Professional Documents
Culture Documents
Laryngeal
Function &
Speech
Production
SLP 3150
Maddie Beck, B.S.
Five layers:
• Epithelium: squamous cells
• Superficial Lamina Propria: a few
elastic fibers; also called Reinke’s space
• Intermediate Lamina Propria : many
elastic fibers
• Deep Lamina Propria : many
collagenous fibers
• Muscle: muscle fibers (thyrovocalis)
Vocal Folds
Front
Vocal Folds
• Membranous part (anterior) lies
between thyroid cartilage and tips of
vocal processes of arytenoid
cartilages; occupies 60% of the length
• Cartilaginous part (posterior) lies
between the vocal processes and most
rearward point on medial surface of
arytenoid cartilages; occupies 40% of
length
Back
Ventricular Folds
• Sometimes called the "false
vocal folds"
• Contain ventricular ligaments
and sparse muscle fibers
Laryngeal Ventricles
• Depression between the
ventricular and true vocal
folds
• Contain mucous glands that
secrete mucus to lubricate the
vocal folds
Ligaments and Membranes
• Intrinsic ligaments and membranes connect laryngeal cartilages to
one another
• Extrinsic ligaments and membranes connect laryngeal cartilages to
outside structures
• Mucous membrane lines the entire larynx
Intrinsic Ligaments
and Membranes
• Conus elasticus connects cricoid,
arytenoid, and thyroid cartilages
• Conus elasticus gives rise to
middle cricothyroid ligament,
lateral cricothyroid membranes,
and vocal ligaments
Intrinsic Ligaments
and Membranes
• Quadrangular membrane connects
epiglottis, thyroid cartilage,
arytenoid cartilages, and
corniculate cartilages
• Quadrangular membrane thickens
at bottom to become ventricular
ligament
• Thyroepiglottic ligament runs
from thyroid cartilage to epiglottis
Extrinsic Ligaments
and Membranes
• Cricotracheal membrane connects
cricoid cartilage to tracheal rings
• Hyoepiglottic ligament connects
hyoid bone to epiglottis
• Hyothyroid membrane connects
hyoid bone to thyroid cartilage
and gives rise to the middle and
lateral hyothyroid ligaments
Forces
• Passive
Recoil of muscles, cartilages, and connective tissues
Surface tension
Gravity
• Active
Intrinsic muscles (both attachments inside the larynx)
Extrinsic muscles (one attachment inside the larynx and one outside the larynx)
Supplementary muscles (both attachments outside the larynx; actions influence the larynx
through the hyoid bone)
Laryngeal Muscles
Intrinsic Laryngeal Muscles
Intrinsic Laryngeal Muscles
Thyroarytenoid
• Originates from inside surface of
thyroid cartilage and inserts on
ipsilateral arytenoid cartilage
• Makes up bulk of vocal folds
Intrinsic Laryngeal Muscles
Thyroarytenoid
Posterior cricoarytenoid
• Originates on the back surface of
the cricoid cartilage and inserts
into upper and back surfaces of
muscular process of the arytenoid
cartilage
Intrinsic Laryngeal Muscles
Posterior cricoarytenoid
• Contraction rocks arytenoid
cartilage away from midline and
may also slide it upward and
backward
Intrinsic Laryngeal Muscles
Lateral cricoarytenoid
• Originates from the upper rim of the
cricoid cartilage and inserts on the
muscular process and front of the
arytenoid cartilage
Intrinsic Laryngeal Muscles
Lateral cricoarytenoid
• Contraction rocks the arytenoid
cartilage toward the midline and
may slide arytenoid forward and
toward the side
Intrinsic Laryngeal Muscles Arytenoid (or Interarytenoid)
• Has two parts:
transverse arytenoid
oblique arytenoid
Sternohyoid
• Originates from the back surface of the
top of the sternum and inner end of the
clavicle and inserts on the lower edge
of the body of the hyoid bone
• Contraction pulls downward on hyoid
bone
Supplementary Laryngeal Muscles:
Infrahyoid
Omohyoid
• Posterior belly originates from the upper
edge of the scapula and inserts on a tendon
near the sternum
• Anterior belly originates from the same
tendon near the sternum and inserts in the
lower edge of he greater cornu of the
hyoid bone
• Contraction pulls downward and
backward on hyoid bone
Supplementary Laryngeal Muscles:
Suprahyoid
Digastric
• Anterior belly originates from inside the
lower border of the mandible and inserts
into a tendon
• Posterior belly originates from the mastoid
process of the temporal bone and inserts
into the same tendon
• Contraction pulls the hyoid bone upward
and forward or upward and backward
Supplementary Laryngeal Muscles: Suprahyoid
Stylohyoid
• Originates from the back and side
surfaces of the styloid process of the
temporal bone and inserts into hyoid
bone
• Contraction pulls upward and backward
on the hyoid bone
Supplementary Laryngeal Muscles: Suprahyoid
Mylohyoid
• Originates along the inner surface of the
body of the mandible and inserts into a
tendinous midline raphe or the front
surface of the hyoid bone
• Contraction pulls upward and forward
on the hyoid bone
Supplementary Laryngeal Muscles: Suprahyoid
Geniohyoid
• Originates from the inner surface of the
front of the mandible to the front
surface of the body of the hyoid bone
(runs essentially parallel to the anterior
belly of the digastic muscle)
• Contraction can pull upward and
forward on the hyoid bone
Supplementary Laryngeal Muscles: Suprahyoid
Hyoglossus
• Originates from the side of the tongue
and inserts on the body and greater
cornu of the hyoid bone
• Contraction can pull up on the hyoid
bone
Supplementary Laryngeal Muscles: Suprahyoid
Genioglossus
• Originates from the inner surface of the
mandible and inserts into the
undersurface of the tongue body and the
body of the hyoid bone
• Contraction can pull the hyoid bone
upward and forward
Vocal Fold Movements
• Abduction
• Adduction
• Length change
Vocal Fold Abduction
• Abduction = movement of vocal folds away from midline
• Posterior cricoarytenoid muscles are primary abductors
• Another much weaker abductory force can be exerted
through a downward pull on the conus elasticus ("tracheal
tug")
Vocal Fold Adduction
• Adduction = movement of vocal folds toward midline
• Lateral cricoarytenoid muscles adduct the anterior 2/3's
of the vocal folds; arytenoid muscles adduct the
posterior 1/3 of the vocal folds
Vocal Fold Adduction
• Once fully approximated, the amount
of medial contact can be adjusted by
contraction of the thyroarytenoid
muscles
• The force of contact ("squeeze") can
be adjusted by the lateral
cricoarytenoid and arytenoid muscles
Vocal Fold Length Change
• Can be mediated through the
cricothyroid joints
• Vocal folds lengthen with
contraction of the cricothyroid
muscles and shorten with
contraction of the thyroarytenoid
muscles
Vocal Fold Length Change
• Can also be mediated through the cricoarytenoid joints
• Vocal folds lengthen with abduction effected by the
posterior cricoarytenoid muscles and shorten with
adduction effected by the lateral cricoarytenoid muscles
Ventricular Fold and Epiglottis Movements
• Ventricular folds
Configuration and position changes, with possible
contributions of upward-extending fibers of thyromuscularis
muscles
• Epiglottis
Configuration and position changes, with possible
contributions of aryepiglottic muscles and movements of other
structures
Laryngeal Housing Movements
* Muscular pressure
Surface tension
Gravity
* Compressive muscular
pressure is the greatest
contributor
Laryngeal Airway Resistance
• Sometimes conceptualized
as having two modes of
movement: translational and
rotational
High Speech Video of Vocal Fold Vibrations
• https://www.youtube.com/watch?v=9kHdhbEnhoA
Vocal Fold Vibration
• High intraglottal pressure (Pg)
pushes vocal folds away from
midline creating a convergent glottis
• Elastic recoil of tissue overcomes Pg
and lower edges of vocal folds
(followed by upper edges) move
toward midline creating a divergent
glottis
Vocal Fold Vibration: Key Points
• Intraglottal pressure (Pg) changes in phase with tissue velocity (they
work together)
• As air flows through glottis and hits the air column above, Pg
increases; as the column of air moves away (toward the airway
opening), Pg decreases
• Alternation between convergent and divergent glottal shapes is the
mucosal wave or vertical phase difference
• Note that there is no “Bernoulli Effect" because Pg does not have to
be negative (below atmospheric pressure)
Myoelastic Aerodynamic Theory of Phonation
• Vocal folds: tendon + muscle + mucus membrane
• VFs behind Adam’s apple or thyroid cartilage
• Tension & elasticity:
• They can get thinner and thicker
• They can get shorter or longer
• They can be widely separated
• They can be brought together
• They can be put in the intermediate position
• They can be elevated or depressed
84
Myoelastic Aerodynamic Theory of Phonation-Cont’d
• Phonatory mode: when VFs are brought together and are vibrating
Produce “Bronx cheer” or “raspberry” (blowing through closed lips with the tongue
between them)
85
Myoelastic Aerodynamic Theory of Phonation-Cont’d
• Myoelastic: ways in which the muscles control the elasticity and tension on
VFs so that they can set into vibration and so that changes can be made in
their frequency of vibration.
• F0 of phonation: number of vibration of VFs per second
Males: 125 Hz
Females: >=200Hz
Children: >=300 Hz
86
Myoelastic Aerodynamic Theory of Phonation-Cont’d
• Determinants of F0:
• VF’s length: the greater the length, the higher F0 (less mass, more tense)
87
Myoelastic Aerodynamic Theory of Phonation-Cont’d
• A person can increase frequency of vibration by lengthening and tensing VFs which
decreases mass and increase elasticity
• Mass and tension are more important than length in determining f 0.
• Lengthening VFs makes VFs longer makes them less massive and more tense increases f0.
• VFs can be stretched by 3-4 mm (in singers): bass voice (80 Hz) ~ lyric suprano (1 kHz)
88
Myoelastic Aerodynamic Theory of Phonation-Cont’d
• Muscles bring VFs together
Muscles regulate VFs thickness and tension to alter f0.
• But, determinant of vibratory cycle is aerodynamic
Air pressure from lungs blows the VFs apart and opens glottis during each vibration
VFs come together again during each vibration because
1. Maintenance of instructions to muscles to keep the VFs adducted during phonation
2. Inherent elasticity of VFs
3. Sudden drop in air pressure below VFs as VFs are forced apart allowing air flow to
streams through the open glottis.
89
Myoelastic Aerodynamic Theory of Phonation-
Cont’d
Modal register:
Triangular waveform
Vertical phase difference
Relatively large vocal fold excursions
Moderate stiffness
Large dynamic range
Pulse register:
Spiked waveform (fast open/close, long closed)
Large vertical phase difference
Slack folds (low stiffness)
Limited dynamic range
• Process of phonation
https://www.youtube.com/watch?v=Aoa_N1vQS4M
QUESTIONS?