Dr Vishwanath Karad

MIT WORLD PE)

MIT-WPU UNIVERSITY | PUN

PRN:I7230316
Namei Sadiya Rahnat
Subject : 1914- R000
lass : FY MA uqlisl
at : 7 oct O23
MID TERM

Question
itically analy the paen " Meu'' by Wi6 Veats
2 ecplain the Quote ' u changds changd utenly
Atviblu beauty w ban ' Om kaste (916 by
Yeats:
Sn yow opunow, dlocs kliot's pom'dalu ledueuolay
endl hopetully u in
44 veau Kawnala Das be calle Qus ou 'congunonal poet'
Dubstoutiate yous ansue eith efunce
5 aisuss the cental idea ey "Hy mothen at sinctir sie
by Kanala las"
Ansues
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'Moe', a shakeupeaean oounet wsitte w by uulia

Butle Yeats , publishd in 1934. Me wwas wJrish port.
oamatist and wita , audl one oy the inpo taut por ti

Houu s a shout pom o tuuo staVLa, that canU

be sebnalid nto set o evaht and another aet o e s
9t contasts tuuo oibeent ypes of Jowneys : the phyoual
Vouay o climbing a mountain aud the spitual Wow

unalayas
who aU muditating On Mount Heuu andl Mount eest
espctiuy
wi a shahupea s0nnet, but it is stouctwed
ike a Petrochan donnet' Jhis means that the poe m
has 4 lines but the bist g lins (the etaue) and the
lost in ine the sesbt) haue obert nhyme
chees On shakpearan AOnnet, the octaue chymes
ABAB C0co, aund sertbt hys EFEF Gn 9n Pebvchan
Jonnet, the ottaue R9 mhne ABBAABBA
Aestet uhues C0e cDe
She tinst eight lins y'Heru'Cthe oclane) kugins utt
the speahvu cuhatiow as a i wetold ilsio
þragilu censtuct hwld toqthen oy 66
hoops of yolo '.
Juis metaphen suggeut that ciilinatiow wa odsliate
balane, and hat it u vulable
o it compouent parte eakemd h deatnoyed

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he speou goes On to cliscube the saening, saging Qnd

upootiug " o cilinatiow by umakind Shis inaguy
s both veal and aitwcbung , and it conueys tu
Ans that cuiatow s wnae sn0y4
tonstaut thteat guow
withiw: bn thu lost inu ot the ootaue , the speake
kids ausll to oueat anient ciiliratio of egybt,
Lyeece, and Rone o He bings these cilinaton up as
the cmpmannel oy a l human achwuement
buontually , aw tanable stutus made by hemauknd
uill oisapþra : Just as these geat ciilina tio ns hare
Vhe seeond staWAa o4 he Meuu (the se& to t) phi7o bocus
to the mythcal Mont Mesu and the eal Hount eueest
shese two mountans au both asociatd with sþritual
enlightomeut ana thiy suggst that the speaku is
seking a wghen ul o tonsciou ness 1haw is bossble
tuithiw the confines o cuuliration Jhe speakh deuibes
the nits wo liue on thuse montauns cs subering
wey, but he ao suggest that thei sul7ung
à uttiwnataly cedempte he henmit iolatiow and expoe)
to hasb elements of natww hlþ themy to deuelob wisdom and
bvubectius utt a sotww to the inag
Jhe sestet concludes
the hoob s
he uoobs fuom octaue he sheakw suggesta that
olisbupted Kouwu
dolicatu balane o! cuwlnaliow hat has been
speaku also ggest that the hoobs can epaved ano that
the
tulina uons tan be eben
ane shaply contuastid
o conclue, he octoue and sestet
tow' he octaue is aa
both in loms o subjeet matl and
helphul eno optmisie
and oespavung , while the Aeatet as mee
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LOn7estional focty is a hiquly puuonal style oy usutiwg

in whi the pcet lays bae thon emoli0nd and
ecpUuenes . Syluia Plath, Anne, senlon , Kamala Oas,
ete ve ell- h0usn kon7essional pots toujesstonat
pecty takan be Lad to gucond the ummediay y eutpusn.
to sugyat that sch expeince into the positiue ontosOva!
poety is a monopolstie hirld jor portny and negwnss
senaituitg, undutaudling , empathys on a passion to
Ubate onsy 70m the complencity oy i7e aud male
odomination
Kamala Oas eueals the positio . she stat1d wwutmg
in optw borun and in qpen tauquag postny duplas
lun Cowage to witicine the taditional boud bound
consvwatuuo doety whuc uas kash on heh wnowuBntiona
Lie style She is congeuio nal wwuto also in the sense that
ble bings auuansnes to kn emale countnpanls about
theiu domant decual adesves and thi wnfulfllbd
cal Beolation ittu thisn lwubaudls which they tuy to
wsiten, dhe wutey about subjeets wucw ae coniidd
o0 sor a uoma, ihe apeaking about bewol.
acti 9 bencual clees, deuplon oþaa booly pasrt
erctamautal afavw and the uk he coheuss olot o
thinqys about hef she clebrates the baoly and not

the patiochal ystomw whch tuses to que women

daugt en a
space cnd fues to voes of a good goad

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qood mothe aeÂN4D koAla Dat

nelp Ahe baw hse to be a
KDBt huecameMBat
wictim oy male oominatd seeily , haung feAOna ly
not
cauld
enpuenced husband 's i tualment o hu , She
potn the
hutp qung ent to hen q'uUAnLS in her thenapeuti
eliag ston agl" Keor uoitings has a
iten wndsoos
Rheet ow kus as it s wuttu when the
RUsentiMint biom wihicl &he uo ulol lhe
wntewse qek e

conclude , Jn hen poems, Kamala Oas dscloses

Vo
, loh, g'andelauglil nd aboue
ha seelngs as a ufe
hunan
u a below beeng to thousand of sufing
beings bhe is cowagcouu enouyl to conges thu
'Ay os a petiesmbol " bease ythis type q uoaing
contounsus became th consont compaMow
and poty
p0etit ackieuemut sill she stuud to establit
o, heu
uonantougt hs poems ndl
oeelalioney poet

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Dr. Vishwanath Karad
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5. Hy Hothe at diclyy - sin " is wuttbu by tonbesnioul

autobiogaphical Qnd coubouesal 3ndiam potss of do thc.
Kamala Das (1934 -2 009) . populavly knouon by hun
Madhaikutly sk ceptorso Jhis paem u
poignant and mouung bubute to the poti agig mothw
Vhe pem ercplos thu theme s mosality and thu tnansut
nawu y hunan 7e lighlightny the pot's neainatiou

setune loss

hes panent's house she ses hw moth standug in the

olopuuay » wauing goodbye hs pot is stuck by ht
methen's apheacne i the is ail and thiw, and he
bain is wsite he pet ualines that ht mollen is
qoung olad and she s suddenly buled with a dense

Sw the seconol stawnas the poet oscubes e mota's

aging bey nwmene oletail e notices that n motue's
Akin u wnkled aned h hand ae eined the peet olso

ias? his image suggesti that the poeto motr s

morality and that shu isge uing
fon the loss ey hu youth
yhe thi stano the poet Paglecta
and the passage ey tme. Ahe ealUAeJ lhat she is
qowsing old , and that she itl euentually fae te
Aameme jat as ho mothu Vhe poet also tikks about ty

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kuture , Qnd hoLw ill she cope uith tu Loss o h

mothw
Jhe poemn ends ith the tpot expessng h loue bo
hn motho bhe bays, she is " afuaid y Loscng"hen,
and that she wianto to hola un close the pom
enos DM a note of unrtanty and aolness as the
foet logonty the (neutoble Keoliy q deatle'
Jho pomn enploes vanious themes such
HOraluty and thu passaqe o! time : Jhe pocm is
the ineuilability y death Qrd the
meclitation ow the

mouality ond the movalty hea molle

Pauent- cild ewlationslip ' he poem ticplones the compllo
and loing colalionshis bituem a mothe and hu
daugteh he poet excpuesses hea aleep loue ond alnmiato
op hso motuy uo she also ackneeleolgs lu hean o,

bqing auc the loss of yoth : he pom ecploes the

thallengs and eacpeuiene f agug he boet olesibes
h modu physca deeline and hu Ouew aveness
aging body t Auggesti that the oss of youth
can be a
Ho (ontlude, he polm s wttew in gee wese, ano
vaity y postis tuhngs to conuey the faeti
emotiona iuid unagoy to oleuenibe k moth's aqng
body, sonalow lo qe he mothuis eyes a henam vow
Repetition to emphadh he Avse of los nd saes
4- my mothe is old" is oep eated hu times n the palm
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