Professional Documents
Culture Documents
Purposive Communication
Purposive Communication
MODULE 1-4
SEM 2 | 2024
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THE READINGS IN PHILIPPINE HISTORY
MODULE 1-4
SEM 2 | 2024
INTER-CULTURALISM
DIMENSIONS OF CULTURAL
DIFFERENCES (HOFSTEDE, 2005) ● more efforts to better understand
others as well as ourselves
IDENTITY/INDIVIDUALISM VS. ● not easy, often messy
COLLECTIVISM ● but when gotten right, it will be
● personal wants/needs or social rewarding
harmony of the group ● acknowledges complexity and aims
to work through it to a positive,
EQUALITY VS. COLLECTIVISM inclusive and equitable outcome
● Equality vs. statusy and position
MODULE 2: The Talk Aspect in
UNCERTAINTY AVOIDANCE VS. Communication
TOLREANCE
● Reducing risks or problems or CHARACTERISTICS OF GREAT
tolerating mistakes SPEAKERS
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THE READINGS IN PHILIPPINE HISTORY
MODULE 1-4
SEM 2 | 2024
COURTESY
1. Chronological - in order
● Introduction, presentation,
2. Spatial – organize according to its
acceptance
significance
3. Topical- main points developed according
to topic within an overall topic CEREMONIAL
4. Narrative – demonstration of a topic/ ● Commencement, commemoration
subject (testimonials, tributes, eulogies)
CONTEST
SECOND FUNCTION OF TALK - ● Original oratory, extemporaneous,
PERSUASIVE intepretations
MANUSCRIPT
● Read from pre-written script
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THE READINGS IN PHILIPPINE HISTORY
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SEM 2 | 2024
● eye contact/movement
MEMORIZED ● Example: a guy gibing a playful wink
● same as manuscript; harms the to his girl classmate
connection of the speaker and the
audience. ICONICS
● symbols, gesture
MODULE 3: Non-Verbal Communication - ● Example: a signage of a “no
Areas of Domain smoking” place outside a door
OLFACTICS
NON-VERBAL COMMUNICATION
● study of smell in humans
● Example: wife refusing to go near
● The transfer of information from one her husband who reeked with the
person to another without the use of smell of alcohol
words or spoken language.
● Can be done in many ways, facial GUSTORICS
expressions, gestures, and body ● sense of taste
posture or position. ● Example: daughter ecstatically
closing her eyes in appreciation of
the food prepared by her mom
TYPES OR KINDS OF NON-VERBAL
COMMUNICATION
OBJECTICS
● display of objects (Clothing,
CHRONEMICS ornaments) to stand for something
● something to do with time. ● Example: a white flag, cloth to mean
● Example: tapping or pointedly peace of surrender
looking at one’s watch
PARA-LANGUAGE (VOCALICS)
KINESICS ● voice properties: tone, volume, pitch,
● motion (paggalaw), movement manner of speaking etc. to convey
● Example: a baby moving restlessly meaning; including Textual
in his crib due to the heat para-language (TPL) as in the use of
emojis
PROXEMICS ● Example: The teacher’s voice rose
● physical distance in volume and pitch when a group of
students kept on talking despite her
HAPTICS repeated attempts to make them
● sense of touch stop
● Example: a mother rubbing her
baby’s back for comfort
OCULESICS
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THE READINGS IN PHILIPPINE HISTORY
MODULE 1-4
SEM 2 | 2024
GENRE
FROZEN OR STATIC
● it does not change; it is cultural,
● one’s knowledge of a genre can uni-directional, recited from rote
make or break the communication memory
act ● Ex: Lupang Hinirang, pledge of
● multiple genres have emerged allegiance, prayers, laws, old
(dramedy, sci-fi, etc.) grammar, etc.
● term for outputs (research article,
news page, text message) FORMAL
● academic; used in research,
business presentations; no slang,
STYLE
colloquialism, no contractions
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THE READINGS IN PHILIPPINE HISTORY
MODULE 1-4
SEM 2 | 2024
INTIMATE ● ethos
● used by people in very close ● pathos
relationships
● Ex: lovers and their terms of THE LANGUAGE OF ARGUMENTATION
endearment mother with a pet name ● presents a viewpoint, tries to win the
for her child best friends who have reader over by appealing to logic
their own language rather than emotion
● calm and logical
● issues that are voted upon say, in a
GENRE
plebiscite, are examples
● a category of an artistic composition,
as in music, literature, characterized THE LANGUAGE OF NARRATION OR
by similarities in form, style or DESCRIPTION
subject matter ● telling a story
● genres and sub-genres ● establishes situation, plot, setting,
● Prose and poetry conflict, resolution
● Literature: Fiction, non-fiction;
drama, comedy, folklore, mythology, THE LANGUAGE OF AESTHETIC
sci-fi, action, super hero movies, etc
● creates materials, artistic works
● uses wordplay, literary devices
GENRE ALSO REFERS TO LANGUAGE ● poetry, novels, other works of fiction
USE FOR SPECIFIC PURPOSES ● non-fiction aspect: found in
journalism
1. To inform
2. To convince/persuade
3. To actuate GENRE
● It is based on aesthetic/artistic
5 DISTINCT GENRES OF LANGUAGE preferences.
● It is up to the writer how he wants to
present his message, depending on
THE LANGUAGE OF INFORMATION
his personality, objective, setting,
● straightforward, no opinion, no
audience.
argumentation
● The style of academic language is
● clear, provides facts and figures to
clear, objective, coherent and with
avoid ambiguity
minimum of misinterpretation, if at all
● objective
● Plain, straightforward, using simple
familiar words
THE LANGUAGE OF PERSUASION
● Active voice is emphatic; the passive
● case of for or against a point of view voice is wordy.
● tries to influence opinions by ● A combination of both is good for
appealing to these elements academic writing.
espoused by Aristotle
● logos/logic/reason
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THE READINGS IN PHILIPPINE HISTORY
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SEM 2 | 2024
CRITICAL WRITING
● The line is drawn from writer to
reader; the subject matter fades
away while the writer gets to be
popular.
● Ex: newspaper columns, editorial, a
critique, an expose
TECHNICAL WRITING
● Informative, objective
● Relates subject matter and reader
● To inform, persuade, and instruct the
reader
FISH FORMULA
● Formal – not your everyday kind of
conversational tone
● Impersonal – use of third person
● Structured – active or passive