Professional Documents
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ISBN: 978-960-603-248-6
Copyright , 2015
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London: Prentice Hall.
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2.6 http://gallica.bnf.fr/ark:/12148/btv1b8600060t
- Open Library ,
Internet Archive
(revisions) Internet Archive ,
(. 2.5):
2.7 https://archive.org/details/lhystoyreetplais00lasauoft
48
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Hubert de Phalse ( 2.19),
, 2.20:
57
2.19 http://www.cavi.univ-paris3.fr/phalese/LaforgueHtml/oeuvres/comp14.htm
2.20 http://www.cavi.univ-paris3.fr/phalese/LaforgueHtml/lexique/lex234.htm
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66
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, (natively digital
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, Pierre Assouline,
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,
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( 2006).
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literary aspect that takes advantage of the capabilities and contexts provided
by the stand-alone or networked computer]. (Hayles 2007, online)
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, ,
Jean Clment:
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,
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(2001).
(McCauley 1974), Max Bense, ,
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76
Swift ( , , 5).
, Kafka.
(autopoem) Lutz, 1959,
(Stochastische Texte) ,
: Nanni Balestrini, Text
Mark I Text Mark II (1961 1963 ),
Musica Emmett Williams, 1965,
101
..
1980,
,
, ,
, .
Philippe Bootz
, .
, flash
(flash poetry)
(
/ ,
Dungeons and Dragons,
80, ,
,
).
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(Pajares Tosca,
..).
,
,
, .
77
2.38 http://eliterature.org/
/Electronic Literature
Organization (ELO), ,
(http://directory.eliterature.org),
, :
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computer art
(chatterbots)
, SMS,
, ,
,
. ,
, , , ,
. ,
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chatterbots,
78
,
,
(Page 2008).
2.39 chatterbox,
http://collection.eliterature.org/1/works/short__galatea.html
Clment, ,
:
(littrature
numrique):
. ,
, , ,
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.
(/ )
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(lisibilit) , (visibilit).
, , carmina figurata
, Calligrammes Apollinaire.
, ,
.
.
79
. (Clment, 1998 online)
2.40, carmen figuratus,
2.41 ( Clment ,
, , ), ( 2008).
80
2.41 , , , 100-200 ..
, , , -
, , , ,
- (Ertzscheid 2004), (Koskimaa 2000) (Aarseth 1997),
: -,
Jean Meschinot (1420-1491),
36.864 ,
Laurence Sterne,
, ,
, Nabokov
Milorad Pavic Joyce , Gide
Borges
Raymond Queneau ( 2.42)
,
Italo Calvino Julio Cortazar,
Composition No 1 Marc Saporta,
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81
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.
82
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, blog novels (
),
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.
83
2.44.
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,
.
( ) Sergio
Cicconi
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.
, ,
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85
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5. : ,
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(, , )
1
,
(
). ,
,
. )
) )
.
(http://www.karampataki.gr/metoikoi.php) , In
search of Oldton (http://oldton.com/7clubs.html).
(
).
.
Alexandra
Saemmer
Bhmische
Drfer
(https://prezi.com/m7lq5txsl5qz/copy-of-wegekreuz/)
, ,
.
94
, ,
.
(.. , ,
, )
,
-
(, ..).
. 2 .
3. ;
.
, tablet, (ereader) ,
,
(blogs, facebook ..), ,
,
,
...4
.
, .
,
. 1995 Sven
Birkerts
.5
4
2010,
Amazon (. Liu 2012, . 86). 2011,
e-books 4% 2010 (.
http://www.tovima.gr/books-ideas/article/?aid=444963). , 1995 35
, 0,6% , 2015,
39% , 2,8 (.
http://www.kpcb.com/internet-trends).
5
95
, ,
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. ;
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,
(.. , ).
, , ,
,
.
,
,
: ,
.
(, video)
,
(links),
, (. Bolter 2006, . 15-23, 69-108).
(E. 3.1).
3.1 ,
, , .
( )
2015, Birkerts Changing the Subject. Art and
Attention in the Internet Age (Minneapolis: Graywolf Press, 2015).
96
(. Liu 2012, . 86-87).
.. , In
Search of Oldton (E. 3.2 . . 2 )
(E. 3.3).
3.3 HTML
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, ,
97
3.1 ;
,
,
: ,
, , .6
( )
(scanning) :
Google
.
'
.
: , .
,
.
" ", ""
" " [...] (Grafton 2013, . 102).7
Reading on the Internet demands a great deal of responsibility from the
reader. Giffard remarks how browsing the Internet is a good representation
of the indecisive nature of digital reading.Browsing often leads to zapping
behaviour: jumping from one web page to another. In a short space of time,
the reader has to estimate the interest of the page and decide whether to
leave or return to it. He navigates the Internet, deciding on what to read and
what to discard with just a few rapid mouse clicks. This leaves the reader
with a double responsibility: has he constructed a coherent corpus and at
which point should he start to read the texts accumulated?
An illustration of this activity can be found in the reading behaviour
of an average digital reader. Every morning, after checking his e-mail, he
browses through several news websites. Each promising link is opened in
another tab or window, leaving the reader with a large quantity of selected
texts. The activity of following hyperlinks and accumulating texts continues
until the reader decides to stop. The value of each link is estimated by
scanning the header and the introduction. The reader subsequently decides
whether to leave the link open for a later time or to close it right away.
According to Giffard, the digital reader is left with a functional and
cognitive task and an intellectual responsibility, which makes him both an
author and an editor (Bleeker 2010, . 14).
""
,
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6
Grafton
21
. . Miall & Dobson 2001.
98
, ,
, , :
if a Web page does not load within three seconds, people click their way to
another Web page or site. Clicking is fast becoming a substitute for
thinking. Clicking requires less effort than thinking and is in some instances
less painful than thinking (Thirunarayanan 2003 Liu 2012, . 87).
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[R]eading linear narrative and expository texts on a computer screen leads
to poorer reading comprehension than reading the same texts on paper.
These results have several pedagogical implications. Firstly, we should not
assume that changing the presentation format for even short texts used in
reading assessments will not have a significant impact on reading
10
"Google effect"
Sparrow et al. 2011.
11
. . Wolf 2007 Giffard 2009, . 175 .. (: Bleeker 2010, . 13-15 22-23) Carr
2010
http://academicearth.org/electives/internet-changing-your-brain/
(2013) 18 34 , 55
(15% vs. 7%), (14% vs. 8%)
(9% vs. 3%).
" " ,
.http://www.leflein.com/poll-shows-18-34-year-olds-are-more-forgetful-than-seniors/
12
13
100
performance. If texts are longer than a page, scrolling and the lack of
spatiotemporal markers of the digital texts to aid memory and reading
comprehension might impede reading performance. Furthermore, our
results suggest that implementing both reading assessment tasks (i.e., text
reading and response tasks) in the same medium the computer leads to
additional cognitive costs (angen et al. 2013, . 67).
, :
In recent research literature, many studies report on differences between
print and digital reading. For example, Eshet-Alkalai & Geri (2007; 2010)
found that younger participants read text more critically in a digital format,
whereas older people read the same text more critically in a print format,
and that converting text from print to digital display and visa versa, harms
comprehension. Ackerman (2009; 2011) found that without timeconstraints, a comprehension from digital text was lower than print,
whereas under conditions of time-constraints, no difference was found.
Ackerman's findings are similar to the findings of the present study -there is
no difference in the performance between print and digital readers. (Eden &
Eshet-Alkalai 2012, . 18).
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. , (digital natives, born-digitally),
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, spritz (http://www.spritzinc.com/),
the best way to engage with content in the digital age. (We deliver a
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104
3.6 Longform.org , ,
.
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. : .
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(English edition), 5, 1, . 85-94.
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paper versus computer screen. Effects on reading comprehension. International
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& , (.),
. : , . 145-151.
106
, , , ,
/
1
Miall & Dobson 2001 (Thinking in links).
Hypertext systems that are premised on creative and imaginative linking,
the type celebrated by Bolter or Lanham, thus conflict with the familiar, systematic processes
of reading, and would appear to be inherently ineffective;
2
http://academicearth.org/electives/internetchanging-your-brain/
;
3
http://antikleidi.com/2014/09/26/tablet-destroy-video/
107
,
. , ,
;
4
Miall & Dobson 2011 (5. Postscript:
Literary politics)
.
Lanham, whose work is discussed above, first declared his faith in the new
electronic environment in 1989. He argued that the electronic medium in
itself "democratizes the world of arts and letters," and that "the political
direction of the technological force is strong and unmistakable; value
structures, markets ideological as well as financial and theoretical, will be
reassessed." Thus, he insists, in teaching students of literature "we must
accommodate literary study to the electronic world in which that world will
increasingly deal" (1993, p. 23). This seems a compelling argument, but at
the present moment the market forces that are now set to take over and
control the electronic world seem to have little interest in literary study.
Much bigger goals are in prospect: interactive, Internet-based television and
other high-resolution digitized forms of entertainment. Despite Lanham's
attempts at creating a new electronic rhetoric, the reading of literary texts
may simply seem rather dull in competition with the multimedia, virtual
reality simulations that are now being rushed to market. How will literature
fare in an environment where the computer medium has itself largely been
appropriated and developed by commercial interests (Golumbia 1996)?
The key issue here will not be how far literature can be made to
dance to the multimedia tune in order to seize the attention of the Internetsurfing audience for electronic entertainment, but how far we can establish
the distinctive qualities of the literary experience that makes it a clear and
significant alternative to what commercial interests are willing to provide.
The really urgent issue facing literary scholarship now is to understand
what is at stake in literary experience before Lanham and his colleagues
convince us to change it into something else. "I hope," Lanham remarks,
that technology will be seen not as "driving us where we don't want to go
[but] as an opportunity to go where we have never been, and to do things no
one has done before" (p. 26). We would agree, but first we need to know
where we are, and on that score the claim of hypertext theorists that
conventional reading is restrictive and imprisoning has been a disabling
error, forestalling serious attention to the relationship of hypertext and
reading.
108
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109
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Dino Buzzetti
[...] a digital edition is in the first place a representation, a particular form of representation of textual
information (Buzzetti 2009, . 44).
110
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Rossetti (The Rossetti Archive)
19 (he Walt Whitman Archive). ,
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37
152
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,
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Language), CSS,
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format XML ,
. , XML
Shema DTD (Document Type Definition),
XML
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(.. MathML MusicML38),
(Graphic Widgets, Mobile Access ).39
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(
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38
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.
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SGML GML ( ),
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XML HTML. , ,
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.
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46
155
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,
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, ALLC (Association for Literary & Linguistic Computing),
, ACL (Association for Computing
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, , SGML,
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47
48
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TEI:P1 (Proposal 1) Guidelines for the Encoding and
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SGML, 439
,
. 2001, , XML,
TEI:P4 , ,
SGML XML 441 .
TEI:P5, 2007
2011. TEI:P5 600 ,
,
, 1300
. , TEI:P5
.
,
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, , ,
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, (. 6.5).
(Guidelines),
, P5 Guidelines,
(P5 Guidelines/Table of Contents).
(, , ..), 23
, , .
(. 6.6).
157
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,
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.
,
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,
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158
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TextEdit Apple Notepad++ Windows)
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50
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162
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164
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165
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166
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-, (<bibl>
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167
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<encodingDesc>.
,
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<tagsDecl>, , ,
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169
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170
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,
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171
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,
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,
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172
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.
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(xml:id), @aloud
60
. . , , , 1897-1933,
, 1984.
173
6.3.4. |
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. , , ,
,
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<name>
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,
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61
@aloud , @direct
( ).
62
xml:id . .
6.3.4.
63
, , , 2010.
174
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.
.
1: @when.
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2: @from @to.
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3:
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:
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176
6.3.5. | &
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<subst>
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<del reason="illegible" rend="overstrike">
</subst>64
, <gap>
.
<gap> @reason, @hand, @agent,
,
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<del reason="illegible" hand="#Solomos" agent="rubbing">
, <unclear>
,
.
, TEI
, ,
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<sic>
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64
177
<choice>
<orig>
<reg>
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(correction) . ,
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xml:id <teiHeader>.
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, <sic> <corr>.
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XML ,
XML XSL CSS .
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.
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<hi>
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178
"sub" . , @align
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:
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Anderson, Tim (2004). Introducing XML. ITwriting (29 2004).
15.9.2015 http://www.itwriting.com/xmlintro.php
Birnbaum, David J. (2015). What is XML and why should humanists care?. Digital
Humanities,
Course
materials.
15.9.2015
http://dh.obdurodon.org/what-is-xml.xhtml
Bosak, Jon (2006). Closing Keynote. XML Conference, Boston (7 2006).
15.9.2015 http://www.ibiblio.org/bosak/pres/0612xml/xml2006keynote.pdf
Bosak, Jon (2010). The Birth of XML. Oracle Corporation (20 2010).
15.9.2015
http://eric.van-der-vlist.com/blog/wpcontent/plugins/owark/archives/java.sun.com/xml/birth_of_xml.html/2011-0129T05:20:01/birth_of_xml.html
Bosak, Jon (1998). Media-Independent Publishing: Four Myths About XML. IEEE
Computer, 31, 10, . 120-122.
Burnard, Lou (2008). The ENRICH Schema - A reference guide, Oxford.
15.9.2015
http://projects.oucs.ox.ac.uk/ENRICH/Deliverables/referenceManual_en.html
Burnard, Lou / OBrien OKeeffe, Katherine / Unsworth, John (2006) (Eds.). Electronic
textual editing. New York: Modern Language Association of America.
Collins, Chris (2008). A brief history of XML. 15.9.2015
https://ccollins.wordpress.com/2008/03/03/a-brief-history-of-xml/
Sperberg-McQueenand C. M. & Burnard, Lou (2004). 3 Structure of the TEI Document
Type Definition, TEI Consortium. 15.9.2015 http://www.teic.org/Vault/P5/1.0.1/doc/tei-p4-doc/html/ST.html
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210
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Cyber-text
Cyber-literature
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Digital Humanities
Digital library
Digitized text
Digitization
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Reading
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Linear reading
Non-linear reading
Fragmented reading
Superficial reading
Immersion reading
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Diplomatic edition
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Genetic edition
Analytic edition
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Text collection
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