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of two stings to

Diacope:intentional repeating of
words
analogy:comparison
their similarities
e.g tobe or notto be' show
Steuch:unpleasant smell

powerful omagery from the simutes reflect unhappiness


offset hold animals athe captivity suffe
drains
↳ cries on entrapment on

/
-

the animals of their fue

tartan
boredom they face on nature captivity
↳ Shut like promiscuous
captivity ->
perhaps fleighes
woman
encoraging
resistance
->
hoping for good

fire se e

~esamment
of yown x horc dull a
~ana
adove creates cubcipation
=monotony
->

Freddiea repesifine as
line
So the reader-

expecting en
- Somete

& -
their loves onthe hild -

> fearsome killers


=>

↳ The apes yawn and adore their fleas in theA sun. de but of doesn't)

-
-

top of Godchan
The parrots shriek as if they were on fire, or strut
Like cheap tarts to attract the stroller with the nut.
somite allowing reader to reflect on effects

-
Fatigued with indolence, tiger and lion > ofcapsivity
=>
emphasizes their -
-d
stillness as 'The
world/cool ~full stop -> creates sudden stop/half
↳ Lie still as the sun.E The boa-constrictor’s coil biacope of c age
moves Ground them
-
-

Is a fossil.I Cage after cage seems empty, or hersh reality a


imagery ofa
simile -> --
-

Stinks of sleepers from the breathing straw. lifeless prison evoked


metaphor -

It might be painted on a nursery wall. ~sobulance


> moring from somot to metaphor suggests the disgustof the

- fromhage e
=

the suspense danticipation builds for readers


-

↳ There is animals
no return- what the speaker x steuch
reverel
as we
But who runs like the rest past these arrives
awaitthe sitte animal
emitting
here been reduced to
contrasting constinction
At a cage where the crowd stands, stares, mesmerised,
further builds the arrival -
as a picture

describe first As a child at a dream, at a jaguar hurrying enraged on


oursery
spectors being
=>

e
-

somie Through prison darkness after the drills of his eyes 3 ↳


unthreatening
&aptivated I &wender
It

IJuxtaposie
↳ awe is tamed,
- so
=>
themselves seracious acted like a draw
breaking being version
ma dream ofnature due to loss
jaguar could On a short fierce fuse. Not in boredom – the through of
I erness
nich
mimicked expoe into
By G violence any bet -
moment
The eye satisfied to be blind in fire, the animals on
S
↳m↳ -
alliferation of Intensity of By the bang of blood in the brain deaf the ear – stanze 192
17) to its brain ↳ he isstill ferocious
the blood He spins from the bars, but there’s no cage to him
pumping S
fear ↳ still wild intact
e n

-> almost deafening with physical space does Notimpactthe freedom ofh is mind wilderness
-
a

perhaps break into souls


-> plosore/b) reemphasizes his
↳ More than to the visionary his cell:


-

of spectators
serocious, cold nature meapherspace
e

S
driven
His stride is wildernesses of freedom: by its peredom but primal onslind
Analogy:compening dagneur's freedom to a > juxtaposing

-
- ->

The world rolls under the long thrust of his heel.


enjambment
somebooeho
-

1. sets the limits oftheir


Over the cage floor the horizons come. ↳ reflects janguer's 'freedom' a
beyond -

word movement

I
2. cell-a prisoner/member ofa religious each step oftakes
3 metaphors
community unchanged IS freedom ofself
imprisoned visionary conife Freedom
↓ ·

3. an ·

freedom
on their on mond -> Imagination ·

power
world
power over the
-

atrains
-
mimics the
physical The jaguer symbol world fame the Jaguar
=

confinementofthe cages even as the


Les to
-

boundaries
↳ speaker more from stanzes to Stanza is no physical
like strollers
passing from one human ↳ thorough captivity
can contain the
next
'empty, case to the mind=> through magination
·no strict meter
boredom repetitive
↳ We can bring the world to us

rigid structures a
-

lifeatzo
nature of
rhyme:ABBA
↳ enclosed couplets:poetic imprisonment
·
stanze, that diriate: show jaguar's novement ~thus his imagined freedom
internal monologue of the hourt suxtapose animal anstinct with human qualities
-

[]

estapes
isit
wrong? senseof
=now different-> animal nature the const
the power on top of - the Hank at

s h ows
as it
W more
Anthropomorphism hold
is
hawk
other animal below of own
pale

assignshuman hak every
Goddain -top
characteristics to to the Sopot
Violence i
-
wmau
valumen entities simply partsof dreaming: quality
wall

-
gedity
e.g. animal of life juxtaposing
-
-> on

eits perpebl I sit in the top of the wood, my eyes closed. yourthoughts ident

alliferation - ofdream Inaction, no falsifying dream

-nighlights state
sharpness both
false->provi
nothing
and ng
capabilityBetween my hooked head and hooked - feet:
Or in sleep rehearse perfect kills and eat.
is
spower
&attacks-
&beak)
even inits sleep,

-
[daws of
physical The convenience of the high trees!
in habits
the hawk
-

The air’s buoyancy and the sun’s ray


x
mental)
hunting

nature
2↳ Are of advantage to me; d
- -
-
its true

S
how nature sait ofs Ruling > otspurtsh
-

And the earth’s face upward for my inspection.alert ->

My feet are locked upon the rough bark.-poised


-

instinct undermine
in fashion a lies the
ot
bernhurriedcelebration of irsposition

↳hall's
internet hyere distinction

E↳
x
-xterpartin
-
cominentofthe
-

between norpetingXutslaws high

S
It took the whole of Creation
ofnature human
-> harmony of heman tree
Parole
-> > How air
anatureTo produce my foot, my each feather:
su workto Hastes
n e e

Now I hold Creation in my foot


Materality play
=>
the allowing
sweapon
walk -preycaptured supvior halk to hided
-

walk's advantage she


itselfas creation by thehawk stalk ofs
includes vidence act miracle
Or fly
- of
up, and revolve it all slowly – prey

j
I
-

I kill where I please because it is all mine. anogance a


slang enviromet
enjaubement marement age e es o selfas ae
Gonon a de
There is no sophistry in my body:
- ease ofthe
a benting
Halk flying E My manners are tearing off heads – /V)->preparing
human
-

traits-diceivemanners strike
to
> things look
->

formspection
up to him

Zamous someran-violence
↳ cant understand thehok
intle
hops thattheyare
-
corotations of looked If loaded) The allotment of death.reuse superiority of goodenough dever enough
a
-> imagin
-

For the one path of my flight is directtrue namaspokethis way


grealy so attract (streat Singularperpose to bill natures
-

sigen Through the bones


-

of the living. > animal nature


-
one exist
world

S
me woman
anjaubrent naut's abihtt
-

Gredo No arguments assert my right: consider our own

-> senseof pref


that how should we

anois-Idesnt
death to its
-> ease as flightsmallartwork Stars
prece of
land
nauk's permanent ofthewa
The sun is behind me.
capacity for vidence
difference Between umranus haul,
norment:people
S
-

doesnt
Nothing has changed since I began. wishes to do
↳ dression
shows directness the My eye has permitted no change. whatcomes
natudly
enjambenat>overpoweriny,superiority
of Inichet of
acrimony
-
I am going to keep things like this.L susting
on namen logic to
role, doesntwant a red tol
nark,
the -

between an illusion:Godlikea its

S
hawk exists
striking image give
-

eath=>
she a God like M surveying making
Shadow creaturerot
x

danger poses to other creature -> decisions


->
If has
the
power ofwhat lives what
dies
declarative end
stopping
-

-doesnt
-here power to live forever like this
-> > emphasise hark's perceived
authority & Its hope x idea of
the animal
end stop line=> senseof pattern
order

free verse-> freedom & reflected in the poem


X
no metere unpredictable
insound
crescendo:gradual oncrease

iscared
free
alliferation of /// & plosive/b/ ·danger lack of punctuation

e↑
adds
intensity to the auditory omagery confuses the grammer
-

sofuctition but algo confusion


dreaming of the Storm mimics the
-
-

&
musicality W wind blowing ofstorm
bombarding
-

can hec Is power of nature is


enjambment not something easy
-longevity of thestore as m to be understood

2
-> it does What It went to
daylight
-
visual
monication
-

↳ different This house has been far out at sea all night,

-
The woods M crashing through darkness, the 17
booming hills,
-

powerful intent in

↳rotapsamedifferent damage
- causes
↳ hills Winds stampeding the fields under the window
-
-

3 alienation

~mologica
Floundering black astride and blinding wet perer demger
-
-
- - -

changed

-
storm
juxtaposes landscape
↳ Till day rose; then under an orange sky even Sky order
-
He orange - -

The hills had new places, and wind wielded


is negative connotation --Iweapen
-

Blade-light, luminous black and


-
emerald,

&
gustofwond Flexing like the lens of a mad eye.
↳ hit the speaker eye
-
simpleand violent irrational
I
venture out
balls plosive
-

emphasises the
At noon I scaled along the house-side as far as
e
wind power a

-
metaphor
-

The coal-house door. Once I looked up – consonance druger

e
kills have beem
-

evokes powerful aind


-

Through the Mbrunt


17 wind that MR
dented
M the balls of my eyes -

transformed onto a n e e

The M
tent
17 of the hills drummed and strained its guyrope, buffering the speaker
stones test -
returnditent metaphor
personificate
field
-
The fields quivering, the skyline a grimace, the wind will blow
-

cowing
get
the
->
even thehills
away
At any second to bang and vanish with a flap:
onomatopoeic
- - -

realistic-disturbing image intensity a power of the -

Siera winds destructing all its The wind flung a magpie away and a black-
E
-
star
Back gull bent like an iron bar slowly. The house& enhypen-> suggests the bird
-

pete
I
oddsinite - is being pulled
& enjaubment apers
un naturaemphasise - speakersa
↳RangIlike some fine green goblet in the note
adel
E restore enjambment
such sight
->
slightdiffhanger
-

magery That any second would shatter it. Now deep


to
whathassle storm done
-
-voltcl -

tottel In chairs, in front of the great fire, we grip↓

⑯Zenjampman the
wrd tension build up -
↳ chalet on cause
location
Our hearts and cannot entertain book, thought, topic &

--
the ↳ woldsounds
emphasises
could destroy the
sragility of the
house on
the simile E home easily

&
as
geass
↳ Or each other. We watch the fire blazing,
-> fension beid:(whatdo they
expected
grip?

-
-

star as ofspeaker And feel the roots of the house move, but sit on, -
so fearful to concentrate)

-
-

casting fortheStorm Seeing the window tremble to come in, unexpected

Land
is
crescendo ofthe
-

change on fone

sithredse
foundation stuft
possible metaphor
S Hearing the stones cry out under the horizons.

personification
-

I personification
issturm becomes metaphorical
raich warmth t symbolic overtones
of
so communicate danger
crumble for a change
Iemphasising
wind power
-
the house still afraid
I - storm will destrict confusing emotion
=>

&storm
a


-
emphasising suggest ay of the
·forsixquatrains a half why me power
residents?
↳ from a distance, the
poem seems quite ↳stone': solence
orderly i itshave
structure between them(residents)
-> human a need of control even monologue
difficultcircumstances
·free verse
↳ possible
speaker:Hughes
↳ mimic beating ofthe storm as storm
as if approached the house

-> Iamic pentameter


rhyme
↳ half rhyme
-> creates musicality
but not
steady
-> harmonious sound
↳ much like the
sound of the storm
a
relationshipitself
Caesura:a pause never end of a love

aarewantimmenunmanmai↑ nt "In an
one sentence Imagey first verb Anxiety


ansient -assonance of Juh/su
Suspense
-
-

instinct
↳-cowering creates tension

a
un-un

considering ↳ not a sticky -


forces thatgevens
Stressful
lifeareunchangeb
e
-

bringing the would

ene
widen the metaphor
of
the
poem

a
3
but something
=

E
On the sheep-cropped summit, under hot sun, for all
->
living things

-
e -

The mouse crouched, staring out the chance assonance of


=>
elongated
↳It dared not take, // sound abates
between the treacherous x unnerving
ontop of image of mouse & humanstask ahead
Time and a world
-
I
petrified mouse -> reflectthe
seidden Too old to alter, the five mile prospect – terms of
->
suggests that -
- similarities we face in
Woods, villages, farms – hummed its W heat-heavy to service
vidence/death arefacts of W nature order => all trying
- tension anxiety
e n
life Stupor of life.
meson a
life
without
knowing
E
Whether to two
- the world goes on
-
I similarities

Feet or four, how are prayers contracted!


- doesne matter
human or animals
↳ alliteration/n/ intense
->

cleara
forshadowing danger
death

-I ↳
whats next -
-
↳ allow
a
asgudeton
Whether in God’s eye or the eye of a cat. for a quick a simple
depictofthe grief, lifeless
Repetition of esa
=> diacope aroundings
↳ emphasises idea thatans hige juxtaposing the actions ofthe
ideathata res Paradise we all
invading
mouse, darting in x out
want/neee
are to God what a mouse is
-
N the Colt
to a cat
emphasise cat's power
->hoping to go through life

I
·
form
↳freeverse -> Istanzel with 3 distinct sections [ternet -> quatrain -> tercet]
↳ unpredictable much like danger of life
·

meter
2) free verse

↳ spontaneous reflection ofone particular


->
moment /mimic darting journey of the mousel
·rhence
↳ no rhyone => Hugene suggest harmony - here no one knows whatthe future holds
↳ reflects the
stop start motions of
the mouse
abrupt:sudden d unexpected
susitity:uselessness
avidea
epigram:expressing remarkably
vanity:inflated pride/valueless
direct
addressing

ran
consonance

E
is whathappen
↳ importantmessage plosive (b)
-

↳ We die a disintegrate
image of animals much like the anomals
emplssise
-

synecdocke that
Heintensive histing them & got discarded

&
S
-perf -> endson death
representing Lifting
I

breaking
I
sense

- ↑>
the whole broken ↳ ashes to
metaphor for
↑ ashes,
human like dust to deest,
enjambment deathis inevitable
Asgendeton
-
depicts theanimals ->
decay & breakdown
pace pocks up being ruthlessly thrown is whatI
awarsing
-

from the water


addsfo id e
-
the wal
auto land

~
I found this jawbone at the sea’s edge: -deeps ofocean
mage
-

There, crabs, dogfish, broken by the-


breakers or
wood woyS
Seiblabl metaghorical
are cold

E
consonance -
ocean/animals do

al
-
-

not
care aboutexternal
If a alliferation ofIn tossed
cruelty
ab factors ar emotions) ->Only
mimics the frantic movements their own needs
↳ To flap for half an hour and turn to a crust
-

~zogram
jet ofthe animals as they - -
-personification of
&senrival

occan Sight for servical Continue the beginning. The deeps are cold: the sea

In that darkness camaraderie does not hold:2


--
-
-
↳ alludes to mankind
circle or life , often Enhod o mand hands
f
now we treats eachoffer
rhyming

destruction - ~
-

-> creation a within the world


-> life a
death Nothing touches but, clutching, devours. And the complet
↳ reference to circle of life
- -

samsung
through destruction & anomalistic

De
jaws, beast like

~repeti
3 tion
death, there come creation
-

connotation to touch Before they are satisfied or their stretched purpose


-> evokes
strong feelings of fear
to care for

large predatesof the occen
them ofvanity of human wishes
I M approading
"a Slacken, go down jaws; go gnawn bare. Jaws
I
-> with every mention ofHe


the not sea be -

word
me
by humanly Eat and are finished and theA
jawbone comes to the of 15/
I
consonance
scall even after
-
useless lepered thesearch ots cust Searching for satisfaction/food
-

beach:
->

to / putup againstneture discareled


is
more hentone
the remants ofGite forms
- This is the sea’s achievement; with shells,ad star predators
powerful,
=relic ofthe sea
↳ We see a dosplay sea's work a E ↳ Vertebrae, claws, carapaces, skulls. -

thecorcoblite
effort
e
-
↳ enombenent-> alludes oftothings
->
the
vast amount
↳ half ryene=> concludes the cycle see
cose that have been discarded
seaa time devours lives
-
e
Time in the sea eats its tail, thrives, casts these Castility
-

cruelly of nectare e

↓ of human bodies
time is personified > highlights the
Indigestibles, the spars of purposes
->

never-ending cycleof ofHetime


typical poems
go against
life adeate
That failed far from the surface. None grow rich
Hughes forces to reconsider <
re-evaluate In the sea. This curved jawbone did not laugh 3 previous
a era

previousimage of necture/sed as a wedont know what lies in thermiddle


bringerof joy & happiness e n
of the ocean if locks to life
> nowlook at the more herst But gripped, gripped and is now a cenotaph.
mate rang
=>

reality
Tressness.Frutteornapones - empty
a ots
power (nature) a
- tomb
·form wspaway
↳ 2 stanzas
↳ unequal number of lines
-> reflects the imbalance of life
gripped=> connotationof
↳ repetition of
holdings on
trying Gogerrive
↳Howhow
poem serves a
onemorial fordue
↳ istStanza person whose jaw bone thatwas/
longer
-> as we follow the journey of the jaw who died
people
a the sime it spent on the ocean
↳ last stanze
-> serve as a
summary
-> intense statementaround whatthe
external world is capable of
·
meter
is free verse
->
highlightabruptness ofdeath
->
futility oflife -> no harmony x
longevity of calm
·

rhyme
↳ half rhyme
-> illustrate the finality oflive x

brings the sirdle oflife to an end

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