Project theme : Cinema India and

Abroad
TITLE – “ Hollywood and Bollywood.”
6th Graphic Championship 2010.
SUBMITTED BY- PRABHJOT DHINGRA.
DIKSHA DHINGRA.
SIMRAN KAUR BRAR.
9th “C”
SACRED HEART SCHOOL MOGA.
 CINEMA
INDIA AND ABROAD
 “CINEMA”
IS:
1. A film or movie.
2. A movie theater.
3. Films or movies
considered as a group.
4. The film or movie
industry.
Indian cinema has a glorious history with variety of
Hindi films. So-called Bollywood is world famous and
it has fans all over the world. Varieties of Hindi films
excel in entertaining for viewers, and they enjoy
different moods, emotions, and stories every time.
Indian cinema is all about the emotions and
producers, and directors twist a story many times
with different emotions every time and make it
interesting for viewers.
cont……
Raja Harishchandra (1913) was the first silent
feature film made in India. It was made by
Dadasaheb Phalke. By the 1930s, the industry
was producing over 200 films per annum. The
first Indian sound film, Ardeshir Irani's Alam
Ara (1931), was a super hit. There was clearly a
huge market for talkies and musicals;
Bollywood and all the regional film industries
quickly switched to sound filming.
Lets have a journey to bollywood
Indian cinema’s best movies……………
Indian cinema’s
legends
Who shined on black and white screen……….
Indian cinema’s present celebrities
And………
Regional cinema’s personalities…….
Top ten and highest earning movies of
Indian cinema

Rank Movie Year

1. 3 Idiots 2009
2. Dabangg 2010
3.  Ghajini 2008
4.   Golmaal 3 2010
5. Raajneeti 2010
6. Rab Ne Bana Di Jodi 2008
7. Dhoom 2 2006
8. Om Shanti Om 2007
9.   Gadar: Ek Prem Katha 2001
10. My Name Is Khan 2010
cinema abroad
 History of world cinema…..
The first feature film ever made was
The Story of the Kelly Gang, an Australian film
based on the infamous Ned Kelly. In 1906 Dan
Barry and Charles Tait of Melbourne produced
and directed The Story of the Kelly Gang, a
silent film that ran continuously for a
breathtaking 80 minutes. It was not until 1911
that countries other than Australia began to
make feature films. By this time Australia had
made 16 full-length feature films.
 Popular cinemas worldwide
>cinema of United states.
>cinema of India.
>cinema of Hong kong.
>cinema of Egypt.
>cinema of Nigeria.
The points where Indian cinema is
different ……..from that of abroad
>Indian films usually feature periodic song and
dance routes which ,in a good movie are
expected to move the story forward.

>Indian movies tend to be long ,they are usually

of two or three hours long.

>In addition to commercial cinema there is an

art cinema which is called “new cinema”.
Indian cinema lacks behind in techniques,
make ups, animation quality…………
 The highest earning 10 movies of
world…….where India has no place ,are…
Rank& Title
1. Avatar
2. Titanic
3. The Lord of the Rings: The Return of the King
4. Pirates of the Caribbean: Dead Man's Chest
5. Toy Story 3
6. Alice in Wonderland
7. The Dark Knight
8. Harry Potter and the Philosopher's Stone
9. Pirates of the Caribbean: At World's End
10. Harry Potter and the Order of the Phoenix

Even India has no place in top 50 movies of the world

cinemas……………….
yet………
> Besides being popular among the India bollywood is famous
in far off locations as Nigeria to Egypt to Senegal and to
Russia. Generations of non-Indian fans have grown up with
Bollywood during the years, bearing witness to the cross-
cultural appeal of Indian movies.

> Indian movies are becoming highly westernized. Newer

bollywood movies sometimes includes holly wood actors.

> The directors ,actors and musicians of Indian cinema are also
getting fame worldwide the directors like Satyajeet ray, the
musician like A.R.Rehman and actoresses like Ashwariya are
famoous personalities of world cinema.
 So………..
The Hindi film industry has preferred films
that appeal to all segments of the audience,
and has resisted making films that target
narrow audiences. It was believed that aiming
for a broad spectrum would maximise box
office receipts. However, filmmakers may be
moving towards accepting some box-office
segmentation, between films that appeal to
rural Indians, and films that appeal to urban
and overseas audiences.