1. Class I or Class II restorations located in areas of esthetic
importance for the patient 2. Large defects or previous restorations-Indirect tooth colored restorations 3. Replacement of large existing compromised restorations, especially those that are wide faciolingually and require cusp coverage 4. Economic factors-Some patients desire the best dental treatment available, regardless of cost CONTRAINDICATIONS
1. Heavy occlusal forces-Ceramic restorations may fracture when
they lack sufficient bulk or are subject to excessive occlusal stress 2. Inability to maintain a dry field-Despite some research suggesting that modern dental adhesives can counteract certain types of contamination 3. Deep subgingival preparations- These margins are difficult to record with an impression and are difficult to finish ADVANTAGES
Similar to those of direct composite restorations (excluding cost and
time) 1. Improved physical properties: color stability, hardness, translucency 2. Wear resistance 3. Reduced polymerization shrinkage 4. Ability to strengthen remaining tooth structure 5. More precise control of contours and contacts 6. Biocompatibility and good tissue response 7. Increased auxiliary support DISADVANTAGES 1. Increased cost and time. Most indirect techniques require two patient appointments, plus fabrication of a temporary restoration. 2. Technique sensitivity-Restorations made using indirect techniques require a high level of operator skill. 3. Brittleness of ceramics-A ceramic restoration can fracture if the preparation does not provide adequate thickness to resist occlusal forces and/or if the restoration is not appropriately supported by the cement medium and the preparation 4. Wear of opposing dentition and restorations-Ceramic materials can cause excessive wear of opposing enamel and/or restorations 5. Resin-to-resin bonding difficulties-Laboratory-processed composites are highly cross-linked, so few double bonds remain available for chemical adhesion of the composite cement Cont’
6. Short clinical track record-Indirect bonded toothcolored
restorations have become relatively popular only in recent years and are still not placed by many practitioners 7. Low potential for repair-Indirect restorations, particularly ceramic inlays/onlays, are difficult to repair in the event of a partial fracture 8. Difficult intraoral polishing-Indirect composite restorations can be polished intraorally with the same instruments/ materials used to polish direct composites. Ceramics, on the other hand, are more difficult to polish after they have been cemented because of either (1) limited access (2) lack of appropriate instrumentation LABORATORY-PROCESSED COMPOSITE INLAYS AND ONLAYS
▪ more resistant to occlusal wear than direct
composites, particularly in occlusal contact areas ▪ less wear-resistant than ceramic restorations ▪ easy adjustment ▪ low wear of the opposing dentition ▪ good esthetics ▪ potential for repair Processed composite restorations indication
(1) Maximum wear resistance is desired from a
composite restoration, (2) Achievement of proper contours and contacts would otherwise be difficult (3) A ceramic restoration is not indicated because of cost or concerns about wear of the opposing dentition Laboratory procedure Dental porcelains
▪ Dental porcelains are partially crystalline minerals
(feldspar, silica, alumina) dispersed in a glass matrix. ▪ Porcelain restorations are made from finely ground ceramic powders that are mixed with distilled water or a special liquid, shaped into the desired form, then fired and fused together to form a translucent, material that looks like tooth structure The fabrication steps for fired ceramic inlays and onlays
1. After tooth preparation, an impression is made and
a "master' working cast is poured of die stone The fabrication steps for fired ceramic inlays and onlays
2. The die is duplicated and
poured with a refractory Investment capable of withstanding porcelain firing temperatures. The duplication method must result in the master die and the refractory die being accurately interchangeable. The fabrication steps for fired ceramic inlays and onlays
3. Porcelain is added into
the preparation area of the refractory die and fired in an oven. Multiple increments and firings are necessary to compensate for sintering shrinkage The fabrication steps for fired ceramic inlays and onlays
4. The ceramic restoration is recovered
from the refractory die, cleaned of all investment, and seated on the master die and working cast for final adjustments and finishing (Fig. 14-12). The fabrication steps for one type of leucite-reinforced hot pressed ceramic restoration
1. After tooth preparation, an impression is made and
a master working cast is poured of die stone. A wax pattern of the restoration is made using conventional techniques (Fig. 14-13). Cont’ 2. After spruing, investing, and wax pattern burn-out, a shaded ceramic ingot and aluminum oxide plunger are placed into a special furnace. Cont’
3. At approximately 1100° C, the ceramic ingot
becomes plastic and is slowly pressed into the mold by an automated mechanism. Cont’
4. The restoration is seated on the master die and
working cast for final adjustments and finishing. Cont’
5. To accurately reproduce the tooth shade, a heavily
pigmented surface stain is typically applied. The advantages of hot pressed ceramics
(1) Similarity to traditional "wax-up" processes
(2) Excellent marginal fit (3) Relatively high strength (4) The surface hardness and occlusal wear of these ceramics are very similar to enamel CAD/CAM restorations TOOTH PREPARATION
▪ Patient should be anesthetized
▪ The area isolated ▪ Preparations for indirect tooth-colored inlays and onlays and provide adequate thickness ▪ All margins should have a 90-degree butt-joint cavosurface angle to ensure marginal strength of the restoration ▪ All line and point angles should be rounded to avoid stress Cont’
▪ Tooth preparation should occlusally divergent
facial and lingual walls ▪ Gingival-occlusal divergence allows for passive insertion and removal of the restoration (2° to 5°) ▪ The junction of the sides and tip of the cutting instrument should have a rounded design to avoid creating sharp stress-inducing internal angles in the preparation. ▪ The occlusal step should be prepared 1.5 to 2 mm in depth. TRY-IN AND CEMENTATION
Why ceramic restoration need try in
(1) the relatively fragile nature of the ceramic or composite material (2) the requirement of near-perfect moisture control (3) the use of composite cements Step by step
1. Removing the temporary restoration,
2. All the temporary cement cleaned from preparation walls 3. Inlay or onlay is placed into the preparation using very light pressure to evaluate its fit ▪ If the restoration does not seat completely, the most likely cause is an overcontoured proximal surface. ▪ embrasures should be viewed from the facial, lingual, and occlusal aspects to determine where the proximal contour needs adjustment
4. Passing thin dental floss through the contact(s) will
reveal the tightness and position Cont’
5. Articulating papers also can be successfully used to
identify overtight proximal contacts. 6. Abrasive disks are used to adjust the proximal contour and contact relationship. 7. Marginal fit is verified after the restoration is completely seated Cementation
▪ Internal surface of the inlay/onlay must be treated
before cementation ▪ sandblasting (air-abrading) the inside of the composite restoration with aluminum-oxide abrasive particles to increase surface roughness and surface area for bonding ▪ hydrofluoric acid is usually used to etch the internal surfaces of the restoration Cont’ ▪ Treat with a silane coupling agent to facilitate chemical bonding of the composite cement ▪ Clear plastic matrix strips may be applied in each affected proximal area and wedged ▪ The inlay/onlay can be tried in again and checked for fit Cont’
▪ The preparation surfaces are etched and treated with the
components of an appropriate bonding system ▪ The internal surfaces of the restoration also are coated with the composite cement and the inlay is immediately inserted into the prepared tooth, using light pressure. ▪ A ball burnisher applied with a slight vibrating motion is usually sufficient to seat the restoration ▪ Excess composite cement is removed with thin-bladed composite instruments, brushes, or an explorer ▪ The cement is now light-cured from occlusal, facial, and lingual directions for a minimum exposure of 60 seconds from each direction FINISHING AND POLISHING PROCEDURES Alhamdulilahirabbil alamin