TT19 - Technical Rider - Flying - Festival shows-NO Acoustic

RIDER
FLYING/FESTIVAL RIDER NO acoustic request

last update: Sunday 19 May 19
FLYING FESTIVALS
2019
no acoustic part
0) Front Page
1) Contact Info
2) General Rider
3) Hospitality rider
4) Backline requirements
5) Stage plot
6) Audio Requirements
7) Input List
8) Light & Video requirements
9) Signature page

Summer tour 2019 Tarja upated 5/19/19
rider general - flying/festival 2019 NO acoustic part
CONTACT INFO
(1/1)
Most of the communication should be done by email or via Skype in order to keep
records of all the discussed issues and to reduce production phone costs
PRODUCTION/CREW
Manager /Tour Manager Production manager / Stage manager /

Marcelo Cabuli Backline tech
Finance, contracts, hotels Cedric Vorpe
marcelo@nems.com.ar frenchmanproduction@gmail.com
+34 636 474 451 +41 79 244 8030
skype: ced_vorpe5318
FOH Sound Monitor engineer

Adrian Chibulcutean “Kibi” Xavier Dromard
kiby_a@yahoo.com dromardxa@gmail.com
+44 7375812954 +33 6 70 64 87 62
+40 (742) 288 078
Light Designer 2nd backline tech / stage manager

Tommi Stolt assistant
tommi@spacezoo.fi Branimir Tonkovic
+358 400 891 390 tonkovic.branimir@gmail.com
skype: tommistolt +385 95 821 9771
Meet & Greets / Artist assistant

Eleonora Pedron
eleonora@backstage-promotion.com
+358 40 847 3969
BAND MEMBER
TARJA TURUNEN - lead vocal

ALEX SCHOLPP - guitar
CHRISTIAN KRETSCHMAR – keyboards
KEVIN CHOWN – bass
MAX LILJA – cello
TIMM SCHREINER - drum
FrenchManProduction®
1
GENERAL RIDER
(1/4)
LOCAL PROMOTER/VENUE TO SUPPLY AND PROVIDE THE FOLLOWING
ACCOMODATIONS
The Artist and Crew will arrive at venue the night before to check the venue and in the morning to start
working. Consider a minimum of 5 hours from the moment our crew will arrive in the morning at the venue
until we can start soundcheck. The 5 hours period will start once all elements and conditions requested in
this rider have been fulfilled.
IMPORTANT: LIGHTING RIG AND PA SYSTEM SHOULD BE FULLY SET UP AND TESTED BEFORE OUR
CREW STARTS WORKING
The Artists and Crew will require access to all facilities and Dressing Room should be set up and ready for
use (see Hospitality) at our arrival to the venue including the requested catering.
TIME TO BE ADVANCED BY TOUR MANAGER
DRESSING ROOMS
1. Purchaser agrees to provide a minimum of THREE (3) private dressing rooms, within closest proximity
to stage, each large enough and with enough seating for FOURTEEN (14) persons. Seating to be of a
comfortable sofa, armchair type.
2. The dressing rooms must be serviced with HOT & COLD running water, NON-PERFUMED
MOISTURIZING soap, have private connected toilet / shower facilities and adequate amount of standard
electrical (220/240v) outlets, a full length mirror, hanging racks for wardrobe and must be for the SOLE
USE of the touring Artists.
3. Dressing rooms must be clean, suitably heated and / or air-conditioned (25 degrees Cent.) and ready
for use from Crew arrival time. Any other acts on the bill must have additional dressing room and toilet
facilities in addition to the requests above. The Artist will not share facilities with any other act.
4. Access from Artists dressing room to stage must not entail passing through the audience.
5. We will also require ONE IRON and IRONING BOARD plus coat hooks / hangers at our arrival to the
venue.
6. IMPORTANT: there must be table and chair with adequate lighting for make-up purposes ready at our
arrival to the venue.
7. All dressing rooms must be lockable, with keys made available to Artists Tour Manager upon arrival and
have a security guard posted AT ALL TIMES from Artists arrival at the venue. Purchaser shall be solely
responsible for security of all items in the dressing room / backstage area and shall keep all unauthorized
persons from entering the dressing rooms / backstage area.
8. Free internet connection at the venue, LAN or WLAN, no dial-up at our arrival to the venue.
9. At our arrival to the venue, 20 x Large, clean, dry QUALITY Bath Towels (MUST BE pre-washed) - 20x
Medium, clean, dry Towels (MUST BE pre-washed)
MERCHANDISE
The promoter will supply a suitable place with lights and tables for the artist representative where artist’s
merchandise can be sold. NO COMMISSION whatsoever will be paid to the promoter or venue
2
(2/4)
SECURITY
1. Purchaser shall provide an adequate number (to be agreed with Artists Tour Manager) of Professional
Security to ensure the safety of Artists and Artists equipment and audience members. Said Security shall
be stationed at all key locations, including but not limited to stage sides and front, path between stage
and dressing rooms, Sound Mixer & Light Controller, etc. Violence from security personnel towards any
member of audience or Artists tour personnel will not be tolerated under any circumstances.
2. There has to be a minimum of: 2 (two) securities with the beginning of the Load-in of artists equipment.
3. Between sound check and doors opening or at a time mutually agreeable to Purchaser and Artists Tour
Manager, a security meeting will be held (1 (one) hour prior to doors open). At that time, all security
requirements for stage, dressing room and merchandising must be discussed and finalized.
4. At no time is the venue to be opened to the public without the consent of the Artists Tour Manager.
5. All tour personnel will have the appropriate AAA pass. Purchaser agrees that the official tour laminate /
tour sticky supplied by Artists Tour Manager is the only pass to be issued for Stage and Back Stage
access, with the exception of official show security.
6. All the shows included in Colours in the road tour were declared “camera friendly”, which means that
audience is welcome to bring photo cameras, mobile phones, personal video cameras and take as many
pictures/videos as they wish.
7. Purchaser agrees to Decanting policy with all drinks served or allowed into performance area, to be
supplied in plastic cups / beakers.
8. Purchaser agrees to provide an adequate amount of all necessary paramedics/first aid-people /doctors.
LOAD-IN AND LOAD-OUT
1. Load in times for Artists road crew will be advanced at least 72 hours prior to show date.
2. Purchaser to provide the following count of able bodied, English speaking local crew, exclusively
employed for sole use of the Artists to be available from time of agreed load-in to crews departure from
venue to work under the sole direction of Artists Stage and/or Tour Manager. Local crew can only be
dismissed after minimum call upon agreement with artist tour manager or production manager.
Four (04) STAGE HANDS FOR LOAD IN (time to be advanced) Four (04) STAGE HANDS @ 30 MINUTES
PRIOR TO END OF SHOW FOR LOAD OUT
3. In the event of a difficult load in (i.e. lifts, flights of stairs, longer than 40m PUSH, etc) number of
STAGEHANDS needs to be increased to numbers confirmed at advance. (MINIMUM AN ADDITIONAL 02
STAGEHANDS FOR LOAD IN)
4. Artists reserve the right to dismiss any loaders / stage hands the Artists believe to be under the
influence of Alcohol or any other drug and Purchaser agrees to replace immediately with sober personnel
5. THE ARTIST RESERVES THE RIGHT TO CANCEL ANY PERFORMANCE, WHILST HOLDING
PURCHASER LIABLE TO PAY THE FULL GUARANTEED FEE/S, IF FOR ANY REASON THE CORRECT
NUMBER OF ADVANCED LOCAL CREW ARE NOT PRESENT AND CORRECT AT AGREED EQUIPMENT
LOAD IN TIME. ABSOLUTELY NO EXCUSES WILL BE TOLERATED IN CONNECTION WITH THIS
CLAUSE.
BARRIER
Please check on show day with Mr. Cabuli(manager) if there is the need of the MOJO blow through - type
barricade in front of the stage
PROMOTER REP / STAGE MANAGER

Purchaser agrees to provide a competent English speaking Promoter Representative, with decision
making authority, to be available from agreed get in time, until Artists departure from place of
engagement, to co-ordinate and manage all appropriate related show day business pertaining to the
purchaser and assist in any eventuality that may occur with the Artists Tour & Production personnel.
Purchaser also agrees to provide a technically competent English speaking Stage Manager to be available
from agreed get in time until Artists departure from place of engagement, to co-ordinate and manage all
appropriate technically related business pertaining to the show and assist in any eventuality that may
occur with the Artists Tour & Production Personnel.
3
(3/4)
SOUND CHECK // SOUND

The Artist is to be allowed a minimum of two (2) hours un-interrupted sound check prior to doors
opening.Any technical or other problems with House Sound Systems will extend soundcheck time
accordingly. Doors will not be opened under any circumstances until approval is given by Production
Manager that all soundchecks are complete.
PURCHASER AGREES NOT TO LIMIT THE DECIBEL LEVEL OF THE ARTIST’S PERFORMANCE. PLEASE
ADVISE OF ANY LOCAL COUNCIL / STATE IMPOSED DB LIMITS BY RETURN ON RECEIPT OF THIS
RIDER.
RUNNER/LAUNDRY
One runner available from Load In until Load Out – unless dismissed by the Artist’s Tour Manager. The
Runner must be familiar with the local area and city, equipped with a van with min seating for five (5)
persons, mobile telephone & a local currency float of or equivalent to €250, to pre-pay expenses. If there
is no receipt(s) presented to the Artist’s Tour Manager, there will be no reimbursement.
Local music store visit is often needed for spares, so please check beforehand the closest options.
The Runner should be prepared to collect Laundry from the Touring Party upon arrival, and have it fully
dried and ready before the end of the Show. Laundry receipts should be individually attached to each
individual bag of Laundry. If there is no Laundry service available for the showday, then the Artist’s Tour
Manager should be informed prior to arrival at the Venue.

INTERNATIONAL TRANSPORT
(please check if this applies for your show)
Be aware that we will arrive with twelve (12) persons, with personal (big) luggage, computer bags,
instruments (guitars, basses, keyboards, and road cases). So, please have, one (1) cargo van for the
luggage, instruments and one (1) van for band and crew ready in our arrival at the airport
(11persons)

4
(4/4)

CONTROL OF PRODUCTION
1. Purchaser agrees that Artist will have the sole and exclusive control over the production, presentation
and performance of the entertainment unit in connection with the engagement, including but not limited
to, the details, means & methods of performance of the entertainment unit and each member thereof,
stage, air conditioning, heating, power supply, backstage area, audience and the persons employed by
the Artist in performing the provisions hereof on Artists part to be performed. Artist shall have the sole
right, as Artist may see fit, to designate and change the performing personnel. It is specifically understood
and agreed that a representative of the Artist shall have sole and absolute authority directing personnel
operating all lighting and sound equipment during rehearsal and each performance scheduled herein.
2. Purchaser agrees that at no point from the time Artist takes the stage, to the time Artist exits the stage,
after completion of all encores, call backs etc, will any announcements of any kind be made over the PA
system or similar, including but not limited to, inviting the audience to call for encores, be made by any
third party (house sound personnel, DJ etc) or any other personnel not directly part of Artists Touring
entourage. Purchaser agrees to inform all associated house personnel of this request prior to Artists
commencement of performance
ARTISTS GUEST LIST
A minimum of twenty (20) complimentary tickets / guest list places are to be made available for each
performance for Artists use only
House / Promoter guest lists (including radio / press comps) must be approved in advance of doors with
Artists Tour Manager, amounts listed on detailed statements and must not exceed amount of
complimentary tickets given to Artist
FAILURE TO FULFIL OBLIGATIONS

1. Purchaser represents and warrants that it is at the present time, or will be, the owner or operator of, or
will have a valid lease (executed in it’s own name) upon place/s of performance on the date/s and at the
time set forth in the contract, proof of which will be given to the Artist upon request. The person executing
the contract and this rider upon the Purchaser’s behalf represents and warrants that he is of legal age and
has the authority to do so.
2. Purchaser agrees to assist Artists Tour and / or Production Manager to advance and finalize all
production details concerning the engagement and arrangements pertaining to the contracted
performances. Purchaser shall provide telephone numbers, fax numbers & email addresses plus any
additional required information for all Purchasers key staff members.
3. This rider together with the attached contract constitutes the entire agreement between the parties
detailed herein and may not be assigned, amended, altered, cancelled or in anyway changed without the
express written consent of Artists or Artists Representative.
4. Paragraph headings are inserted in this rider for convenience only and are not to be used in interpreting
this agreement.
5. Any problems or questions with any part of this rider, please contact Artists Tour Manager AS SOON
AS POSSIBLE on the numbers below.
6. Please forward any venue information and specs to Artists Tour Manager AS SOON AS POSSIBLE.
7. BOTH PARTIES AGREE TO ACCEPT ALL TERMS AND CONDITIONS IN THIS RIDER AS SIGNIFIED
BELOW.
5
HOSPITALITY RIDER
(1/2)
Please provide a basic and healthy catering
NOTE: TIME TO BE ADVANCED BY TOUR MANAGER for 15 people. Adequate amount of

cutlery must be available (mugs, plates, glasses, napkins, knifes, forks, spoons, etc)
THIS CATERING IS ONLY FOR TARJA TURUNEN BAND & CREW
LUNCH @ CATERING ROOM

• Lunch for the band & crew should be checked with manager, depending on the local venue
conditions, timing and accommodation, warm meal preferred
DINNER @ CATERING ROOM

• Immediately after sound check (usually around 6.30pm) for the Artist, band and crew, good quality two
course hot meal + salads, soup and dessert
NOTES
1 gluten/dairy free meals for Artist. Protein with vegetables no protein with carbs.
2 x protein rich vegan meals for cello & guitar player
if lunch or dinner should be pre-order, give a menu to the manager assistant or production manager at
arrival
DRINKS/SNACKS @ CATERING ROOM

• Unlimited amount of water bottles (cold and room temperature)
• Fresh coffee
• Black tea and green tea available at all times
• Milk, sugar
• Five (5) cans of mixed soft drinks – MUST BE COLD!
• One (1) litres of pineapple juice (TROPICANA) – MUST BE COLD!
• Two (2) litres of orange juice (TROPICANA) – MUST BE COLD!
• One (1) litre of tomato juice – MUST BE COLD!
• One (1) litre of fresh fat milk - MUST BE COLD
• Six (6) Actimel regular – MUST BE COLD!
STAGE DRINK / TOWELS

to be delivered to the stage manager 30min prior show time
• Twenty (20) bottles of still water (SMALL BOTTLES), room temperature
• Ten (10) Medium, clean, dry Towels (MUST BE pre-washed)
• One (1) cooler with ice containing 12x Corona beers (from catering section)
AFTER SHOW FOOD

• Warm take-away food at the venue or reserved restaurant (pizza, Chinese food, sushi,
1x full salad without meat and cheese for artist)
• Can be pre-ordered food
• Check with the artist assistant for the local options available
• Healthy low carbs and organic food preferred
6
(2/2)
DRESSING ROOM ARTIST

• Ten (10) bottles of still water
• Assorted fresh berries (blueberry, strawberry, raspberry etc) and few fresh fruits
• Organic peanuts/almonds
• Organic seeds (sunflower, chia etc)
• Hot water
• One (1) kettle for artist use only
• One (1) bottle of highest possible quality dry white wine (Spain, France, Australia, New Zealand, Chile)
• One (1) big recipients of disinfectant alcohol hand sanitizer gel available at the backstage at band/crew
arrival
• 1 big packages of wet cleaning wipes
• 5x lemons, 4x limes and 1x ginger (uncut)
• cutting board + knife
DRESSING ROOMS BAND//CREW

• Thirty (30) bottles of still water (SMALL BOTTLES)
• Ten (10) bottles of sparkling water (San Pellegrino or similar)
• Snacks: MM’s, Mars, Snicker, Chips,
• Assorted fresh fruits basket (banana, tangerine, kiwi, mango, apple, peaches, etc)
• Four (4) yogurts (fruits, natural)
• Six (6) cans of mixed soft drinks – MUST BE COLD!
• Five (5) cans of mixed soft light/diet drinks – MUST BE COLD!
• Four (4) bottles of Gatorade or similar – MUST BE COLD!
• 36 bottles of beer (Pilsner Urquell, Amstel, Jupiler or GOOD LOCAL BEERS) (regular size 33cl or 0.5l)
(NO HEINEKEN) – MUST BE COLD!
• Twelve (12) Corona beer – MUST BE COLD! (to be used for the stage)
• One (1) bottle of highest possible quality dry red wine, min 13% alcohol. We don’t want Merlot. (wine
glasses & cork screw included) (Argentina, Spain, France, Australia)
• Three (3) bottle of highest possible quality dry white wine (Spain, France, Australia, New Zealand, Chile)
• One (1) litre bottle of Bombay Sapphire GIN

• One (1) litre bottle of brown aged Rum, (Havana Club 7 years)
• Five (5) green limes
• Six (6) cans of tonic water – MUST BE COLD!
• Ice in a bucket for after show
7
BACKLINE REQUIREMENT
FOR FLIYNG SHOWS ONLY
updated 5/19/19
-
(1/5)
we carry the minimum of equipment. Therefore, ALL the equipment

requested below is NECESSARY!!! An experienced backliner must be
present for the entire show day, from load in to loud out
DRUM (Timm Schreiner)

TAMA Starclassic Bubinga
SHELLS
One (1) 22“ x 18” Kick Drum
One (1) 16” x 16” FLOOR TOM
One (1) 14” x 16” FLOOR TOM
One (1) 12” x 7” rack tom (JAZZ SIZE)
One (1) 10” x 6.5” rack tom (JAZZ SIZE)
doesn’t have to be from to same set, matching sizes are more important
Two (2) 14” x 5.5” snare drum, Wood (die cast hoop)
DRUM HEADS
The drum must be supplied with a NEW set of
EVANS DRUMHEADS:
Kick Drum: EVANS Level 360 EMAD Clear
black head w/ 8” hole for the front head
Snare Drum top: EVANS Level 360 HD dry
Snare Drum bottom: EVANS Level 360 Snare Side 300
Toms top: EVANS Level 360 G2 clear
Toms bottom: EVANS Level 360 Resonant Glass
A complete set of spare heads MUST be supplied including snare bottom, and BD
If there are no EVANS DRUMHEADS available, then:
NEW set of REMO HEADS®:

Powerstroke 3 clear with falam slam pad for the kick drum batter head, black head w/ 8” hole
for the front head
Emperor clear on toms, MUST be a matching set
Emperor X or Control Sound on snare drum
A complete set of spare heads MUST be supplied including snare bottom, and BD
8
(2/5)
HARDWARE TAMA
Seven (7) Cymbal boom stands double braced
Three (3) 2 x Tom / Cymbal Combi Stand
Two (2) Hit-hat stands heavy study
Two (2) Snares stands (NO DW!!!)
Two (2) Pearl Eliminator Double Bass pedal (1 is spare, doesn’t have to both of the same brand)
Two (2) Drum seat MUST go VERY low seating and leather style covered or textil
Four (4) Adjustable clamps
CYMBALS
ZILDJIAN as first choice
One (1) 22” A custom Ride

One (1) 20” A custom Crash
One (1) 19” A custom Crash
Two (2) 19” K custom Crash
Two (2) 18” A custom Crash
One (1) 16” Oriental China
Two (2) 14” K hybrid HH set top + bottom
ACCESSORIES
One (1) Carpet (2mx2m)
One (1) Fan for the drummer
One (1) 6 Channels mixer -> (Mackie, Peavey)
One (1) Porter&Davies buttkicker system
9
(3/5)
BASS (Kevin Chown)
(MarkBass® – MusicMan® endorsee)
One (1) 8x10” Standard 108HR

Two (2) Little Mark 800 heads
IF MARKBASS cannot be supplied, have the following gear available
One (1) SVT-810E AMPEG®

Two (2) SVT4pro or SVT2pro AMPEG®
including all the connecting cables (speaker & power cables)
Two (2) Bass stands (neck holder version preferred)

One (1) Guitar boat (6 spaces)
GUITAR (Alexander Scholpp)

(BLACKSTAR® – ESP® endorsee)
One (1) 4x12 PRO cab

One (1) Serie One – 100
IF BLACKSTAR cannot be supplied, have the following gear available
One (1) 4 x 12” MESA BOOGIE straight guitar cabinets

One (1) Mesa Boogie DUAL RECTIFIER amplifier head
One (1) Power lead cable for the amplifier head
One (1) Speaker cables
Two (2) Guitar stands
One (1) Guitar boat (6 guitars)
10
(4/5)
KEYBOARD (Christian Kretschmar)

(CLAVIA® endorsee)
NO ROLAND, YAMAHA DX7
One Nord Stage EX88 (Clavia) MIDI-masterkeyboard, 88 weighted keys hammer action
(1)
(with matching sustain piano pedal and power cable)
If NORD STAGE EX88 is not available, please provide as a second options
Fatar SL-990Pro, CME UF-8, Yamaha S-90 XS, Yamaha MO8, Yamaha MM8
One Nord Modular G2X (Clavia) MIDI-masterkeyboard, 61 light weighted keys

(1)
(with matching sustain pedal and power cable)
IF NORD MODULAR G2X is not available, please provide as a second option
M-Audio Axiom 61 (Pro) or similar, must have MIDI OUT with power supply & sustain pedal
(piano style - Fatar VFP1-25)
One Access Virus TIK MIDI-masterkeyboard, 61 light weighted keys

(1)
(with matching sustain pedal and power cable)
IF ACCESS VIRUS TIK is not available, please provide as a second option
M-Audio Axiom 61 (Pro) or similar, must have MIDI OUT with power supply & sustain pedal
(piano style - Fatar VFP1-25)
Three (3) Quiklok(2tiers)

Two (2) 2m (6ft) jack – jack instrument cable
Four (4) 6m (20ft) Midi cable
One (1) Carpet (2m x 2m)
One (1) Plywood plate for key’s effect 100cmx40cmx1.5cm (don’t have to be exact) - will be placed
on top of a keyboard stand (see picture)
11
(5/5)
STAGE ACCESSORIES
Three (3) 10m (30ft) instrument cable
Two (2) 4m (12ft) instrument cable
Two (2) Carpet for the guitar & bass player (2m x 2m)
One (1) Carpet for the cello riser (2m x 2m)
One (1) Step UP transformer 110V –> 220V if power is 110V
Two (2) Stage fan for the singer/guitar player, see pics as reference ->
Two (2) Roll of BLACK Gaffa tape
Two (2) Roll of WHITE Gaffa tape
One (1) Roll of fluorescent Gaffa tape (yellow, green, orange)
Two (2) 9 Volts batteries
Eight (8) AA batteries (1.5V) including IEM systems
Nine (9) AAA batteries (1.5V)

12
STAGE PLOT
(1/1)
13
SOUND REQUIREMENT
(1/4)
All relevant Local sound /PA-system and light-systems have to be fully set up and in full working condition
prior to the load in/ at load in time of the (artist) touring production
RIGGING
All sound and lights should hang in this show.
Purchaser agrees to provide a solid and safe mix position of minimum sizes:
§ 4,0 meters wide x 3,0 meters deep x 0,4 meters high (for light console/s)
§ 4,0 meters wide x 3,0 meters deep x 0,0 meters high (for sound console/s)
§ Centrally positioned, 2/3 distanced from stage, 1/3 distance from back wall
§ Mix position to be surrounded on all four sides by suitable barrier/ barricade
The Artist is to be allowed a minimum of three hours un-interrupted sound check prior to doors opening.
Any technical or other problems with House Sound Systems will extend sound check time accordingly.
Doors will not be opened under any circumstances until approval is given by Tour Manager that all sound
checks are complete
PURCHASER AGREES NOT TO LIMIT THE DECIBEL LEVEL OF THE ARTIST’S PERFORMANCE. PLEASE
ADVISE OF ANY LOCAL COUNCIL / STATE IMPOSED DB LIMITS BY RETURN ON RECEIPT OF THIS
RIDER.
• Minimum of 110 dB (A) undistorted sound at FOH without system limiting.

• The power of the system has to be calculated to maintain adequate headroom through full frequency
range considering the size of the room.
• Constant coverage of the system has to be maintained throughout the whole listening area.
• Front fills / in fills has to be used to cover the gap in between the PA clusters.
• Out fills has to be used if the listening area is wide.
• Fills must be driven through separate EQ, HPF and system delay.
• Preferred systems are:
• D&B J-series, V-series, Q-series
• L’Acoustic K-1, V-Dosc, Kudo, DV-Dosc
• Nexo Geo T, D, STM
• Martin Audio W8
• Meyer Sound LEO, Milo
• EV X-Line
• All the systems has to be provided with sufficient amount of sub bass cabinets
• Processing for the main system, fills and possible delay cabinets, Graphic EQ,s
• Talkback mic line from FOH to MON.
• Also the Clear-Com system between FOH and MON has to be provided.
• Competent English speaking system technician to be available at all times.
14
(2/4)
FOH CONSOLE
The number one choice for FOH console is Avid Profile System
• must have the latest firmware installed

• 4 x DSP cards
If the Avid Profile System cannot be supplied, please provide (by order of preference)
• Profile SC48
• Yamaha CL5, PM5DRH only
all consoles must have the latest firmware installed
in none of the above digital desks can supplied, here are some analogue desks choices
if that case aply, get in touch with Tarja’s FOH engineer
• Preferred analogue consoles are:

§ Midas XL, Heritage
§ Yamaha PM 3500/4000/5000
• Minimum of 42 fully functional mono channels and 6 stereo channels
• Minimum of 8 VCA’s, 8 subgroups and 8 AUX sends
• Full parametric 4-band EQ and sweepable HPF on channels
• 01 x Line for i-Pod – type sound devices
• 01 x Intercom system between FOH and Stage
WE DO NOT SHARE THE ANALOG CONSOLE WITH THE OTHER PERFORMERS
FOH INSERT/FX (needed only with analogue console)

• 01 x 31 Band Stereo Graphic EQ (Klark, BSS)
• 02 x Lexicon PCM 70/91/92/96 or TC M 2000/3000/4000/5000
• 02 x Yamaha SPX 990/2000
• 01 x Digital Delay with Tap Function, such as TC D2 or TC 2290
• 01 x BSS DPR 901
• 08 x Channels of Compressors (bss, drawmer, dbx) - no black dbx 160 A or XT on vocals please!
• 08 x Channels of Gates (drawmer, bss)
Please make sure all equipment is properly lit and in perfect working condition!
FOH MIX POSITION

The FOH mix position should be located in center about 2/3 of the distance from downstage to rear of the
venue, but not under any conditions under a balcony, on a balcony or at the back wall of the venue.
The FOH console must be located on the floor, the same level as the audience is standing! Please not on
a riser or balcony!
15
(3/4)
MONITOR REQUIREMENTS
• One (1) fully up to date DIGIDESIGN PROFILE with one COMPLETE STAGE RACK (48 inputs/ 24
outputs) and one FOH RACK
• Eleven (11) systems Shure PSM 900 or PSM 1000 wireless IEM radios, including all needed combiners,
antennas and cables
• please provide sufficient replacement batteries for the IEMS (minimum 26)
• One (1) Shure double UHF-R series wireless microphones with KSM9 capsule (one dual receiver and
lead + spare handhelds) + all needed antennas & cables etc
• 2m x 2m free and even space for our MONITOR world on stage left ON THE STAGE! NO OTHER
OPTIONS
• One (1) 230v 50hz shuko electricity to the monitor world with 6 outlets
• 1:1 splitters and multicores for FOH and MON
• Intercom system with FOH sound
• xlr feeds from monitor console to drum riser for wired in-ears: 4ch to drum riser
• 2 x 12ch. 20m XLR subsnakes or 3 x 8ch. 20m XLR subsnakes
MONITOR DESK OUTPUTS
POWER
• Most of our equipment needs 220-240V AC power with SHUKO plug
• If your location has 110V standard, the 110V 220/240V step up transformers must be supplied
RADIOPHONES
• 8 (eight) pieces of professional radiophones with remote speaker microphones are required for Tarja
production and crew use. Motorola 340 or equal pro walkie-talkies
16
(4/4)
MICROPHONES
Here is the list of microphones needed, with substitutions, if the primary choice is not possible
Kick in beta 91 A e901

Kick out beta 52 A e602, EV868, D6
Snare Top e 904 sm 57
Snare Bottom e 904 beta 57 A
Snare 2, Toms e 904 beta98, e604, e904, TG D58
Ride, HiHat sm 81 KM184, KSM137, C451 B
Overheads KSM32 C414, AT 4040
DI boxes Radial JDI BSS133, KT DN100
Bass Mic AKG D 112 MD 421, sm 57
Electric Guitar KSM32 C414, AT 4040, (sm 57)
Backing Vocals SM58 beta 58 A, sm 58, e935, e945
Lead vocal Piano KSM9 e935, e945
All the microphones meant for similar instruments (i.e. Toms, Cong drums, as an example) has to be
the same model
STAGE SIZE
• Stage should be 12m x 10m or bigger + wings on stage right for the backline world (3m x 3m)
and stage left for the monitor world (2m x 2m)
• Clean and flat to be used with high heels without any risk of injury
• Holes, uneven spots, cracks etc, must be fixed
RISERS
DRUM 2m x 2m x 0.6m -- 8ft x 8ft x 2ft
KEYS 2m x 2m x 0.6m -- 8ft x 8ft x 2ft
CELLO 2m x 2m x 0.4m -- 8ft x 8ft x 1ft
GUIT rig 2m x 1m x 0.2m only for festival
BASS rig 2m x 1m x 0.2m only for festival
with black skirting & on wheels with brakes for festivals usage
QUICK CHANGE BOOTH
- Isolated quick change room / area for Tarja’s dress changes during the show
- 2x2m or larger, positioned on stage or immediately from stage exit stairs.
- It can be a separate booth, tent or area separated with black moltons etc.
- Invisibility through the booth walls for all directions is really important.
- Area must have also a roof.
- AC-power, light and table (table can be empty flight case)
- Big sized mirror
- 2 chairs
- Clothes hanger
- One (1) water boiler
NOTES
1) ONCE TARJA’S SET IS UP, NONE OF THE CABLES, MICROPHONES NOR STANDS WILL REMOVED
OR USED FOR OTHER ACTS
2) ALL CHANGES MUST BE AGREED BY TARJA’S FOH ENGINEER
17
INPUT LIST
(1/1)
FYI - the shaded channels are used when we have the acoustic part. we do not have this part on festivals.
BUT we use the same input list. “acoustic” channels are left empty on the patch
TARJA
FOH Kibi +40 (742) 288 078 kiby_a@yahoo.com
UPDATED: 08.04.2019 MONITORS Xavier Dromard +33 6 70 64 87 62 dromardxa@gmail.com
INPUT LIS T 2019 FLYING SHOWS
CH. INSTRUMENT MIC. / D.I. 48V STAND DYNAMICS NOTES

1 KICK in beta 91A Y no need GATE
2 KICK out beta 52A S/B GATE
3 SNARE top sm 57 S/B COMPRESSOR
4 SNARE btm sm 57 S/B GATE
5 SNARE 2 e 904 Y no need GATE
6 TOM 1 e 904 Y no need GATE
10 RIDE sm 81 Y S/B
11 H/H sm 81 Y S/B
12 O / H [ st. R. ] ksm 32 Y L/B
13 O / H [ st. L. ] ksm 32 Y L/B
14 BASS DI own Y no need COMPRESSOR
15 BASS preamp "LeBass" own no need COMPRESSOR
16 GTR L XLR no need please have 1x SM57 on small stand as spare
17 GTR R XLR no need
18 KEYS L. own no need COMPRESSOR
19 KEYS R. own no need COMPRESSOR
20 CELLO L. own no need
21 CELLO R. own no need
22 HD 1 orchestra L. XLR by the monitor desk
23 HD 2 orchestra R. XLR by the monitor desk
24 HD 3 keys / fx L. XLR by the monitor desk
25
26
HD 4 keys / fx R.
HD 5 bv L.
XLR
XLR by the monitor desk
by the monitor desk
27 HD 6 bv R. XLR by the monitor desk
28 VOC gtr (Alex) KSM9 Y L/B COMPRESSOR
29 VOC keys (Chris) SM58 Y L/B COMPRESSOR
30 VOC bass (Kevin) KSM9 L/B COMPRESSOR
31 LEAD VOC own L/S COMP.+DYN.EQ Long Straight stand
32 LEAD VOC spare own L/S COMP.+DYN.EQ
33 BAND CLICK XLR FOR MONITORS AND FOH
34 DRUM CLICK XLR FOR MONITORS AND FOH
35 AC GUITAR DI no need by guitar world (SR)
36 CAJON SM91 no need
37 KEYS 2 L. DI no need please prepare a 10m loom with XLR L/R and a
38 KEYS 2 R. DI no need power line with a single outlet
46 Talkback "Guitar World" own !! ONLY FOR MONITORS !!
47 Talkback "Quick change" own !! ONLY FOR MONITORS !!
48 Talkback
F "Monitor" own
own L/B
no !! ONLY FOR MONITORS !!
st.1 Vocal dly return L/R
st.2 Vocal reverrb return L/R
st.3 Snare plate rev. ret. L/R
st.4 Drum room rev. Ret. L/R
st.5 FX return L/R
st.6 iPOD L/R
make sure we have enough XLR cables to reach guitar world talkback and quick change talkback
ADDITIONAL NOTES :
S/B means SHORT BOOM STAND: We need totally 6 pieces !!
L/B means LONG BOOM STAND: We need totally 10 pieces !!
MICROPHONES SPECIFIED IN THIS INPUT LIST ARE TO BE PROVIDED LOCALLY
MAKE SURE TO HAVE ENOUGH CABLES,IN VARIOUS LENGTH, AND IN PROPER WORKING CONDITIONS
WE ARE NOT SHARING ANY CABLES/STANDS WITH SUPPORT BANDS
18
TARJA TURUNEN 2017

Update 10.3.2016
This lighting rider includes 14 pages
Hello this rider is there to ensure performances of the Artist,Tarja Turunen.
To ensure ease and quality of Artist’s performance, the promoter shall provide the items
requested as detailed in the following sections.
We would like to thank you in advance for your help in making the Tarja Turunen Tour a
worldwide success.
This lighting, screen rider covers all aspects of the Show
Production. For us to present the Full Tarja Turunen Performance.
We need you to deliver every item listed in this rider. If you need to make any amendments
to the requirements listed in this rider, you must do so in writing.
You must receive written
confirmation from the LD or Production manager agreeing to all changes being made to
this rider before proposed changes are implemented.
Lighting director:
Tommi Stolt + 358 400 891 390 Tommi@spacezoo.fi
19
(2/14)
LIGHT, LED SCREEN REQUIREMENTS
ALL LIGHTS ARE IN STANDARD MODE.
T 0. Motorized Front Black Truss: 16 m ( front truss )
6 x 2-lites ( Single Channels )
7 x Martin Quantum Wash or Martin MAC Aura, Robe, Clay Paky, Robe
6 x HES Solar Spot 1500 or Martin Viper Prof, Mac III, Clay Paky 1500,Qwo
3 x Martin Atomic 3000 Strobo or TMB Solaris Flare
T 1. Motorized Black Truss: 16m ( middle truss )
6 x HES Solar Spot 1500 or Martin Viper Prof, Mac III, Clay Paky 1500,Qwo
6 x Clay Paky Sharpy or Robe pointe, Rush Beam
3 x Martin Atomic 3000 or TMB Solaris Flare
T 2. Motorized Black Truss: 16m ( back truss )
5 x HES Solar Spot 1500 or Martin Viper Prof, Mac III, Clay Paky 1500,Qwo6
2 x Martin Atomic 3000 or TMB Solaris Flare
T 3. Motorized Side Black Truss Stg right 3m
20
(3/14)
T 4. Motorized Side Black Truss Stg right 3m
T 5. Motorized Side Black Truss stg left 3m
T 6. Motorized Side Black Truss Stg left 3m
Floor:
4 x HES Solar Spot 1500 or Martin Viper Prof, Mac III, Clay Paky 1500,Qwo6
3 x Martin Aura or Martin MAC 101, Robe, Clay Paky, Robe
EFX:
1 x MDG Athmosphare USL & UPR + Fans
1 x DF- 50 Hazer Located to F.O.H
2 x Powerfull Smoke Machine ( F-100 ) + Fans USL & USR
21
(4/14)
Pipe towers:
6 x 3m pipe with the floor plate See the plot.
- 2 x Mac Aura or Martin MAC 101, Robe, Clay Paky, Robe

- 2 x Showtech Sunstripe active DMX or TMB Solaris Flare
Follow spots:
3 x Robert Juliat Lancelot Follow spot with intercoms to Foh. English speaking and capable
operators
Colours: 1. Open 2. L 106. 3. CTO 205
22
(5/14)
LED SCREEN TRUSS: 3 rig points on 1. line, evenly distiributed
T 7. Motorized Black Truss 16m See the picture 500 kg
1 x 3mm LED Screen size 1 x 2m Stage Right
1 x 3mm LED Screen size 1 x 3m Stage Right
1 x 3mm LED Screen size 1 x 4m Stage Center
1 x 3mm LED Screen size 1 x 3m Stage Left
1 x 3mm LED Screen size 1 x 2m Stage Left
We are providing one Media server and we are using HDMI output FULL HD 50 Hz.
Local screen providers need to be taking care of signal transmit from F.O.H to the screen, and
have all needed equipment for the scaling and setup.
Screen setup:
3MM LED SCREEN
SCREEN 3. SCREEN 4.
SCREEN 2. SCREEN 5.
SCREEN 1.
1.5m 1.5m 1.5m 1.5m

2m
2m
3m
3m
4m
1m 1m
1m 1m
2.2m
2.2m
2m
2m
1m
1.1m
23
(6/14)
T 8. Motorized Black Truss 16m for the backdrop
Black backdrop in the backpipe
Backdrop
We will Bring our own backdrop but still we need Black Backdrop ”Molton”
FOH:
1 X F.O.H Snake Should be 8 DMX & 4 X Ethernet lines to the screen and 1 x stage left + 1x
3ph 16 A with Shuko outputs
The Lighting console is required
Whole hog 4. + expansion wing. This is NON-negotiable !
FOH riser for operator 3m x 3m x0.60cm + Table 3m x 1m x 1m
SUBSTITUTE PRODUCTS:
MARTIN, CLAY PAKY, VARI*LITE ( no spots), ROBE, HIGH END
ANY FIXTURE CHANGES IS NOT ALLOWED !! !! No any china Copy lights !
Stage:
ALL Truss lines MUST be Black or covered with black drapes
Stage must be covered with black curtains, (Black Box) no reflection materials stage deck must
be a black
Stage size 18m wide x 10 Deep MINIMUM
24
(7/14)
Tour Power:
1 x3x3Ph 63A stage center
Stage Cabling:
It is the producer’s responsibility to make sure there is a professional cabling system in place.
1. All cables must be secured.
2. Any cables over 5mm in diameter must have a cable mats/ramps. iii. Any
stage exits must be clear from all objects.
3. Please supply 8 x Yellow Jacket cable ramps
Staff:
(2) Two professional Lighting persons and
(2) Two Stagehands helping only with the screen and tour lights Load in and load out.
(1) One professional operator familar with the system, sober English speaking operator must be
present from time of Load- in to the time of Load out.
(3) Three Follow spot operators sober, English speaking.
25
(8/14)
FINAL WORDS:
If you have any questions please take a contact to me.
Thank you
Tommi
Touring contact:
Lighting Director:
Tommi Stolt Tel: +358 400 891 390 E-mail: tommi@spacezoo.fi
26
(1/1)
We have read the above TARJA TURUNEN rider and agree that this will be adhered to in details
Signed (the Promoter) Place and Date:
please signed it and send it back countersigned as part of the agreement to Tarja Turunen Management
If there are any problems or if anything is unclear, do not hesitate to get in touch with us. We will find a
solution! Kindest Regards
------------------------------------------------------------------------
Any questions? Please contact our manager
Marcelo Cabuli
marcelo@nems.com.ar
+358 408 616 336
27
TARJA TURUNEN 2016
T A R J A 2016
SPACE ZOO OY
Lighting Designer: Tommi Stolt
Lighting Designer cell: +358 400 891 390
E-mail: tommi@spacezoo.fi
Copyright © 2012
FLOOR
1m
1m
1x 3x 63 A
3.50m 3.50m
1
3 31 31 31 31 31
4
2 24 24 24 24 24
11m
Legend
BASS
Symbol Name Count Wattage Lamp Lens
GTR
Sharpy 12 350 MSD Platinum 5R 189W
MAC Quantum Basic 3 760 LED
SolaSpot Pro 1500 4 2050 HID 850W
MAC Aura 12 260 LED
Sunstrip Active Dmx 12 750 Hi-Spot ES63/25°

1m
18m
TARJA TURUNEN 2016
T A R J A 2016
SPACE ZOO OY
Copyright © 2012
1 1 1 1 1 1
2 2 2 2 2 2
3 3 3 3 3 3
4 4 4 4 4 4
Legend
Symbol Name Count Wattage Lamp Lens
Sharpy 30 350 MSD Platinum 5R 189W
MAC Quantum Basic 27 760 LED
SolaSpot Pro 1500 21 2050 HID 850W
MAC Aura 15 260 LED TARJA TURUNEN 2016

Sunstrip Active Dmx 12 750 Hi-Spot ES63/25°
T A R J A 2016
SPACE ZOO OY
Flare 9 1000 LED
Thomas 2 Lite Par 36 6 1300 DXK E-mail: tommi@spacezoo.fi
Copyright © 2012
Page: 7 / 11
3MM LED SCREEN
SCREEN 3. SCREEN 4.
SCREEN 2. SCREEN 5.
SCREEN 1.
1.5m 1.5m 1.5m 1.5m

2m
2m
3m
3m
4m
1m 1m
2.2m
2.2m
1m 1m
2m
2m
1.1m 1m
TARJA TURUNEN 2016
T A R J A 2016
SPACE ZOO OY
Copyright © 2012
11m
2m 4m 6m
2m
6.46m
8.07m
8.07m
6m
5.51m
2
4m
2.78m
3
Legend
Symbol Name Count Lamp
Sharpy 30 MSD Platinum 5R 189W
MAC Quantum Basic 27 LED
SolaSpot Pro 1500 21 HID 850W
MAC Aura 15 LED TARJA TURUNEN 2016
Sunstrip Active Dmx 12 Hi-Spot ES63/25°
T A R J A 2016
SPACE ZOO OY
Flare 9 LED Lighting Designer cell: +358 400 891 390
Thomas 2 Lite Par 36 6 DXK
Copyright © 2012
TRUSSING
1m
T 7.
1
3 1
3 1
3 1
3 1
3 1
3
4
2 4
2 4
2 4
2 4
2 4
2
T 3.
11m
T 4. T 6.
T 1.
Legend
Symbol Name Count Lamp
Sharpy 18 MSD Platinum 5R 189W
MAC Quantum Basic 24 LED
SolaSpot Pro 1500 17 HID 850W

T 3. T 5.
1m
MAC Aura 12 LED
Sunstrip Active Dmx 12 Hi-Spot ES63/25°
Flare 9 LED
18m
Thomas 2 Lite Par 36 6 DXK
T 0.
TARJA TURUNEN 2016
T A R J A 2016
SPACE ZOO OY
Copyright © 2012

TT19 - Technical Rider - Flying - Festival shows-NO Acoustic

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TT19 - Technical Rider - Flying - Festival shows-NO Acoustic

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RIDER

FLYING/FESTIVAL RIDER NO acoustic request

rider general - flying/festival 2019 NO acoustic part

Manager /Tour Manager Production manager / Stage manager /

FOH Sound Monitor engineer

Light Designer 2nd backline tech / stage manager

Meet & Greets / Artist assistant

TARJA TURUNEN - lead vocal

rider general - flying/festival 2019 NO acoustic part

LOCAL PROMOTER/VENUE TO SUPPLY AND PROVIDE THE FOLLOWING

rider general - flying/festival 2019 NO acoustic part

PROMOTER REP / STAGE MANAGER

rider general - flying/festival 2019 NO acoustic part

SOUND CHECK // SOUND

rider general - flying/festival 2019 NO acoustic part

FAILURE TO FULFIL OBLIGATIONS

rider general - flying/festival 2019 NO acoustic part

Please provide a basic and healthy catering

NOTE: TIME TO BE ADVANCED BY TOUR MANAGER for 15 people. Adequate amount of

LUNCH @ CATERING ROOM

DINNER @ CATERING ROOM

DRINKS/SNACKS @ CATERING ROOM

STAGE DRINK / TOWELS

AFTER SHOW FOOD

rider general - flying/festival 2019 NO acoustic part

DRESSING ROOM ARTIST

DRESSING ROOMS BAND//CREW

• One (1) litre bottle of Bombay Sapphire GIN

rider general - flying/festival 2019 NO acoustic part

we carry the minimum of equipment. Therefore, ALL the equipment

DRUM (Timm Schreiner)

NEW set of REMO HEADS®:

rider general - flying/festival 2019 NO acoustic part

One (1) 22” A custom Ride

rider general - flying/festival 2019 NO acoustic part

One (1) 8x10” Standard 108HR

IF MARKBASS cannot be supplied, have the following gear available

One (1) SVT-810E AMPEG®

Two (2) Bass stands (neck holder version preferred)

GUITAR (Alexander Scholpp)

One (1) 4x12 PRO cab

IF BLACKSTAR cannot be supplied, have the following gear available

One (1) 4 x 12” MESA BOOGIE straight guitar cabinets

rider general - flying/festival 2019 NO acoustic part

KEYBOARD (Christian Kretschmar)

NO ROLAND, YAMAHA DX7

One Nord Modular G2X (Clavia) MIDI-masterkeyboard, 61 light weighted keys

One Access Virus TIK MIDI-masterkeyboard, 61 light weighted keys

Three (3) Quiklok(2tiers)

rider general - flying/festival 2019 NO acoustic part

rider general - flying/festival 2019 NO acoustic part

rider general - flying/festival 2019 NO acoustic part

• Minimum of 110 dB (A) undistorted sound at FOH without system limiting.

rider general - flying/festival 2019 NO acoustic part

• must have the latest firmware installed

all consoles must have the latest firmware installed

• Preferred analogue consoles are:

WE DO NOT SHARE THE ANALOG CONSOLE WITH THE OTHER PERFORMERS

FOH INSERT/FX (needed only with analogue console)

FOH MIX POSITION

rider general - flying/festival 2019 NO acoustic part

MONITOR DESK OUTPUTS

rider general - flying/festival 2019 NO acoustic part