you did m-e wrong
Do my best to keep you satisfied Anyway here I am walking toward As Ume went by you just got
Nothing in the world can drive me away where the cold dark watei flows. so mean
'Cause everyday you'll hear me say Jo-ga-ma-cha
Oh I want to be free, free from all this Who-go-lac-a is the thing
Baby I'm yours heartache and regret I got a jo-ga-ma-cha
And I'U be yours until 2 and 2 are three And free from pining for the love I Who-go-lac-a my ju ju hand
Yours until the mountains crumble to the can't forget A-jo-ga-ma-cha
sea The love that once was warm and then Who-go-lac-a sure is grand
In other words until eternity, just somehow furned cold Makes your eyes looli red
Made my life a prison from which And your talkturn green
Baby I'm yours. there's only one escape. A-jo-ga-ma-cha
@Copyright 1964 by Btackwood Music 1 Copyright 1965 bv Tree pubtishing
Who-go-lac-a will make you scream.
lnc. Co., lnc. ' Copyright 1965 bv Beckie pub. Co.
OSET ME FREE ./.
(As racorded by Thc Xinks/Reprisc)
RAY DAVIES
Set me free, little girl
All you gotta do is set me liee
little girl
R0ssllu0RI)
You know you can do it if you try
All you gotta do is set me free, free, free
Set me free, free.

I don't want no one if I can't have

you to myself
I don't need nobody else
So if I can't have you to myself
,Set me free, sdt me free
Oh set me free, set me free
Oh set me free.
o Copyrigtrt 1965 by Edwald Kagsnar
Music Co., Ltd., for the world. Sole
Selling Agents: Kaeener Aaaociated
Publishers Ltd., 25 Oenmark St.' Lon'
don, W.C.2.

OIN THE MIDNTGHT HOUR

(AB rccordcd by Wilson Pickett/
Atla ntlc ) I ? 3 l+ 6 7 E ) IO t1
PICKET
CROPPER
I'm gonna wait till the midnight hour L2 I3 r4
To s& mv love come tumblin' down
I'm gon'na wait till the midnight hour
L5 16 r7
When there's no one elge around

I'm gonna squeeze you gir!, hold you tE

And -do all the things I told you in the
midnight hour
Yes,I am. Oh, yes, I am. 20 21 22 23
I'm .gonna wait till the stars come out ?5 ?6 27 28
That twinkle in your eyes ?)+
I'm gonna wait till the midnight hour
Thatt when my love begins to shine 29 30 31
You're the only girl I Iove
That really tells me so
@ Copyright 1965 by Cotitllon Music,
v 33 3l+

Co. 35 36
OIHE TRACKS OF MY
37 38 39 1O
TEARS
(As rccorded by thc Mlracles/Tamla)
ROBI NSON lr1 t+2 r3 dr t5
MOORE
TARPLI N l+8
People say I'm the life of the PartY 46 b7
'Cause I tell a joke or two
Although I might be able to laugh loud
and hardy
he 50 ir
Deep inside I'm blue
Take a good look at my face
You'Il see my smile looks out
of place Answer On Poge l3
If vou look closer
It'-s easy to trace the tracks of
my tears ACROSS 40 --- Domone l7 Smort
41 Weor owoy l9 Fifrh tire
I need you, need you, need You I Hove being 42 At ------- 20 Foolwoy
4 Dick ---- 46 Otherwise 2l Sound repelition
8 Tqke the boit 47 -!-- Gornett 22 lncreosed in size
Since you left me, if You see me with I2 Borrier 48 --- Nichols 23 ----- Lowrence
another girl il3 Reclining 49 Anflered onimol 25 Di scolorotion
Seeming like I'm having fun jl4 Opero song 50 Units 26 Winter flokes
Althoufh she may be cute, she's onlY 15 Roy ----- 5l Ferrole sheep 27 Shori jocket
a substitute ll7 Koy ----- 28 I nquires
l8 Everyone DOWN 30 ---- Fisher
'Cause you're the onlY one. '19 The Rolling ------ 3l Moke into low
20 --.-. Lee I TV network 35 Senior
Hey, hey, yeah 23 Whirl 2 Cheering shoul 36 Conflogrotions
24 Lond meosure 3 Period of time 37 Give food to
Ortside I'm masquerading, inside my 4 Woste time 38 ---- Stonley Gordner
P5 --- Gerz 39 "Romblin'----"
hope is fading 26 Oceon 5 Son of Adom
Just the thought of ever since You 29 Singing group (2 wds.) 6 --- Poul 40 Jerry ----
put me down 32 ln whot woy 7 TV's Mr. Sullivon 42 Mole odult
33 ---- Clork 5 8 Conductor's wond 43 Anoer
My smile is like makeuP 9 Persio '44 Th; --- Christy Minsirels
AIi wet since my breakuP with You 54 Co.y corn., Minstrels
35 ---- Adoms 10. Become weorY
@ Copyright 1965 by Jobete Music Co., 36 Young decr (pl.) ll Heoring orgons 45 Lyric poem
lnc. 37 ---- Husky I6 Stormed 47 Deporl

8
 KISSING .YOU'RE MY BABY {AND
DON'I YOU FORGET IT}
(As recorded by The Vacele/
,".,"

QfIIz
Do you think you could tell whoo fomous
stor is by kissing him? Below you will find
i o bunch of lips in vorious puckeringsloges.
All you hove to do is imogine you ore
kissing lhern ond guess who belongs to
them. Don't close your eyes, or you mighi
miss ond kiss o woll or somelhing ond
Kama Sutra )
PAMELA SAWYER
STEVE VENET
HELEN MIILER
You're my baby and dorr't you
forget it
You're my baby and don't you
no foir drooling oll over the poge. Here's forget it
o hint -- The guy with the truzzy foce ond Ifli say it again so you won't
forget it
wet nose is nol Rock Hudson.
You're my baby no matter what
After you're through kissing ond guess- you do or say
ing, iust lurn the poge upside down ond Tty it but you won't get away
check the lips ogoinst lhe nomes. You You're my baby don't you
forget it
con kiss ihem upside down too if youwonl. I won't ever let you say goodbye
You belong to me
Better tell every other guy
'Cause I won't get you free.
There's no one else for me but you
You're my baby and don't you
forget it
Love is strong enough for two
Don't wanna set0e for second best
That wouldn't be right'
Just say that you love me too
And tell me tonight.
Copyright t964 bv Scrcen Gema-
ffi
@
',% Columbia Music Co.. lnc.
lsk dtris

ffi
.tT,S THE SAME OtD SONG
(As recordcd by The Four Tops/
Motow n)
EODIE HOLLAND
2$ LAMONT OOZIER
BRIAN HOLLAND
9r!?4@1,' You're as $weet as the honey bee

4t
; sr:i:::r:;: .;l;;:;i:
e
But like a honey bee gtings
You've gone and Ieft my heart in pain
#E'r;
. AII you left is our favorite song
ie,&,
The one we danced to all night Iong
It used to bring sweet memories of a
tender love that used to be
Now it's the same old song
But with a different meaning since
you've been gone
Now it's the same old song
But with a different meaning since
you've been gone.
I, oh I, sentimental fool am I
To hear an old love song and
want to cry
But the melody keeps haunting me
Reminding me how in love we used
to be
Keep hearing the part
Thai used to touch my heart
Saying together forever
Breaking up never
It's the same old song ,i
.& With a different meaning since
you've been gone
ffir
-w
rctu +
It's the same old song
With a dilferent meaning since
you've been gone.
Precious memories keep-a lingering on
Every time I hear our favorite song
Now you've gone, left this emptiness
I on\r reminisce the happiness we spent
We used to dance to the music ,':
9: Make romance to the music I
Now it's the same old song
But with a different meaning sinceI
ANSWERS you've been gone
It's the same old song .
\

lrolf a^o0 '6 uoPrnS 3u3'7 \

With a different meaning since you've
uoslaN I)u'8 uosl!M sluuao't been gone. il
Atlna'l iaulro3rpl lnod'Z I, oh I can't bear to hear it i
ra66o;'IrlW 'g ia;sar6 sl^ll't It's the same old song
api;3 Iuare;'g But with a different meaning since
you've been gone.
o Copyright 1965 by Jobetc Musrlc
Co., lnc.
+--' I
\

rnrrADs
HERMAN'S HERMITS
One doy, three young girls from Mon-
chester decided to wriie to their locol
musicol poper. "We're olwoys heoring o-
bout Beotlemonio," they comploined,
"well, we've got 'Hermonio'. Whot obout
giving HIM some publicity?'
They were tolking obout o young gentle-
mon by the nome of Hermon who, with
his group the Hermits (they coll them.
selves simply Hermon's Hermits) hove be'
come one of the most populor gro'ups in
Monchester ond the North of Englond in
the spoce of nine months.
Iheir following is o big one. The stounch-
est fons hove pioneered their odmirotion
which they coll 'Hermonio' ond the word
hos spreod. White sweoters ond woistcoots
with inscriptions like 'We love Hermon',
'Hermonio' ond 'Hermon's Hermits'ore to
be seen in obundonce ot every concert
they do in the North.
OI GOI YOU BABE
(As recorded by Sonny & Cher/Atco)
SONNY BONO
They say we'reygungand we don't know
Won't lind out til we grow
Well I don't know why that's true
'Cause you got me baby
I got you babe
I got you babe
I got you babe.
They say our Iove won't pay the rerit
Beforeit's earned our money's always
spent
I guess that's so we don't have a pot
But at least I'm sure of all the things
we got, babe
I got you babe
OLOOKING THROUGH THE
EYES OF IOVE
(Aa recordcd by Genc Pltncyl
M uaicor)
BARRY MANN
CYNTHIA WEIL
In the eyes of the crowd
I'm a loser without any luck
I can't make a buck
In the eyes of the crowd
Being born was my lirst big mistake
I can't get a break
But in the eyes of my woman
I stand like a hero
A giant, a man who's as tall as can be
Any fool can see
That she's lookin'thru the eyes
of love,
Lookin' thru.the eyes of love,
Lookin'thru the eyes of love
When she looks at me.
Hermon, by the woy, is o former child
ocior, much in the style of Shirley Temple.
He wos feotured in {ilmsondonstogeo.like.
The present line-up hos only been to-
gether for 5 months. Hermon ioined them
when they were colled the Heortbeots.
The group wos ploying ot o youth club
thot Hermon frequented one night ond
were short of o singer. He siepped in ond
song ond hosn't lookedbock.
I got you babe.
I got flowers in the sPring.
I got you, you wear mY rrng-
Aid ri,tren I'm sad you're a clown
And if I get scar€d You're alwaYs
around
And then &eY saY Your hair's too
long
But l-don't care with You I'can't
go wrong
Tilren out- vour warm little hand in
There Lin't-no hill or mountain we
can't climb, babe
I got you babe
I got you babe.
o Copyright 1965 bv Cotillion Music,
lnc. anct Flye-West Music Publlghing
Co.
makin' me believe someday,
She's
someday I'm gonna lind a way
To be the man that she can see
When she looks at me
Lookin' thru. the eyes of love.
In the eyes of the crowd I'm a do-
nothing kind of a guy
Who'll just live and die in the eyes of
the crowd
I'm another poor Joe in the street
Can't get on my feet
But in the eyes of my woman,
they're wrong
I'm a king and a lover as strong
as brave as can be
Even I can see,
Sherslookin' thru the eyes of love,
Lookin' thru the eyes of love,
Lookin' thru the eyes of love
When she Iooks at me.
Copyright 1965 by Screen Gemc-
@
Gotumbia Music Co., lnc.
The group wos brought lo the ottention
ol independent record producer Mickie
Most -- lhe mon responsible for the hits
of the Animols ond the Noshville Teens.
He trovelled lo see them ot o cQncert
in Bollon, wos immediotely impressed by
their stoge show ond signed them to o
recording controct. He did, however, poinl
out mony of their foults otrd ihe boys hove
tremendous confidence in him. ln foct,
he sow lhem, signed them, recorded them
ond got the record releosed in the spoce
of three weeks.
NEWS ITEM
Rock & Roll riots are coming
back and it took the British boom
to get the kids in a screaming bag.
Surprisingly enough, a musically
unwild, cool and subteen appeal-
ing group called Herman's
Hermits is forcing police superin-
tendents across the nation to call
up emergency squads during con-
certsan d issuing edicts of "No
more rock & roll shows."
One of the many cities to follow
suit was Bridgeport, Conn. On
July 23 the police superintendent
declared that he was amazed by the
actions of teenagers during a
Hermits' concert and said he will
not issue permits again for "en-
tertainment of this type."
ODON'T JUST STAND THERE
(wHAT',S ON YOUR M|ND)
(As rccorded by Patty Duke/unitcd ir,
A rti3t s)
BERN ICE ROSS
LOR CBENE
Please dont just stand there, come and
kiss me like before
mine
Please don't just stand there looking down
at the floor
If something is wrong glve me iust one
little sign
ri- tir.i"iJ someone else please tetr me, tell
me what-what-what-what's on your mind
Onct when we'd meet You'd run to hold
me tieht
Life wis so sweet until tonight
Please don't just stand there get it over
if we're through
Please don't just stand there until my
heart breaks in hro
Knowing I care how can you be so
unkind
Please stop hurting me and help me
(Spoken) If it's a game I don't want
to play it
and If it's goodbye why can't you just say it.
Why make me cry like you do
How can you be so unkind
Please start loving me or leave me
Tcll me what-what-what-what's on
your mind
(Don't just stand there) teII me
o Copyright 1965 by Bcrnross'Muslc.
r
I
I
THE SHANGRI.LAS
Mory, Morguerite ond Mory Ann Gonser
grew up ond went to school together in
Combrio Heights, Long lslond, New York.
They storted singing iogelher yeors ogo,
iusi {ooling oround. They mode o record
for Smosh, colled "Simon Soys," which
they'd like lo {orget. Loter, o Iriend heord
ihem, they ouditioned for George Goldner,
t.; heod of Red Birds Records, ond they got
:-,:iii'lii
o long lerm controct.
Morge ond Mory Ann Gonser ore the
itt+tu:,az
.ili only members o{ the Shongri-Los wiih
&s &
ony {ormol music troining. They both took
piono lessons.
ing ond strumming our guitors on compus,
iusi for the fun o{ it. Guy Tulero,'Memphis
Stote's footboll stor, hit upon the ideo of
DICKEY tEE orronging on oudition for us with o song-
writer friend, Joik Clement -- iust os o
gog," Dickey exploins. The 'iust for iun'
Ihe love of music ond singing come song thot Dickey worbled for Clemenl,
eorly to Dickey, who wos born in Mem- on ossocioie of well-known ortist monoger,
phis, Tennessee, on September 2l ,1940, Bill Holl, resulted in on exciied long-dis-
tonce phone coll to Holl, ond Holl's quick
the son of o Son Froncisco Roilrood Super-
intendent. trip to Memphis to heor the new iolent.
Bill Holl signed the youth to on exclusive
Dickey hod iust groduoted in June, I962, monogement controct, whisked him off to
with o Bochelor of Science Degree. "Poi- the recording studio ond his now-fomous
ches" oll storted out os o ioke" soys Dickey. woxing of "Potches." "Lourie" is in the
"Ed Weil, o college pol, ond I were sing- some sick vein.
.HE'S GOT NO LOVE Sometimes a man misht wanna crv
Sometimes a rrran miEhi wanna sifih
(As recorded by The Searchers,/ He wonders why he's feeling sad_inside
Kapp ) It's cause he's got no love to stand beside.
CHRIS CURT IS
MIKE PENDER He'd give the world to know someone
Sometimes a man might wanna cry will care for him
Sometimes a man might wanna sigh He hopes someday, someone will share
He wonders why he's standing all alone a love with him.
It's cause he's got no love to call his own.
Sometimes a man feels oh so saC
Sometimes a man feels oh so sad Sometimes a man is hurt so bad
Sometimes a man is hurt so bad He wonders why he's feeling sad inslde
He wonders why he's feeling sad and It's cause he's got no love to stand beside.
cries
dry his He's got no love
It's cause he's got no iove to eyes.
He's got no love
He's got no Iove.
He'd give the world to know someone o Copyrisht 1965 by Tobv Music, Ltd.'
will care for him
He hopes someday, someone wili share 3 Zere St., London W. 1, England. Duch-
esS Music Corp., Sole Selling Agent.
a love with him.
All rishts secured for the entire world.
,L
live will be yours and nothing can
.YOU'D BETTER COME ;,, change the way that I feel
So baby, come back to me
HOME (Baby come back to me) Baby come
(As recorded by Petula Clark,/ back to me
Warner Bros.) (Baby come back to me) love me like
TONY HATCH you did before
You'd better come home and stop
your running around You'd better come home and see the
damage you've done
You'd better come home and get You'd 'better come home because you've
your feet on the ground
'Cause I won't share my love
had ail your fun and I won't share
with anyone ne*' my love with anyone new
You'd better be smart, you gotta I just want to share it with you.
make up your mind ' Copyriqht'1965 by Welbeck .Music,
Stop breaking my heart and leave
Ltd.,25 Denmark Street, Loncton, Errg-
land. Sole Selling Aqent, Duchess llrius-
the others behind
ic Corporation, a subsidiary af Music
'Cause I won't share my love what-
ever I do Corporation of America, 322 West 48th
St., New York, New York, in U.S.A.
The love that I give for as long as I and Canada.
Mory Weiss likes Mory Wdlls, Joy cnd
lhe Americons ond lhe lnkspots. Johnny
Mothis, Dionne Worwick ond the Flomin-
gos role wiilr Morge, ond her sister Mory
Ann digs Dusty Springfield, Johnny Mothis
ond the Four Seosons.
Cosuol clothes ore the unonimous choice
of the girls when they're not on stoge. Mory,
ihe youngesi, still weors her hoir ir.: pig-
to ils.
Whot kind of guy dc the Shongri-Los
prefer to dote? "lntelligent vrith o per"
sonolity," soys Morge. Mory likes "conr-
edions" ond Mory Ann goes {oi' someone
with "o nice personolity ond good chor-
octe r. "
.
1
ffi
ffi.:ti1,Y;1
ni,4n
.CALIFORNIA GIRLS I- :-4
(As recorded by The Beach Boys/
Capitol)
BRIAN WILSON
\fell east ( oast giris ale hip
I really dig those styles they rvear
And the southern girls with the way
they talk
They knock me out rvhen
there
The midwest farmers' daughters really
make you feel alright
Ancl the northern girls tvith the tvny
they kiss
They keep their boyfriencis warm at night
I wish they all could be California
girls,
I wish they all could be California girls,
I wish they ail could be California
sirls.
The west coast has the suushine
And the girls all get so tan
I dig the !'r'ench bikinis olr l{i1\..,aiiar}
island girls by a palm tree in the sand
I've been ail around this great big worki
And I've seen all kinds of girls
\leah, but I couldn't wait ro get back
in the States
Back to the cutest girls in the worid
wish they all could be Caiifornia giris,
wish they ali could be California girls,
wish they all could be California gir:ls,
-wish they all could be Californi.r g;irls,
wish they altr couid be California girls,
wish they all rr:uid be Cniiio:'rir:r girls,
'+;is,ii they ali cotlcj l;r, Cal:.fi,ririir g:r.ls,
',i'ish lht-;.' aIi couid i;e Lli:-,Iii.r:,irL g:rls.
hisl) tncv uil ct,urcl l).. t.1i;l,,i!.ti
:.:i:i.
u ish tJ-re; all cuuld bc ( ul;fornla grr.ls.
wish they all could be Califor:nia girls,
Copyriqht 1965 by Sea Of Tunes
Music Publishers.
ll
 to form o quortet. Ihey plonned to moke
it oll the woy to lhe top, hence the nome
Four Tops.
After three yeors of public oppeoronces
oround the counlry they signed wilh Chess
Records. None of those eorly discs shook
ffi#w# up the chorts.'After brief stints with
Top Records, where they never even hod
o releose, ond Riverside, the Tops ioined
Red
long-time'friend Berry Gordy Jr's Motown
lobel in Morch of 1963, Berry's confidence
Shortly before the record begon iis slow,
steody climb to notionol proininence, the
Four Tops enioyed onother stroke of good
fortune. Billy Eckstine hod seen them per-
forming ot the Thunderbird in Los Vegos
bnd wonled them lo ioin his revue. For
olmost o yeor now, the quortet hos been
bocking the greot Mr. B in theotres ond
clossy night spols from coost to coost.
Continuol efforts ot self-improvement

T${H FOtiR T0p5

Itls oboul time people st*rfed poying

oltention to the Four Tops. Everyone is
fomilior with the overnight successes in
show business who periodicolly pop onto
; fl
{t-,1*
the scene ond inevitobly pop bock into
obscurity ogoin. But for every one-shot
wonder, there's o group like iho Four Tops
who hove poid their dues. Once o folent-
ed, hord-working group scores ihe first
big breok, they sloy on top for o
long time.
The Tops hove poid fheir dues, ond paid
ond poid. Eleven yeors worth, to be exoct,-
long,

before their recording o{ "Boby, I Need
Your Loving" broughi them intothe notion-
ol spotlight where they belong.
Levi Stubbles, Abdul Fokir, Renoldo Ben-
son ond Lowrenee Poyton hod eoch been
singing with other groups in the Detroit
oreo prior to 1953 when they decided
ffi .&s1
!#( i ffi
in the group wos reworded wilh their during their mony yeors logether hos mode
first big hii, "Boby, I Need Your Loving." ihe Four Tops o smoothly working oct with
"We're very hoppy we hove o record o brood reperloire. They sing pop, R& B,
thot's selling" soid Renoldo. "All ouryeors C & W, rock 'n' roll, ond progressive music.
of trying were not in voin. We're doing "We're inspired by onyone who hos tolent,"
our best to entertoin the people becouse soys the Tops. "We wotched the biggest
they mode the record o hit." stors becouse they're olwoys the best."

CDOWN IN THE I love a girl who Iives up there and .HUNG ON YOU
[ooNDodks
(As recorded by Eilly Joe Royal,/
l.'
I guess I always will
But I don't dare knock on her door
'cause her daddy is my boss man
(As recorded by The Righteous Bros',/
Philles )
Columbia ). Sd I wave to try to be content just to see GERRY GOFFIN
JOE SMITH her whenever I can CAROLE KING
Down in the boondocks, down in PH IL SPECTOR
But onc fine day. i'll find a way to
the boondoeks
move from this old shack Girl vou qot me to fall in love with you
People put me down'cause that's 0re fhough I'm not free to fall in Iove
side of town I was born in
I'lt hold my head up like a king and
never, never wiII look back with vou
I love her, she loves me Until that morning I'll work and slave Oh Udby why did I have to get so hung
But I don't fit in her society vou
on -me
Lord have mercy on the btry from and i'11 save every dime
But tonight she'll have to steal away to Teil why did I have to get so hung
down in the boondocks on vou
see me one more Cme.
Every night I watch the Iights from :!)
Copyright 1965 by Lowery Music Belidve me babY, I didn't PIan it
the house up on the hill Co., lnc. this way
I thoughi I'd see You one night and
forget you the next daY.
oslNeE I t0sT ftev Won'i you please helP me find her
Someone just remind her Youte not the girl that I belong to
BABY 'llout this love she left behind her And even though I know it's wrong to
(As recorded bY The Ternptations/ 'Tii I find her I'11 be tryin, now There's a little place where we can go
Gordy ) Evervdav l'm more inciined to find her Where we wontt run into a soulweknow
wtLLtAM aoE! F{5*r!.! ln"ctin6a to find her, inclined to find Oh oh.
WABREN MOGRE my baby This is a fine mess I've got mYself in
Sun a-shining there's plenty of iife Been a-[ooking everJ,'where. And let me tell you' you ain't helpin'
New day is dawning, sunny and You know the changes that I'm goin'
bright I reallv. reallv care throueh
But after I've been crying alt night Oh detcrminaiion is fading fast But stiil you look at me the way You
llhe sun is cold and the new day Inspiraiion is a thing of the Past do
seems old Can't see how my hooes gonna last Oh oh.
Since I lost my hraby Good things are bad and what's Well I wish I could get You out of
Oh since I lost my baby. happy is sad mv life
Birds are singrng and lhc children Sincc I lost my babY But"my heart won't let You out of
are playing Oh since I lost my baby. mv life
There's plenty of work arti ttre Oh-baby whY did I have to get so
bosses are paying I feel so bad oo I'll feel so sad hung on you
Not a sad rvord should a voung heart Everything is a wrong TelI me why did I have to get so
be saving It's hard to carry on hune on vou
ilut fun is a bore, and w'lth money Oo {'m as lost as can be Girl i corild tell vou it's over, but then
poor What's gonna hapPen to me one day .I'd call You and beg You to
Since I lost rny'baby 0o, baby, yeah. see me agarn.
Oh since I kisi rny baby. ' Copyright 1965 bv Jobete Music Co., o Copyright 1965 by Screen Gerns-
Next time I'11 be kinder lnc. Columbia Music Co., lnc.

t2

THE KINKS
The Kinks, Roy Dovies, Dove Dovies,
Mick Avery ond Pete Quoife hove for
the lost three yeors ployed ond sung in
Muswell Hill, London. They originolly got
together with the ideo of moking mon6y
io help with their studies ot the troydon
School of Ari - where they oll studied.
Their unconventionol clothes, copes with
woy-oui leslhei oceessories - which iri-
ci<lentolly they designed ihemselves - hovr:
mEde ihem weli,known figures in Musvr*ll
Hill ond it wos obvious ihot before long
someone would noiice ihem. A lew months
ogo Stoe kbroker Grenville Collins ond
his portner epprooched ihe boys snd in-
vited them to plcy ot o few 'ideb,, ond
society porties. They ,.vere invited bock
ogoin ond Grenviiie Collins reolized they
hod greot potentiol os professionols. Ani
so he conlocted monoger Lorry Poge,Lorry
signed them immediotely ond, greotly ei-
cited, opprooched Englond's Pye Records
who releosed their record on the Reprise
lobel in Americo.

in ond oround South Woles, working Men,s

TOM JONES
"lbecome interesled in show business
lhe moment I reolized how heovy o Hod
(o boord used by builders to corry cement)
wos," soys.Tom who hos held severol iobs
in o very short lime spon, including work-
ing os o miner, conslruclion lobor, dump
truck operotor, ond os o door to door vo-
cuum cleoner solesmon.
He begon his corger by ploying drums
Clubs with PeterSmoll ond theDeAieolons
ond Tommy Sco[ ond the Senotors. lt
wosn't uniil he formed hi, o*n ororo_
the. Ployboys, however, thot Tom iinoliy
hod o chonce to sing. From then on thev
storted to ploy ot bollroom ofloirs.
Tom by this time, hod his sights set on
London..His big chonce finolly come when,
with only thirty minutes notice, he sub-
stituted for the stor oct oi o foshionoble
West-End nightclub. He wos seen by fel-
low Welshmon Gordon Mills,.who wrote
"Three Little Words,,' ond ,'lt,s Not Un-
usuol." Mills helped Tom get o profes-
sionol recording controct.

OPLEASE DO SOMETHING I'll work eight days a week

(Aa racordcd by Don Co.vayl
Atl.ntic )
DON COVAY
RONALD MILLER
Qaby, please do something
You must do somethine
Child you gotta do aoriething
Do something for me.
G-irI y9u got me where you want me
@ Copyright 1965 by Cotlllion Mulic,
Now what you gonna do hin?
If you want me to OCATCFI IJS IF VOU
Oh you made me Iove you (As reeorded by The Dave Clark
(How sweet it was) 5/€picl
Then you put me on the shelf DAVE CLARK
(How sad it was)
LENNY OAVIDSON
You keep me so upset now Here they come agairi, mm
You got me talking to myseU. Catch us if you carr, mrn
Something likea holding me tight Time to get a rnove on, ntm
Something likea treating me right We will yell '"r.ith all of our might
Something likea squeezing me with Catch us if you can
all your might. I Catch us if you can
Clatch us if you can
lnc. and Vonglo Mugic Co, Catch us if you can.

Now we'vc gr:t to mn, mm

ooowEE, oowEE
(As rccord.d by Perry Como/RCA
Vlctor)
SID ROBIN
MONA DONATO
BONNTE DONATO
RON ANDRE
Oowee, oowee, oowee, oowee
That's how my heart sinss
Each time thai you kiss fire
rh I'm in orbit without wings
Oowee, oowee, ooweer oowee
That's how my love swings
It sounds like the magic of a
church bell wben it rings.
I
Oowee, oowee, oowee, oowee
That's how mv love qrows
Higher than dmouniain and as
lovely as a rose
Oowee, oowee, oowee, oowee
It goes day and night
J! keeps gettin'bettEr wery time
You hold me Ught.
Every second, every minute
There's a new excit6ment in it,
Everytime.I hear you sighin', I l.lo morc time firr fun, mm
take off and I'm flyin' When we're angry
You're my baby and I show it We will yr il with all of our might
I want all my friends to know it Catch us if you can
So, when everyone comes knockin' Catch uo if you c3n
our love song will be rockin'. Catch us if you can
Catch us if ;,-ou tan.
We were close and I went zoomin' ro
Copyriaht l9S5 bir Eranston
After all I'm only human
Mueic, {ne.
Everytime that you began it
I hit another planet
Touch me and I get that feelin' Answer to Fuzzle From Poge g
_4lg *q and I'm on the ctiling
When I'm up there and I'm sailin'
here's what you hear me
wailin'.
Dariin' there's no use pretendin'
Love like ours is nevei endin'
If I'm flyin'high above you
It means how much I love you
Bqby, I don't wanna sell you
All I wanna do is tell you
So you know just what I'm sayin'
here's what you'll hear me playing.
^ Copyrisht
'E' 1964, 1965 by Music Cor-
poration Clf America and Lansdbwne-
Wintton Music Publiahers.
 vvvs
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iELF \ G

ffi

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IE dq8,.

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,*: I .G

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where." can learn for the Price of one.
Lessons consist of delightful meloijies, ilA'L COUPAN BEIOIU TODAY
songs, classics, etc., that everyone loves'
Ins[uctions are as easy as A-B-C and whv not let this fascinating opportunity
- bring the mrtny plersures of music into YouR
large "Here's-how-to-do-it" pictures teach l,fe:-1."r us show you why our way to lea-rn
voi exirctlv what to do, so you can't go
music is so r,rsv --'and so much nuxl See for
wrong. Almost before you know it you can vourself whv our Courscs have been so success-
be en-tertaining yourself and your friends iul. Just m,iil coupon below, and we will scnd
with all the favorite popular tunes, country vou cletails on how you can get 2 music lessons
and folk songs, classics-any kind of musicl iree. We'll ulso rush yott the free piano "Note-
Finder." which cuidei vour fingers to the right
kevs crlcn lirrre. and our illustrated free book-
You feoch YOURSETF To PlaY let. Absoiutely rro obligationl no salesman will
call. Mail coupon now to: U.S. Scuool or
Over 1,250,000 people the world over have Musrc, Studio'Al I l, Port
turned to this "Easy-as-A-B-C" way to Washinston, N. Y. 11050.
learn music! There are no inconvenient (Licensed by N. Y. State
lesson periods. You learn in spare time of Education Department. )
ooaaaaiaeaaaaaaacaaairrooacca"'o"'o"t""t'o
WHICH OF THEsE INSTRUMENIS WOULD YOU TIKE TO PtA
a
Ot MUSIC, Srudio Alll
a U.S. SCHOOT
PORI WASHINGTON, New York Il05O
D Piono n A.ccordion n Sleel Guitor n Tenor Bonio
Ll Grito, I sorophone E Trumpet, Cornet [--l cloriner
-- orgo. Ll viotii Lj ukulele n Trombone
a [] Mondolin
DO I,OU IIAVE INSTEUMENT? I Yes fi No rlnstrumenis, if needed, supplied et reduced pricesI
I sm interested in learning to plav the instrument checked above Please rUsh me' your
boot<iet- Now You can Learn Music
free piano Note-Finder" . ]v,iui'I6-pide-iiiultiiiteg ger-I-riusii
a in t.our own Home,.. . ano ie'n"d'm"e"aiffiiti;;'ii;1i.i lessons free. I will nol be
oblisated at all. and no salesmarl is ever to c&ll
Mr. )
Mrs-:
a
Miss \
.
I PLEASE PRINT CARAPULLY)
a Address.
City. .. .
ziD
a
...
--Ii rinitii
-Stete
code. .. .
io, check here ror Booklet "A"