A Maroon 5 International Rider 2012 As of 6.20

MAROON 5
INTERNATIONAL RIDER 2012

Maroon 5 Agent:
Chris Dalston
CAA
2000, Avenue of the Stars
Los Angeles,CA 90067
424.288.2000
cdalston@caa.com
Production Manager :
Don Gordon
US Mobile +1 912 247-7179
World Mobile +1 678 733-9947
sheepdipp@yahoo.com
Management
Career Artist Management
Jordan Feldstein
1100 Glendon Avenue
11th Floor
Los Angeles, CA 90024
Phone: 310-776-7640
Tour Manager:
Fred Kharrazi
+1 310 994-4878 Cell
FKOWL1@AOL.COM
TECHNICAL / PRODUCTION
PREFACE TO TECHNICAL RIDER
This rider is for a one off show situation. You will need to supply the following per the Technical Specs
listed below for Sound – Lighting – Catering – Staging and Back Line Equipment for Artist to perform at
your event. Some of the items will change when you advance the show such as crew numbers needed,
number of meals etc. Please feel free to call or e-mail with any questions you might have regarding the
rider that you might have. You can reach me by e-mail or cell phone listed above.
Thank you.
Don Gordon
Page 1 of 27
MAROON 5
PURCHASERS ATTENDANCE: CONTROLLING DECISIONS:
Artist shall have sole and exclusive control over the production, and presentation of their performance.
Purchaser agrees to furnish a personal representative, fluent in English, capable of making any
relevant decisions pertaining to the engagement. It is imperative that said representative discuss all
aspects of the production with Artists production manager well in advance of the engagement. Said
representative will be present from the arrival of the Artists Production / Personnel until their departure
and must remain on site during this period.
It is the Purchasers obligation to inform the Artists Production Mgr. of any mandatory union breaks,
curfews, fire regulations, light level requirements, sound level restrictions, or any other regulations or
peculiarities pertaining to said show.
Concerning sound pressure restrictions:

Artist will attempt to comply with legitimate sound pressure ordinances when proper and professional
measurement techniques are employed. Artist requires advance notification of ordinances with copies
of actual ordinances to be provided prior to load-in. Artist will not be required to observe "House Rule"
sound pressure constraints, only actual laws, as legislated by local governmental authorities with
jurisdiction to make such legislation. Company also requires that the system of measurement be
capable of measuring sound pressure, at multiple locations including the property line, and not just at
the mixing console. Company will require a print out of the report to be presented to Production
Manager prior to lodging any complaint. In all cases of question, Production Manager is the only
person any member of the Purchaser staff, Venue Staff or Local Authority may contact concerning
ordinance non-compliance. Production Manager then will issue appropriate instruction to the Sound
Engineer. Under no circumstances will any member of the Purchaser staff, Venue Staff or Local
Authority give direct instruction to the Sound Engineer. In the event of fines levied for violation of any
sound pressure ordinances, the Purchaser agrees to accept that fine as his/her sole cost. Please be
advised that this is a "Rock" show. Sound pressure will be commensurate with that music genre. Artist
will not sacrifice their performance to comply with unrealistic sound pressure limits, or be subject to
measurements taken with hand held units, or measurements taken by anyone other than trained,
certified, and licensed acoustic technicians, with proof of their competency, and current show day
calibration of their equipment.
During the performance of the Artist, there will be no movement of any equipment in the immediate
vicinity of the stage or elsewhere when it could cause a distraction to the Artist. Artists’ equipment
should only be handled under direct supervision of Artists staff. Any equipment not pertaining to the
show must be stored completely off stage
Page 2 of 27
MAROON 5
GENERAL VENUE SAFETY:

As with the staging, it is the Purchasers responsibility to ensure that all areas of the venue and all its
hardware are absolutely safe for people to work. Too many unnecessary accidents have occurred over
the years due to negligence in this area. The Artists Production Mgr. reserves the right to veto any
aspect of the supplied/house production if he feels it unsafe. Any replacements or works deemed
necessary by him to make the show safe shall be solely at the Purchasers expense.
PERMITS AND LICENSES: It is the responsibility of the Purchaser to obtain any licenses and/or
permits necessary to allow us to use our production and have a performance at the venue. There must
be no curfews or sound limits imposed without our prior knowledge and agreement
EMERGENCY MEDICAL ASSISTANCE: The promoter is responsible for providing necessary medical
and emergency staff, facilities, transportation and equipment at the venue to handle any medical
problems that might arise from the Load in to the Load out.
STAGE DRESS (VERY IMPORTANT !!)

INDOOR ARENAS
Wherever applicable and practical the Purchaser will provide a heavy black curtain complete with all
necessary trussing, rigging, electric chain hoists with appropriate lifting capacity, motor control and
power distribution to be hung behind the stage. Said curtain should be sized to suit the venue (e.g.
eighty (80) feet wide by twenty five (35) feet high in a regular hockey arena) and be fire proofed to the
appropriate standard. At no time will a white or light colored backstage wall be visible to the audience.
FIXED STAGE FACILITIES :

The Purchaser will provide a heavy black curtain of appropriate size to cover the upstage wall of the
stage and wherever practical two (2) pairs of “legs” (normally six (10) feet wide by twenty five (25) high)
to “dress” the stage in the normal manner. Said curtain and legs should be hung (normally from house
pipes) and be fire proofed to the appropriate standard. At no time will a white or light colored backstage
wall be visible to the audience.
Please be advised, the tour is not traveling with any upstage blacks or masking.
OUT DOOR SHOWS :

For outdoor performances, Purchaser agrees to provide all necessary additions at his sole cost, to
include: Work lights, plastic sheeting to cover and protect all equipment, squeegees, sponges & mops
to dry the stage, raingear (ponchos etc) for working personnel, the use of umbrellas for the Artist and
any auxiliary personnel needed to ensure a smoothly running performance. Including commercial
Heating Units if needed to control the climate on stage.
GARBAGE :
Adequate facility for the disposal of rubbish must be readily available at all times. This should include at
least FOUR (4) large, lined trash cans for the stage .We encourage all recycling policies.
Page 3 of 27
MAROON 5
HOUSE LIGHTS & LIGHTS / VIDEO SCREENS DURING PERFORMANCE :
Artists Production Mgr. shall retain sole and overriding control of the cueing of house lights in relation to
the Artists performance/show . Purchaser shall make all the necessary arrangements for all lights not
specifically required by local ordnances, to be turned off during the Artists performance. This
particularly applies to scoreboards, clocks, billboards and concessions. All doorways to lit halls should
be curtained. Any use of video screens must be approved by the Artists Production Mgr prior to the
show day.
GENERAL SECURITY INSTRUCTION AND DEPLOYMENT :

Purchaser shall provide adequate, clearly identifiable and responsible security staff from the time of the
equipment load in until all the equipment has been loaded out of the facility after the engagement .
Within this general stipulation, Purchaser shall provide the following personnel; final deployment
numbers are very dependent on Venue layout and requirements. These should be discussed at the
time of the production advance.
Two (2) persons to be available at all times from the time the crew arrives to ensure the security of
equipment, crew members, their vehicles and personal property throughout the day.
A minimum of two (2) additional persons (dependent on the integrity of the backstage area), to be
available from 3.00 pm to ensure the safety and security of the band upon their arrival at the facility,
until their departure from the facility.
From thirty (30) minutes prior to doors opening to the public, until all the public have left after the
performance;
One (1) person at each access point to the backstage area.

Two (2) persons for the dressing room area.
Two (2) persons (one on each side of the stage), at the base of the stage access stairs or access
points whichever is applicable.
Six (6) persons to be positioned in front of the stage, behind the barricade.
Two (2) persons to be placed to secure the front of house mix position.
Purchaser should arrange a security meeting between all appropriate personnel and the Artists
Production Manager to discuss detailed security arrangements at a predetermined time.
All security personnel must be trained, unarmed and non-uniformed. The six (6) persons, who will work
the front of stage pit for the show, MUST wear dark t-shirts.
It is understood and accepted by Purchaser, that all security personnel will be under the direction of the
Artists representatives (Security chief, Tour manager or Production manager), at all times.
Purchaser shall ensure that no dangerous items (i.e. cans, glass, any weapons etc) are allowed in the
venue at any time.
Purchaser shall ensure that no Professional Type cameras or recording devices are allowed in the
venue at any time without the permission of Artist.
Page 4 of 27
MAROON 5
THE PERFORMANCE AREA REQUIRED :
A level, strong stage Fifty Six (56) feet wide by Forty (40) feet deep by Five (5)feet high, is to be
provided by PURCHASER. The stage must be capable of supporting at least one hundred and twenty-
five (125) pounds per square foot. The surface must be smooth and without holes or protrusions and
has to be covered in either BLACK MARLEY OR CARPET. Stage to be “skirted” with black material.
STAGE BARRICADE :
Purchaser shall make provision for a stage barricade in all venues. Said barricade must be capable of
doing the required job, and be warranted so by purchaser. Artists and their representatives will assume
no liability in any way for any incident occurring concerning the structure or placement of barricade.
Where sound cabinets will be stacked on the floor, the barricade must be of a grill type. The Artists
Stage Mgr. will inspect said barricade and any remedial work deemed necessary by him shall be at the
Purchasers sole expense . To allow room for production set up, the barricade and any floor seats
should not be set up until authorized by Artists Production manager.
STAGE WINGS :
We will require a 16ft X 8ft X 2ft high Monitor wing recessed 10ft upstage from the downstage edge.
Located on Stage left.
STAGE RISERS :
The Purchaser is required to supply the following risers carpeted in black with black skirting.
1 X 8ft X 8ft X 2ft (Drum Riser)

1 X 8ft X 8ft X 2ft ( Keyboard Risers)
(See attached stage layout drawing)
SPOTLIGHTS:
PURCHASER will provide Three (3) Strong Super Trooper 2.5k or larger in perfect working condition.
Location will be discussed with the tours Production Manager.
Page 5 of 27
MAROON 5
POWER :
Please see attached stage plot for exact locations (PAGE 15)
Stage Right Guitar Tech Area on floor
2 x 120V 20A 50/60Hz Each 20 amp output shall have 4 USA style output connectors.
Stage Left Guitar Tech Area on floor
ON Stage Behind Drum Riser
On Stage Behind Key Riser
On Stage, Stage Left Behind Guitar amps
Stage Left Monitor Riser
FOH Audio Mix Position
MIX POSITION
Purchaser shall provide platform for lighting on the auditorium floor as close as possible to house
center, Audio will go on the floor in front of the lighting riser. Audio should start approx. one hundred
(115) feet from the downstage edge of stage. This area should have barricade to secure it after all
equipment has been placed.
Lighting - 16 Ft wide x 12 Ft Deep x 2 Ft High

Sound - 16 Ft wide x 12 Ft Deep on floor.
FORKLIFT:
Wherever there is not direct or ramped floor and stage access from the point of loading, One (1) forklift
will be required. Forklift should have a minimum lifting capacity of fifteen hundred (1500) lbs or seven
hundred and fifty (750) kgs, have 6-foot extensions and be operated by a qualified person. Forklift
CANNOT be shared with other operations in the facility and must NOT be diesel powered.
CREW CALLS: Times and numbers to be advanced with Tour Production Manager.
General Guide:
8 Stage hands
4 Loaders
1 Runner
1 Electrician
Page 6 of 27
MAROON 5
Runner: We shall require one runner, fluent in English with intimate knowledge of the local
area. This runner is for Maroon 5 production use only. They should possess a valid driver’s
license and be equipped with the following vehicles:
Car or Van
Also must have Mobile phone.
Call times for runner will be advised in advance.
Electrician: You will provide the services of the house electrician to be present and on call
at all times while we are occupying the venue. He will report directly to the artist's stage
manager or production manager at time of Load in call. In the event of a shift change, he will
make his replacement known to the production manager.
SOUND :
Please See Attached Audio Specs (PAGE 12)

Please See Attached Input List (PAGE 16)
Please See Attached Monitor Specs (PAGE 17)
BACKLINE :
Please See Included Backline List (PAGE 13 and 14)
LIGHTS :
Please See Lighting and Video Plots (PAGE 18-27)
Page 7 of 27
MAROON 5
BACKSTAGE ACCOMMODATIONS :
1. Production office and Tour Management Office

(1) One large room lockable (15 x 20 feet minimum) for production office
Prior to our arrival it must be equipped with the following:
2 Desks/tables
4 Chairs
2 direct dial phone lines with phones
4 USA power outlets 110V @10 amp Minimum
1 High Speed Internet Service (Wireless)
(1) Medium Size Room with 2 Desks and 2 USA power outlets and Wireless Internet
2. Band Dressing Rooms:

Two (2) rooms are required.
(1) One Large Room for Band to Relax In with Couches, Chairs and Tables.
Big Enough For 8 People
(Dressing Room Food And Drinks Will Need to Go Into This Room)
Must have High Speed Wireless Internet Access
Please provide 4 USA Power Outlets 110V @10 amp Minimum
(1) One room for Yoga (no furniture required in this room)
Please Make Sure The Air Off In This Room and Please provide (2) Space Heaters
3. Crew Room: (If Available, lockable preferred).

Tables and couches for 8 people.
If this room is far from Wireless internet, it will need to be provided.
NOTE:
The Purchaser accepts full responsibility for the security of the backstage area and all the
belongings contained therein. Rooms should be lockable with keys presented to Production
Manager at load in.
TOWELS: Twenty Four (24) clean bath towels for the use of the Maroon 5 production crew.
Twenty Four (24) BLACK Hand Towels for Stage. These towels must be available from the
beginning of the Load in until the end of the Load out.
SANITARY FACILITIES: You must provide adequate toilet facilities to all backstage areas
for the use of the Maroon 5 production crew.
BAND & CREW TRANSPORTATION:
All ground transport to be advanced by Tour or Production Manager, and must be supplied as
per his request. For guide lines please use 3 X 16 passenger vans and 1 baggage van.
Page 8 of 27
MAROON 5
CATERING:
BREAKFAST*: Where applicable (12 Crew)

To Be Available At The Beginning Of Load In. Breakfast Should Include:
Selection Of Juices (Orange, Apple, Cranberry,) Spring Water

Tea, Coffee Milk
Toast, Muffins & Donuts (And Toasters Available)
Assorted Fresh Fruit
Eggs, Bacon, Ham - To Be Cooked To Order Selection Of Cereals
A Full Assortment Of Condiments
Adequate Cups, Plates, Utensils And Napkins (To Be Metal Silverware And China Plates)
LUNCH:
Cold deli type food for Twenty (20) people to make sandwiches & A Choice of 2 hot entrees
of local cuisine
Soup Of The Day (Tomato Basil, Chicken Noodle, French Onion)
Assorted Breads
Assorted Salads
Selection Of Salad Dressings Fresh Fruit
Spring Water, Milk, Sodas,
Mayonnaise, Butter, Mustard Ketchup Etc. Plates, Cups, Utensils, Napkins, Etc.
DINNERS:
Twenty Four (24) meals total (Western and Local Choices)

Please provide at least
Meat Entrée
Fish Entrée
Vegetarian Option
Rice
Potatoes
Fresh Steamed Vegetables
Assorted Breads
Assorted Salads
Selection Of Salad Dressings Fresh Fruit
Spring Water, Milk, Sodas,
Mayonnaise, Butter, Mustard Ketchup Etc. Plates, Cups, Utensils, Napkins, Etc Dessert
Page 9 of 27
MAROON 5
MAROON 5 DRESSING ROOM
To be prepared and ready for MAROON 5 by 2:00 PM (14:00)
(1) High Power Juicer - beets, ginger, cucumber, spinach, kale, parsley, broccoli, carrots,
celery,
(1) Blender -bananas, apples, pears, berries, lemons, avocadoes
(5) Whole Young Thai Coconuts with a cleaver
(1) Tea Kettle -assorted teas including chai, green, black, herbal
(1) Small Bottle of Honey
(1) Liter Fresh Orange Juice
(1) Liter of ALMOND MILK
(4) Red Bull
(8) Sugar free Red Bull
(4) Diet Cokes
(4) Cokes
(16) Small Bottles of Perrier or Pellagrino
(36) .5 Liter water bottles room temperature (local spring water) (
(12) Corona Beers On Ice
(12) Bottles of Local Beer on Ice
(2) Bottles GOOD Red Wine
(1) Bottle Don Julio Reposado Tequila or Patron Silver
(1) Bag tortilla chips
(1) Bottle of Anti-Bacterial Liquid Soap
Fresh salsa
Assorted Biscuits/Cookies
Assorted Chocolates
Assorted Nuts
The following supplies are needed in the dressing room -

24 Large Cold cups
24 Large Hot cups for tea
Napkins (both cloth and paper)
(2) Bottle openers (for the beer)
(1) Corkscrew for opening wine
Cutlery as well as two knives to cut lemons
(1) cutting board.
Assorted plates (both large and small)
Page 10 of 27
MAROON 5
STAGE DRINKS and TOWELS
24 - Dark Hand Towels
1.) Stage Right Cooler (Guitar Area / Dave)
One (1) Case of Room temperature water

Six (6) Bottles of Corona (Iced)
Two (2) Diet Cokes ( Iced)
Three (3) Sparkling Waters ( Iced)
Two (2) Diet Red Bulls ( Iced)
Six (6) 22 oz Solo Cups
2.) Stage Left Cooler ( Please Ice Down The Drinks/ Buffa)
One (1) Case of Room temperature water

Six (6) Bottles of Corona ( Iced)
Three (3) Sparkling Waters ( Iced)
Six (6) Diet Cokes ( Iced)
Six (6) ORANGE Gatorade ( Iced)
Six (6) 22oz Solo Cups
PRODUCTION OFFICE :
Upon Arrival
Cooler with assorted drinks. Soda, Water, Juices, Sparkling water etc.
Please have delivered to the Production office 1 hour prior to end of show.
1 Case of local beer on Ice
2 Bottles Red Wine
1 Bottle Chardonnay
Page 11 of 27
MAROON 5
AUDIO NEEDS
The PA must be capable of producing an undistorted 110 db evenly to every point of the
listening arena. This must be accomplished with the use of front fills, sub bass and side fills
or side hangs.
The main PA must be flown wherever possible without exception.
Please have Fully Parametric PA EQ and Control available at the FOH mix position
accessible via a tablet PC. (The console EQ will not be adequate).
PA Preferences:
Line Array only, JBL Vertec (with version 5 software) , D&B J-Series, Vdosc..
Dolby Lake Contour processors or equivalent.
Mixing console:
Digico SD7, SD8 or SD10, Digidesign Profile.
1 CDR AES in/out
Mic's:
We will supply microphones.
You must supply all mic stands as per attached input list.
You must supply all mic cables and have 20 spare.
You must supply talk to stage and comms.
Any support acts or DJ’s must use a separate console unless given prior approval.
MONITOR NEEDS
DESK: 1x Yamaha PM5DRH

WEDGES: 6x (4 mixes)
SUBS: 2x (2 mixes)
THUMPER: 1x (amp terminates to banana jacks)
RF & IEM elements and applicable cabling we provided
Passive splitter systems only please
Contact:
Jim Ebdon (FOH Engineer) +1 310 386 1795 jimebdon@mac.com
Kevin Glendinning (Monitor Engineer) +1 847 347 1918 inearengineer@gmail.com
Page 12 of 27
MAROON 5
BACKLINE NEEDS
Adam Levine: LEAD VOCAL / GUITAR

**artist uses 1 pair of amps,. 2 total**
(2) Mesa Boogie Triple Rectifier 3 Channel Amp Heads
Must have 3 switchable Channels and 3 channel foot switchers
(2) Mesa Boogie 4X12 Speaker Cabinets
James Valentine: LEAD GUITAR

**artist uses 1 pair of amps,. 2 total**
(2) Matchless DC-30 2X12 combos
(1) Divided by 13 FTR 37 Amp, (If available) Or Mesa Boogie Lonestar 2X12 Combo
Mickey Madden: BASS

(2) Ampeg Re-Issue SVT Classic head
(1) 8x10 SVT cabs
Matt Flynn: DRUMS

Matt Flynn is a Ludwig Endorsed Drummer, and all attempts should be made to have Ludwig
provide Drums for this rental. If you do not stock Ludwig drums, please contact M5’s tech to
discuss obtaining Ludwig Drums or to substitute. Thank you.
Oyster Black Pearl finish “Ringo Wrap” or Solid dark Blue or Black finish
1st choice (1) 24 x 16 inch kick (clear power stroke 3 head on beater side)
2nd choice (1) 22 x 14 inch kick (clear power stroke 3 head on beater side)
1st choice (1) 14 x 9 inch rack (coated pinstripe)

2nd choice (1) 13 x 9 inch rack (coated pinstripe)
(1) 16 inch floor w/ 3legs (coated pinstripe)

(1) 18 inch floor w/ 3legs (coated pinstripe)
(2) 14 x 5 Ludwig snare drums (coated emperor x black dot)
(8) Pro Double braced Ludwig cymbal stands
(3) Pro Double braced Ludwig snare stands
(2) HiHat Stand (3 Leg model)
(3) 19” K Zildjian mixed Crash’s
(2) 22” K Zildjian Ride (dark sounding ride cymbals if possible)
(1) Yamaha Pro single beater kick pedal w/DW beater
(1pair) 15” Zildjian “K” Light Hi-Hats
Page 13 of 27
MAROON 5
PJ Mortin: KEYBOARDIST / ORGANIST
(1) B3 Organ with (2) Leslie 122
(1) Yamaha Motif ES8 (MUST BE ES MODEL)
(1) Yamaha Motif ES7 (MUST BE ES MODEL)
(1) Round Drum Throne
(1) Fender Rhodes 73 Suitcase w/speaker cabinet (MUST be Suitcase model
with 1/4 insert, or (2) 1/4 send & return jacks on the player side of the piano)
(3) 1 tier double braced X type keyboard stand (very sturdy please)
(1) 2 tier double braced X type keyboard stand (very sturdy please)
Misc. Gear:
(2) 8XFT X 8FT X 2 FT HIGH CARPETED AND TRIMED IN BLACK RISERS. Very sturdy
please.
(1) 2 channel QSC, Crest, or Crown power amp (for thumpers)
(2) 50 foot speaker cables. (NL4 or Banana connectors please)
(10) Jack – jack instrument cables 20’-25’
(1) Spare sustain pedal
(2) 8x8 foot drum rug (black)
(4) Hercules Guitar Stands
(3) Electric cooling fan, medium size
(2) Extra drum thrones
(4) Black sandbags (for the Drumkit, **must have please**)
**please include ALL power cables & ¼ - ¼ speaker cables needed to operate the Guitar &
Bass amps**
For Power requirements please see Stage layout drawing.

All Stage Power must be 120 volt 50/60 hz with USA style output plugs
If you have any questions about substitutions, please feel free to contact Dave Lee +1 818
915-1704 (Dleeguitar@gmail.com)
Page 14 of 27
1 x 120v 20a 50/60hz
Each output shall have 1 x 120v 20a 50/60hz
4 usa style outputs Each output shall have
4 usa style outputs
1 x 120v 20a 50/60hz

Each output shall have
2 x 120v 20a 50/60hz 4 usa style outputs
Each output shall have 4 usa style On floor in guitar tech area
outputs. On floor in Guitar Tech area
Power comes from 1 x 120v 20a 50/60hz

Guitar Tech Each output shall have
Area 4 usa style outputs
Power comes from

drop behind guitar amps
Page 15 of 27
Maroon 5
2012 Full Input List
FOH Input Microphone Stand Location
1 Kick In Shure Beta 91 Drum Riser SR
2 Kick Out Shure Beta 52 Short Roundbase boom Drum Riser SR
3 Snare Top Shure 57 Short Roundbase boom Drum Riser SR
4 Snare Bottom AKG414xls Clamp Drum Riser SR
5 Wood block/tamb. Shure 57 Short Roundbase boom Drum Riser SR
6 Hat KM185 Short Roundbase boom Drum Riser SR
7 Tom 1 Opus 88 Drum Riser SR
10 Ride KM185 Short Roundbase boom Drum Riser SR
11 Overhead SR AKG414xls Tall round base boom Drum Riser SR
12 Overhead SL AKG414xls Tall round base boom Drum Riser SR
13 Drum Click Di Drum Riser SR
14 Loops L Xlr Computer Drum Riser SR
15 Loops R Xlr Computer Drum Riser SR
16 Music L Xlr Computer Drum Riser SR
17 Music R Xlr Computer Drum Riser SR
18 B Voc L Xlr Computer Drum Riser SR
19 B Voc R Xlr Computer Drum Riser SR
20 Tracks Click Xlr Computer Drum Riser SR
21 Bass Di Xlr Off SR
22 Bass Mic AT4050 Short tripod boom SR
23 Adam Gtr Royer 101 Live Short Tripod Boom Off SR
24 James Gtr 1 Royer 121live Short tripod boom Off SL
25 James Gtr 2 Royer 101 Live Short tripod boom Off SL
26 OPEN NA
27 Leslie Top L SM57 Short Roundbase boom Key Riser SL
28 Leslie Top R SM57 Short Roundbase boom Key Riser SL
29 Leslie Low RE20 Short Roundbase boom Key Riser SL
30 Rhodes L Xlr Key Riser SL
31 Rhodes R Xlr Key Riser SL
32 ES 7 L Xlr Key Riser SL
33 ES 7 R Xlr Key Riser SL
34 ES 8 L Xlr Key Riser SL
35 ES 8 R Xlr Key Riser SL
36 Nord L Xlr Key Riser SL
37 Nord R Xlr Key Riser SL
38 Micro Korg Xlr Key Riser SL
39 PJ Voc AE4100 Supplied Key Riser SL
40 James Voc B58 Tall Tripod Boom DSL
41 Adam Voc Main KSM9 Wireless Supplied Monitors Off SL
42 Adam Voc Spare KSM9 Wireless Monitors Off SL
Room L Shotgun Short tripod boom DSR - direct to monitors
Room R Shotgun Short tripod boom DSL - direct to monitors
Page 16 of 27
1
Maroon 5
Monitor Spec <> Spring 2012
1 Adam iem l rf 1
2 Adam iem r rf 2
3 James iem l rf 1
4 James iem r rf 2
5 Pj iem l rf 3
6 Pj iem r rf 3
7 Matt iem hw / tech rf 4
8 Matt iem hw / tech rf 4
9 DS/R wedges x 2
10 Open
11 DS/L wedges x 2
12 Drum sub
13 Drum thumper
14 Drum wedge
15 Key sub
21 Buffa #1 send
22 Buffa #2 send (tech wedge x 1)
solo Cue l. rf 5
solo Cue r. rf 5
Engineer Contact: Kevin P. Glendinning <> +1.847.347.1918 <> inearengineer@gmail.com

Page 17 of 27
Page 18 of 27
Page 19 of 27
Page 20 of 27
Page 21 of 27
Page 22 of 27
Page 23 of 27
Patch (By Spot) (All Layers)
Venue: Tour Show: Maroon 5
Designer: William Sheldon Assistant: Mike Green
Type Patch Unit

VL3500 Wash A.1 1
VL3500 Wash A.20 2
VL3500 Wash A.39 3
VL3500 Wash A.58 4
VL3500 Wash A.77 5
VL3500 Wash A.96 6
VL3500 Wash A.115 7
VL3500 Wash A.134 8
VL3000 Spot A.153 33
VL3000 Spot A.181 34
VL3000 Spot A.209 35
VL3000 Spot A.237 36
VL3000 Spot A.265 53
VL3000 Spot A.293 54
Sharpy A.321 55
Sharpy A.341 56
Sharpy A.361 57
Sharpy A.381 58
Sharpy A.401 59
Sharpy A.421 60
Atomic 3000 A.441 79
Atomic 3000 A.445 80
Atomic 3000 A.449 81
Atomic 3000 A.453 82
Atomic 3000 A.457 83
VL3500 Wash B.1 9
VL3500 Wash B.20 10
VL3500 Wash B.39 11
VL3500 Wash B.58 12
VL3500 Wash B.77 13
VL3500 Wash B.96 14
VL3500 Wash B.115 15
VL3500 Wash B.134 16
VL3000 Spot B.153 37
VL3000 Spot B.181 38
VL3000 Spot B.209 39
VL3000 Spot B.237 40
VL3000 Spot B.265 41
Page 24 of 27
Type Patch Unit

VL3000 Spot B.293 42
Sharpy B.321 61
Sharpy B.341 62
Sharpy B.361 63
Sharpy B.381 64
Sharpy B.401 65
Sharpy B.421 66
Atomic 3000 B.441 84
Atomic 3000 B.445 85
Atomic 3000 B.449 449
Atomic 3000 B.453 87
Atomic 3000 B.457 88
VL3500 Wash C.1 17
VL3500 Wash C.20 18
VL3500 Wash C.39 19
VL3500 Wash C.58 20
VL3500 Wash C.77 21
VL3500 Wash C.96 22
VL3500 Wash C.115 23
VL3500 Wash C.134 24
VL3500 Wash C.153 25
VL3500 Wash C.172 26
VL3000 Spot C.191 43
VL3000 Spot C.219 44
VL3000 Spot C.247 45
VL3000 Spot C.275 48
Sharpy C.303 67
Sharpy C.323 68
Sharpy C.343 69
Thomas 4 Lite Par 36 C.363 92
Page 25 of 27
Type Patch Unit

PAR 64 C.385 103
PAR 64 C.386 104
PAR 64 C.387 105
PAR 64 C.388 106
VL3500 Wash D.1 27
VL3500 Wash D.20 28
VL3500 Wash D.39 29
VL3500 Wash D.58 30
VL3500 Wash D.77 31
VL3500 Wash D.96 32
VL3000 Spot D.115 47
VL3000 Spot D.143 48
VL3000 Spot D.171 49
VL3000 Spot D.199 50
VL3000 Spot D.227 51
VL3000 Spot D.255 52
Sharpy D.283 70
Sharpy D.303 71
Sharpy D.323 72
Sharpy D.343 73
Sharpy D.363 74
Sharpy D.383 75
Sharpy D.403 76
Sharpy D.423 77
Sharpy D.443 78
Page 26 of 27
Type Patch Unit

Atomic 3000 D.463 89
Atomic 3000 D.467 90
Atomic 3000 D.471 91
Page 27 of 27

A Maroon 5 International Rider 2012 As of 6.20

Uploaded by

Document Information

Original Description:

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

A Maroon 5 International Rider 2012 As of 6.20

Uploaded by

Copyright:

Available Formats

MAROON 5

INTERNATIONAL RIDER 2012

Concerning sound pressure restrictions:

GENERAL VENUE SAFETY:

STAGE DRESS (VERY IMPORTANT !!)

FIXED STAGE FACILITIES :

OUT DOOR SHOWS :

GENERAL SECURITY INSTRUCTION AND DEPLOYMENT :

One (1) person at each access point to the backstage area.

1 X 8ft X 8ft X 2ft (Drum Riser)

(See attached stage layout drawing)

Lighting - 16 Ft wide x 12 Ft Deep x 2 Ft High

Please See Attached Audio Specs (PAGE 12)

Please See Included Backline List (PAGE 13 and 14)

Please See Lighting and Video Plots (PAGE 18-27)

1. Production office and Tour Management Office

2. Band Dressing Rooms:

3. Crew Room: (If Available, lockable preferred).

BAND & CREW TRANSPORTATION:

BREAKFAST*: Where applicable (12 Crew)

Selection Of Juices (Orange, Apple, Cranberry,) Spring Water

Twenty Four (24) meals total (Western and Local Choices)

The following supplies are needed in the dressing room -

24 - Dark Hand Towels

1.) Stage Right Cooler (Guitar Area / Dave)

One (1) Case of Room temperature water

One (1) Case of Room temperature water

The main PA must be flown wherever possible without exception.

DESK: 1x Yamaha PM5DRH

Adam Levine: LEAD VOCAL / GUITAR

James Valentine: LEAD GUITAR

Mickey Madden: BASS

Matt Flynn: DRUMS

1st choice (1) 14 x 9 inch rack (coated pinstripe)

(1) 16 inch floor w/ 3legs (coated pinstripe)

For Power requirements please see Stage layout drawing.

1 x 120v 20a 50/60hz

Power comes from 1 x 120v 20a 50/60hz

Power comes from

Engineer Contact: Kevin P. Glendinning <> +1.847.347.1918 <> inearengineer@gmail.com

Type Patch Unit

Type Patch Unit

Type Patch Unit

Type Patch Unit

You might also like