BY A.LAKSHMI SWETHA M.ARCH ID 2ND SEM Henry van de velde (3/4/1863-25/10/1957)
Henry Clemens Van de Velde
was a Belgian Flemish painter, architect and interior designer.
Together with Victor Horta
and Paul Hankar he could be considered one of the main founders and representatives of Art Nouveau in Belgium. • Education: Royal Academy of Fine Arts • Period: Neo-impressionism
Van de Velde spent the most
important part of his career in Germany and had a decisive influence on German architecture and design at the beginning of the 20th century. • Van de Velde was born in Antwerp, where he studied painting under Charles Verlat at the academie des Beaux-arts,antwerp (1882-84) and with painter Carolus Duran,paris (1884-85). • He worked as a painter & interior decorator in atwerp & brussels, 1885-94. • He produced his first architectural work in brussels,1894 i.e., he built his house for himself ("Bloemenwerf"). • He designed every detail. As he never studied architecture and he was paying for his house, he could feel free from the old styles more than other architects. Time line 1889: In 1889 he became a member of the Brussels-based artist group "Les XX". 1894: Henry van de Velde married Maria Sèthe in 1894. 1895: Henry van de Velde also designed interiors and furniture for the influential art gallery "L'Art Nouveau" of Samuel Bing in Paris in 1895. the shop from which Art Nouveau took its name. 1910: He continued his practice in architecture and design, which had demarcated itself significantly from the Art Nouveau phase, whose popularity was by 1910 in decline. 1926: He was instrumental in founding in Brussels, in 1926, today's renowned architecture and visual arts school La Cambre, under the name of "Institut supérieur des Arts décoratifs." 1933: In 1933 he was commissioned to design the new building for the university library (the renowned Boekentoren). Bloemenwerf • The early years of Henry van de Velde’s career, until he was 30, were spent as a painter then as an interior decorator. • As a painter he was much influenced by the neo-impressionists,especially Seurat & Van Gogh. • When he turned to interior decoration he designed almost everything for home from tea-cups to furniture. FURNITURE DESIGNS BY HENRY VAN DE VELDE Henry van de Velde, table, 1898-99, maple; Hessische Landesmuseum, Darmstadt. Henry van de Velde, detail of Fig. 7 Henry van de Velde, desk, 1897, oak; MAK – Austrian Museum of Applied Arts, Vienna. Art Nouveau furniture designed by by Van de Velde Armchair by Henry Van de Velde in Art Nouveau. • He was associated with the beginnings of Art Nouveau ,which was essentially the search for a contemporary non-historical style. • The linear patterns so conspicuous in Art Nouveau designs were also distinctive feature of much of van de Velde’s furniture, decoration and architecture, but he made an effort to link them with natural forms and with sense of structure. • His association of linear rythms with structure and lines of force is seen in his staircase designs & furniture, as in many of his early houses and in Folkwang museum at Hagen. Stair case in Folkwang museum Hagen. Van de Velde. Entrance Hall Folkwang Museum, Hagen (1902)