Professional Documents
Culture Documents
Consumption
and Advertising
in Eastern Europe
and Russia
in the Twentieth
Century
Editors
Magdalena Eriksroed-Burger Heidi Hein-Kircher
University of Bamberg Herder Institute
Bamberg, Germany Marburg, Germany
Julia Malitska
Södertörn University
Huddinge, Sweden
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Preface
The opening of the first McDonalds branch in 1990 and the fast-food
company’s withdrawal from Russia in the early summer of 2022, as well
as the opening of the “Russian McDonalds” just a few weeks later, were
events, which attracted a lot of media attention worldwide. The opening
of the Moscow branch of McDonalds in particular was an expression of
the “consumer revolution” that had begun to take shape in the late Soviet
Union. Indeed, the Russian counter-project of 2022 contained a political
message that consumption in Russia was not endangered by the Russia’s
full-scale war in Ukraine. This illustrates how important consumerism
has become for modern and globalized societies and that consumption
and consumerism are important political issues, while related advertising
reflected current social and individual (self-)perceptions.
Consumerism and advertising have become key characteristics of
modernity. Consumption as a cultural practice did not just start with
the fall of the “Iron Curtain”. In the continental empires, consumer
behaviour and thus also advertising developed under conditions of multi-
ethnicity and multiculturality with the onset of socio-economic modern-
ization as early as in the nineteenth century. The emergence of the
nation-states in Eastern Europe and the establishment of the Soviet
Union had a particular impact on these cultural practices of (collective)
self-representation through consumer behaviour.
In Consuming and Advertising, we scrutinize these processes in a
transnational perspective and contribute to the understanding of the
v
vi PREFACE
vii
Contents
Introduction
Consuming and Advertising in Eastern Europe and Russia
in the Twentieth Century: Introductory Remarks 3
Magdalena Eriksroed-Burger, Heidi Hein-Kircher,
and Julia Malitska
ix
x CONTENTS
Concluding Comment
Consuming and Advertising in Eastern Europe:
Concluding Commentary and Research Perspectives 267
Kirsten Bönker
xi
xii NOTES ON CONTRIBUTORS
xvii
xviii ABBREVIATIONS
xix
xx LIST OF FIGURES
We should not merely give up meat but transform our whole life. Luxury,
fashion, the waste of money by some, and overwork by others to obtain
them – these play a significant role in all the horrors of our lives. And so it
goes on, and on, and on ... And all the most terrible consequences of this,
of all that is based on the pursuit of all sorts of worldly goods. Vegetarians
reject these worldly goods. Meat, wine, cigarettes, all kinds of luxury, and
M. Eriksroed-Burger
University of Bamberg, Bamberg, Germany
e-mail: magdalena.eriksroed-burger@uni-bamberg.de
H. Hein-Kircher (B)
Herder-Institute, Marburg, Germany
e-mail: heidi.hein-kircher@herder-institut.de
J. Malitska
Södertörn University, Huddinge, Sweden
e-mail: julia.malitska@sh.se
the pursuit of fashion, status, etc., etc. – vegetarianism repels all this. The
path of vegetarianism is the path of feat.
to consumers what they should want to have until the rise of modern
mass media like radio, film, television and, since the end of twentieth
century, the Internet. Hence, consumption and, on the other hand,
advertisements and promotion form two sides of a coin—representing
the modernized lifestyles and aesthetic sensations of (collective) identity
and self-perception. As they should trigger desires to buy, they repre-
sent the habitus and lifestyle desired and emulated by the consumers,
and are adapted to the current societal life at the same time. Both adver-
tising and consumption have shaped forms of modern life since then—but
only in the “rich” countries of “capitalism”? This is an assumption that
Consuming and Advertising wants to challenge by showing that seem-
ingly less industrialized countries, governed by a socialist ideology that
claimed to be the counterpart of capitalism, produced their own particular
variations of consumerism.
The processes of societal change that accelerated in the era of moder-
nity as well as the rise of consumerism provoked a wide range of criticism
among contemporary intellectuals which could here only briefly outlined.
Already in 1859, Karl Marx criticized the fetishization of products, while
Adam Smith (Smith 1776) addressed production of consumer goods as
a trigger of the wealth of nations and sociologist Georg Simmel analyzed
the individualization and subjectification within a society (Simmel 1904,
see also Schrage 2008). The anti-consumerism life-reform movements
that emerged at the end of nineteenth century, for example, the anti-
tobacco and vegetarian movements that sprang up all over Europe, were
part of this critique. Hence, consumption and, associated with it, pros-
perity and the possibility of obtaining goods according to one’s wishes
became the object of visions, if not utopian ideals, but also fueled a
growing critique of capitalism. The most outstanding example is certainly
Aldous Huxley’s dystopian novel Brave New World (1932), in which
consumption was presented as a social duty aimed at optimizing industrial
production, so that even children, for example, were obliged to consume.
Consumption has thus received a Janus-faced attribution since then: as a
component of a critique of capitalism on the one hand, but as the result
of an affluent society on the other.
CONSUMING AND ADVERTISING IN EASTERN EUROPE … 11
Consumption, Consumerism
and Advertisements in Eastern Europe
When it comes to consumption as a characteristic, Eastern Europe has
often been associated with scarcity and queuing—and not with broad
access to supply facilities or a variety of consumer goods, because the
subject has been perceived quite stereotypically until recently (Gronow
2011: 251–256). While consumption is ideologically connected with
a Western, “modern” and prosperous way of life and of capitalism,
consumerism in Eastern Europe did not seem to exist until the fall
of the Iron Curtain and the transformation period. Eastern European
societies had long been (self-) perceived as backward (West 2011; Shere-
sheva and Antonov-Ovseenko 2015), less modern and not fitting in
with the way consumption is initially perceived (Goldschweer 2014: 31).
Herewith, we connect the (self-)perception, even of contemporaries, of
“backwardness” caused by a lacking range of industrialization processes
(e.g., Szczepanowski 1888) and, not least, the images of supply short-
ages during Soviet times, so that the first branch of McDonalds in Soviet
Union opened in Moscow in January 1990 could be used as a “synonym
of revolution in consumption” (Althanns 2007). The issue of advertising
is interpreted similarly: Advertising as the commercial means of influ-
encing people to buy (and consume) certain goods, mostly available as
a range of products on the market by different producers, seems to be
strongly connected with capitalism and not with socialism.
Here, we particularly understand consumer societies as societies in
which not only a few members of an elite, but also where the masses
can buy industrially produced wares, but we also acknowledge that first
consumerism in the social elites and then in the other social strata
emerged. An understanding of consumerism in modernity presupposes
consumers buying and using products which are not only for individual or
family survival but also enhance the “beautiful things” of life and are used
for leisure and pleasure. Discussing Eastern European and Russian forms
of consumer culture and advertising goes far beyond the scope of purely
economic questions because of the premise that both are cultural practices
which are closely linked with societal modernization. Such practices offer
insights into ways of life, of values and (self-)images of societies through
the forms in which they present production. Furthermore, they give us
insights into aesthetics and, of course, of necessities and inadequacies of
everyday life.
12 M. ERIKSROED-BURGER ET AL.
institutional patterns of political and social life, social structures and the
distinct historical trajectories of the region. Thus, the edited volume aims
at including Eastern Europe into a comparative view on consumerism and
advertising as social practices and representations of lifestyles of moder-
nity. On the one hand, it reflects the growing globalization of the history
of consumption and, on the other hand, adopts a transnational approach
and a regional perspective with regard to heterogeneous and conflicting
models of consumption during the “long” twentieth century in Eastern
Europe.
GDR and the market regulation shows how pelt products were used as
trading goods with Western countries in order to acquire valuta. Schön-
felder’s case study demonstrates clearly how Soviet ideology shaped the
handling of consumption and influenced cultural practices. Other exam-
ples of this influence are discussed by Iryna Skubii. Consumption in
the interpretation of Bolshevik ideology in the early Soviet Union was
primarily based on the fight against the Western style of life and the
critics of “bourgeois” consumption culture. Commercial and state adver-
tisements in the 1920 and 1930s were used to advertise goods and locate
them within the socialist society. Hence, elite and prestigious goods were
ideologized, advertised and consumed according to a particular Soviet
variation of consumerism. Elite commodities, such as chocolate and furs,
were assessed as anti-communist behavior by early Soviet ideology in the
first decade of Soviet rule, but were finally reinterpreted as representations
of Soviet modernity, prosperity and abundance by the mid-1930s. Tracing
the emergence of the so-called world of Soviet goods along the non-linear
path from their rejection to their adoption, and, later, from adoption to
appropriation, Skubii uncovers the logic behind the advertisement of elite
goods in the early Soviet period and provides explanations as to why the
early Soviet cultural “battle” failed. Then, Adelina Stefan explores the
tense relationship between socialist ideology, “Soviet style” consumption
and the need to sell products, even to Western, ‘bourgeois’ customers
and discusses a way to advertise the socialist way of life. Hence, tourism
in Romania was promoted through the advertisement of “authentic” food
as a main tourist experience as well as an iconic element of socialist Roma-
nian identity. Thus, food is depicted not only as a basis of existence, but
as part of a lifestyle representing pleasure and leisure.
Since these three case studies discuss the implementation of socialist
consumerism and advertising, the third section Transformations in
Socialist Consumer Cultures and Advertisements explores the fate of
socialist consumerism in the period of late socialism and also highlights
the impact of mass media. First, using the example of the Estonian Film
and Advertising Bureau Eesti Reklaamfilm, Airi Uuna highlights how
the USSR struggled to ensure the provision of high-quality products or
simply a steady supply of consumer items for its citizens and how commer-
cial advertising was encouraged by the Soviet authorities under the condi-
tions of planned economies. This chapter highlights the importance of
case studies on the Soviet Republics, since Eesti Reklaamfilm ‘assimilated’
22 M. ERIKSROED-BURGER ET AL.
the Soviet lifestyle for Estonians, while also introducing slight modifica-
tions. In this way, advertisements became part of Soviet soft power, which
was effectively applied in Estonia. This ideologically motivated reinterpre-
tation of consumer goods was not only a signature of early Soviet Union,
but also of its last decades in which Western influence increased. Although
ideologists considered tobacco smoking a Western habit, smoking was
part of Soviet everyday life too. However, the marketing of cigarettes was
less intensive than in Western societies. Trish Stark’s outline of smoking
in the Soviet world and tobacco advertisements shows that the Soviet
regime was unable to suppress the habit among the population, which
increased after 1991, largely because of Westernized promotion and
product design. The scarcity of consumer goods produced in the Soviet
Bloc and the allure of largely unavailable Western products provoked a
desire for a similar kind of consumerism. Using the Hungarian consumer
market as an example, Annina Gagyjova discusses how the perception
of Western consumerism and advertisement together with the less flam-
boyantly packaged and advertised products of socialist economies woke
a desire for Western-style consumerism across the Soviet Bloc. The lega-
cies of this perception could be interpreted as one of the main reasons
why many rejected an increasingly unpopular socialist system. However,
the case of Hungary with its particular understanding of the socialist
good life—very much shaped by the shattering experience of uprising
in 1956—created what later became known as “Goulash Communism”.
Especially in the 1970s and 1980s, Hungarian consumption culture
became very much informed by Western consumerist trends so that the
perception of Western consumer goods served as positive reflection foils
and woke desires. In comparison with most other socialist countries,
Hungary succeeded in providing more colorful and varied consumption
possibilities, which were produced by a small stratum of entrepreneurs,
while a growing number of citizens was unable to make ends meet. The
conspicuous consumption of Western luxury goods by a new economic
elite became a signifier for how the state party had distanced itself from
the intrinsically socialist values of equality and social security. The three
examples explored in this section show how socialist ideology influenced
consumption and advertising, but the socialist vision of a good life was
not realized in the eyes of the Soviet consumers—it failed, while ‘good
life’ was instead associated with Western consumer goods. The legacies
of socialist economics grew during the lifetime of the Eastern Bloc and
the final “nail in the coffin’ at the end of 1980s was not least due to
CONSUMING AND ADVERTISING IN EASTERN EUROPE … 23
the Republics” striving for independence, but also people’s longing for
better consumer conditions. The concluding and summarizing chapter by
Kirsten Bönker gives a short overview of the state of the art regarding
the cultural history of consumption in Eastern Europe. Thus, it pays
special attention to the political potential of consumption, its significance
for political communication and the impact of medialization on consumer
cultures and advertising since the late nineteenth century. In particular, it
reflects on methodical approaches and concepts based on cultural and
new political history that draw on a constructivist and broad concept of
consumption. Bönker highlights that we may analyze the consumer as a
political actor and explore in what way various actors had the opportunity
to (de-)politicize consumption.
Consumerism and advertisements were cultural practices representing
habitus and self-perception of both, individuals and the society, so that
they were it could also instrumentalized and politicized as tools of soft
power in order to mobilize the population in favor of the state and
nation, in accord with the Roman adage of “bread and games”. The
different case studies in particular underline the complexity and hetero-
geneity of this region and want to reflect differentia specifica within
the region and in comparison, with Western European consumption
and advertising styles, not least to discuss “socialist modernity”. Tracing
consumption since the tail end of the nineteenth century, as well as
focusing on Soviet and socialist forms of consumption, Consuming and
Advertising aims at historicizing and conceptualizing “consumption”
and “advertising” in Eastern Europe by deconstructing still prevalent
images (particularly outside academia) of Eastern European and Russian
forms of consumerisms and advertisements and through that at inciting
more comparative research through the volume’s transnational and cross-
epochal approach. Doing so, it contributes to a discussion on modernities
in Europe: Consumption and Advertising delivers new insights into soci-
etal and political transformations as well as into the relations between the
societies and states during the twentieth century.
Notes
1. The series Worlds of consumption is edited by Hartmut Berghoff and
Jan Logemann and published by Palgrave Macmillan, whereas the series
Cultures of consumption based on a programme directed by Frank Trent-
mann is published by Bloomsbury.
24 M. ERIKSROED-BURGER ET AL.
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