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Telangana Culture
Culture
Andhs:
According to scheduled caste & scheduled tribe 1976 act, Andhs were considered as
scheduled tribes in Maharastra, Madhyapradesh & telangana
Andh derived from Andhra
Inhabitants of Adilabad district
Acc. to 2011 population census, population of Andh is 13,197.
Mother tongue Marathi
No marital relations between pure & Illegitimate Andhs
Used to celebrate marriage eve in Marathi style
Andh tribe dailect, Marriage is called as `Laknam' which headman & messenger will there
Main deity - Hanuman
Total literacy rate according to 2001 population census is 48.48%.
Bhils
Scheduled Tribes
Very low population
2011 census : Population – 604
Literacy rate is 55.78% (According to 2001 census)
Gonds:
Nayakapad:
Won't eat the food prepared by Gonds. They feel they are higher than Gonds.
Main dieties - Lakshmi & Rukmini Goddess.
They make different types of masks related to their dieties such as Lord Krishna, Shiva,
Pandiraju, dog god, sheep god etc. and wear this masks and Celebrate festivals.
Gonds will call Nayakpad's as Fisher Folk.
Kolam:
Thoti:
Pardhan
Koya
Konda Reddys
Chenchlis
Bantaras
Yanadi
Yerukala
Festivals
Bathukamma
The first 8 days are called as Chinna Bathukamma, the 9th day called as Pedda Bathukamma.
On 9th day, 5 types of rice is offered as Naivedvarn which are as follows: Curd rice, Tamarind
rice, Lemon rice, coconut rice & sesame rice.
Bathukamma celebrates the inherent relationship between earth, water & the human beings.
During the entire preceding week, women make 'boddemma' (a deity of Gowri-mother Durga-
made with earthly mud) along with Batukamma and immerse it in pond.
By immersing batukamma in pond, people pray for the return of the batukamma for next year.
The festival heralds the beauty of nature, collective spirit of Telangana people, the indomitable
spirit of women folks and also the Scientific approach of the agrarian people towards preserving
the resources of nature in a celebrative way.
Hence, Bathukamma is the icon of cultural identity in Telangana
Dussehra:
Dusshera which is also called as Navaratri is a important Hindu festival celebrated in Telangana.
In Sanskrit Navaratri means 9 nights.
Vijayadashami is also known as Dusshera, which is derived from the sanskrit terms vijaya -
dashami means victory on the day of Dashami.
This festival is celebrated with fervor across all temples of Goddess Durga in the state of
Telangana.
During Navaratri i.e; nine nights, Goddess Durga is adorned in her different forms and avatars
like Mahishasura Mardini, Bala Tripura Sundari, Raja Rajeshwar, Annapoorna, Kali, Kanaka
Durga, Lakshmi, Saraswati and Gayatri Devi.
Out of 9 nights, first 3 days are celebrated to remove all bad sources next 3 days as lakshmi
devi for money and last 3 days for education purpose as saraswati maata.
Eight day will be durgashtami and on 9th day Saraswati pooja will be there.
On dusshera people feel lucky if any one sees palapitta.
On Dussherra people give greetings by giving Jammi leaves to each other.
Bonalu:
On June 16, 2014 Telangana government declared this festival as a state festival.
It is a Hindu Festival where Goddess Mahankali is worshipped.
Bonalu is celebrated usually during Ashada Masam that falls in July / August.
Bonam literally means Meal in Telugu, which is an offering to the Mother goddess.
Women folk in household prepare rice that is cooked along with milk, Jaggery in New earthen or
Brass pot, which is adorned with neem leaves, Turmeric & Vermilion.
Women carry these pots on their heads and make an offering of Bonam, including Bangles and
saree to the Mother Goddess at Temples.
Bonalu involves worship of Kali in her various forms such as Mysamma, Pochamma, Vellamma,
Dokkalamma, Pedamma, Poleramma, Ankalamma, Maremma, Nookalamma etc.
Ghatam:
Ghatam implies a copper pot, which is decorated in the form of mother goddess and carried by
a priest, adorning traditional dhoti and his body completely smeared in turmeric.
The Ghatam is taken as a procession before the day of Bonalu.
Bonam:
Palaharam Bandi
Devotees will prepare items which are liked by the mother Goddess, in home and those items
will be kept in one vehicle and taken as a rally on the day of bonalu (or) on the next day of
Bonalu. This is considered as Palaharam Bandi.
Pothuraju
Pothuraju, considered as the brother of mother Goddess.
He is represented by a bare-bodied and well built man.
He wears a small tightly draped red dhoti and bells near ankles.
He applies turmeric all over his body, including vermilin on his forehead. He dances to
resounding drums and dances close to Palaharam Bandi, the procession.
The Feast:
Bonalu is a festival where there is a divine offering to mother Goddess and families also share these
offering with other family members and guests.
Rangam:
Rangam is held after the next morning of the actual festival.
A women involes goddess Mahakali onto herself and perform this custom. She foretells the
next year ahead when devotes ask information about future.
Golconda fort:
Bonalu is celebrated across various parts of the city.
During the first sunday of Ashadam, celebrations begin at Golconda Fort and ends act
Balkampeta Yellamma Temple.
There is an Jagadamba Mahankali Temple at Golconda Fort.
During the time of Abdul Hassan Tanesha, Akkana-Madanna's time period this temple
was constructed.
During the first sunday of Aashadam, Celebrations begin at Golconda Fort and followed by Ujjaini
Mahankali temple at Secunderabad
This temple is located at Shaalibanda, where main celebrations of Bonalu will offer.
The rally is taken from Kasivishwanadha Mandir of Shalibanda.
Usually Ghatam of Akkanna Madanna Temple actually leads the procession, placed on an
elephant inturn accompanied by mounted horses and models, which depict Akkanna &
Madanna.
Bonalu:
It has a history of 400 years.
Bonalu is celebrated at surroundings of old city.
Speciality:
Once a troop from the Koya tribal community was returning from a trip, when they saw a
little girl playing with the tigress.
The head of the troop saw the girl and inspired by her bravery, he adopted her and named
her as Samakka.
Later she was married a headman of a neighboring tribal group whose name is
podigiddaraju.They had Sarakka, Nagalamma, & Jampanna children.
Padigiddaraju was contemporary to Kakatiya Kingdom, once becuase of famine he rejected to
pay tax to Kakatiya king. Hence kakatiya king declared war.
In this war Padigiddaraju, Jampanna & Nagalamma died. Later sarakka fought bravely and
reportedly lost her life at chilukal gutta.
As a result koya community constructed this temple as token of gratitude. Annually an event
called Sammakka Saralamma jatara.
The deities are brought from the forest to a spot for a period of 10-12 days.
Devotees offer prayers & gift 'bangaram', which is pure jaggery to the deities.
On the fi rs t day of Ja tar a, Sar akka is tra diti o nally br oug ht f rom
Kanneboyinapalle village in the forest, and they place on an earthen platform which is raised
under a tree.
On second day Sammakka is placed on a platform of Chilukalagutta.
On third day both goddess as are placed on two platforms and offer prayers.
On fourth day, by the evening they will place both the goddess is in the battle ground in
forest.
YEDLIPAYALA JATARA:
Their is one Durga Bhavani Temple in Naagamarapalli village of Medak District.
This temple is at the confluence of 7 streams of Manjira river.
This will be celebrated for every year on Shivaratri for 3 days.
3 Streams are flowing infront of the deity & 4 streams are flowing behind the deity.
Devotees will stay one night in Temple and on the next day they will leave for their own
villages.
GOLLAGATTU JATARA:
NAGOBA JATARA:
NALLAGONDA JATARA:
KOMURAVELLI JATARA:
VELAALA JATARA:
TEEN FESTIVAL :
KONDAGATTU JATARA:
HARTITAALIKA:
MAHISHA FESTIVAL:
Muslims will call this festival as Muharram, Hindus will pronounce as peerla pandaga.
Imam Hussain, the grandson of Prophet Mohammad was nominated as the Khalifa of
Syria.
The Governor of Syria was Mavia who fought with Imam Hussain, in this battle Imam
Hussain and his relatives lost their life. This battle was fought for 10 days.
The assasination of Hussain took place on the tenth day of the month Muharram .
Hence the event is called Ashura.
Shia Muslims of Hyderabad take procession starting from Bibi Ka Alam to chaderghat with
sorrowful mood.
It is the symbol of Hindu-Muslim unity and Secularism.
There is no celebration (or) expression of joy of any kind.
Muharram is the first month of the Islamic calendar which marks the beginning of the new
Islamic year.
DHARMAPURI:
DITCHPALLI RAMALAYAM:
ALAMPUR TEMPLE:
This is 5th Shaktipeetham located at bank of Tungabhadra river in Jogulamba Gadwal district.
Here Jogulamba temple is there.
Oordhva danta pankti of devil fell here. She is the Shakti of Bala Brahmeshwara swamy.
Navabramha Temple and Baala Bhrameshwara temple are also located here.
It was constructed by Chalukyas during 7th and 8th century
Alampur is the meeting point of the sacred rivers Tungabhadra & Krishna and is referred to as
Dakshina Kashi one of the eighteen Shaktipeetas.
Jogulamba is one of the eighteen shakti peethas.
MANYAMKONDA TEMPLE:
KUARUMURTHY DEVASTHANAM:
SHIRASANAGANDLA TEMPLE:
LIMBAADRI GUTTA:
KANTHESHWAR :
SAARANGAPUR:
PACCHERA WATERFALL:
JAINATH TEMPLE:
KAALESHWARAM
Constructed by Kakatiyas.
Due to this temple Kambham was called as Khammamettu. Later it became famous as
stambhadri at present it is called as Khammam.
PARNASHALA:
BADAAPAHAD:
Sri Ranga Dasu built this temple for the purpose of people who were unable to go to Tirupathi.
When Brahmotsavam conducted in Tirupathi, the same is practised here
BHIMUNIPATAM WATERFALL:
PANAGAL:
KOLANUPAKA:
Located in Nalgonda district.
Only Jain temple still existing in both Telugu states.
RAMAPPA TEMPLE:
BIRLA MANDIR:
Birla mandir is a Hindu temple, built on a 280 feet high hillock called Naubath pahad in a 13
acres plot.
The construction took 10 years and was constructed in 1976 by Swami Ranganathananda of
Ramakrishna mission. The temple was constructed by Birla Foundation.
Apart from the main shrine, the consorts of Lord Venkateswara, Padmavati & Andal are housed
in Separate shrines.
The temple manifests a blend of Dravidian, Rajasthani and Utkala architectures.
It is constructed of 2000 tons of pure white marble.
The granite Idol of presiding deity Lord Venkateshwara is about 11 ft tall & a carved lotus forms
an umbrella on top.
There is a brass flagstaff in the temple premises which rises to a height of 42 ft.
IMPORTANT PLACES
KOTILINGALA:
PORTALI - BODHAN:
Bodhan is only one kingdom which was formed in 6th BC in shodasha Mahajanapadas.
Nizamabad District
TRILINGA
Trilinga means Kaleshwaram (Telangana), Srisailam (Rayalaseema), Draksharamam (Coastal
Andhra) Shivate centres.
Greek poet Talami, used words like Trilingaan, Triliptan.
ASIFABAD:
Town in Komaram Bheem Asifabad district belongs to middle stone age.
Tools are available which are made up of flakes.
YELESHWARAM:
Belongs to Iron-age.
12 types of tombs and 4 types of coffins were found
PHANIGIRI:
It is located near Tirumalagiri of Suryapet district.
It is a famous buddhist centre.
WARANGAL:
On October 1 1953, Warangal district was established.
This was constructed by Kakatirudra devudu (or) Pratapa Rudra.
HANMAKONDA:
First Capital city of Kakatiya.
Constructed by Prataparudra.
DEVARAKONDA:
It is located in Nalgonda district.
Devarakonda durgam is capital of Recharla Padmanayaka who served as soldier to kakatiyas.
It was constructed by Bethanaidu.
This Durgam was constructed by merging 7 hills of 500 ft in 525 acres of land.
PAANAGALLU:
It was a great province in Kakatiya kingdom.
It is capital for Kanduri Cholas.
Udaya Samudram was constructed by Udayacholudu in 1157.
Panagallu town is famous for Balanagamma story.
Pacchala someshwara temple is there.
RACHAKONDA:
Capital of Recharla Padma Nayakas.
This is located in between Raju Konda & Naaga Naayani konda.
VEMULAWADA:
It is located in Rajanna Sircilla district
Raja Raja Narendra is founder.
Capital of Chalukyas.
Previously it was called as lembaatavatika.
Forts in Telangana
RAMAGIRI QILLA :
BHUVANAGIRI FORT:
KHAMMAM QILLA:
o It is located in Khammam.
o Before kakatiyas, later Musunoor Nayak & Velamanayak participated in its construction.
o Construction was finished by Reddy kings.
o Masjid & Palace are there in this Qilla.
MEDAK FORT:
JAGITYALA QILLA:
Gussadi:
Sadhanaasura's:
Pamba Katha:
The name 'pamba katha' is came because these stories are told by playing an instrument called
'Pamba'.
Pambalavallu recite these stories.
Baala santu:
People who bless to childless persons for children and wander as beggars those people are
called as 'Baala Santu' people.
They belongs to one of the group from Budigery Janagam.
Sharada Kathalu:
People use to say stories by playing an instrument 'Sharada', hence it is called as sharada katha.
They belongs to one group in Budigery Jangam & they called as Sharadagandru.
Dasarlu:
Asaadulu:
Gangireddulata:
Mandecchu Artists:
Kuntla:
Budabukkalu:
They hold Damarukam in one hand and a small piece of cloth in another hand. They use to
appear in the streets in early morning, believed that they will drive off the evil forces from the
society.
They use to go for begging in common days.
Their duty is to tie amulates & also sooth saying.
They are nomads, roaming from one place to another.
Rangam (Gadde)
Kappa Talli:
Voggukatha:
People who belong to kuruma community, with shaivate admiration used to tell Voggu Kathas.
It is an art form of Veerasaivisi who belong to Kuruna.
Oggu Means 'Worshipping Siva'.
Toti Artists:
They use to tell stories about Gonds, Nayakpod, Koya who belong to tribal caste.
They use to tell stories of important persons belonging to Kuru community.
Tribals in Khammam, Warangal, Karimnagar, Adilabad, Nizambad, Medak, Mahaboobnagar
district used to tell these stories.
Doli Artists:
Ranju Artists:
Yanadi Bhagavatam:
Peddamma lollu:
Bikshu Kuntla:
They use to tell about the stories like Satyaharishchandra, Markandeya, Prahalada, Ganga-Gowri
etc.
While performing a person holds a ponnu stick will be there and remaining two persons will play
Harmonium & Tala's.
Jamukula Kathalu:
They use to sing the stories of Ellamma, Pochamma & Ankamma Sarangaobra.
Their main instrument is Jamidika (or) Bavamika.
They are famous in Khammam & Nalgonda districts.
Pardan Artists:
They belong to Adivasi, they use to sing the story of Deval Punak (Koyapunami) a mythological
story which tells about the history & origin of Gonds.
Their musical instruments are Talas, Dakki, Kekiri (Kinkiri).
Veeramusti:
GUSSADI DANCE:
LAMBADA DANCE:
Lambada males and females will perform this dance by playing different musical instruments in
functions and marriages.
They wear ivory bangles and ornaments which are innumerable.
The dance performed by lambadis is not vigorous, but when they dance to the beat of the
drums, it gains momentum.
The language in which the songs are sung is derived from their own lambadi dialect.
Generally male artists give support to orchestra with dappu and they also dance with female
artists while giving the support of rhythm to dance.
During the time of festivals, this play is performed in front of village temples.
They perform on the eve of Chenchu's marriages (or) any other rituals if any one ask to perform.
Before the play is started, they use to pray chenchamma Goddess.
In this play, one person will sing and for this song females will perform dance in a rhythm.
In this play, they perform like hero, heroine (or) wife & husband and sometimes one Joker &
Villain will also be there.
SIDDI DANCE:
GORAVAYYALA DANCE:
DEMSA DANCE:
This dance will be performed by both males & females who belong to Raj Gonds.
Sometimes un-married males & females will also participate in this dance. This dance is
performed on the eve of marriages & festivals.
KURU DANCE:
KOYA DANCE:
Koyas will perform Bison Horn Dance on the eve of their marriages.
Males wear different colours of dress and on head.
This dance is mainly performed by koyas who are in Orissa and Andhra Pradesh.
Both males & females will participate.
Maximum 30 to 40 members will participate.
This dance is performed by Koyas who belong to Warangal, Khammam districts
They are also called as 'Dorala Sattam'.
RELA DANCE:
Handicrafts
LAMBADA EMBROIDERY:
In Nizamabad district, lambada women wear different colours of dresses and ornaments which
is made of gold, ivory, silver & bids.
Lambadi women specialize in 'lepo' embroidary which involves stitching pieces of mirror,
decorative beads and coins onto clothes.
Now-a-days these are made for the purpose of sale.
POCHAMAPALLI HANDICRAFTS
BIDRI CRAFT:
The name of this art form is derived from a town called Bidar (currently part of Karnataka) of
the erstwhile Hyderabad state.
This art is migrated from Iran to Hyderabad.
The unique art of silver is engraved on metal. Black, gold and silver coatings are applied on this.
NIRMAL ARTS:
Banjara Needle Crafts are the traditional handmade fabrics made by Banjaras in Telangana.
It is a form of embroidery and mirror work on fabrics employing the needle craft.
BRONZE CASTINGS:
LACQUARE WARE:
In Telangana, the town of Etikoppaka is quite famous for its remarkable lacquer ware.
This amazing craft requires the application of lacquer on wood.
Lacquering can be done either by hand or by with the help of a machine.
The handlethe is usually preferred for shaping delicate items.
The Lac is then applied when the objects turn arid.
In this process, the lacstic is completely hard-pressed against the woodenware, which has to be
Lacqured.
Since the object keeps revolving this friction generates heat, that in turn softens the Lac &
facilitates the color in getting fixed.
With the help of a brush, these designs are painted on the figurines, objects and toys.
Lac bangles are most popular lacquer ware, as they are embellished with stones, beads, glass &
mirrors.