VISUAL VS

AUDITORY
VISUAL ART
 This includes two-dimensional visual arts such as drawing and painting and also three-
dimensional visual arts such as sculpture and architecture.
 Some of these should doubtless be called visuo-tactual art: buildings are ordinarily touched as
well as seen, sculptures could be more fully appreciated if touched as well as seen, and even
paintings may sometimes have enough three-dimensionality to repay touch experience.
 At any rate, all these arts appeal first and foremost, though not exclusively, to the sense of
sight, and the artifact is an object in the visual medium.
AUDITORY ART
 This includes music in all its forms but not song, opera, and those arts that combine music
with literature (see below Mixed arts). Just as the medium of visual art is sight, so the medium
of auditory art is sound.
 In auditory art there is—unlike visual art—no physical object (other than the score, which as
has been seen is not the music).
 There is only the temporally successive series of sounds: sound waves emanating from the
various instruments.
SPACE VS TIME VS
SPACE-TIME
SPACE
 Space, as one of the classic seven elements of art, refers to the distances or areas around,
between, and within components of a piece.
 Space can be positive or negative, open or closed, shallow or deep, and two-dimensional or
three-dimensional.
 Sometimes space isn't explicitly presented within a piece, but the illusion of it is.
 Real space is three-dimensional. Space in a work of art refers to a feeling of depth or three
dimensions.
 It can also refer to the artist's use of the area within the picture plane.
 The area around the primary objects in a work of art is known as negative space, while the
space occupied by the primary objects is known as positive space.
TIME
 Time is one of the most common commodities of any artistic work.
 Yet it is also one of the least comprehended ingredients.
 Art exists in time as well as space. Time implies change and movement; movement implies the
passage of time.
 Movement and time, whether actual or an illusion, are crucial elements in art although we may
not be aware of it.
 An art work may incorporate actual motion; that is, the artwork itself moves in some way. Or
it may incorporate the illusion of, or implied movement.
SPACE-TIME
 The combination of time and space in the form of spacetime is an important topic in physics,
but the concept also has an analog in the arts.
 One could call the artistic equivalent of spacetime “gesture,” a word already widely used in
multiple artistic disciplines.
 A “musical gesture” can be defined as the combination of various sonic elements (volume,
duration, pitch, panning) into a single phrase whose multilayered complexity gives it some
perceived sense of physicality, while a “gesture drawing” in visual art is a drawing or sketch
defined both by its rapid execution and by its attempt to capture an active or moving subject.
THANK YOU
SOURCE
 https://www.thecrimson.com/column/artistic-matchmaker/article/2015/3/4/artist-matchmaker-a
rtistic-spacetime-continuum/?
fbclid=IwAR2aqPV2cTfAY5at60RVMheEp5J1am_iQjf7AZrp6ByvvqXT0Wif9FDIQA4
 https://nautil.us/the-spacetime-of-fine-art-7444/?
fbclid=IwAR3dvh5BHCXwvyXM6vrFgOF3gKAcOzcasGDkd8TN860EZh2XxJFzoW6iRdU
 https://www.britannica.com/topic/philosophy-of-art/Verbal-art