At a glance this digipak can be denoted to have a direct link to
the music video Only Girl in the World, which was one of the many hits of the album. An active audience will be able to connote the voyeuristic costume remains the same in the two media platforms. On the front of the album a close up shot is used, which diverts the audiences eye line to pay attention to her facial expressions. The artists eyes are looking downwards which signifies lack of power and being submissive. This conflicts the hegemonic view of Rihannas star persona of being a party girl. It is also denoted one of the many tattoos of the artist can be seen on her neck. Tattoos stereotypically link with the rebellious attitudes which conflicts the original perception of innocence. The second image is of the star laying on a bed of roses. More specifically red roses have a connotation of being the flower of passion. The colour red, which also can be denoted to be the artists hair colour, signifies danger, this idea juxtaposes the previous submissive ideology. The image on the CDs is also roses, this enables continuity and brings the entire digipak together. The graphics are all written in white which further emphasises the ideology of innocence. But this in itself is conflicting as the name of the album is Loud which sits in hand with the rebellious persona. The word Loud could be a subliminal message to the audience that within this album she is making a Loud point or call of some sort. All of the components are self conflicting which will leave the audience without ability to judge meaning, in order to distinguish for themselves the audience will have to purchase the album, thus, being a marketing technique to make the