Professional Documents
Culture Documents
Syllabus for
Creative arts
Forms 1 and 2
Creative arts
Forms 1 and 2
Email: miedirector@sdnp.org.mw
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or transmitted in any form by any means, electronic, mechanical, photocopying, recording or
otherwise, without the permission of the copyright owner.
The Ministry of Education, Science and Technology and the Malawi Institute of Education
would like to thank all those who participated in various capacities, stages and levels in the
development, refinement and final production of this syllabus. The Ministry is particularly
indebted to the following for their contributions at various stages of the development of the
syllabus for creative arts:
Special thanks also go to the Director of Department of Inspectorate and Advisory Services
(DIAS), Raphael Agabu, and his staff, the Director of Malawi Institute of Education, Dr William
Susuwele-Banda, and his staff, the head of Department for Curriculum Development (DCD),
Coordinator of secondary school curriculum, Mrs Enia Ngalande and her Team (Naireti
Molande, Dr Ezekiel Kachisa and Austin Kalambo) for coordinating the process of reviewing
the syllabuses.
MoEST and MIE would also like to thank Davison PS Chatsera and Febbie S Chibambo who
helped in the refining of the syllabus. Finally, thanks should also go to Samson P Mawephe and
Nedson Magona for providing expert advice on the syllabus during its development.
Production team
Page
Acknowledgements ....................................................................................................................... iii
Foreword ......................................................................................................................................... v
The secondary school curriculum in Malawi ............................................................................ vii
Developmental outcomes ............................................................................................................. viii
Rationale for creative arts ............................................................................................................. xi
Scope and sequence chart for Forms 1 to 4 ................................................................................ 1
Teaching syllabus for Forms 1 and 2 .......................................................................................... 10
References ....................................................................................................................................... 40
Foreword
Education is the vehicle through which every citizen can realise his or her potential and
contribute to national development. The vision of the education sector in Malawi is to be a
catalyst for socio-economic development, industrial growth and an instrument for empowering
the poor, the weak and the voiceless. Its mission is to provide quality and relevant education to
Malawians. As a catalyst for the development, education should equip the individual with
knowledge, skills, values and attitudes to enable one to perform one’s roles effectively, in an
attempt to promote and sustain the social-economic development of a nation.
It is the conviction of the Ministry of Education, Science and Technology that primary education
alone is not sufficient for achieving socio-economic development. As argued in the NESP (2008-
2017), ‘In an evolving and changing world of education, there is no way basic education can be
taken as a complete transformer of our society when the world at large is getting more complex
and sophisticated’. Therefore, secondary education is critical as it provides additional
knowledge, skills and attitudes crucial for enabling Malawians to cope with the complex and
sophisticated socio-economic and political environment of the global village to which Malawi
belongs. Specifically, secondary education is:
a human right, and important for achieving gender equity
important for improving the health and quality of life for individuals, families and
communities
important for the socio-economic and political development of the nation
necessary for reaching the Millennium Development Goals (MDGs), Education For All
(EFA) and for promoting Universal Primary Education (UPE)
Against this background, the Malawi Government through the Ministry of Education, Science
and Technology has reviewed the secondary school curriculum with a view to improving its
quality and relevance, and to align it with the primary curriculum which has since been
reviewed and emphasises continuous assessment as a tool for learning.
The rationale for reviewing the secondary school curriculum is contained in the NESP (2008-
2017), and PIF (2000). The documents clearly state that the purpose of secondary education is to
provide students with the academic basis for gainful employment in formal, private and public
sectors. They further state that secondary education will prepare students for further education
according to their abilities and aptitudes. However, it is important to note that for the majority
of the children in Malawi, secondary education is terminal. Consequently, the curriculum has
put emphasis on practical skills that enable them to achieve self-employment.
It is also clear that a good secondary school curriculum enables a student to develop into an
adult with sound intellectual, moral, physical, and emotional abilities. Therefore the curriculum
needs to address the whole range of students’ abilities and interests. In addition, it should aim
at equipping the student to become an independent learner in order to promote personal,
family, community and national development. The new curriculum has therefore been
deliberately designed to achieve these important goals. The importance of this syllabus
therefore, cannot be over-emphasised.
v
I would like to thank all those who were directly or indirectly involved in the preparation of the
syllabuses. Key among the stakeholders are the Director and staff of the Department of
Inspectorate and Advisory Services (DIAS) in the Ministry of Education, Science and
Technology (MoEST), for facilitating the development of the syllabuses in collaboration with the
Director and staff of the Malawi Institute of Education (MIE). I would also like to extend my
gratitude to university colleges (both public and private), teachers from secondary schools (both
public and private), members of different religious groups and officers representing special
interest groups such as the Malawi Revenue Authority (MRA), Reserve Bank of Malawi (RBM),
Malawi Bureau of Standards (MBS), Anti-Corruption Bureau (ACB) and Malawi Blood
Transfusion Services (MBTS) for their valuable contribution to and participation in the
preparation of these syllabuses.
Most of all, I would like to express my hope that teachers will implement this curriculum
diligently and in the best interest of the students so that the goals for reviewing the curriculum
are achieved.
Dr McPhail Magwira
Secretary for Education Science and Technology (SEST)
vi
The secondary school curriculum in Malawi
Among other reasons, the secondary school curriculum has been reviewed to align it with the
primary school curriculum. This curriculum puts emphasis on student-centred teaching and
learning approaches, including continuous assessment.
This curriculum focuses on student achievement. To achieve the outcomes, students must be
introduced to new knowledge, skills, attitudes and values in the context of their existing
knowledge, skills, attitudes and values so that they develop a deeper understanding as they
learn and apply the knowledge. In this way, the process of learning is integral to the final
product. The final products are the outcomes, that is, what students are expected to achieve in
terms of knowledge, skills, attitudes and values, which must be clearly stated before teaching
and learning begin. The achievements made at school, however, are only truly beneficial when
the students transfer them to life beyond the school and view learning as a lifelong process. This
is essential to keep pace with the changing social environment of home and work.
The figure below illustrates the structure and major elements of Malawi’s secondary school
curriculum, which are elaborated in the text below.
TEACHING LEARNING
Developmental outcomes
Assessment standards
Success
criteria
ASSESSMENT
vii
Developmental outcomes
The developmental outcomes are over-arching; they are what the student is expected to achieve
by the end of the secondary school cycle both in and out of school. These outcomes apply to
subject areas and they have been derived from the Constitution of the Republic of Malawi,
Malawi Growth and Development Strategy (MGDS), National Education Sector Plan (NESP),
Education Act and other education policy documents, including global policies and multilateral
agreements to which Malawi is a signatory, as well as from the Secondary School Curriculum
and Assessment Review (SSCAR). That is, students should be able to:
1 demonstrate appropriate moral and ethical behaviour in accordance with the accepted
norms and values of the society
2 demonstrate local, regional, and international understanding
3 communicate competently, effectively, and relevantly in a variety of contexts, in an
appropriate local or international language
4 apply mathematical concepts in socio-cultural, political, economic, environmental, scientific,
and technological contexts to solve problems
5 apply scientific, technological, vocational, and managerial skills in a creative and innovative
way to identify problems and develop appropriate solutions, so as to participate
productively in society
6 demonstrate health-promoting behaviour in their personal lives as well as in their
communities and the wider environment, with particular attention to prevalent diseases
7 appreciate and interact with the environment in a responsible and sustainable manner
8 apply the indigenous and non-indigenous knowledge and skills necessary for lifelong
learning, personal advancement, employment, and the development of society
9 use Information and Communication Technology (ICT) responsibly and productively
10 demonstrate an understanding of the functioning of the economy and the contribution of
agriculture and other sectors to national development
11 make use of entrepreneurial and vocational skills for personal and national development
12 apply research skills for problem-solving
13 demonstrate an understanding and appreciation of issues of human rights, democracy,
gender, governance, and other emerging issues
viii
Citizenship skills
1 demonstrate an understanding and appreciation of the symbols of nationhood
2 demonstrate a spirit of patriotism and national unity
3 apply decision-making skills necessary for participation in civic affairs
4 demonstrate a spirit of leadership and service
5 show respect for one’s own and other people’s rights and responsibilities
6 tolerate other people’s attitudes and beliefs
7 demonstrate respect for the rule of law
8 understand characteristics of good governance
9 initiate and implement community development projects
10 demonstrate a sense of good neighbourliness
11 demonstrate a sense of national, regional and international understanding
12 demonstrate cooperative behaviour
13 demonstrate personal and social responsibility
Practical skills
46 acquire entrepreneurial skills related to agriculture, commerce and industry
47 apply appropriate skills to agricultural, commercial and industrial production
48 demonstrate positive attitudes to manual work
49 demonstrate excellence in any kind of workmanship
50 demonstrate sporting ability and sportsmanship
51 demonstrate the ability to use creative and innovative artistic talents for self-employment
x
Rationale for creative arts
Creative arts education at secondary school level provides the opportunity to train both
students who would proceed to tertiary education and those who cannot make it. Creative arts
at this level enhances students’ holistic development embracing the psycho-motor, cognitive
and affective domains. Those who would be interested in developing their artistic skills would
use these skills in the field of entrepreneurship. Creative arts education also has the element of
developing art appreciation and problem solving skills in the students at the same time;
students are also able to appreciate their cultural heritage.
xi
xii
Scope and sequence chart for Forms 1 to 4
1
Core element Form 1 Form 2 Form 3 Form 4
drawing techniques for Tie and dye Animal figures in different
basic shapes meaning of tie and positions
lines dye standing
tracing tie and dye sitting/lying on the
stencils techniques ground
templates - tying
printing - knotting Animal figures in different
cutting various basic shapes - marbling actions
from paper, cardboard and - folding and tying running
plywood - stitching chasing another
preparation of dyes animal
Shading practical dying of climbing a tree
shading techniques cloth
value scale
shading value scale
using:
- stippling
- cross-hatching
- line shading
- rubbing
2
Core element Form 1 Form 2 Form 3 Form 4
Colours Perspective drawing – Figures and portrait Design and lettering
2 Expressing and the colour wheel landscapes drawing a stanza in freehand
communicating colour categories principles of principles of pen lettering
- primary perspective in relation proportion such as: designing a book
- secondary to landscape drawing - size cover
- tertiary – atmospheric/aerial - location designing cards:
improvisation of perspective - amount of - post cards
paint brushes and observation of objects elements - occasion cards
colours that depict the effects compared to the production of logos
colour contrasts and of perspective other - iconic
harmony practical drawing – sketching human - word mark
landscape figures - combination
Perspective drawing adding details to marks
meaning of Still life and nature drawing make complete computer-aided
perspective drawing observation of still life figures logo designs
effects of perspective and nature sketching portraits
- eye level description of various adding details to Imaginative abstract and
- bird’s eye view still life objects and make complete realistic compositions
- worm’s eye view nature portraits drawing
vanishing points - proportionally imaginative realistic
2-dimensional and 3- - placement of Animal figures art compositions
dimensional objects objects principles of - village scene
- background proportion such as: - wild life
painting /shading - size - urban setup
drawing - location
3
Core element Form 1 Form 2 Form 3 Form 4
Design and lettering Imaginative composition in - amount of painting
types of fonts colour elements imaginative realistic
- old English text meaning of compared to the art compositions
- Algerian imaginative other
- times new Roman compositions
- gothic drafting and painting sketching animal Drawing and painting
- broadway imaginative figures imaginative abstract art
lettering techniques compositions adding details to compositions
- size have complete peace
- colour figures courage
- weight achievement
- expanded Still life and nature sorrow
- condensed observation of still
- distorted life and nature drawing and painting
description of cartoon compositions
various forms of still such as:
life and nature - deforestation
- proportional - HIV/AIDS
- placement of - domestic violence
objects - politics
- background
painting and
shading drawings
Perspective drawing
principles of
perspective
4
Core element Form 1 Form 2 Form 3 Form 4
observation of
objects that depict
effects of perspective
practical production
of drawings
depicting
perspective
- brick wall
- trees along the
road
- houses along the
road
painting various
objects in
perspective
Landscape drawing
observation of
landscape from
different viewpoints
sketching landscape
practical – drawing
of various
landscape; check on:
- change in size
- change in colour
5
Core element Form 1 Form 2 Form 3 Form 4
Craft work – Paper art Conserving the environment Conserving the Paper carving
3 Environmental process rough paper establishing a woodlot environment processing paper for
friendly art model artworks rehabilitation of clay establishing a woodlot making paper blocks
production drying artworks and soapstone sites rehabilitation of clay carving out of pulp
practices alternative resources and soapstone sites blocks
Collage - plaster of Paris alternative resources - animal figures
suitable materials for - paper sculpture - plaster of Paris - human figures
collage - soapstone - paper sculpture - bowls
collage designs - sawdust blocks - soapstone carving out of saw-
production of collage production of posters - sawdust blocks dust blocks
items with awareness imaginative - animal figures
exhibition of collage messages compositions depicting - human figures
items dangers of
environmental
degradation
6
Core element Form 1 Form 2 Form 3 Form 4
Fired clay Animal and human figures Clay modelling and Craftwork in Wood and
4 Entrepreneurship preparation of clay principles of pottery Stone
in creative arts production of proportion preparation of clay qualities of wood
various pottery drawing basic shapes: production of suitable for carving
artworks - rectangles various pottery - hard wood
- flower vases - triangles artworks using: - soft wood
- pots - circles - slabs carving sculptures
- dishes sketching human and - coils such as:
decoration of clay animal figures from - scooping - animal figures
works basic shapes methods of firing - human figures
- incisions adding details to glazing pottery - sugar bowls
- appliqué produce complete artworks - candle stands
methods of firing figures pricing artworks pricing and
clay works painting the finished marketing artworks marketing
- open firing figures craftworks
- closed firing Tie and dye and batik Career opportunities in
carrying out a Fired clay artworks meaning of tie and creative arts
market search preparation of clay dye and batik explain career
- popular production of various artworks opportunities in the
commodities pottery artworks comparison of tie local environment
- supply and - flower vases and dye and batik visitation of
demand - pots artworks - art galaries
- value addition - dishes preparation of tie - printing houses
- accounting for and dye - textile
sales companies
marketing clay
artworks
7
Core element Form 1 Form 2 Form 3 Form 4
- pricing decoration of clay production of batik - exhibition
- marketing works designs centres
Weaving and plaiting - incisions pricing and - graphic
collection of samples - appliqué marketing products designers
types of weaving methods of firing clay design
- check weave works Weaving and plaiting advertisements
- twill weave - open firing collection of samples for artworks
collection of - closed firing types of weaving
materials for conduction of a - check weave
weaving and plaiting market search - twill weave
dyeing the materials pricing the items collection of
demonstration of marketing the items materials for
weaving weaving and
weaving mats Weaving and plaiting plaiting
(mikeka) collection of samples dyeing the materials
explanation and types of weaving demonstration of
demonstration on - check weave weaving
plaiting - twill weave weaving:
practising plaiting collection of materials - winnowers
table mats for weaving and - furniture using
conduction of a plaiting canes, bamboos,
market search dyeing the materials palm leaves, plastic
pricing the items demonstration of strips
marketing the items weaving explanation on
weaving baskets plaiting
explanation and demonstration on
demonstration on plaiting
plaiting
8
Core element Form 1 Form 2 Form 3 Form 4
explanation and practising plaiting
demonstration on floor mats
plaiting carrying out a
practising plaiting market search for
door mats woven and plaited
conduction of a items:
market search - popular
pricing the items commodities
marketing the items - supply and
demand
- value addition
- accounting for
sales
pricing the woven
materials and
plaited items
marketing the
woven and plaited
items
9
Teaching syllabus for Forms 1 and 2
Form 1 Term 1
Core element: Creating, interpreting and presenting artworks
Outcome: The students will be able to design, produce, interpret and exhibit artworks
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
appreciate different 1 explain what Forms of art explaining what art is brainstorming magazines
forms of artworks art is collecting examples of artefacts discussion newspapers
2 identify identifying different roles of critiquing artworks art textbooks
different artists artists in the question and computers
in the society/community answer sign language
society/commu discussing different roles of the observation interpreters
nity artists in the peer assessment
3 recognise society/community self assessment
different recognising the different group work
artistic styles artistic styles from different pair work
from different African cultures
African collecting different artefacts
cultures with different African cultures
discussing the different
artefacts from different cultures
10
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
manage different 1 identify Managing art identifying suitable art brainstorming brooms
art resources suitable art materials materials discussion paints
materials collecting suitable materials for question and brushes
2 use paint art answer water
3 use tools sorting materials for art observation buckets
4 clean art tools using paint appropriately and practice rags
economically peer assessment bags
using tools appropriately self assessment boxes
cleaning art tools group work wasters
storing materials and tools pair work sign language
interpreters
portifolios
rubrics
checklists
11
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
produce various 1 identify basic Basic shapes identifying various basic demonstration pencils
basic shapes shapes shapes question and papers
explaining different drawing answer rulers
2 explain techniques discussion rubber/eraser
drawing - basic shapes practice glue
techniques - lines peer assessment pairs of scissors
- grip self assessment razor blades
- stencils group work sign language
- templates pair work interpreter
3 draw basic - printing cardboards
shapes drawing basic shapes plywoods
- rectangles pencil sharpeners
- circles portfolios
- triangles rubric
- cylinders checklist
- cones
12
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
4 cut shapes - spheres
5 display basic - cubes
shapes cutting basic shapes from
paper, cardboard, plywood
displaying basic shapes
13
Form 1 Term 2
Core element: Expression and communication
Outcome: The students will be able to apply multiple forms of expression and communication in creative arts.
Assessment Success criteria Theme/Topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this
when the students are Students must be able
able to: to:
present artworks 1 explain the Perspective explaining the meaning of explanation pencils
in perspective meaning of drawing perspective drawing discussion erasers
drawing perspective - linear observation papers
drawing - aerial demonstration corridors
2 identify objects identifying objects that practice walls
that depict effects depict the effects of written exercises sign language
of perspective perspective eg, peer assessment interpreters
3 draw objects from - road self assessment pictures
various vanishing - train group work depicting
points - people pair work perspective
4 draw 2- drawing objects from various excursion pencil sharpeners
dimensional and 3- vanishing points portfolios
dimensional rubrics
objects drawing 2-dimensional and checklists
3-dimensional objects
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
14
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
15
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
Students must be
able to:
matching and contrasting
4 match and colours: curry powder
contrast - tone dead markers
colours - harmony coloured chalk
coffee
5 practise with practising with colours portifolios
colours cleaning the environment and mulberries
tools rubrics
storing materials and tools checklists
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
16
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
Form 1 Term 3
Core element: Environmental-friendly art production practices
17
Outcome: The students will be able to use ways of conserving the environment in art production.
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
produce 1 identify Craftwork: identifying materials for explanation paper
various materials for paper art paper art demonstration glue
craftworks paper art collecting rough paper discussion water
2 collect rough practice buckets
paper sorting rough paper peer assessment maize flour
3 model self assessment tree sap
artworks crashing/pounding rough mortars
4 dry artworks paper pestle
5 paint modelling artworks moulds
artworks sign language
drying artworks interpreters
seeds
painting artworks stones
sand
bags
storing artworks
card boards
paints
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
18
assessment methods and assessment
resources
Students must be
able to:
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standards learning activities learning and teaching, learning
19
assessment methods and assessment
resources
Students must be
able to:
Form 1 Term 3
Core element: Entrepreneurship in creative arts
20
Outcome: The students will be able to effectively design artworks intended for the creation of economic opportunities for self reliance
and national development.
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to:
produce various 1 process clay to Fired clay identifying sources of clay explanation local
clay artworks produce artworks fetching clay for moulding excursion environment
pottery pottery artworks demonstration water
artworks discussion clay
soaking clay in water group work buckets
2 mould sieving clay to remove peer assessment sieves
different sediments self assessment traditional kiln
pottery spreading clay on a flat surface gallery walk cardboards
artworks wedging and kneading clay bus stop sacks
producing various pottery sawdust
artworks such as bottles
- flower vases smooth stones
- pots plastic sheets
- dishes paper
- jugs sign language
using slabs, coils, scooping interpreters
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
21
assessment methods learning and
assessment
resources
4 fire clay
artworks discussing methods of firing
clay artworks
- open firing
5 carry out - closed firing
market search
carrying out market search
- popular commodities
- supply and demand
6 market clay - value addition
artworks - accounting for sales
pricing clay artworks
marketing clay artworks
Assessment Success criteria Theme/Topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
22
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to:
produce various 1 explain types Weaving and collecting samples of woven sisal
artworks of weaving plaiting and plaited materials palm leaves
explaining types of weaving plastic strips
- check weave knives
- twill weave metal strips
local
collect materials for weaving environment
and plaiting dyes
dye materials for weaving and hoes
plaiting bamboos
demonstrating types of wood
2 demonstrate
weaving wool
types of
- check weave strips
weaving
- twill weave needles
practising weaving to produce canes
mats (mikeka)
explaining plaiting
demonstrating plaiting
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
assessment methods learning and
23
assessment
resources
We will know this Students must be
when the students are able to:
able to:
3 carry out Weaving and practising plaiting table sisal
market search plaiting mats palm leaves
carrying out market search for plastic strips
woven and plaited items: knives
- popular commodities metal strips
- supply and demand local
- value addition environment
- accounting for sales dyes
hoes
pricing woven and plaited bamboos
4 market woven
items wood
and plaited
marketing woven and plaited wool
items
items strips
needles
canes
Form 2 Term 1
Core element: Creating, interpreting and presenting artworks
Outcome: The student will be able to design, produce, interpret and exhibit artworks.
24
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
We will know this Students must be
when the students are able to:
able to:
apply colour in 1 explain what Colour collecting samples of different explanation pencils
various tones to tints and units and shades demonstration rubbers
their artworks shades are explaining what tints and discussion papers
2 develop tints shades are question and newspapers
and shades of answer magazines
various colours producing tints of various group work sign language
3 use tints and colours peer assessment interpreter
shades to paint producing shades of various self assessment colours
surfaces colours pair work marker pens
rulers
using tints and shades to paint portfolios
surfaces rubrics
displaying finished work checklists
storing artworks samples of
different tints
and shades
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching, learning
assessment methods and assessment
resources
25
We will know this Students must be able
when the students are to:
able to:
demonstrate an 1 design book covers, Design and designing book covers, posters demonstration paints
understanding of post cards and lettering and post cards explanation brushes
design techniques posters discussion water
2 develop post cards developing book covers, group work paper
posters and post cards peer assessment sign language
3 use appropriate using appropriate colours for self assessment interpreters
colours for the designs pair work coloured chalk
designs envelopes
folders
4 display finished displaying finished work internet
work storing artwork computers
portfolios
rubrics
checklists
Assessment Success criteria Theme/topic Suggested teaching and learning Suggested teaching, Suggested
standard activities learning and teaching,
assessment methods learning and
assessment
26
resources
We will know this Students must be
when the students are able to:
able to:
shade different 1 draft artworks Shading drafting artworks to be shaded explanation paints
artworks in pencil to be shaded shading objects such as discussion strings
and paint using pencil - cones demonstration cloth
and paint - circles peer assessment dyes
2 compare given - triangles self assessment buckets
shades comparing given shades practice basins
choosing appropriate shades question and sign language
answer interpreters
3 shade artworks shading artworks using chosen individual work soap
shades group work water (cold or
4 display hot)
artworks displaying finished artworks envelopes
storing artworks folders
portfolios
rubrics
checklists
Assessment Success criteria Theme/topic Suggested teaching and learning Suggested teaching, Suggested
standard activities learning and teaching,
assessment methods learning and
assessment
27
resources
We will know this Students must be
when the students are able to:
able to:
produce artworks 1 describe tie and Tie and dye collecting tie and dye sample explanation strings
in tie and dye dye materials discussion cloth
2 explain tie and describing tie and dye observation dyes
dye techniques demonstration buckets
explaining tie and dye peer assessment basins
3 create tie and dye techniques self assessment sign language
artworks - tying practice interpreters
- knotting question and soap
- marbling, answer water
- folding individual work portfolios
- stitching thread
collecting materials for tie and needles
dye ready made
preparing the dyes samples of tie
soaking tied pieces into dyes and dye
pressing dyed cloth rubrics
displaying work checklists
Assessment Success criteria Theme/topic Suggested teaching and learning Suggested teaching, Suggested
standard activities learning and teaching,
assessment methods learning and
assessment
28
resources
Students must be
able to:
Form 2 Term 2
Core element: Expressing and communicating
Outcome: The students will be able to apply multiple forms of expression and communication in creative arts.
29
Assessment Success criteria Theme/topic Suggested teaching and Suggested Suggested teaching,
standard learning activities teaching, learning learning and
and assessment assessment
methods resources
We will know this Students must be
when the students are able to:
able to: readymade
develop landscape 1 explain Perspective collecting ready drawn explanation samples of
drawings following principles of drawing - samples of landscape demonstration landscape
the principles of perspective in landscape explaining principles of question and pencils
perspective relation to perspective in relation to answer paper
landscape landscape drawing practice rubber
drawing – atmospheric perspective peer assessment paint
self assessment paint brushes
2 observe objects observing objects that depict excursion coloured chalk
that depict the the effects of perspective group work coloured pencils
effects of - electricity poles pair work dead markers
perspective - road sign language
3 design a designing a landscape interpreters
landscape draw a landscape marker pens
4 display their displaying artwork envelopes
work storing artworks folders
portfolios
rubrics
checklists
Assessment Success criteria Theme/topic Suggested teaching and Suggested Suggested teaching,
standard learning activities teaching, learning learning and
and assessment assessment
methods resources
30
We will know this Students must be
when the students are able to:
able to:
develop drawings 1 observe still Still life and visiting the local explanation local environment
from still life and life and nature nature drawing environment excursion pencils
nature observing still life and nature demonstration rubbers
2 describe describing various still life question and marker pens
various forms objects and nature answer dead markers
of still life and drawing of still life and practice paints
nature nature peer assessment paint brushes
self assessment stones
designing of still life and group work fruits
nature bottles
- proportionally twigs
- placement of objects magazines
- background newspapers
drawing of still life and sign language
nature interpreters
3 paint or shade
painting or shading drawings envelopes
drawings
from still life and nature folders
from nature
portfolios
and still life
rubrics
4 display their
displaying artworks checklists
work
storing artworks
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
31
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to:
apply principles of 1 explain Animal and explaining principles of explanation pencils
proportion when principles of human figures proportion question and rubbers
drawing animal proportion answer paints
and human figures 2 draw basic drawing basic shapes: demonstration paint brushes
shapes such as - rectangles practice buckets
triangles, - triangles peer assessment newspapers
rectangles and - circles self assessment magazines
circles discussion models of
3 sketch human group work - triangles
and animal pair work - rectangles
sketching human and animal
figures - circles
figures from the basic shapes.
4 add details to envelopes
have complete folders
adding details to produce
figures portfolios
complete figures
rubrics
painting the finished figures
checklists
Assessment Success criteria Theme/topic Suggested teaching and Suggested Suggested teaching,
standard learning activities teaching, learning learning and
and assessment assessment
methods resources
32
5 carry out a carrying out market search:
market search - popular commodities
- supply and demand
- value addition
- accounting for sales
6 market pricing human and animal
human and figures
animal figures displaying finished artworks
marketing human and
animal figures
storing the artworks
Form 2 Term 3
Core element: Expressing and communicating
Outcome: The students will be able to apply multiple forms of expression and communication in creative arts
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
33
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
We will know this Students must be able
when the students are to:
able to:
create various 1 explain an Imaginative collecting samples of explanation pencils
imaginative imaginative composition in readymade imaginative question and paper
compositions in composition colour compositions answer brushes
colour 2 draft imaginative explaining imaginative demonstration paint brushes
compositions composition practice buckets
3 paint imaginative peer assessment water
compositions drafting imaginative self assessment marker pens
4 display compositions discussion dead markers
imaginative painting imaginative gallery walk envelopes
compositions compositions folders
displaying the painted sign language
compositions interpreters
storing artwork portfolios
rubrics
checklists
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
34
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to:
produce various 1 fetch clay for Fired clay fetching clay for moulding explanation water
clay artworks moulding artworks pottery artworks excursion clay
pottery demonstration buckets
artworks soaking clay in water discussion sieves
2 process clay to sieving clay to remove group work firewood
produce pottery sediments peer assessment traditional kiln
artworks spreading clay on a flat surface self assessment cardboards
wedging and kneading clay gallery walk sacks
3 mould different producing various pottery bus stop sawdusts
pottery artworks such as: question and tins
artworks - flower vases answer bottles
- pots smooth stones
- dishes plastic sheets
- jugs papers
using slabs, coils, scooping sign language
interpreters
portfolios
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
35
Students must be
able to:
4 decorate clay drying produced clay checklists
artworks artworks local
5 fire clay decorating clay artworks environment
artworks - incisions
- appliqué
collecting firewood
firing clay artworks
- using open firing
6 carry out a - using closed firing
market search carrying out a market search:
- popular commodities
- supply and demand
- value addition
- accounting for sales
displaying clay artworks
costing artworks
7 market the clay conducting mock marketing
artworks storing clay artworks
Assessment Success criteria Theme/topic Suggested teaching and Suggested teaching, Suggested
36
standard learning activities learning and teaching,
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to: 1 explain types Weaving and collecting samples of woven explanation sisal
of weaving plaiting and plaited materials excursion palm leaves
explaining types of weaving demonstration plastic strips
- check weave discussion knives
- twill weave resource person metal strips
peer assessment local
collect materials for weaving self assessment environment
and plaiting question and dyes
dye materials for weaving and answer hoes
plaiting bamboos
2 demonstrate
demonstrating types of wood
types of
weaving wool
weaving
- check weave strips
- twill weave needles
practising weaving baskets canes checklist
explaining plaiting
demonstrating plaiting
Assessment Success criteria Theme/topic Suggested teaching and learning Suggested teaching, Suggested
standard activities learning and teaching,
assessment methods learning and
assessment
resources
37
: 3 carry out a
market search
Weaving and practising plaiting door mats sisal
plaiting carrying out a market search for palm leaves
woven and plaited items: plastic strips
- popular commodities knives
- supply and demand metal strips
- value addition local
- accounting for sales environment
dyes
pricing woven and plaited items hoes
4 market the
marketing woven and plaited bamboos
woven plaited
items wood
items
storing woven and plaited items wool
strips
needles
canes
Assessment Success criteria Theme/Topic Suggested teaching and Suggested teaching, Suggested
standard learning activities learning and teaching,
38
assessment methods learning and
assessment
resources
We will know this Students must be
when the students are able to:
able to:
use environment- 1 establish wood Conserving the procuring seeds explanation local
friendly art lots environment preparing seed beds demonstration environment
practices preparing seed beds discussion seeds
sowing seeds group work water
2 use alternative planting the seedlings excursion watering cans
art resources watering the seedlings hoes
creating a firebreak plastic papers
3 develop posters filling dug holes sign language
with awareness using alternative resources eg interpreter
messages - plaster of Paris awareness
- paper sculpture posters from the
- soap stone environment
developing posters with papers
awareness messages paints
displaying awareness posters paint brushes
pencils
39
References
Arnheim, Rudolf, (1974). Art and visual perception. USA: University of California Press.
Benn, Ernest (1978). The book of art. London: Thonbridge.
Brown, Diana (1997). Art, craft and design: a practical guide for teachers. London: Jon
Murray publishers Ltd.
Cheat Bernard (1983). The art of drawing 3rd Edition. London: Robert Rainer Capital City
Press.
Gates, David. (1969). Lettering for reproduction. New York: Atson Guptill publications.
Gombrich, E.H. (1984). The story of art. 14th Edition. Phaidon Press Limited
Hauya, Roy (1992). Creative arts trainers. Domasi: Malawi Institute of Education (MIE).
Hinwood Tony (1984). Cartoons. London: Link House Publications PLC.
Malawi Institute of Education (MIE) (1998). Creative arts: teachers guide for Std 8. Domasi
Malawi Institute of Education.
Stanfield, NF (1976). A handbook of art, teaching in tropical schools. London: Evans Brothers
Limited.
Watson, Ernerst. (1995), How to use creative perspective. USA: Linton Educational
Publishing inc.
Wilson, S. (1986). Using computers to create art. New Jersey: Prentice Hall, inc.
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