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CONTEMPORARY FEMINIST RESEARCH
FROM THEORY TO PRACTICE
Also Available
F eminist research is not like many other forms of research, because it holds
explicit social commitments at the forefront. Beginning with the status
of girls and women, but not ending there, feminism is an engaged human
rights position that seeks to expose and remedy gender inequities. Feminist
research suggests ways forward to a better world in which critical scholar-
ship plays an active role in inspiring and enacting social change. We use the
term “feminism” as opposed to a general “human rights” label to acknowl-
edge, as Chimamanda Ngozi Adichie does, “the specific and particular
problem of gender” and how female humans are targeted by these inequali-
ties (2015, p. 42). However, working from an intersectional approach cou-
pled with a nonbinary understanding of gender, we provide a layered view
of the problem of “gender” as it is lived by diverse individuals and groups.
Contemporary Feminist Research from Theory to Practice offers a
comprehensive inter- and transdisciplinary introduction to contemporary
feminisms. This book provides a historical context for understanding femi-
nist research, presents the major theories feminist researchers develop and
use globally, describes methods for conducting research and practical strat-
egies for “doing” feminist research, and provides information on writing
and publishing feminist research in various forms, and on incorporating
social activism and advocacy into feminist practice. The literature on fem-
inist research practice often focuses narrowly on traditional approaches
to research and Western perspectives. We sought to offer a different kind
of text, one that highlights the multiperspectival and socially constructed
v
vi Preface
We wrote this book because we are both committed to the promise and
practice of contemporary, inclusive feminist research. We also believe
that it’s difficult to find a comprehensive overview and guide to feminist
research. Many books focus either on theory or methods, or on particular
genres of feminist research. In writing this book, we hope to offer a robust
introduction to feminist research that inspires you to delve further into top-
ics of interest. We also wrote this book because as the world has changed
rapidly, so too have the academic and social/cultural landscapes. In turn,
feminisms have changed. From increasingly nonbinary understandings of
gender to the digital landscape that increasingly impacts our personal and
research lives, great changes have occurred. We felt a feminist text that
Preface vii
Discussion questions and more engaged activities are provided at the end
of every chapter to help you review the chapter material and take it further.
Suggested Resources
While we have attempted to draw on a wide range of feminist voices in
this text, we fully recognize that not all voices can be included. Our own
viii Preface
voices, those of two White, Western feminists, have shaped every aspect
of this text. Therefore, we’ve included a list of suggested resources at the
end of each chapter so that you can invite more authors into your study of
feminist research.
Organization
This book is divided into three parts. Part I focuses on the historical con-
text of feminist research and the major theoretical frameworks, analyzed
from a global perspective. Part II focuses on research praxis, offering chap-
ters on ethics, research with participants (quantitative, qualitative, and
community-based), and research with nonliving data in the case of content
or media analysis and evaluating programs or other interventions. Part III
addresses what happens after research has occurred. We detail the process
of writing and publishing feminist research, offering writing instruction for
formal academic writing as well as artistic and popular forms. We conclude
with a chapter on public scholarship and what it means to be a feminist
researcher in the world. Chapters can be read out of order, and chapters not
of interest can be omitted.
Acknowledgments
F irst and foremost, we are grateful to our brilliant publisher and editor,
C. Deborah Laughton. Thank you for your unwavering support of this
project.
We extend a spirited thank you to the entire team at The Guilford Press.
In particular, thank you to Seymour Weingarten, Bob Matloff, Katherine
Sommer, Jeannie Tang, Judith Grauman, Katherine Lieber, Marian Rob-
inson, Lucy Baker, Martin Coleman, Rosalie Wieder, Paul Gordon, Carly
DaSilva, Andrea Sargent, Oliver Sharpe, and Robert Sebastiano.
Thank you to the leading feminist scholars who graciously shared their
time and wisdom with us. To be able to sit down with you, face to face, and
understand, person to person, once again why this work is so very impor-
tant, we thank Professor Cynthia Dillard, Associate Professor Eve Tuck,
and Professor Aimee Carrillo Rowe, as well as Professor Jack Halberstam,
Professor Jessica Ringrose, Dr. Amy Shields Dobson, and others whose
expertise and passion informed this text but were not captured on video.
Thank you to the formerly anonymous reviewers: Stacie Craft DeFreitas,
Department of Social Sciences, University of Houston–Downtown; Venus
E. Evans-Winters, Department of Educational Administration and Founda-
tions, Illinois State University; and Angela J. Hattery, Women and Gender
Studies Program, George Mason University.
We also thank Patricia’s awesome assistant, Shalen Lowell, for their
assistance with locating literature, formatting, and more. And we deeply
thank the incomparable Alta Truden, whose brilliance in film editing is
ix
x Acknowledgments
matched only by her commitment and passion for social inclusion and cre-
ative projects—thank you, Alta!
Anne Harris, thank you. This book was a do-over for me and I’m truly
grateful for the opportunity. Thank you for your understanding when the
world made it hard for me to put pen to paper. I’m proud of what we
wrote. Sincere thanks to my friends and colleagues for lending their sup-
port during the process. Special thanks to Melissa Anyiwo, Celine Boyle,
Pam DeSantis, Sandra Faulkner, Ally Field, Jessica Smartt Gullion, Libby
Hatlan, Monique Robitaille, and Adrienne Trier-Bieniek. I’m also grateful
to my family for their support during the long process of putting this book
together. Thank you, Mark, for all of the advice along the way. Having a
thoughtful and wise springboard for ideas is a rare and priceless gift. Last,
but never least, thank you, Madeline, for reminding me why our generation
has to do better for your generation. You fueled this writing.
Thank you, Patricia, for being that writer friend of whom I always dreamed,
the one that I could go stay with and actually write with through the day,
and cook with at night—I love and respect you, especially when we get to
do do-overs, on the page and in life. This book is for Stacy, because you
inspire me to be a better scholar, activist, and researcher, and because you
remind me every day that research without heart is not research that mat-
ters. I also dedicate this book to Haddie, because you don’t yet know how
much you need these feminist histories, and how much they have made it
possible for you to be who you are right now, and perhaps who you will
be able to become tomorrow. But I also rejoice in thanking the feminist
artists, activists, herstorians, and scholars who have touched my life per-
sonally, and made me realize why I needed feminism, even after my well-
meaning mother made me promise to never become one when I came out
to her as a dyke in 1983: first and foremost, the steadfast Sarah Schulman,
who is a modern-day Cassandra—even when it makes the blind hate her,
she always speaks the well-informed truth, #Respect; Lesbian Herstory
Archives cofounder and femme fatale Joan Nestle, who taught me about
the first out lesbian on Broadway, Eva Le Gallienne; the women of WOW
Acknowledgments xi
Café and Dixon Place, even when you broke my heart; the feminist gay-
boys on Broadway (Craig Lucas, Tony Kushner, Christopher Durang, and
others); my beloved and brilliant theater guru and intersectional activist
fairy godperson Morgan Jenness; Young Playwrights comrades Sheri M.
Goldhirsch (rest in power) and Brett Reynolds—a couple of badass feminist
theater bitches; Lola Pashalinski, who inspired our first LOLA Awards; the
5 Lesbian Brothers; all the trans* and nonbinary others who put their lives
on the line for gender equalities every single day; and all the people who got
off their asses in my formative years in 1980s and ’90s New York City and
showed me that marching and resistance mean something. Because they do.
I salute you all.
Contents
1. Introduction 3
Learning Objectives 3
What Is Feminist Research? 3
What Is an Ally? 7
What Is Gender? 7
What about the Digital? 8
What about Representation? 9
Conclusion 9
Discussion Questions 10
Activities 10
Suggested Resources 10
Books 10
Digital Resources 10
xiii
xiv Contents
5. Feminist Ethics 95
Learning Objectives 95
Ethics as Moral Reasoning 96
A Historical Glance at Ethics in Research Practice 98
The Exploitation of Research Subjects 98
The Effects of the Social Justice Movements 102
Ethics in Research Practice 105
Topic Selection 105
Balancing Roles and Relationships during Data Generation 112
Analysis and Interpretation 121
Representation and Dissemination 122
Conclusion 126
Discussion Questions 126
Activities 127
Suggested Resources 127
Book Chapters 127
Select North American Professional Organizations
with Online Ethics Codes 127
xvi Contents
References 247
Feminist Theoretical
Frameworks
CHAP TER 1
Introduction
L E A R N IN G O B JE C T I V E S
• To introduce you to the idea of feminist research from a critical,
intersectional perspective
• To foreshadow what is coming in this text
The gun massacre at the Pulse nightclub in Orlando, Florida, on June 12,
2016, which killed 49 people and wounded 52, was the deadliest attack on
lesbian, gay, bisexual, transgender, questioning (LGBTQ) people in U.S.
history. On July 22, presidential hopeful Hillary Clinton visited the site of
the attack and rightly acknowledged that “it’s still dangerous to be LGBTQ
in America,” calling the massacre a “targeted attack on the Latino LGBTQ
community” (Ogles, 2016).
Clinton also acknowledged that members of the LGBTQ community
“are more likely than any other group in our country to be the targets of
hate crimes” (Ogles, 2016). People of color still constitute a majority of
those victims—a fact that should build ally solidarity between feminist,
queer, and people-of-color activist movements, but
3
4 F e m i n i s t T h eo r e t i c a l F r a m e w o r k s
But this feminist research ethics is not just an abstract idea—it points to
additional feminist concerns, including ontology (the nature of knowledge
itself), epistemology (what counts as knowledge and how that knowledge
is represented), and methodology (the theories and tools of doing research).
As a critical research approach it also suggests a range of ways in which
feminist researchers believe in changing the world. “Critical” in this sense
does not imply “to criticize,” but rather to challenge the status quo. Femi-
nist research is by its nature a critical research approach, because it chal-
lenges the gender-based inequities that are still pervasive around the globe.
For example, the gender pay gap (unequal pay for equal work, based on
gender) is a social justice issue concerning both gender and economics. But
gender pay inequity is an issue that also intersects with geography, race,
religion, and other conditions. For example, it is easy to find gender pay gap
statistics for the United States or Europe, such as those shown in Figure 1.1,
but not as easy to find such statistics for other global regions, yet we are
told that the gender pay gap is an important indicator to monitor injustices
and unfair working conditions.
FIGURE 1.1 The unadjusted gender pay gap. The unadjusted gender pay gap 2014,
published online March 2016 by Eurostat. The gender pay gap is the average difference
between a man’s and a woman’s pay. There are two distinct numbers regarding the pay
gap—the unadjusted versus the adjusted pay gap. The latter takes into account differ-
ences in hours worked, occupations, education and job experience. Accessed at http://
ec.europa.eu/eurostat/statistics-explained/index.php/File:The_unadjusted_gender_ pay _
gap,_ 2014_(¹)_(difference_ between_ average_ gross_ hourly _earnings_of_ male_ and_
female_employees_as_%25_of_male_gross_earnings_new.png#filelinks.
6 F e m i n i s t T h eo r e t i c a l F r a m e w o r k s
This book will look closely at these key terms and areas of inquiry
from a range of perspectives.
In examining the Orlando tragedy, for example, it is impossible to
understand the crime without seeing how race, gender, sexuality, and even
religion conflate in ways that inform one another. This intersectionality is
the kind of complex understanding that we are encouraging readers of this
book to use as a lens through which to approach the theories and meth-
odological innovations of feminism that follow. Contemporary feminist
research has the ability through intersectionality and other postmodern
and poststructuralist frameworks to foreground the complexity of these
areas of inquiry in ways that the mainstream media is routinely unable to
convey. As a result, feminist research work offers an important alterna-
tive to the often one-dimensional accounts we experience through popular
culture. Wouldn’t it be wonderful if all fields of scholarship could allow
us to understand ourselves and our work better and make an intellectual
contribution, while at the same time improving the material conditions of
our shared communities and lives? We think so.
This book approaches feminist research from just that point of view.
But before we can ask, What is feminist research? we must ask ourselves,
What is critical scholarship?
This book understands contemporary feminist research as that which
addresses inequality with an agenda for social change. Again, we believe
that critical scholarship—that which problematizes social conditions as
they are—can only be addressed intersectionally, or in other words, in the
interwoven ways that it gets played out in real life. For example, oppres-
sions almost never appear alone—they are usually expressed in multiples.
Where there’s racism, there is often also sexism, classism, ableism. So in
order to be wide awake as feminist researchers we must also ask ourselves
the questions What is race? What is ableism? What is class (socioeconomic)
inequity? How do these conditions and positions work together or against
one another? This book asks readers to think about doing research that is
embedded in and accountable to “real life,” and that aspires to make real
life better—not just for women, but for all—and to realize that these are
not separate projects but interconnected ones.
This book also asks readers to consider the question What does it mean
to do feminist research? Feminist research is not like many other forms of
research, because it holds social commitments in the front of our work.
Feminist research is not just abstract scholarship that analyzes how things
are, but rather it suggests ways forward to a better world in which this kind
of critical scholarship plays an active role in inspiring and enacting social
change. Perhaps most importantly, feminist research is not just concerned
Introduction 7
with the conditions of girls and women, but with all gender-based inequi-
ties, and today in particular, with the highly visible but contested terrain of
transgender and cisgender human rights and the ways in which changing
definitions of gender impact all genders and all who fall outside the “gender
spectrum” or somewhere fluid within it.
What Is an Ally?
What Is Gender?
This moment is perhaps the most exciting time in history to be doing femi-
nist research. Why? Because definitions and practices of feminism are—
like so much else—changing so rapidly and in so many diverse directions.
Today more than ever we have culturally diverse feminisms that have dif-
ferent understandings and enactments of feminist ideals while holding
common commitments with other feminists around the globe. Today, femi-
nist digital media makes it possible to have feminist memes, concepts, and
incidents “go viral” and drum up support almost instantaneously—this
has never before been possible in the long history of the fight for gender
equality. For example, the #MeToo movement and Time’s Up initiative have
gained incredible momentum, prompting immediate change, thanks to the
Internet. And today, definitions and practices of gender itself are more fluid
than ever—and moving rapidly toward even more fluidity. What could be a
more engaging and exciting area of research in the current era?
While some would trace the exploration of diverse gender performance
to Eve Sedgwick’s first articulation of a queer theory that went beyond
sexuality, others would point out that in the non-Western world, gender
fluidity and diversity have been long recognized and long integrated into
cultures more generally, as in, for example, the Samoan identity known as
Fa’afafine, the Tongan fakaleiti, Native American “two-spirit identities,”
Tahitian Mahu, and indigenous Australians known as Sistergirls. We begin
our engagement with feminist research in the 21st century with girls and
women as a starting point but move beyond traditional cisgender defini-
tions and identifications of gender presentation and their alignment with
feminist research and politics. In this book we are looking at gender in
more complicated and always evolving ways, including feminism for nonbi-
nary gender orientations and identifications. This up-to-date understand-
ing and approach to feminisms for the 21st century is what sets this book
apart.
Introduction 9
CO N CLU S I O N
D I S CU SS I O N Q U EST I O N S
1. What does it mean to say that gender is central to feminist research but that
gender is not the only focus of feminist research?
2. Select a recent event and reflect on how an intersectional approach is impor-
tant for analyzing and responding to the event.
AC T I V I T I ES
1. Find two newspaper articles about the Pulse nightclub massacre. What are
the main points of each article? How are the victims and perpetrator charac-
terized? Is an intersectional analysis offered? Please explain your response
with examples from the articles.
2. Conduct online research to learn about the #MeToo movement or Time’s Up
initiative. How did digital media fuel the movement? (Up to 1 page).
SUGGESTED RESOURCES
Books
Ngozi Adichie, C. (2015). We should all be feminists. New York: Anchor Books.
This is a widely regarded and inspirational statement on the importance of
feminism.
Digital Resources
Feminism in Nigeria
www.cddc.vt.edu/feminism/nig.html
An amazing resource page/bibliography on the history, economics, and politics of
feminism in Nigeria.
Tales of Passion
www.ted.com/talks/isabel_allende_tells_tales_of_passion
The Chilean American author Isabelle Allende’s TED Talk on women, creativity,
and the definition of feminism has had nearly 3.6 million views at the time of this
writing. Allende is a world-renowned author, one of the most widely read writ-
ers in Latin America, and also a self-described feminist and gender warrior. Her
Another random document with
no related content on Scribd:
him, evidently intending to try and pacify him, but the old fellow
persisted in screaming and threatening. Again I put my hand in my
pocket, with as good a result as before.
The Khalifa and the Sheikh awaited me in their dwelling, and after
a little conversation with them, and a stroll in their company through
the lanes, and to visit some of the dwellings, I ordered the horses to
be saddled.
As I set foot in the stirrup, the Khalifa came forward with a
mouflon horn, which he begged me to accept. It was the same that I
had seen in the mosque. My guide had evidently told tales out of
school.
When we had descended into the valley I turned and looked up.
Near the Khalifa’s house stood some white burnous-clad figures. I
waved a farewell, and saw a couple of arms flourished in reply.
So, by the same path, we rode back to Tatuin. The goats on the
mountains were now grazing amongst the rocks.
My horse was fidgety, and the flies worrying him made him
constantly toss his head. I was careless, and he struck me a blow on
the right hand, causing it to swell, and compelling me to carry it in a
sling; and thus I had to ride for several days.
After riding hard for full five hours, we reached Tatuin a little
before sunset. Lieutenant Adam had arrived there with his company,
and a great surprise also awaited me.
CHAPTER XV
The Tuareg
“Do you think I shall be able to buy their clothes?” I asked the
interpreter.
“It will be very difficult to manage,” he replied. “The Tuareg are
suspicious, and will not understand that anyone would sooner buy
their old rags than fine clothes, such as you wear. Besides, similar
costumes are not to be had here, and they will not like to return
home in ordinary Arab dress.”
“Very well, tell them I am a stranger from a distant country, who
has come here to see whether my people may not be of the same
origin as theirs. Tell them I should be glad if I could take their
costume with me to show to my countrymen. I will pay for them more
than their value, or, if they will not take money for them, I will
undertake to send them corn by caravan from Gabés, for I know that
they have been unable to buy any here.”
The interpreter then began the lengthy and tough transaction.
It then transpired that one of the two, Akhemed-uld-Bai, spoke
Arabic, but not so his compatriot, Mohammed-ben-Mohammed. The
conversation therefore took time.
First I addressed the interpreter in French, he then translated
what I had said into Arabic for Akhemed, who again repeated it in the
Berber language to Mohammed.
After the matter had been thoroughly discussed by the pair, the
reply was returned in the same way.
They informed us that they belonged to the “Foghass” section of
the Azgu tribe of Tuareg. But though the name of Akhemed-uld-Bai
had the true Tuareg ring, as much could hardly be said for his
companion’s patronymic. Their proper home was on the farther side
of Rhadamés.
When they learnt that I was anxious to become the possessor of
their property, both of them stared at me long and fixedly, after which
they consulted together for a while. Then Akhemed began to divest
himself of his white “Tuat” burnous, for which we bargained. As I
gave him what he asked, his other garments soon followed, and bit
by bit he stripped himself, until he was actually clothed in nothing but
a scanty shirt, or under-tunic, and the black veil, of which the lower
part concealed his mouth.
A Tuareg never exposes his mouth before others so long as he
can avoid doing so; it would be a breach of propriety.
But in the presence of foreigners they had evidently less regard
for decorum than they would have had before their own people. Now
and then Akhemed, as he talked, dragged the kerchief away from
the lower part of his face, and I saw the handsome well-formed
beardless mouth and white teeth. Whether he were shaved I know
not; but it is said that the Tuareg do not care for beards, and
therefore shave.
When he rose to take off his clothes, his fine muscular form
towered above all those present; a truly herculean specimen, he was
some six feet high, sparely but splendidly built.
His costume was as follows:—
A shirt-like under-tunic (akhebaïl), above it a grey patterned tunic
with short white sleeves that came from the Sudan (taiden).
Trousers, which were wide at the top and narrow below; they
reached half-way down the calf (kortebba).
Sandals (ghetimèn) of tooled leather, with crossed latchets that
passed between the toes and fastened round the ankle.
A long, narrow black veil, used to enwrap the head. This veil is
furnished in two places with a broad flap; one serves to cover the
forehead, the other the lower part of the face. The crown of the head
is left bare, and shows above the veil a black tuft of hair (tadilmus).
Outside the veil a long piece of white material is rolled turban-wise,
but so arranged that the veil shows both above and beneath it (ash
shash).
Over this dress is worn an ordinary light wrap, a “haik” from Tuat
(kheiki).
The costume was completed by three square amulet cases (tira)
made of tin, and apparently fashioned out of old sardine boxes. They
hung by leathern strings on the man’s breast and outside his clothes.
Supposing that these cases contained inscriptions in the Berber
language, I was very anxious to get possession of them. But all my
endeavours in this respect were unsuccessful. Akhemed would not
part with them. He declared that to him they were worth more than
the value of a camel. He had bought them from a Marabout, they
protected him from danger and misfortune, and since he had
possessed them no ill had befallen him.
“Then sell me the cord and the cases and keep your amulet.”
For a high price he agreed to this, but I could not get permission
to see the contents. Next morning he brought and handed over to
me an unsoldered case.
When there was no more to be bought from this man, I turned to
his companion.
His costume differed little from the other, so I did not trouble about
it, but on the wrist of his left hand was an embroidered leather ring,
and the same hand grasped the hilt of a dagger (tilek).
The Tuareg always carry one of these in the left sleeve, so
disposed that the point is turned up the sleeve, whilst the sheath lies
along under the forearm, and is secured by a sewn band which is
slipped over the wrist. The handle of the dagger is cross-shaped and
bound with brass wire. The dagger is therefore, very evidently and
literally, handy.
I bought it and a large leather bag (agherid), made apparently of
antelope or gazelle hide. Through holes on the edges of the bag
were drawn leather thongs, which again were made fast with a very
peculiar iron lock. This is the only lockfast receptacle owned by the
Tuareg, for they rarely possess even a chest (senduk), as do the
Arabs.
Of other weapons they had none, though the Tuareg generally
carry spears, but rarely swords, bows and arrows, or shields.
Next I bought one of their light smart saddles for riding the
dromedary (mehari). The saddle has a broad cantle at the back, and
that in front, though narrower, is also high and terminates in a cross.
The cross is often found in Tuareg ornaments, and, as I show by
an illustration in my book called Algiers and the Sahara, is supposed
to be a relic of the time when this people were Christians and
inhabited the more northern regions whence they were driven by the
Arabs.
All the wearing apparel that I purchased was, according to the
vendors’ account, manufactured by Tuareg or brought from the
Sudan.
The price of each article was named in piastres, and the
interpreter having added up the total, I paid in francs, without the
Tuareg overlooking the account, their trust in the interpreter being so
entire. A sign of their confidence in the French.
M. Grosset-Grange told me that these two Tuareg examined all
that was novel to them just like children. That when they entered his
room they at first stood dumfoundered, then touched and examined
everything. The system by which the window was closed and bolted
was carefully investigated, and pleased them much. The handle of
the bolt chanced to be decorated with the representation of a man’s
head, and the Tuareg naïvely asked, “Is that your father?”
Commandant Billet told me many amusing anecdotes of these
children of nature, who are so sober and abstemious in their daily
life, and who can subsist for days in the desert almost without food.
Once a “Targui” (the singular of Tuareg) happened to come to him
at one of the stations. “Are you hungry?” asked the commandant.
Yes, it was long since he had tasted food; so an enormous
quantity was set before him, enough to have satisfied six or seven
ordinary folk. When he had consumed all this he went to see a
captain, by whom he was as generously treated. One might have
supposed that he would then be satisfied; but no, half an hour later
the insatiable son of the desert called on a third official, and again
complained bitterly of hunger, and was fed with a couple of dishes of
“kus-kus.”
It is inconceivable how any one man could swallow so much food,
but probably it had never before fallen to his lot to fully satisfy his
appetite.
Apparently the Tuareg are at present anxious to keep on friendly
terms with the French. On several occasions small caravans have
travelled as far as the southern stations of Tunisia, most of them
certainly with a view to trade, mais enfin, it is always a move in the
right direction, which, prudently encouraged, may lead farther.
It would be to the signal advantage of the French that the old
caravan road to the Sahara should be reopened, so that traffic from
Rhadamés could proceed direct to Gabés or other towns of Tunisia,
instead of, as now, viâ Tripoli. The chief impediment at present lies in
the fact that the caravans, not being permitted to carry slaves, are
not profitable. The baskets, leather goods, weapons, etc., which the
last caravans brought with them—though in small quantities—were
disposed of with difficulty in Tatuin and Medinin, which will not tend
to induce them to make another trial.
No; that traffic through the Sahara may be remunerative, slavery
is essential. In fact, so long as slavery continues to flourish in Tripoli,
so long will the stream of trade flow that way.
A TUAREG.
Back to Tunis