B> TRUMPET BOOK 1

i’ ELEMENTS PLUS

COMPREHENSIVE BAND METHOD

TIM LAUTZENHEISER
JOHN HIGGINS
CHARLES MENGHINI
PAUL LAVENDER
TOM C. RHODES
DON BIERSCHENK
 COMPREHENSIVE BAND METHOD

TEM LAUTZENHEISER JOHN HIGGING CHARLES MENGHINI

PAUL LAVENDER TOM C. RHODES DON BIERSCHENK

Bandis... Making music with a family of lifelong friends.

Understanding how commitment and dedication lead to success.
Sharing the joy and rewards of working together.
—individuals who develop self-confidence.
€reativity—expressing yourself in a universal language.
Band is... MIUSEICE
Strike up the band,
Tim Lautzenheiser

: we refer to the Bb irae but the instructions apply’ to both instruments. .

Virtually: all important composers have written mhusic for the trumpet, ‘including 3.S.Bach:
H
, ‘and WA. Mozart. ‘Some famouss performers are Maurice ‘André; Adolph Herseth Doc Severinsen’
vand Wynton Marsalis. oo

ISBN 0-634-00320-8
Copyright © 2004 by HAL LEONARD CORPORATION
international Copyright Secured All Rights Reserved

P HALeLEONARD®
ma CORPORATION
7777 W. BLUEMOUND RD. P.O. Box 13819 MILWAUKEE, WI 53213
 Posture
Sit on the edge of your chair, and always keep your:
* Spine straight and tall Taking Care Of
* Shoulders back and relaxed Your Instrument
* Feet flat on the floor Before putting your instrument
back in its case after playing, do
Breathing & Airstream the following:
Breathing is a natural thing we all do constantly. To discover the correct
+ Use the water key to empty
airstream to play your instrument:
water from the instrument.
* Place the palm of your hand near your mouth.
Blow air through it.
* Inhale deeply through the corners of your mouth, keeping your
* Remove the mouthpiece.
shoulders steady. Your waist should expand like a balloon.
Once a week, wash the
* Slowly whisper “tah” as you gradually exhale air into your palm.
mouthpiece with warm tap
The air you feel is the airstream. It produces sound through the instru- water. Dry thoroughly.
ment. Your tongue is like a faucet or valve that releases the airstream. * Wipe off the instrument with
a clean soft cloth. Return the
Producing The Essential Tone instrument to its case.
“Buzzing” through the mouthpiece produces your tone. The buzz is a fast
vibration in the center of your lips. Your embouchure (ahm -bah-shure) is Trumpet valves occasionally need
your mouth’s position on the mouthpiece of the instrument. A good em- oiling. To oil your trumpet valves:
bouchure takes time and effort, so carefully follow these steps for success: * Unscrew the vaive at the top of
the casing.
BUZZING + Lift the valve haif-way out of
* Moisten your lips. the casing.
* Bring your lips together as if saying the letter “m.” * Apply a few drops of special
* Relax your jaw to separate your upper and lower teeth. brass valve oil to the exposed
* Form a slightly puckered smile to firm the corners of your mouth. valve,
* Direct a full airstream through the center of your lips, creating a buzz. * Carefully return the valve to its
* Buzz frequently without your mouthpiece. casing. When properly inserted,
the top of the vaive should
MOUTHPIECE PLACEMENT
easily screw back into place.
* Form your “buzzing” embouchure.
* Center the mouthpiece on your lips. Your teacher may Be sure to grease the slides regu-
suggest a slightly different mouthpiece placement. larly. Your director will recom-
* Take a full breath through the corners of your mouth. mend special slide grease and
* Start your buzz with the syllable “tah.” Buzz through the valve oil, and will help you apply
center of your lips keeping a steady, even buzz. Your lips them when necessary.
, provide a cushion for the mouthpiece.
 mouthpiece receiver

mouthpiece

valve casings

first valve slide \ water key

second valve slide third valve slide ring

Put your left thumb and fingers around the Step 5 Always sit or stand tall when playing.
Step 1
valve casings and pick up the trumpet. Your left Hold the trumpet as shown:
hand supports the weight of the instrument.

Step 2 Place your left ring finger inside the ring of the
third valve slide.

Step 3 Hold the mouthpiece at the wide end with your

right hand. Gently twist the mouthpiece into
the mouthpiece receiver.

Step 4 Arch your right hand to form a backwards “C."

Place your thumb between the first and second
valve casings. Place your little finger on top of
the hook.

Ledger Lines Measures & Bar Lines

Music Staff
Measure Measure

Bar Line Barline Bar Line

Ledger lines extend Bar lines divide the music staff

The music staff
into measures.
has 5 lines and 4 the music staff.
spaces where Notes on ledger lines
notes and rests can be above or
are written. below the staff.
 1. THE FIRST NOTE
Hold each long tone until your teacher tells you to rest.

L—(G) > REST REST

OOO
123
“G’is played with open valves. Just rest your fingers lightly on the valves.

2. COUNT AND PLAY

| a A 2 | a 7
+O
_@_@
Oo -__*&_¢_€ _¢_@+@
@ 6 e—¢
Count 1&2@®2& 3& 4& 18& 28& 3k 4 & 1e&2a&38& 48 1&e 2RX3& 4B
Top 4.7 1 TLTtlift LT) TL) T LT L,7 il Titer $1 TlT4
TL T

3. A NEW NOTE |
Look for the fingering diagram under each new note.

REST REST
e000 — (F) >
A

The black circles tell you which valves to push down. “F" is played with 1st valve.

4. TWO’S A TEAM
\

Go oa
*7
@—6—o— oe 8 4
Count&Tap;> 1&2 & 3 & 4 & 1& 28 3% 4 & 1Te®& 28& 3282 4 &

5. HEADING DOWN
Practice long tones on each new note.

REST REST
—@ >
©

6. MOVING ON UP

-CO-o-o—@e oe
==
= S Xx
=Y

Count&Tap: 1 &® 2&3 & 4B 1&®&2e38&4.2 1e&2%3844& 1& 22% 3 & 4 &
7. THE LONG HAUL Double Bar 7

REST REST

06 ©) - @ a

8. FOUR BY FOUR Repeat Sign |

» >
\ ¥ ‘

<_¢_ << te -e_ 6-6 é :

o @
% 48 122838 4& 1e%&28@38 44
Count &Tap: 1 &28& 3 &4 & 18@28&3

9. TOUCHDOWN

REST REST
OOO
©- > ~©- >

10. THE FAB FIVE

<< é oe
1& 2&3
& 4 & 1&2&
3 & 4 &
1&%8®28&
3% 4 &

11. READING THE NOTES compare this to exercise 10, THE FAB FIVE.
.
A ? z z a
tes5 z
—
z z
—————
eo «¢ ee ¢ € 4
2& 3 & 4 & & 2& 3 & 4 & & 2& 3 &
&®2&e& 3 & 4 &

12. FIRST FLIGHT

A :
» if & e
fA g f ~ €
H : rs
€ A !

ee ¢ ee

13. ESSENTIAL ELEMENTS QUIZ Fill in the remaining note names before playing.

GF | 4 —
zi
3

-
2

+ &
zs
£
 ;
.
Go to the next line. 7
}
f

ier
i

ve

Nw
i oe
@.

Double Bar +
aN

ee

Ay
ve

Ae
15. RHYTHM RAP Clap the rhythm while counting and tapping.

qed wt dy
Clap
Repeat Sign 7

T&2ezez4e 122R%3%4R 1&82&3%42% T22&3&4eR@ 122823248 182238248

16. THE HALF COUNTS

A -
X
a. x. 7 at. -_

+
g oe ee ° :
T&E2&8384% 14283 284% 182%3%€4R% 1%228%38%48 1&8@2&3 848 12223848

17. HOT CROSS BUNS fy this song on your mouthpiece only. Then play it on your instrument.
A =

o oe: eevee Fee oe

18. GO TELL AUNT RHODIE American Folk Song

A ’ _ 4 >
.

oe oe oe

19, ESSENTIAL ELEMENTS QUIZ Using the note names and rhythms below, draw your notes on the staff before playing.
ole
c...
wu.

Laon
an

ee

|a
iN
.

b\
rn
.
26. RHYTHM RAP Clap the rhythm while counting and tapping.
Clap
4 _g»
|
4
<—

TezZazpeh&TE TR2eZSK&4AE 1&@®2%3&4&

1&®2%38a48 1&%&2&23 848 T&2&3&%&48&

21. THE WHOLE THING

A b

°
<P
eo) SB a + BP
Ce) eS ;
1&2R%3R4% 1&22&3&4& T”%2&324& 122&238&4&-—
T&e2R3R4e T&2R23K4R

22. SPLIT DECISION - Duet

3
fy
A aA hase

t ab
o-o-@ oe Se =
i
eee | oe?
9 )
A >

B = |
© o a >
—~ a @

23. MARCH STEPS

9
5
A
= | =
h IS

es¥ ag a So
& Lo ©
e

24, LISTEN TO OUR SECTIONS |

Woodwinds Brass Perc. Ww. Brass All
Percussion Woodwinds Brass Percussion
| °
Lal bined tT bead
"aA
WE TE T

25. LIGHTLY ROW 9 9

9 9
A

-+-B
s ~>-
e) re
9 - 9
A 9

@
@ Ss
(e5— fe eG @ g 2,

26. ESSENTIAL ELEMENTS QUIZ Drawin the bar lines before you play.
= ———
.

—
Say A

. <= = @
eS - bag @
@) -@-
27. REACHING HIGHER - New Note
Practice long tones on each new note. Fermata 7
A A {N

6G
s¥ 3, vi ~ — Za ™ Ce.
@@o

28. AU CLAIRE DE LA LUNE French Folk Song

A 2 1

q?> qs i

29, REMIX
A

30. LONDON BRIDGE ~- Duet English Folk Song

— A ’
A x;
| —-# =

_
me :
—
gice= sd a

Adaptation
bd
gill

¢ Y

32. ESSENTIAL ELEMENTS QUIZ Draw these symbols where they belong and
write in the note names before you play:

<>
33. DEEP POCKETS A - New Note 7 oe
9 $ ann
5 |
cA { j &.
re =F i
f &
3 2
1 SS £

oe : oe oe eC @ : Se a
x eC
O@O AB

34. DOODLE ALL DAY 9

9
A 9 ]
{ j
a Be i °
H . &
H a

° ese o oa
‘ 1

35. JUMP ROPE

3 9
A a
4-4

36. A-TISKET, A-TASKET

y Pick-up note
ra
Ry

~~ wos |} ra, 3 @

@
BP a
@
1&82&3&
4& 1&2&3&48

37. LOUD AND SOFT

Clap

I
J.S.Pierpont
38. JINGLE BELLS Also practice new music on your mouthpiece only.
9 9
_ 9 9
A i I I
i ;
iA iH H
—— @ —
3 “3 a a
EL,

m .
9 9 | 9 |
A {
ml i
<n
—— : oo
€ —_ = -=-
@ ee f ae
“eo? ¢

Traditional Hanukkah Song

39. MY DREYDL Use full breath support at all dynamic levels.
A ? :
Ost = @ == =o
& : 7
= 3 Poe _ =
a @
@) mf Co & - eG
: P _ Sf
9
A 9
4 & | &é
ve ae _ : Te a gs a
 40. RHYTHM RAP crap the rhythm while counting and tapping.
Clap

1& 2& 3 & 4 & 1&e& 2 & 3 & &€& & 1& 2e& 3 &® 4 & 1& 2 & 3 & 48

41. EIGHTH NOTE JAM

A

o-o—-@ z€ ei gitele —
€
1&2& 38% 4&8 128228223848 717& 28% 38& 4e 18228223848

42. SKIP TO MY LOU American Folk Song

fa 2 3

mf . ee a

Bs | |
a :

puernimmaid
a) died eo

Ne
e

43. LONG, LONG AGO. Good posture improves your sound. Always sit straight and tall.
A ’ $
ts Z
a a ° °
P

44, OH, SUSANNA

Stephen Collins Foster
A

oe - e ae
fa
St

€
oe @

45. ESSENTIAL ELEMENTS QUIZ — WILLIAM TELL Gioacchino Rossini

Aah
 1&2 & 1& 2 & &® 1 & 2 & 1a 2 &
1%@2& ie 28& tt & 2 &

47. TWO BY TWO

SETA
ate
Bers
ve
ot

48. HIGH SCHOOL CADETS - March a

John Philip Sousa
A Allegro Ps

o—e— | ag — — ag - 4
bs% = @ @
; @ @¢e &
@)
Reproduced by Permission of Boosey & Hawkes Music Publishers Ltd.
SI

49, HEY, HO! NOBODY’S HOME - New Note

5 “4
A Moderato
.
ts
oh
}
tA { 3
“ey oe

@ S
mf’ AA
9 9
fi i { &
Wl
Hi i rs

ry) +

CLAP THE DYNAMICS

a
50.

Too. Jutt
|
Clap

Pp f p
51. PLAY THE DYNAMICS
9
A
| i
ad

°o

Cr
e

P f
@|
*S
 52. PERFORMANCE WARM-UPS
TONE BUILDER
fh a
_o—@
~ ee ° $e 3S

RHYTHM ETUDE
A oN
= = ii
eo ¢2 ve ¢ alin eo .

RHYTHM RAP
Clap

Stomp!
CHORALE
A Andante
f™
Hf 4 a
Efan’

oe Pp2 ~ o e
=== mf == p e

53. AURA LEE - Duet or Band Arrangement :

Andante Part A = Melody, Part B=H
(Par elody, Par armony d George R. Poulton
—~_)
A = —a
ay 4? J <¥
@) r “e@

mf = |p
h

B Ki oe «6 seu Go o eo <6 Go ae oe
mf’ — =p

~ fh fN
A fe 7 eo o = oO oO
© mf === |f mf’ <== | p
A [N
By = = =
~ mf oe 3¢e I oe oe
=== ff =f —— —p

54. FRERE JACQUES - Round (When group

A reaches @, group
B begins. at D)
Moderato
French Folk Song
A @
43 7
$ oe 2 oe oe
nf
6057
e)
—
@ * @
|
eo
“4 |
tS ¢
55. WHEN THE SAINTS GO MARCHING IN - Band Arrangement Arr. by John Higgins
A Allegro ~<a Measure number

Betts
ney

Ate

g
“)

Bye
APY
Atty

34
ia
bane

56. OLD MACDONALD HAD A BAND - Section Feature

A Allegro

or
Pe
el
ey

o oe
2nd time go on to meas. 13 4
Pt = cy
Kd
ue

AY
Ate

leadericasans
vad
AY tes

i
57. ODE TO JOY (from Symphony No. 9) Ludwig van Beethoven
Arr. by John Higgins
Moderato
fy
“)

4
By

58. HARD ROCK BLUES - Encore John Higgins

A Allegro
ey’
A

ee
tet

ARS
Laing
59. FIT TO BE TIED

J
‘|
(

|
‘
Seat 5

(
2 beats A ¢

60. ALOUETTE
A 9
if A +

4 oy = <r —} + —-@ es
“oO —" Newer? @ € ——_ ——"

3 beats 4 ~

61. ALOQUETTE - THE SEQUEL French-Canadian Folk Song

4h 9

lors

er
e) Za —s—#
‘

¢. 9

62. CAMPTOWN RACES

A Allegro , Stephen Collins Foster

Bar
a

‘|
|

a
.
@

63. NEW DIRECTIONS

A oo

Geoe : —— 7 3
vA i

6 oe eo ° oe

64. THE NOBLES Always use a full airstream. Keep fingers on top of the valves, arched naturally.
A
4]
sey

iF ey -
A
2

3 beats A e @¢ @ — e @= 2 ve
D)

65. ESSENTIAL ELEMENTS QUIZ

if

ECS:
az | = on é—e = = oe o —— F
 15

66. RHYTHM RAP

gi
ttidaLi.
1e22%3& 1&€2&38% 1&€2&8&3& 182838 1&82%3& 1&2e%&3e 1*A2K3BSH T&R2ZaZR

67. THREE BEAT JAM

A
K-3
:
rd

ag Ss eee

ale
Aye
cd
@
1&82&3%& 171&%42%2838& 142838 182%38 1&2&83& 1&%&2&3%& 1&22&3&
Tea2e3e&

68. BARCAROLLE Jacques Offenbach

,
A Moderato
£ & °
+ ze AN °
Le
te
—e
z
a
o ¢ ——
mf

69. MORNING (from Peer Gynt) Edvard Grieg

A Andante

HP
= x

P —= TT nf” p

71. MEXICAN CLAPPING SONG (“Chiapanecas”) Latin American Folk Song

A s H nN RN y

5
Wl
{—£ | £ c—f—
ee we > > ee + > ¢
ea & &

72. ESSENTIAL CREATIVITY Compose your own music for measures 3 and 4 using this rhythm:
2,oJ JIT J |
73. HOT MUFFINS - New Note
A A ‘y Flat applies to all B’s in measure.
c> y

bo@00 ob AB ott bevew cose | os be

74. COSSACK DANCE
A Allegro y Bb

:e fa
Sa {
|
f> oe @ g ba
be > > @ Ghee
¢ b eg a So be .e >

75. BASIC BLUES ~- New Note Flat applies to all B’s in measure.
A j
4
’ aa
WB i
v
Iy *
v
ki

76. HIGH FLYING

Moderato wyBb
A
by?
oa

<5)
9)
ra’
estar

Aw
le

Aya
KN

77. SAKURA, SAKURA ~ Band Arrangement Japanese Folk Song

Arr. by John Higgins
A Andante
x fA

4 - e
ry) mf
Za i
Pp
6.

o @
ry) Oo i

p-
4

=> => Ge
 17

78. UP ON A HOUSETOP
A Allegro

Ape
==

Ae
@)
Check f
Key Signature

V@Lit
S-0—e

79. JOLLY OLD ST. NICK - Duet

Mederato
~~ fy
ax?)

ql

ac

81. WALTZ THEME (THE MERRY WIDOW WALTZ) Franz Lehar

Moderato
fa)
ae &
&5
&
=

>
£. va

Eee
eg ge @ Glocken Verlag ird., London
Reproduced by Permission

mf
82. AIRT IME
A
APP

02)

@
83. DOWN BY THE STATION
Allegre
A
bo

O— 4 @
@) mf

84. ESSENTIAL ELEMENTS QUIZ

Moderato
f=,
Ait~y
pansy
>
4 ay) —-@
ce
&.
ed

“e-
Bsa vy
rs

!
e) Ge
>

mf af

SSENTIAL CREATIVITY Using these notes, improvise your own rhythms:

a? <> <>
)
 AS a = <3

Johann Sebastian Bach

i>}
<> 1

p SE eo ill

90. VARIATIONS ON A FAMILIAR THEME

A Theme Variation 1
aj

ce5-7 o t oe eo
ry a o oe 2
A
mf
Variation 2

i if — |
a a oe —o-e

91. BANANA BOAT SON

Caribbean Folk Song
A Moderato
Fine
ell

il

_—
‘ie

‘ =
‘
‘

‘i
e

D.C. al Fine
Bib
92. RAZOR’S EDGE - New Note
fa

. AF

93. THE MUSIC BOX

A Moderato
z | i
4 & ge ; — i

P
African-American spirituals originated in the 1700's, midway through the period of slavery in the United States.
passed on’
One of the largest categoriés of true American folk music, these primarily religious songs were sung and
for generations without being written down. The first collection of spirituals was published in 1867, four years after
The Emancipation Proclamation was signed into law. -

94, EZEKIEL SAW THE WHEEL African-American Spiritual

A Allegro
ae 7 I
be th
A. +
SY Sie Se
@) eo
oe
a vt
&or
ae

Slur
95. SMOOTH OPERATOR
fj
oy 5
|
= a
a i, = & & i]
ee” ww
@) ~—— ne Se
A Slur2 notes ~ tongue only the first.

96. GLIDING ALONG

A
2 7
= &.
23 @e H ge
@) et OS eereareene nea te @

A Slur 4 notes — tongue only the first.

97. TROMBONE RAG

Allegro
Rol
of 0!

98. ESS ENTIAL ELEMENTS QUIZ

aa
20

99, TAKE THE LEAD - New Note

ra _

)
Ii

100. THE COLD WIND

i Phrase 1 f Phrase 1
A i 9 : primes

és ——
—
es

pe ao

P mf = —yp

101. PHRASEOLOGY write in the breath mark(s) between the phrases.

4
A538 os =

102. SATIN LATIN

A » Allegro 5 2
he <
7 | j
<t a in cad co) ce
mf A Fe 1-2-3-4 2-2-3-4

103. MINUET - Duet

LU P Moderato | 5 Johann Sebastian Bach

A va i { j t $
£ 2 a enw eo + a — _ yy =

B Ge
ba |
a
:
™~ oe Geé@yge @€@ ygrteygweteyeet@ ee @€ Fe So

104, ESSENTIAL CREATIVITY | This melody can be played in 3/4 or 4/4, Pencil in either time signature, draw the bar lines and
play. Now erase the bar lines and try the other time signature. Do the phrases sound different?
lal

t
m | e m=
cd
N

¢ / ee go @. @ Nee” eee
105. NATURALLY
f_#
SP

AV
a
|

a
AF

106. MARCH MILITAIRE

Allegro = _ Franz Schubert
—
fa)

Gig a @ @ o-
" ge @
¢ mf ' e
St
A
# { i
@ @ a @ @- od a
@ e

107. THE FLAT ZONE - New Note

A A :

& 5 be : =
O@e6 A Eb

TOP OF OLD SMOKEY

108. ,ON american Folk Song
5 o P t x
7 é
cal <b 5 ss as
S¥ a

a__f
rGE é : :
eo LCE ° nn a - e -

109. BOTTOM BASS BOOGIE ~ Duet

Allegro

Al @xo#
vas
AR

KO
Pel
110. RHYTHM RAP

ee & 2 & 3 & 4 & & 2& 3 & 4€& %18& 2 & 3B & 4 & 1& 2& 3 & 4 &

111. THE DOT ALWAYS COUNTS

4
ra J
sexy ° 2 t
5 a @

1&®& 2& 3 & 4 & 1& 28 3 & 4 & 1&e& 28& 3 & 4 & 1& 2& 3 & 4 &

112. ALL THROUGH THE NIGHT

A Fine D.C, al Fine
t ¢ i W X) d «<> |
ort ) o : a a re -
e r ° we id Ne oe

113. SEA CHANTY Always use a full airstream. English Folk Song
A Moderato 9
’
|
: }
: fi
= é }
e) S aad °
A 9
R
} } oe i
oe @ i a — o 3 Lj

114, SCARBOROUGH FAIR English Folk Song

a Andante 9 3
Fa 5 5} : =
* ~~
G 4 e-@ { F

ry) eo oe ad oe ee
A mf 2
=©
t
|
1
a
7 ull im

>
;

a
Ei

a .

115. RHYTHM RAP

4-1 _
@.

@
1
:

718& 28 3 & 4 & &® 2& 3 & 4 ®& & & 4& 1&2 2& 3 & 4 &
=~
-

116. THE TURNAROUND

A
3
; | Y iH
* oe oe o az 5
1& 2% 3 & 4&e& 1& 2%& F382 4&2 TRF 2KZB RAR 1B 2RBBZRAS

117. ESSENTIAL ELEMENTS QUIZ - AULD LANG SYNE Scottish Folk Song
an, Andante

7 5

mf yet ee oe —<f cs oe wee eo -

A Check Rhythm
118. THEME FROM “NEW WORLD SYMPHONY”
a Largo 4 [5 | <1 Measure number
v2
¢ i j

C54 ns : } re i €
SF So °
@ po

A
te £ 2
—S de = ° eo ae mf A

ny, mn,
f Preaaitittinine A
an 2 #.
| ° < @ fet.

. ———————_—_—
|

Gil
e)

& 5
5.
4 D } pe } € 5 “e ra
3 4 oe .
ra G °
ce ll
°

Slower 9 la
A

G 7 . — -oQ- 7 7 p ee GC <>

Piano Accompaniment
, , Largo Ga

cee pe (9 2 3
te ere eg ? a2
H { i t
y } } Hl { t
ae { j t = Z, A | : {
if Ft : 53 1 if {
€¢. ¥. i i

P f P
re t I t =}

tee see Fee Fee Fe

1. i ~~.

oF
4

be
H

bo yt
\ F
= i ii
i] } H fi H { i 4
{
4.
ii
i
i
i i
i —
se : : } i { ii ji { i
I 3 i & 1 : 1 i
b.
t e Z| a : = >
t yt t
eae r ae ee ad id
2 &: "a g Z 3 ee

| a I aE EO
ri i <>
ao
ee,
ore
f— t | A — E
za? ea es ¢ ze

t
0-4
so re t ee oe — 7
a on ’
os i
=a
H — 5
—
oat: r SS oe 2? id a a a: ¢2 g 3 3s
3

= |p

ee eee caer eee od — ——— oe @ 2 oe oe

—. t Fp : a eo eee
[29] Slower
; | | 4 a
é \, .
Brs ———*
“lg
s ———<———
“eee
}

for
an A

t ee @ @* T
a,
t t
mf
eo foal
=
— t i
| p en

aa a
3
a
7
a
t t t
a
a t ct
eee ee et
u
119. GRENADILLA GORILLA JUMP No. 1

ry) —_? ~~? a? —— a

120. JUMPIN’ UP AND DOWN

A

0 4 ee

— oY
121. GRENADILLA GORILLA JUMP No. 2
A 4

) Se” —_®? ME

122. JUMPIN’ FOR JOY

A#
y

oo a: cS ;
123. GRENADILLA GORILLA JUMP No. 3
h

@'4° in 7c a

124. JUMPIN’ JACKS 1

3s ¢
ee

intervals: l 2nd |
 25

126, GRENADILLA GORILLA JUMP No. 4

A+ \ Partita {
Paani H Pca
a # a

ae = fe @ Z, in
- t — =
3) a

127. THREE IS THE COUNT

9
fy —_
| |i
tsa j ik H Lk be. I & olf

a @ @_-@ @ a
~~ — ag o—t pS

128. GRENADILLA GORILLA JUMP No. 5

a, } Lo Portia
A
a 7 {j 7} = 7] 7]
I
@)

129. TECHNIQUE TRAX

A : y
ih Las i
+
sgt
}
ey
i
sf Le e-4 ¢ @ = Cys #
Lees a “ere

130. CROSSING OVER ~- New Note

131. KUM BAH YAH - Trio Always check the key signature. African Folk Song

—
Mederato
= !
Al is
1 z

:
ip —

=
}
a i
ry

es
Y
oy

g :
@) mf’

k
A

: é
x

Bete
7 i
joe
ane
@) mf

ae) £ : + &
¢ ama ; }
.
vet
—
eT
nf
A a\ = @- 5
A VW i -
AS wal
a A —@ 7.
OP i
= |p

A s {
i
= Hey iad @ £ - '
B
et Gy @
e@) == |p r

Q- :
aN
¢ ia i
Ee —_t @ —t _!
en”
~~ @)} @- GA GG os
 132. MICHAEL ROW THE BOAT ASHORE African-American Spiritual
A Andante _ a
4 +s Ae aan ° _— o om

P
mf i.
i
If. om |
Os?
Ei
: ct
z
|
. i i]
e —" —

133. AUSTRIAN WALTZ ;

~ Moderato Austrian Folk Song

ry) f bmestaal aed NE Ce ed henssan, > Ne oe =>

134. BOTANY BAY Australian Folk Song

A Allegro
eal

es tg e 6 e
; wer FNL

fal
Ore r

a id _e FP Oe ote ee

136. FINLANDIA
aA _ Andante Jean Sibelius

oe iH o £ a —
ry) tl —"
P
fa}
-< > 7t; 4) °2€& * on * ot 5 @ *
ry) —

h aa ii [1 ie
(<2 2. ° } < + i 3 ; |

! i <> Ei
eee 7

pt eH. Leipzig

137. ESSENTIAL CREATIVITY

Create your own variations by penciling in a dot and a flag to change the rhythm of any measure from le , | to | é. 2)
a . A

ek > 3
i)

cy)
 27

138. EASY GORILLA JUMPS

L-
o = @ = @ ree geoe? — = @

139. TECHNIQUE TRAX Always check the key signature.

A
He = £ ‘
np e 7: * 7 ay
SV
ry) @@ o oe

140. MORE TECHNIQUE TRAX

p+ «5 aa mu 0 L Es

8 g oe =
“eo

141. GERMAN FOLK SONG

~ Moderato 1. | 2.

ts
ay ry pm
= ps Lg ma 5
=:
*

mf [See — = =e = oo

142. THE SAINTS GO MARCHIN’ AGAIN James Black and Katherine Purvis
A Allegro
¢ 5 4 ¥ —— cm 3 ——— —_ . —e | = = } =

@)
A L. | 2.

b 52 oe |e
{ A, a ay <¥
@) ‘ —

143. LOWLAND GORILLA WALK

A —y
3 co. (A. é a>
wy od = id i
tose
@) ee Se ne” ae Serene”

144. SMOOTH SAILING

Gre eS ele 168

9 t x — |
rs i io, ay
Oi

145. MORE GORILLA JUMPS

f+
{ j @. 2
>.
# Lf <>
— @ oe é ei 3 ee ‘ —|

146. FULL COVERAGE

é c=
= La Loan’

5@)
6
x Gs as
VS Ne a,
147. CONCERT B) SCALE (Trumpet - C SCALE)
l Octave
Scale | Octave
piers: 7 2 3 4 5 6 7 8 7 6 5 4 3 2 1

of rey . i
[fn t Bi oie
AVY 2
eo <¢ -o-

148. IN HARMONY Divide the notes of the chords between band members and play together. Does the arpeggio sound like a chord?
po Arpeggio poo Arpeggio
A Chord 1 3 5 3 i Chord & 5 3 5 8
Ke 4 z (61 = £ *
oc» | Py <> oe. ry
XN ae i] ~ >a -4 ~

<> e * ~~

149. SCALE AND ARPEGGIO

A Scale Arpeggio Scale Arpeggio

SF = =!
fA

G4D4 ==
y I

E Go G

150. THEME FROM “SURPRISE SYMPHONY” Franz Josef Haydn

A Andante 5 >
t—-a Sg ge o— =n & €
@) ? oe nd f

bP ie
p

e)
Lt
er A
ma

ee : — mf
= oe ill, ws o_o
|

1
Pp

151. ESSENTIAL ELEMENTS QUIZ ~ THE STREETS OF LAREDO American Folk Song
Write in the note names before you play. 1
fal 5 .

| on . eo 1
g } ? -

A ; || 2.
ale.

Ate
152. SCHOOL SPIRIT - Band Arrangement W.T. Purdy
<a Measure Number Arr. rr. by John John Higgins
Higgi
A March Style
3 .
5 2 } — at a
2 —+
3 ° 5 ;
pet TY o—xg
a eo bo? @.
@
tf > nf

0
* 2 e &
> "
@)

4
aSV
v ~ es
:
j
¢
A
é
(A;
:
° be’ e > ————
@)

sa.
29 L 112.
{ y
“= = ——
fas?—P =| i ‘A,
RY
@) i > > > > >

153. CARNIVAL OF VENICE - Band Arrangement Julius Benedict

Arr. by John Higgins
8
Allegro
¥ 1 |
8) :
a—@ € &. i J
o—@

A 7 Soli
6 at = ae -
eo e e o. oS
tS

end Soli
A
va
; Kd @ @ a
2)

> >
A

e x x
i i
o- > Ge
> Yamereet i t
>

| |
>

—
;

:
7

a
A327

o—e - @ we
f69——-
Ye ——
Pp mf’
> > > > > > >

|
A

ts =
| — a
ce
_—— |
ee
——
e
ae
Vy
V
@
 dyes
- . a
bey |

Aw
ae 3
o wa

A —

——

o
@) be. Pag

156. CHORALE Johann Sebastian Bach

fa’ ‘ea
{
+.

arta
7

° 9
At the DeclaratiofonState in 1948, by:
and played by members of the Palestine Symphor

157. HATIKVAH
Andante
158. RHYTHM RAP

160. MINUET
p, Moderato

a = = — = i _
ee’ ee’ eee” ee’ vi “Nee”
e) mf’ ae

A [1 | 2
wa 7 KZ
at |
—_
; ¢ ee e . ae, G ~ —_F @ we oe

161. RHYTHM RAP

ee
Clap

re ae eee
3 & 48
e2e
12283848 Daze zese te2zezade

162. EIGHTH NOTES OFF THE BEAT

A
7 rwvo ee %Z eyya ey) o z
= 5 £ i —y rs

@) 4 oe!
28% 3 & 4 & 18°28 3% 48 7 & 2& FR 4B 1&8 26& 3 & 4 &
1e®&

—o a
y

z
i

4 7
p a /

@) @ }/ 4

te
6 i

so —j—6 HS — Fe

164. ESSENTIAL ELEMENTS QUIZ

2) 4 Andante

ey oy |
E
fe Tg FS
|B -—@— wy
pk. ‘ L S Zi > 2 i
32

165. DANCING MELODY - New Note

A
t { z 1 z : ’ j
I Xa ; 7K e + Ke) |
e . "a nd ‘4 7 @

166. EL CAPITAN John Philip Sousa

A Allegro
ay a
a a y C77
Fell ul
i oe
SI A By

167. O CANADA Calixa Lavallee,

I'Hon. Judge Routhier
Maestoso (Majestically) and Justice R.S. Weir

—— Z z =
& ae

e) > > oe ° "

i > St
A [9]
es ] a
tye wei? 5 | * ji

—— LL
A

ts — ==, : z
ss,
SA, * yi <

Oa iy ° —
f \
it x
fe ft ¥y x } fa T ry
¢ o-. 7 rN ? ge ied *
‘ > > 3 es
Va
Nd

OnE
°
ae

e) o > > so -_

168. ESSENTIAL ELEMENTS QUIZ - METER MANIA count and clap before playing. Can you conduct this?
- ia) {
eect

me)

i
~e

Nie

o-_4¢
ry)
piss
Se

/
169. SNAKE CHARMER Enharmonic notes use the same fingering.

e- ras fa t= :
aed
A Ab AG

170. DARK SHADOWS | 5 .

A
aH aa
are
6f
a
= 4! ———
q D
:
ial
eal
%
a
e) —
A Pick-up note

171. CLOSE ENCOUNTERS = Enharmonic notes use the same fingering.

peg = ae 7
mM —E a, v
eee” ph *
A DE AB
0@@

172. MARCH SLAV

Peter Illyich Tchaikovsky
Largo
LE x
Ps j j
t ft
j
bi ve ~ eB
@) — a [*

Sf mf
A 11. | 2.
‘mall
o—e
&
€ e—@ i
: iS oe 7 CS
eae : " 2 e °
St St

173. NOTES IN DISGUISE

A # em
@ = 3 :
eof
oT
ae

\’
 175. EGYPTIAN DANCE Watch for enharmonics. Camille Saint-Saéns
A Allegro

eee "
+ — go og $ Seen

fa’
mf
ECs ih t @ i
e fi See” @ rx b her # ~ a

4
|
+ rm 3 t 7 + i
ane u + on te NU 7

176. SILVER MOON BOAT Chinese Folk Song

a Largo Fine

woe =
oF D.C. al Fine

go
f P

177. THEME FROM SYMPHONY NO. 7 ~ Duet

Allegro (moderately fast) Ludwig van Beethoven
f
A xy 4 GF ge G

a=
; P

e
Lf
p aid
Ss_ Ed y —

LA [9]
A ? by
a o [ame
va ry
IC a

m
= f

B © b oa we e <S We) tes {

LA 1. {|2. a |
Y {

A {™
B (ous - t im 5 £
<> ? ad
~e ir N eee? “ @S
=
 ITALIEN Always check the key signature. Peter Ilyich Tchaikovsky
178. CAPRICCIO
Allegro i.

31
tI
= 7 =a
Osh aes : ==:
6 H Fon <a

@) — eee a

179. AMERICAN PATROL FW. Meacham

A Allegro ;

re
NV
e)
iA

mf? ee p eg
jf
@
j

See
ge
i
t
a }
}

4 € -
@ g @
= , @
a
@e @ See
==
|
j

A 2 it
x
Y
———
e) i
a @
—

180. WAYFARING STRANGER African-American Spiritual

A Andante
és b 3 7 ce) —_ z& & ap
& {
yj =
Pp
ray
Wy
} va | as + < >
=) ee —— a cS

181. ESSENTIAL ELEMENTS QUIZ ~- SCALE COUNTING CONQUEST

Oe A
ye ae — x @
2 wi oS
eu @
eo @ e

A
o—-B- a wa oD & ag
oe
SZ e)
i
ret
Z- >

¥ : id
y & Vy &
|
A737 ey ye 24
7
&
PS é
p }
|
&
a td
2 dl
va
36

182. AMERICA THE BEAUTIFUL - Band Arrangement Samuel A. Ward

Maestoso Arr. by John Higgins
A > > > > > > > > > > > >

Andante
A 5
Os b — ™ £ iu. e }
SV tae? . ja
e) — NS ee >

fh ’
b 2 vi gy
= * ¢ a}

D) ° oe ¢
mf
Maestoso
fh > > > >
b
e) a oe =" > y} >

A > > > S > SS > > ia

ee
SV i Oo
ry) > >

183. LA CUCARACHA - Band Arrangement Latin American Folk Song

:
Latin Rock
Arr. by John Higgins
4 > > > > —e—_—
= a z
nN 2. .
A. — Ce) ~
e) => @ &
St mf

SS
fh
Aa z a —# BE o z o
e tenon ee hennose

j-— — : -
eos
ry) oe € a
C= ‘ oe
eet?

ra)
by PE
YY re) Y
t
x ——}
TY € ky z
rs 1
@) eo 6 ee eo 2 @ (sien @Oeeeee
———==—_ —p

A
Ors b | : & £ ; z
4 2 € 7 -_ i oS=
e) > => - > —~@ G@’ eo ee = > oe > €

alt — [2.
zg
Cee M2 _ Fa

= £
<> €.
eee —
° i ©
e
SV.
 37

184. THEME FROM 1812 OVERTURE - Band Arrangement Peter Ilyich Tchaikovsky
Arr. by John Higgins
A Allegro >
@ fa ¢
fe a 3
ann Aaa:
Sy =
> > > > > > >SlU
eo @ @

~ 9 detached
A
F ; ————— —
-¢ a a ae @
€ € a
e) - Ti =

Pp St P
A {
£ i i
by
ze B —_—Z 43
La BY 7;
a
@)

A 3
2 i 1i it x t @ i
ge = aS
i“
kes
L
eC

TTR IV
“ai

‘
Bey
AYP

‘
a
Ser

t
Ay

> > > > > >> >

A
et x : ) ==
| Fr
}

H i
x by
Sy,
ad ees © > SL > > I i
@) Pa
=>

I = eN #
x |
Hs t g
al 6 02
4. @
> er > > > > >
> @e¢e > >
 bgSD |a
Www
Es AoA
oT
4”
oe.
ed tere ae ae the e we
58
SS % ihe it % 7 Lae: rn ite €
TT, GEL GA Gl glbA GIT loa
& nC ») (i e} : eae
ny af i Hy rs A TRA IT TTeA
TR Wi
rey rs Hi, iia hata A TRA | TTTA
Hikio vy ri
let ek ns
Tee} Ne Ilha ih 7 wai Li The
S AS, TRA | /TTTOA
rye ees 7 t Tee elu Fe
= I i THTOIA
3 bets n° | ( | all
> eje jeje jeje an Y r et A TT! aA ty
Peat CT) | maerontas
FS [eI \ erp ie fi
_ OSD TTB rae TH ‘TYR Sis ) '
a
° Ie wil SPALL . A a | THe ali.
6
Wh UI . an Baye sins Sree oF ;
WEL ee
Here iM A PRN A rwA ty
I
—
— beer
° 5 mT rrr}
Vt TT} q v7 RP
o Ni
5 i bd Lb lste Li ey TT STM e ) I
re) Deli q TRESS rl}
~ LLL ant ai ty Tyee eis
= : TTe| PTT} He) a th TTR nL)
re)
z
wn
&

aL
|
MI PE aE AM Tee
7 aL.
a a Th ba a=ey TT rh a
= & TM $e IP | \ |
so)
= < fe <es
ot
pe ms te
} nN ve TTA R— ITT mec) i
we Lt LS - = er) i: Ls
wh 2 or 4 “fla, mans 4 mar nae = 4 Hy hid +o atl a —
186. SWING LOW, SWEET CHARIOT ~ Duet African-American Spiritual
Andante La,
we a
2

A
eo
} fa
> } } 5 ~
e ’ i d

Se
P —-
Fnattittinnn

oo | g Cie : ID <
ee 4 y
“~@ eo a i a } ——
a
P \
Fine \
—~ fy) a

pet yl | id = bh i -
AS ge
ka £e_*. _ B

| nf’
A pe me
r = =
aa os
t _ L &
“e)
Ne
anf

D.C, al Fine
~A —
x
p—fes i (OK <
i N ji
LNA

Ga =
© —
A
f+: ¥ = = ¥
AS
i oh
Ces w &
nf” ——==—
~

187. LA BAMBA - Duet Mexican Folk Song

8 Allegro
Q £ { H Pt
rc

A i i ES pa’
Ps a
wr ; H

> > >

> > >
@) tf

A_4#
Eid Le

-- - o —-B a
ee a
¢e
~ o4 f @& & ¢e > >

-= 4 Fine
@- CT
i —
oes - aa
SS > “| >
ry) >

pes | ,-@
=o-- 6 2 e— aya
ad
=

™~e) > > @ @ a

: D.C. al Fine
~ 6 # omy es
a oe a £
65 a @-e-—@ ig 6 fe
@—e > . —
mI
i@) — kd
> ae

z
A_#
= x : x oe
Ce & Ld vs eo ¢ eS &@
aa —@ > - eS a
TRUMPET KEY OF C (CONCERT B))
4.
A
of oP o
-@- @ ~&>-

2.

bo i
) #}

¢ Al | oe i { i

3) Pin ee eS NTE Sa a, — o

3.

a AS

5)
A
oe
{
I
os
Ere 7 o-

oe

4.
A
tst t©
Cee
Sas }—-@
ee o
=
}—# a
= o S

A
2 z
iH =
Ps H {

TRUMPET KEY OF F (CONCERT Eb) in this key signature,

play all Bb’s,
1.
0 t t
t | m2
or 2—* ° <s
@ @&

2.

e) —— = —

3.
A
” a fA

e ave oe ew

4.
i) J

e) —7 —

A
a -_ 5 H
SP © Ve
ry) i 7 az a»
 A_#

4.
tas.
<
aon
fe a
Gos 6 —e-

i | \
A_# ! !
3
oa
ecw
e— = a
ts Se
———

@) i

TRUMPET KEY OF Bb (CONCERT Ad) in this key signature, playall Bb’s and Eb’.
1.
A_| H
is ae A
| o '
— | | ee
ee Ce wa
Dy) a oe

Be
fA... ‘

6%
1 oS

= | | i
— oe ~e a, ee e eT LF @ a
@)

Be
A | \ \ :
: i
Wes Om
—@ 3 H fl
e inal {
a
a
@ oy a oe

4.
A.

“i = — a e g.

CC —_ 4

A__j
Le

| i eee
; oF
RU e ewe
 LJ J

13 14

ics

17 18 19 20

21 22 23

29

2: cr

34 35 36
 1. ODE TO JOY Ludwig van Beethoven
1. Question 2.Answer 3. Question 4, Answer

an aan ed = eo tee ——@ e+e

et.
eu.
2. Q. AND A. Write your own “answer” phrases in this melody.
A 1. Question 2. Answer

é -

A> Question 4. Answer

6e# oe

3. PHRASE BUILDERS _Write 4 different phrases using the rhythms below each staff.
ra\ pH,
ALF C64
2) a
J fii Ja F377):

: “4
¥ al

og

J o¢ dg 2 Jdd JJJ£3s
J sd
4. YOU NAME IT:
Pick phrase A, B, CG or D from above, and write it as the ‘Question’ for phrases 1 and 3 below. Then write 2 different “Answers” for phrases 2 and 4.
A 1. Question 2. Answer
FA

A 3. Question 4, Answer

6 e

5. INSTANT MELODY

A
yr
A can mark your progress through the book on this page. Fill in the stars as Instructed by your band director.

1. Page 2~3,The Basics 15. Page 22, EE Quiz, No. 117

2. Page 5, EE Quiz, No. 13 16. Page 23, Performance Spotlight
3. Page 6, EE Quiz, No. 19 17. Page 24, EE Quiz, No. 125
4. Page 7, EE Quiz, No. 26 18. Page 26, Essential Creativity, No. 137
5. Page 8,EE Quiz, No.32 19. Page 28, No. 149
6. Page 10, EE Quiz, No.45 20. Page 28, EE Quiz, No. 151
7. Page 12-13, Performance Spotlight 21. Page 29, Performance Spotlight
8. Page 14, EE Quiz, No.65 22. Page 31,EE Quiz, No. 164
9, Page 15, Essential Creativity, No. 72 23. Page 32,EE Quiz, No. 168
10. Page 17, EE Quiz, No. 84 24. Page 33,No.174
11. Page 17, Essential Creativity, No. 85 25. Page 35, EE Quiz, No. 181
12. Page 19, EE Quiz, No. 98 26. Page 36, Performance Spotlight
13. Page 20, Essential Creativity, No. 104 27. Page 37, Performance Spotlight
14. Page 21,No. 109 28. Page 38, Performance Spotlight

MUSIC — AN ESSENTIAL ELEMENT OF LIFE

Instrument Care Reminders
Before putting your instrument back in its case after
playing, do the following:
*
Use the water key to empty water from the
instrument. Blow air through it.
Remove the mouthpiece. Once a week, wash the
B> TRUMPET
mouthpiece with warm tap water. Dry thoroughly.
Wipe off the instrument with a clean soft cloth.
Return the instrument to its case.

Trumpet valves occasionally need oiling. To oil your

trumpet valves:
°
Unscrew the valve at the top of the casing.
°
Lift the valve half-way out of the casing.
e
Apply a few drops of special brass valve oil to the
exposed valve. BL CORNET
Carefully return the valve to its casing. When
&
properly inserted, the top of the valve should
easily screw back into place,

Be sure to grease the slides regularly. Your director

will recommend special slide grease and valve oil, and
will help you apply them when necessary.

CAUTION: If a slide, a valve or your mouthpiece

becomes stuck, ask for help from your band director
or music dealer. Special tools should be used to
prevent damage to your instrument.

© = Open
@ = Pressed down
instruments courtesy of Yamaha Corporation of America,
Band and Orchestral Division

FE Gb G
A A

—— ———
oy —\— os —
eee tJer |

Ai Bb B
A A

Vfere oS
@0oo or Ie) O00
O00
 Definitions (05) Slur 19 World Music
Accent 15 Soli 29 AFRICAN
Accidental 16 Solo =. 23, 38 * KumBahYah 25
Allegro 11 Tempo 11
AMERICAN
Andante 11 Theme And Variations 18
* American Patrol 35
Arpeggio 28 Tie 14
+ America The Beautiful 36
Bass Clef 5 (Bass clefinst.) Time Signature 5
¢ AuralLee 12
Bar Lines 3 Treble Clef 5 (Treble clef inst.)
+ Ezekiel SawThe Wheel 19
Beat 4 Trio 25
+ GoTell Aunt Rhodie 6
Biues 21 Whole Note 7
* Michael Row The Boat Ashore 26
Breath Mark 6
Composers * On Top Of Old Smokey 21
Chord 28
JOHANN SEBASTIAN BACH + SkipToMyLou 10
Chromatic Notes 33
+ Chorale (from Cantata 147) 18 + Swing Low, Sweet Chariot 39
Chromatic Scale 33
* Chorale 30 + The Streets Oflaredo 28
CommonTime 26
+ Minuet 20 ° Wayfaring Stranger 35
Crescendo 11.
+ Minuet 31 + When The Saints Go Marching In
D.C.alFine 18
LUDWIG VAN BEETHOVEN 13,27
Decrescendo 11
Diminuendo 11 * Ode To Joy (from Sym.No.9) 13 AUSTRALIAN
Dotted Half Note 14 * Theme From Symphony No.7 34 * Botany Bay 26
Dotted Quarter Note 22 JOHANNES BRAHMS AUSTRIAN
Double Bar 5 ¢ Theme From Sym.No.1 38 + Austrian Waltz 26
Duet 7 (Brass & Low WW’'s) CANADIAN
Dynamics 9 ANTONIN DVORAK + Alouette 14
Eighth Note 10 * Theme From”New World Sym.” 23 + OCanada 32
Eighth Rest 31 STEPHEN COLLINS FOSTER CARIBBEAN
Embouchure 2 (Brass &WW’s) ° Camptown Races 14 + Banana BoatSong 18
Enharmonics 33 * Oh,Susanna 10 CHINESE
Fermata 8
EDVARD GRIEG * Silver Moon Boat 34
Ist&2nd Endings 16
+ Morning (from Peer Gynt) 15 ENGLISH
Flat 5
FRANZ JOSEF HAYDN * London Bridge 8
Forte (f) 9
* Theme From "Surprise Symphony” 28 + Scarborough Fair 22
Glissando 19 (Trombone)
FRANZ LEHAR * SeaChanty 22
Half Note 6
Half-step 33 + WaltzTheme 17 FRENCH
Harmony 8 WOLFGANG AMADEUS MOZART * AuClaireDeLaLune 8
interval 24 * AMozart Melody 8 ° FréreJacques 12
Key Signature 7 * Eine Kleine Nachtmusik 38 GERMAN
Largo 23 (High WW’'s) * German FolkSong 27
Ledger Lines 3 JACQUES OFFENBACH ISRAELI
Measure 3 * Barcarolle 15 + Hatikva 30
Mezzo Forte (mf) 9 GIOACCHINO ROSSINI ITALIAN
Moderato 11 + WilliamTell 10 * Carnival Of Venice 29
Multiple Measure Rest 20 JAPANESE
CAMILLE SAINT-SAENS
Music Staff 3
* Egyptian Dance 34 + Sakura,Sakura 16
Natural Sign 5
FRANZ SCHUBERT MEXICAN
Notes. 4
* March Militaire 21 * Chiapanecas 15
Phrase 20
JEAN SIBELIUS + LaBamba 39
Piano (p) 9
* Finlandia 26 * LaCucaracha 36
Pick-Up Notes 9
QuarterNote 4 JOHN PHILIP SOUSA SCOTTISH
Ragtime 19 * ElCapitan 32 + AuldLang Syne 22
Repeat Sign 5,26 * High School Cadets 11 TRADITIONAL HOLIDAY MUSIC
Rests 4,6,7,31 PETER ILLYICH TCHAIKOVSKY * Jingle Bells 9
Round (Canon) 12 * Capriccio ltalien 35 ° Jolly Old St.Nick 17.
Scale 28 * March Slav 33 + MyDreydl 9
Sharp 5 * 1812 Overture 37 * UpOnAHousetop 17