Professional Documents
Culture Documents
Issue 046
Issue 046
c
ba
ABCDEFG
46
ac
b
46
du
1981
ABCDEFG
M
M
M
M
:
:
<
<
..
.
... ...
..
d
< ..
? ..
< .. ..< <
.
l <
..
<
....? ..
< ..
..
<
l
.. <
5
<
<
..
< <
.. <
l
l l
.
d <
.
<
.
<
l
< l <
< ..
l <
<
< ..
< < <l
<
l
6
. <
< <
< <
.
< .
< <
< l
l
..
< < <
.. <
< .
< l --
..
-.. <? ?-
< < ! .. l
< < < l l
..
< <
< -
< < <
< l< l ..
< <
7
< ..
<
..
l l l
< <
<
.
..
<
.
.
<
< .
<
..
.
<
l
l
.
d <
l ..
l ..
..
9
.
d ..
..
<
.
< .. < d
.. d <
< .
< d- -
< ..
d ) <
( l <..
<
< <
d d
.. < <
< ..
<
..
d - -
< ..
< ..
< l
< .
< <
.
l < d
l ..
10
<
< <
.
..
.. -
-- -<
. <
<d .. ..
< ..
< .. ? ..
< ..
< ..
< .. ..
.. - <
d -
.. ..<
..
< l
< ..<
d
.
< <
..
..
11
.. < .. l
..
..
< ..
..
.
< d
.. ..
< <
.. d
< :
.
..
.<
..
l <
.. .. < .
.. ..
< <
.
..
12
<
..
..
< <
<
.. ..
..
< <
<
.. <
l .. - <-
. < <
.
< <
< < < .
< <
.
< .
..
..
<
<
<
13
..
<.
<
:- -- .
. <
< <
< <
. <
:- <
< - ..
< ..
.. < ..
<..
< < ..
l <
l ..
<
< .
< <
< < . <
<
< < l
< . <
<
- <-.
<
.
<
14
< <
.. < Motet Mass
Hymn< Madrigal
)(
< < .
< ...
< <
.
..
.. ..
<
.. < .. <
< ..
< < ..
.. < ..
..
d <
.
. < <
: ....
<
.. < ..
d <
<
.. ..
< ..
15
.. .. .
< d
l
:l
- .
-
.
- < < < .
- .
Style < :
l< l
.. .
<
..
l .. ..
..
< < .. .
l < ..
< < < ..
< <
.
< <
..
< .. < <
< ..
.
< ..
..
< <.
l ..
< .
l <
...
< <
< .
.
.. < ..
< <
17
< .. ..l
.. d < ..
.
< l < ..
.
.. .
.. ..
. < <
. <
..
.
l < l
< .. < < < -
- < ..
..
< ..
.. ....
)( )( ..
< < .. .. !! ..
< .. l ..
-
- ..
.. d .?..
< < .l
.
< <
.. .
18
..
.. < ) (
..
.
< ..
..
..
.
< .. .. .
< ..
..
.. d
< ) (
< < ..
< .
<
< .
.
.. l
.. <
< <
. .
.. .. ..
< .. < .. <
....
19
.. ..
...
<
..
.. d
..
< < <
) ( ) (
) ( .. ..
.. .
)(
. <
. < ..
)(
< .. ..l ..
< ..
..
- -
.. ..
.
..
..
)(
< < - -
.. < ..
.. .. ..
20
...
.. ..
< ..
.. ..
< < ..
..
..
< .. <
<
- .. <
.. ....
.. ..
..
.
<
.. - -
l l
) : <
.. d
..
.. ..
.. ..
.
.. < ..
..
..< -
.. - < ..
.. < ..
21
.. ..
.. .. <
..
<
< -
- .< <
<
l .
<
< < . <
l
<
d
<
.
<
<
< < < <.
.
< <
22
.
<
<
... < .
< <
:
.
.
<
<
<.
<
< < .
< <
.
23
< .
<
<
<
. <
.
< < <
< . <
l <
d
< < <
. <
< <.
d
<
d .
d d
.
< <
24
d
.
<
l:
< .
<.
< < .
<
l <
< . < l
.
<
d < .l
< -
- <
<.
.. <
<.
<
<
<
25
< .
<
Acoustics < l< ..l
..
)
( ) (
..
<
..
< ..
< ..
.
.. < ..
)(
< .. .. <..
.. ..
<
.. < ..
- -
< < ..
<- -
..
< < ..
26
..
< < .. l
.. - ..-
<
... < <
< l <
.
l
<
.. ) <(
.. :
d
? ..
..
<
< ..
l < l
< l ..
< ..l
< <
.
..
< Adolf Loos
.. :
< .. <
<
27
.
..
..
.
.. ..
..
.. ..
<
< ..
..
..
< ..
< ..
d ..
.. <
..
< l d ..
..
<
..
d
l < <
l <
< .
<
<
< < ..
28
..
.
< )
( < .. -
- ..
<
< .
..
<
<
< ..
..
.. < ..
:
.
< < l
..
.
< Palazo Pitti
-
- l
.. l .<
..
..
29
<..
..
< < l
..
..
..
..
<.
< ..
<
< .. l
<
.. < < <
< ..
..
..
< ..
Overtones
<) ..
(.
l ..
30
..
< ..
.
..
..
< <
..
l ..
..l
<
. ..
..
..
< < <
< <
.. ..
..
<..
.. ..
.. .. ..
l --
< ..
l
< Synaesthesia
l ll
31
l
..
l .. .. ..
< .. .
..
.. l
<
.. :
.
< .. ..
< ..
< .. .. !!
.. < )(
)(..
< )(
< .. ..
< ..< l
.. ..
.. .
< l
d
< .
32
< ..
<
nuances <
l < ....
<
.. < ..
.
..
d ..
..
< ..
< l
..
.. l
.
)
( ) (.
d l
.. <
l
..
l
) = (
< .. <
.. .
l .
33
) ( .
< <
= = ... .
.
- -
l <
) :-- ---- (- <
. l
.. l l
.. ..
.. ..
< )<( <
-- l ..
.
..
< < l <
.l
..
:
< ..
.. <
. <
< ..
<
.l
.. ..
..
34
!
"
!#$
'& %
(
* () !
!* (+,- .$
)
!* (+,- .$
! %4
< .
..
<
..
l ..
- -
< l < ..
.
<
.
< l
35
<
< < .. d
) (- < .
<
. <
<
.
Clavilux
..
.
.. l <
.. ..
)(
)<( l
.
<
< .. l
< <
< l
<
l < ..
<
.. ..
<
l ..
36
l< .
< <
:
. <
.
.
37
38
.. <
< < ..
< < ..
< < <
..
<
.. ..
< <
<
< .
<
.
..
39
..
.
< ..
< .
< <
40
.
..
.
.
l
)<( .
..
< ..
<
..
.. ..
Ries < :
.. .. < ..
d
<
. < ...
<
<
..
.
< l <
Nefe
< < ..
- -
41
.
< ..
<
.. ..
<
< .. ..
..
..
<
..
< ..
Breuning
< .. l
Waldstein < < ..
<
.
<
l ..
.. <..
< :? ? ..
..
42
..
..
<
l < ..
..
. <
.
.
< ..
..
< ..
..
l
< <
.
<
. <
<
. <
..
<
43
.
Hummel :
.. d ..
..
...
-
-
l < < .
l .. <
<
.. < .. :
<
.
. :
.. ..
l .. <
<
.
..
.. .. ..
.
.. ..
..
..
44
< < ..
.. l
.
.
.. -
<
< ..
< ..
..
..
.. <
: ..
..
.
.
.
< <
.. .
..
<
..
.. )(..
:
< ..
45
.. ..
:
..
) .. l ..
(..
..
.. <
...
l
<
.. < ..
..
.. <
. <
..
. ..
.. l ..
< ..
.. ..
..
..
.
.. <
< .. ..
: . :
< ..
< . ..
..
46
.. ..
< ..
.
< <
< ..
.. < <
< l
..
. <
..
< ..
< ..
< )( .
..
< .. <
.
<
< <
..
..
<
< ..
< ..
..
< .
47
< <
.. <l
..
48
< ..
<.
..
.
.
.
l l
..
< <
< l
.. d <
< .. l
<
<
..
..
< ..
l
.
)( ..
< .. ..
..
..
..
<
..
..l
.. : ..
: .. l
.. < d .
..
.. d ..
..
< .. <
.. .. ..
.. ..
.
< ..
< )
(.
50
< <
.
.. <
.. <
.
.. <
..
.. ..
<
< ..
< .
< .
.. ..
.. .. ..
< < ..
..
.. <
..
< ..
..
.. < .
..
..
- <
< < ..
<
51
.. <
< ..
.. -: <
< < ..<
. ..
< <
l .
<.
..
..
<
..
..
< ..
..
..
Hans Von Bulov
<
.. l
.
<
..
..
.
< .. <
52
..
< <
.. < ..
<
..<
. ;
< < <
.. l
.. <
< .. .. <
< < ..
..
..
<
..
.. ..
<
< :
<
.
<
l l< ..
< < ..
53
<
.
54
< < .
< l<.l
< < <
< ..
..
.
<
.. < -
.. ..
<
- ..
<
.. .. ..
< .. <
< .. ..
.
<
<
< .. .
..
..
<
l< ..
< ..
..
..
.. <
< .. <
55
<
.
... < ..
..
< . d
< .
<
.
< -..-
. <
.
<
< < <
.
.
< <
<
)(.
) ( <
..
.
.
56
..
!! ..
- -
..
l <
.. )(.
.
.
<
.
l
< ..
.
..
d ..
) ( <
<
.
.
57
. .. ..
. <
< ..
... ..
.
.. ..
..
.
! d ..
<
.. ..
.
.
.
..
.
..
..
58
..
..
!! .
..
.. ..
.. < < ..l
..
< <
..
.
..
< <
.
d <
<
< .. !
.. .
..
< l
.. < <
.
.....
..
..
59
l<l
< : --- .
d
l
)( .
..
:
..
<
:
.. ..
<
..
!! l < l
.
..
: <
. d
..
..
< <
< <
..
..
.. l
.. l <
< <
. .
60
.
.
<
< ..
!
..
< .
..
< ..
< ..
..
.. :
.. .. ..
<
.. .. ...
<
.. ..
.. < ..
..
.
..
61
..
..
..
..
<
.. ..
.
63
< .
<
. l
<
.
<
..
-
<
..
<..
..
.. ..
< < ..- l
.
..
..
< < .
< <
.
64
<
<
.. <
..
< <
.
l< l
..
< < .. < ..
) <
( ..
.
..< .. <
< .
< < ..
<
..
<
l
< < ..
< ..
< ..
65
. Simrock
l ..
...
< <
< <
< < ..
l < <
.
..
.. <
< < ..
< <.
..
<
..
< .
..
< ..l
< <l
..
< ..
..
<
.. <
d
66
..
.
.. ..
<..
.
) (
)
(
.
<
<
..
.. <
d .. < ..
.. ..
< d
.. ..
l< l
.. .. <
d ..
- < l
.. <
.. ..
l
.
..< :
..<
67
.. <
.
< < ..
< ..
<
.. .
<
l ..
< ..
.
..
.
l < <
< <
< <l
l --.
< <
..
..
..l
.. l ..
< <
.
68
..
- < < .
..
l ..
..
< ..
.
<
.. <
<
<
<
.
.
<
.
-
< -
<
l
..
69
.. .
.. l
< l ..
70
..
.. < .
..
..
<
.
<
<
..
..
< . <
..
.. ..
..
..
..-
- ..
< ..
<
..
<
..
< ..
71
< ..
<
<
<
..
..
..
<
< < ..
-
- l
. l
l .
.
< <
< < <
.
.
72
.
.
d < l
< l
d <
.
<
< d
..
< l< l .
< l <
.
..
<.
d
ld ..
.
<
.
< .
< --
<
<
< .
73
l
l
.
..
.
<
l
..
d
d.
..
< <
..
l
..
< < .. < l
75
) (
..
< ..
..< < ..
.. ..
< l
.
d
< d < ..
.. <
..
..
...
.. .
..
..
.. < .. <..
< ..
.. <
.
..
.
..
.
< < <
..
76
<
.. <
..
..
..
..
..
.. .. ..
..
..
.
l ..
..
..
..
..
...
<
..
< ..
l :l -
- --
l l < :---
. -
.. <
77
..
.. ..
- -
.. ..
< ..
.. <
..
..
d
..
<
..
< d ..
! ..
< l
..
< ..
..
.. ..
.. ..
..
< ..
..
.. ..
.. ..l
l < ..
d < ..
78
.. ..
:
.. <
.
< ..
..
.. <
< .. d
.
..
< < l
..
.... ..
.. ..
..<
< .. <
..
..
..
.. ..
.. .
l .. ..
..
..
.. < .. .. ..
..
79
..
.. <
< .. ..
..
..
l .. l
..
<
l ..
..
..
.. <
< < ..
<
<.
< ..
.. ..
... ..
.. ..
< ..
..
..
.. ..
..
80
.. ..
..
81
..
< l
.
..
< .. < ..
.. < ..
.. ..
..
.. < ..
..
.. ..
< < <
.. < < . .
< l ..
.. < .. l
..
<
< .. .. l
< ..
- -
.. l<
.. <.
... < ....
.. .. <
< ..
.. ..
.. ..
< < ..
..
82
l .
< () Die Freen
..Liebes Verbot
.
() Rienzi Der Fliegende Hollander
() Tannhauser ..() Lohengrin
<
.. .. ..
..
.. ..
.. < < ..
..
d .
<
< ..
< ..
< ..
<
..
..
..
..
.. l ..
.. ..
d Weimar <..
..
83
-
..
.. l
.. .. ..
...
< l
.. ..
d .. ..
: ..
.
..
..
.. < .
< <
..
.. <
.. ..
< ..
<
..
< < < <
< <
..Recitative
<
.
..
..
..
84
.. < ..
< )
( .. <
< ..
l < ..
..
< l ..
..
.. ..
l
..
Leitmotiv
.. < l
< ..
..
..
..
..
.. < <
.
.. ..
..
.. ..
Jluck
< ..
85
<
<..
< ..
..
() Tristian und Isolde < l
) (Die Meister singer .() Parsifal
.. ..
.
..
..
..
.. ..
..l
< ..
..
<
< .. < ..<
< <
.. <
() Rhein gold Die Walkure
) ( () Sieg Fried Gotterdammerung
) .( - <-
l l< .. -
-< ..
.
.. <
Wagner Tuba l
86
.. < ..
..
d Cosima ..
..Hans von Bulow
.
.. ..l
.. )( ..
..
..
.. ..
.. ....
..
< --
< .
< <
.. .
.. l
..
<
.. <
< <
..
< ..
87
l
88
.. -- <
.. <
..
.. Faure
.. Dubois
< < ..
-- . l
< < l
.. <
..
..
..
< . l ..
< < .. <
l < < ..
.
<
.. < < ..
< <
.Exotic
89
< < ..
<
< ..
..
l ..
..
..
< .. <
d
< ..
..
l < l <
l .. ..
..
< ..
<
< .. ..
< l
.
.. <
90
.
.. ..
< ..
.. ..
..<
.. ..
<
..
<..
..
. <
<
.
.
..
..
<
. <
d ..
< < ..
< .. <
..
< ..
91
..
.. <
d
.. <
- -
< .
< ..
-- -
..-
?
<?
< ..
? -
-
?..
-
<- <
< .. ..
.. --
..
...
..
92
-
- <
.. <:
- - .
l
..
.. :- --
< <- .
< ..
<
.. l
.. <d l
<
..
< ..
..
) l(.
<
..
- -
..
)( .
..
.. d
< ..
< ..
93
- <
<
..
..
.. ..
<
.. <
< .. < d
..
<
.. <
< ..
< <
95
.. < ..
< l .
< <
.. )( .. <
.. <
..
.. < ..
..
. ..
..
..
< ..
< ..
< ..
< .. <
Pidrelle
<
.
-< < ..
l -
.. < <
.. <
<
..
..
96
: <
.
..
< ..
: <
< .
< .
T.S.Eliot :
< .. < .
..
< ..
< ..
d
..
.. d
.. d
Vide breve
..l
.
..
..
.
97
< l < .
.
..
< .. <
..
< ..
<
..
..
<
..
..
<
< .
-
- ..
..
d
< ..
..
.. <
..
:
.
98
< ..
< l l< l< ..
<
..
: .
<
..
..
..
.. ..
.. l
..
l < .. l
..
l
< .. <
l .. .
..
l
<
..
..
..
..
99
..
..l
<
..
:
< ..
l
<
.. d
..
..
<
..
..
< <
..
< <
.. <
.. <
.. < .
l <
<
..
100
..
< < .
< ..
..
..
..
l
..
..
l .
< .
< ..
..
.
..
Erkel < ..
d <
..
..
<
<
< ..
101
< < ..
.
<
l ..
102
l .l <
<
< l .
) (
.. <
<
..
l d <
.. <
..
.. )(
.. )(
..
<
l ..
.
.
<
.. <
Universal Edition
.
l
..
. <
< <
103
< .
<
< < .
l d
< <
. <
< <.
<
< .
< <
.
< .
<
. <
Kossevizky<
..
< .
..
l
Microkosmos . <
< ..
<
l .
104
..
..
-
< <
-
< ..
..
..
< <
..
< ..
metamorphosen
.
< l
l
..
< Modal Harmony
< l
< ..
< ..
< l < ..
-
<
<- <
< ..
< <
..
105
< Bi-tonatity
d
<
Neo-Classicism
< < ..
<
< .
<
..
<
..
< ..
< ..
- -
l ..
.
<
..
..
<
<..
< ..
< Polytonal
Polymodal
..
106
< <
.
..
< ..
< ..
< . l
.
< < l l
: l
.
<
< <.
..
< <
< ..
< < < <
.. <
<..
<
.. <
..l
< ..
l< <
< l
< -
107
< l-l l
. <
..
.. <
< <.
108
<
< l .
< l ..
..
..
..
< ..
.. <
<.
Ouverture l
.
..
109
<
.
..
< )-
.( <
) (-
.
)(
.
..
l
<
<
< l
. < )<(
< ..
.
l
l
.. .
110
..
..
..
.. Sinfonia
..
l < ..
..
. <
d <l
. l l
< .. .
..
..
.. <
..
..
..
..
..
.. ..
< ..
111
l l<
..
l .
..
< <
.. <
<
< ..
< .. .
<
.
.
...
.. l
l .
.. l<
l )( d
< ..
< .
112
< ..
.. <
< ..
.
< .. ..
<
..
< .
<
l
<-l -Prelude
- -
..d
..
.
l < ..l
..
113
<
..
Potpouri
. <
.. .
< ..
<
< ..
..
< ..
.. .. ..
.. <
< .. <
< d. ..
<
..
<
.
Sonata Sonare
114
<
< <
Contare
<
l<
<
)--- ..(
. l l
.
< -
.
.
.l
l .
.
<
)(
.
115
<
.
<
l
< Virtuosity < .l
<
.
<
<
<
<.
Allegro )
( )
< l (
) Lied(
Rondo
.
<
< <
.
116
<
< ..l <
..
. < ..
.. d <
.. l< <
.. <
..
< l
<
.. ..
..
..
< < ..
..
< ..
<
.. <
< <
d < <
Virtuoso ..
)(
)(.
<
< <
117
<
<
)( ..Rondo <
<
.
< <
< .. <
< .. l
l<l
l .
<
<
..
<
< .. Cadenza
.. <
< .. ..
..
< l <
<
< .
118
<
l
Soli
Ripieno . <
l< .< l
.
)( )(
..
.. d
< Suite
. Handel
<
.. .
<.
d < Solo
- ..
l l
< l ..l
< ..
<
< <
< ..
.. l ..
119
.. .. <
..
- < ..
< ..
..
< ..
.
<-
<
< ..
.. l
l
..l
..
<
.
l l .
<
..
..
..
l l
l
- )( l - ll
<
120
.. <
.
l l
.
<
< <
<
..
l ..
l ..
< < < ..
< ..
<..
< l
.
Concerto Grosso
..
<
..
121
d ..
- -
<
.. .. ..
122
.
..
..
.. ? ..
.. ? ..
.. ..
< .. <
<
< .
)( d l
.. )
( .. ..
< <
.. < ..l
<
< .. ..
< <
..
..
. < minuetto & trio
..
l
123
.
< < ..
d .
Smartini
..
(-) Stamiz
) (- ..
..
< < l<
< ..
<
< .. ..
l
) (- <
..
..
..l
.. ..
..
..
<
. < <
<
..
<
124
- - - -
- - - -
.. <
.. ..
<
<
..
..
.
< ..
..
.. ?
d .. ) (
d <
..
.. <
..
..
) (- l
l ..
)
( < ..
125
<
) l (l l
.
< < Sinfonia
Sacra <
<
..
Inventions
.. <
. ..
l < <
< ..
..
..
<
.. < ..
.. .. <
< Messish
..
Ouverture
..
..
<
..
126
:-
- - ..
:-- ..<
<
..
-
..
..
-
.. <
)--(.
<
) ( <
.. ..
.. <
d <
. < Minuetto
< ..
< < < ..
. Trio
<
..
<
127
..
Scherzo
< .
) (
.. ..
.. .
d ) (-
.
d ..
..
.. < <
..
..
<
..
..
< <
..
..
..
<
l <
l .
128
d )(
< ..
)(
< < ..
..
Brahms ..
..
..
..l
.. < ) Idee Fixe
<
<(
) ( ..
l
.
..
< < l l< l
<
..
129
<l
..
130
.
<
< .
l
d
<
.
<
.
..
< <
<.
< d <
..
<
l
.
< ..
131
<
.
<
Smetana
.
<
.-
< .
l l .
132
4
)(
Greco-Romand l . .
<
.
<
<
< ..
<
.. l< l:
---.
Romanesque- l .
< ..
< .
:--- .
Gothle :)( .(The Heritage of Musical Style (Donald M. Vun Ess :
133
l . <
. < ..
< . : l.
Renaissance : l . )(
<
: --- .
Baroque :
< :
----.
Rococo and Classical :
..
. :--.
Romanticism : l .. -
)(- -
< :------
-.
Impressionism : l ..
. - .
: .
th Century : .. -
- - <
. :---
134
----.
..
<
..
<
< ..
..
.. l
..
..
..
-
< ..
< ..
Gothic <
. <
l .. l
l .
.. < <
< . < <
l l
135
..
<
l< < l
.
< < <
.
<
< <
..
..
d
..
..
<
- - <
. <
..
.
< l
< ..
..
) - - ( ..
< ..
136
<
.. <
< : l ....
..
l .. ..
< ..
l <
<
l .. l
.. <
<) l ..(l
..
..
<
<.
<
..
..<
..
<
< ..
d .
<
.. <
.. <
<
137
< ..
.. <
< <
..
.
d
d d
<
d < <
<
< < ..
)(
)
( ..
< ..
< ..
.
<
< <
.
..
<
.
<
< ..
138
)
<(
- -<
< . <
.. < ..
<
) (..
< < l .
< .. <
.
<
<
<
< <
< ..
<
l < ..
l
<
.. .
..
.. < ..
139
..
..
..
.
) ( .Ars Antiqua <
<
<
<
< .
. ) (l
.
Magister
< l ..
< ) ()
(.
<
<
l l
..
)(
< ..
< < < .
140
<..
<
..
.
< l ..
.. <
Ostinato
< .
Discant
.
)( Conductus
) l
( .. )(
.
..
.
< Motet ) (
.. <
-
..
< ..
<
< ) < <( ..
) ( <
< ..
- -
141
l
<.
< < ..
<
.
< l ..
< d
<
.
< :
Vielle:
) <(
: l
.l
:
.
:
.
:
.
Psaltry Dolcimer:
< ..
.
Recorder :
.
:
143
<.
<
..
l
< <..
-
l < ..
.
<
< <.
<
.
< .
..
.
.
. < ..
.
< l <
144
<
.
l
- - ..
< <
<
..
.
<
.. <
<.
<- d -
<
. <
:
- ..
< < Motet Mass <
) (.
-
.
- ..
.
- ..
< ) ( < .
145
<
<
..
l l< ..
< .l
l
.. .
.. l
l
.
<
< .. l
l
.
l
<
..
< l
< <
d l
<..
< :
<
..
146
< <
)( <
< <.
< ..
..
< .. < <
<
.. .
..
<
.
< .. < <
)( ..
.
<
.. < <
<
.
< l
< l < ..
)
147
( ..
)( )(.
< <
Dunstable
< ..
Dufay < < l
) ( <
<
..
<
..
)(
.. - <
-<
<
.. Imitation
) (
< < .
d l <
<
l ..
148
) (-
< l
..- < <
l<
<
< < .. .
<
.
< < ..
..d :
<
<
..
d -
- < < ..
< l l
.
)(
< ) - (a Capella
<
.. < <
<
..
< < .
l <
<
149
. < )(
<
< < .
< l
l l .
;
< ..
< ..
.
l
.
< < ) (
)(
..
< ..
..
< <
.
< .
l
l
-
< .. < -
-
150
)
( .
< )
( < . <
..
.
<
l
.. .
.
<
. d l
.
.
.
.
< ..
< < <
<
..
l< l <
d
151
< ..
..
l
.
..
< ..
<
.
?
..
.. <
< <
- -
<
< l ..
l ..
<
< l< ) l(
<
.
<
l
<
<
<
l .. <
152
..
. < < l
..
<
) (
.
<..
Rationalism .Enlightenment
..
..
< ..
<
.
< . <
..
< l..
< l l < <
< <
.. < l l<l
< l .
<
.
> Peri
.
153
-- <
<
.
<
l ) (
..
.
<.
<
l l
l l
Concerto Grosso )
( .Fugue
<
<
<
.. -
- -
<
.
) ( <
< )<(
154
) ( l
l ..< d
<
)(
..
.. <
..
< .. <
< <..
<
< l <
. <
< l
.
<
<
. <
..
<
< l
) ( .. <
..
155
<
< <..
l
l
d l
Sonata da Chiesa Sonata da Camera
<
Concerto
Grosso <
..
) (
< )<
( ..
..< ..
< <
d .. <
- -
.. .Mahler
<
<
..
..
<
156
.
..
l
.. l l
....
<
< .. <
.. .
l
< <
<
<
l .
<
< .. l
< <
< ..
d
< .
. d <
< < .
157
l <l
< l <
d ..
.
..
..
<
< ..l
< ..
<
< l< l
.
158
159
d
.
d
< ..
d <
Kant <
.. l l
d l l
.. :
-- < <-- -
.
l .
.l
.
l < .
<
d <
.. <
.
< .
d <
< . > Galant
. < -
160
<- <
-
Senative style
.
.
d l
<
.
:
< <.
<
d
<
. <
d < l<
l .
<
<
< .
<
<.
l
<
.
<
161
..
< <
< .
..
.
<
l
.
)( .
l
l l
.
) (- <
< <
. <
- -
. <
< < l
..
163
..
164
<
<
) (-
< ..
. l
.
-
-
l -- .
<
l ..
l<
..
<
<
<
< < . <
l<
l
< <
l < l
< < .
l < l<
< < .
< < < < ..
165
..
l ..l
..
< < l
< ..
< < <
<
<
..
.
< l
< Neo-Classicism
< < .. <
< l l <
<
<
<..
l ..
167
d l .
< :<
...
) (
..
l<
<
..
<
<
< .
<
<
..
.
<
<
..
..
168
<
..
< <
<
..
< l
<
..
<.
<
< .
) ( <
< l<
< l
d
.
l
< .
) < ( ; Virtuosity
.. .
l
..
)(.
< < ) (
<
169
. <
l
.
..
<
<
< . <
.
l
l.
:
.. d
..
<
d d :l
< d
.
<
.
<
. <
)( l
170
d
.. < .
<
< < l l
.
< l
<
<
.
< .
<
.
171
172
<
..
..
<
<
..
:
<
<
.
< ..
< .
173
< .
<
:
.. < <.
< <.
< l
<..
< ..
< < ..
< < < ..
..
<.
)(
..
.
<
..
<.
< <
174
.
..
< <
.. )( <.
< < <
..
<
<
.
< < <
<
..
.
< <
..
< <
< <
<
< <
<
<
175
.
)---(
)( ) ( .
< .Flutter Tongue
- --.
Slap-Tongue
.
..
.. d
)( ..
.
) (
)<( ) <( ) (
.
< <
.. )-
-- (..
< )(
176
< < ..
) (
..
..
..
..l .
.. <l
<
< .< < < <
< .
l< )(
.. ..
..
l
..l
..
< l
.
)( < ) (
< ..
) ( ..
< l
< .. ..
)( )( ..
< ..
)( ..
l .
177
:l
.
< .
< ..
..
< ..
d ..<
<
.
<
<
< .. <l
..
< <
l< l l< l
:
- - .
< l l
..
< ..
- <-
<
<
..
178
l <
<
< .
< < <
<..
<
< < l <
< l <
l <
.
<
.
<
<
< <
<.
<
< < .. d
<
.. <
..
179
l
l <
<.
<
<
.
<
< .<
<
. < )(
.
< )<(
. )(
<
.
< <
< :
<
.
< 180
<
.
< <
< .
< ..
-. ... < -
< .
. d .
<
...
d < .
l< < .
<
<
..
.. .. <
< < ..
..
181
.. < .. .
<
< ..
) (
<
..
= .
= .
= .
= .
-
< ---
.. . <
)(
..
< .
d
?
) (
..
.
d
..
..
182
d
.. <
<
.. <
d d
..
<
)( / .
..
..
.. <
d ..
.. ..
..
..
.
..
< ..
< .
< <
..
183
< ) ( ..
<
..
< d
< <
< .. ..
<..
< <
< < Musical < ..
<
<
< <
< .
< <
:
- .
-< .
-.
-.
- .
< < <
.. < <
< < l
< . <
<
..
< ) ( Finians Rainbow
l .. .
<
<
.. <
Hair
..
185
< ..
..
l < <
).(
<
.
<
< .. < ..
<
< < <
<
< ..
.
< l
<
< <
.. < <
) ( <
.
<
<
< < <
186
..
l .
<
< < .. <
< < < < ..
< < <
<
l< l< ..
< <
<.
..
< ..
< Babes in Toyland
< ..
l<
.. <
< < <..
..
<
< <
< <
< < <
.
< < <
< <
187
< ..
:
<
<
..
..
..
< <
..
l< l< < ..
..
.. <
< <
<
.
<
< ..
< ..
< <
..
< .. l
188
< )(
.
< Of Thee I Sing :
:
. < < ..
<
< < ..
< ..
< <
< < ..
< < ..Musical
.. l
l < <..
< < ..l
<
..
< <
l <
.. < <
.. < <
l <
< .
..
< < <
189
..
<
.. < <
<
<l
<
<.
< l l
.. .. )
<(:
- <
l< <..
<
.. l<
< .. ..
<
< .. <
.
) <( <
< <
..
< ..
..
< < .
..l
190
.. <
Oh Promise Me l
..
< ..
.
< <
.
..
< < :
.Westside Story
< < -
<
.
< < <
)(
<
)(.
< < )(
< <
<
..
<
< <l
< l l< l
< l
191
< .
< < l< l< l < .
<
< <
.
< <
<
< ..
- - <
..<
< <
< .
<
< < < <
<.
< <
< <
.
.
. )( <
< l < .l < <
l <
l < < < <
<
.. <
. <
< < <
192
< <
<.
<
< .. <
<
< ..
.
< <
< ..
< < < <
.
< <
l ..
< < ..
< <
< ..
d
.
..
<
<.
< <
193
< <
.. <
.
<
l .. ..
)(
l l .l <l
< l < l <
<
< .
l <
d < ..<
.. ..
< < ..
< ) <(
..
.. <
..
<
..
< <
194
.. <
<
< <
..
)(.
< l
< < <
..
< ..
..
< d . l
<
< l l
..
<
..
..
< < <
<.
<
.. l
195
< ..
< <
<
<
< .. l l
.
< ..
<
<
< l
l l<
Dance Symphony
. <
<
)( )(..
:- ..
. < < < ) (
< ..
< < ..
..
)< < -( <
..
<
196
.. ..
.. ..
.. ..
<
..
<
.
<
< )(
..
< < ..
< ..
)(
< < ..
< .
.. < <
l l
..l < <
< ..
<
..
..
<
197
<
..
<
< :
-
-.
<
< < ..:
-----< <
< .
< ..
)( < l
.
<
..
<
l
..
<
< .
< ..
< < <
..
<
< .. < <
198
..
l
- -
..
:
< . <
<
<
...
l <
< .. < <
< :
< < <
..
< <
.. <
)(.
<
.. l
..
..
d < d
< ..
.. < <
...
..
199
l< ..
l ..l <
<
..
<
<
< .
--
< .. <
..
< < <
..
d l
..
l
< <
<.
< < < ..
<
< .
<
.. l
< . ..
<
..
<
200
..
< l
<
l < l
.
< ) < (
<
.. < <
<
< .. <
)( )
( .. <
)( < )(
.. <
<
.Gamelan
< ) (
..
< ..
.
) ( l l
< <
201
l <
l
l ..
..
)( )( < <
<
<
l..
< <
< ..
)( <
..
)<(.
< < < l
< ..
..
..
<
) (
)( <
< .. <
<
d ..
202
<
) ( Hyang-ak
<
<
..
< ..
<
..
< .. < .
..
.. ..
<
< ..
l ..
..
..
d ..
< . <
)(
) ( .
< ) (
< .. <
< )( Slendro
<
< <.
203
d d l
l <
..
< .. <
)d (l <
)( < < < . ..
< )
( . l <
< <
.. l
< d
l< ..
l l< l
..
< .
)( )(
..
< ..
..
..
- - d
< ) (
<
.. <
d )
( .. < < )
204
( ..
l ..
) (
< ..
<
< ..
.. l <
l l
< ..
<
< .
)( )(
.. )( .
)( ..
<
.. < <
< ..
..
..
..
<
.. <
.
)( ) <(
) (
.. < :
.. < <
< .. < <
205
< <
< ..
:
<
.
< .
< <
< <
..
<
< <.
< < < <
<
< <
) ( < .. <
< ..
< ..Integrales
) (
< <
.
<
<
.
<
.
206
< ..
< ) (
. <
..
< )(.
< ..
< .
) <( ..
>: <
: < ..
<
.
.
l
..
..
)
l (.
-
< <
l <.
- <
..
..
< )- (
207
..
) < ( < .
<
l ..
< < l <..
.. l <
< <
.
< l
< .
<
.. <l
l
..
<
..
< Rud hyar
.
< <
< <
<
< . -
< .
<
<
208
. <
< .
..
<
<
<
d
.l
..
<
-
< l
l
< .
<
Cage <
<
..
<
.. <
< < < ..
<
..
l
.. ..
< ..
<
209
.
..
-
<
. )( <
< .
<
< ..
. <
<
..
..
< < .
< < ..
..
..
< .. <
..
< < <
< ..
210
< .
l
..
<
.. <
< ..
.
211
212
d
l
< <
< .
< <
<
l <
..
<
.
< <
.
< l
Violin Family
:
:
213
< l< l .
Violino
< < <
.
.
:
< < .
:
. l
.
:
.
< <
< < .
<..
< l
)( <.
d
l .
: - - --
.
214
Woodwinds :
. <
. < l
.
d < d
< .. :
: ) (
) Piccolo(
< .
<
<-
.
: < l l l
Reeds < d
. d <
. < Pitch
.
:
<
..
< Mouthpiece
215
<.
< .
:
) l-(
< .
<
216
..
..
< l ll
d <
.
: - --..
l Timpani
< <
< <.
-<- ..
< < ..
..
..<
<
< l ..
..< < ..
. ..
l l
<
.. .
< d l
.. .. - -
.. .. ..
< < <
< ..
217
< ..
..
< ..
< ..
.
< .. <
< ..
..
.. l
.. < ..
.
d
d
. ..
< ..
.. ..
<
< .. .
..
..
..
..
..
.. ..
d <
218
..
d
<
..
< <
..
l <
.. ..
.. ..
< ..
<
<
..
..
< - -
< l
< ..
..
.. <
..
..
..
.. < <..
219
..
..<
< .
.. -
- ..
..
220
l
..
..
..
..
.. < ..
< <
..
..
< < <
.. l
< ..
- <-
< ..
< <
- < ..
.. ..
< .. <
.. -
<-
) l( < .
< .
< <
<
< ..
221
<..
<
d l )
< <(
< .. )( .
) ( ..
..
.
<
l
. <
..
..
..
< ..
< ..
..
..
< ..
l l<..
..
.. .
222
)
( ..
<..
.. < ..l
.
..
..
..
.
..
. <
< ..
. Aesthetics
d - -- --
.
< <
<
.
223
<
<
<
<
< <
<
<..
<
.
<
<
. <
.
l
< -
l
. <
.
..
<
224
..
.
.
.
< <
< < <
< ..
d
< < .
<
..
<
.
. < <
<
<
< <
. < ? d
< ?
<
.
225
. l
<.
< <
< <
< < .
<
< < l
<
< < . <
< <
< .
< l
)( <
..
l
<.
.
< .
.
< .
< d
l
l
< <
226
< <
.
) Asthetics( :
. --
Langfield
d
.
.
<
.
<
<
.
.
<
<
<
< .
l .
227
<
.. <
..
l - <-
..
< < .
. .
.
.
< -
- .
<
<
<
.
<
< .<
<
-- -
< .
228
< <
..
< <
< ?.
:
l <
..
< <
.
<
. < <
d
< < l
l
< <..
< :
- - <
.
<:
l <
< < <
<
< ..
<
229
< <
: <
< <
.
< < < .
<
.. :
l< ? ? < ? < <
< < < <
..
:
)(
d .
<:
..
.. .
< < <.
< l
l <
:
< < .
.
< <
230
...:
< ..
<
? < <l
< l <
<
?
< < <
l < .<
< .<
<
.
< l
<
. < <
< <
<
.
- :
<
< <
< ...
< ..
.
.. d <
231
l
.
<
< .. -
--- .
<
d < < <
.
..
< <..
< < <
<
<
.
-
-
. .
d <
< l :
< .. < ? ..
?..
< <
232
< < .
< .
< <
..
l<
< l<
< d
..
< .
l<
<
l
< ) <( ..
.
< l< <
..
- - Relation Vernon Blake :
:in Art .
l
< .
<
< ..
<
233
...
< <
.. ..
?.. ? < < ? ..
< ?.. ? .. <?.
< d
<
.
. < <
< <
. <
< < l
<
< l
<
< <
. < <
<
l : <
< <
234
.
<
.
< <
..
d
< ..Dark Ages
< .
..
< .<
<
. <
< .
< .. <
235
..
<
.
< l
.
< ..
<
.
l
..
<
<
<
< .
.
..
<
<
..
..
236
< .. ) <
(
< .
<
<
.
..
<
.
l
.
.
.
l
. <
<
< <
.
<
..
<
< .. <
.
237
.. <
..
<
< .
< < Super Romanticism
< < <
l < <
<..
<
<
..
.
: d
< < < < <
<
. d <
< ..
<
.
.. < < <
.. ..
<
l :
238
l
.
- - -
-
. d
< .
< <
<
< <.
<
<
. < .. .
< <.
239
240
- Groves Dictionary of Musicians; Edited by Eric Blom, 5th edition,(1954).
- Sound-International Dictionaries of Science & Technology; Edited by: R.W.B. Stephens, Grosly
Lockwood Staples London (1972).
- Richard bakers Music Guide; David & Charles Newton Abbot, London North Pomfret(vt)(1966).
- Fifty Famous Conposers; Gervase Hughes, (Pan Books)(1971).
- The Instruments of Music; Robert Donington, Methuen & CO. Ltd,(1969).
- The Violin & Viola; Sheila M. Neleon, Ernest Benn Ltd, London (1974).
- Music at the Close: Stravinskys Last Years; Lillian Libman, (Mcmillan)(1972).
- The life of Richard Wagner; Ernest Newman, Cambridge University Press,(1963).
The Unanswered Questions; Charles Leonard Bernstein, (six talks at Harvard 1976).
- The Psychology of Music Teaching; Edwin London & Charles Leonard, editor, 91971).
- Twentieth Century Music; Peter Yates, George Allen & Unwin LTD, London, (1975).
- Musical Instruments Through the Ages; edited. by: Anthony Baines,(1968).
- The Pelican History of Music Edit. By: Robertson and Steves.
- The New World of Electronic Music; Walter Sear, Alfred Publishers-New York(1974)
- Impressionism in Music; Christopher Palmer, Hutchinson Uni. Library(1966)
- A History of Western Music; Christopher Headington,(1971).
- Singer and Accompanist; Gerald Moore, Methuen and Co. Ltd: London 1967.
- Music in the Medieval World; Albert Sear, Edited, Wiley Hitchcock,(1962).
- The Psychology of Music; John Booth Davies, Hutchinson Univ. Library,(1973).
- The Infinite Variety of Music; Leonard Bernstein, Plume Books,(1974).
The Baroque Concerto; Arthur Huchings,(1952).- The Form of Music; William Cole, The Associated Board of the Royal Schools of music,
London,(1961).
- The Classical Style; Charles Rosen, Faber,1971.
- The Lives of the Great Composers; 2 Volumes, Futura Publications Ltd, Harold C, Schonberg,(1964).
- Masters of Music; percy M. Young:
Tchaikocosky-Haydn-Mozart. Beethoven-Schubert-Dvorak-Stravinsky, Benn White,(1966).
- Reclams: Konzertfuhrer Orchestermusik; von: Hans Renner(1963).
- Georg Knelper; Musik Geschichte des XIX. Jahrhunderts. (Henschelverlag Berlin 1961).
- The Oxford Companion to Music; Schoks-Ninth edition-(oxford 1955).
- The International Cyclopedia of Music and Musicians; Oscar Thompson. 10th edition-Dood,
241
Mead(1975).
- Dictionary of Twentieth Century Music; Edited by. John Vinton-Thames and Hudson.(1974)
- Berlioz-Strauss: Instrumentationslehre, Edition Petess(1955).
- A History of Music and Musical Style; Ulrich and Pisk-Harcourt Brace and World(1963).
- A Pictorial History of Music; Paul Henry Lang and Otto Bettmann (Norton)(1941).
- The Heritage of Music Style; Donald H. Van Ess Holt, Rinehart and Winston inc.(1970).
- Medieval Music; John Caldwell-Hutchinson (1978).
- World of Culture-Music; Mewsweek Books (1974).
- The Stream of Music; Richard Anthony Leonard. Jarrolds (1945).
- The Persuit of Music; Walford Davies(1948) Thomas Nelson and Sons LTD.
- Music and Meaning; Wilson Coker, Free Press(1972).
- The Interpretation of Music; Thurston Dart, Hutchinson Uni, Library(1975).
- From in Music; Stewart Macpherson.(1962).
- Fundamentals of Musical Composition; Arnold Shoenberg. Faber.(1973).
- The Beethoven Companion; edited by: Denis Arnold and Nigel Fortune-Forber(1973).
- A Handbook of Musical Knowledge; James Murray Brown.(1971).
- Selected Letters of Beethoven; Emily Anderson, edit by: Alan Tyson Macmillan(1976).
- Mozarts Brief; edited by: Willi Reich Hanesse(1948).
- Stravinsky; Percy Young-Benn White(1969).
- An Outline of Czech and Slovak Music; Orbis-Prague(1964).
- Wagner; On Conducting; W. Reeves(4th edition).
242
:
< .
:< <..
- .
d < <
: <
l d <
.
l
<
.
:
<
)( .
<
<
- <-
-<
.
<
:
:
<
:
.
243
<
< < .
.
< .
< <
.
244