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Music of The Romantic Period
Music of The Romantic Period
(1820-1910)
ROMANTIC PERIOD
- A time of expansion
- Industrial Revolution broke down and capitalism and socialism grew
- There was already advancement in Science & Technology: Darwin for his “Origin of the Species”,
and the Morse’s Telegraph was invented
- The important names in literature were Byron, Keats, Longfellow, Allan Poe; in painting, Delacroix,
Friedrich, and Gericault; and in music, Chopin, Brahms, Bizet, Berlioz, Tchaikovsky, Schumann,
Verdi, Liszt, etc.
- The keynote of the romantic spirit was Freedom: political economic, religious, personal & artistic.
The common purpose is the expression of man’s feelings about himself, about humanity & about
the world in which relives
Chopin’s music is individualistic and easily understood. His methods are lyrical and he is fond of
using ornamentations. CHROMATICISM is also an important factor in his music.
ART SONG
- It is a composition for solo voices that combines melody, poetry, and accompaniment into an
integrated form in which all 3 play equally important roles. The German word for an art song is LIED
and the plural is LIEDER.
OPERA
- A drama set to music. It includes poetry, scenery, costumes, acting and dancing in addition to
vocal & instrumental music.
COMPONENTS OF OPERA
1. LIBRETTO – the text of an opera
2. OVERTURE - instrumental composition which serves as an introduction to the opera
3. RECITATIVE – a sung dialogue; a vocal part that is declaimed following the pattern of
speech rather than melody
4. ARIA – a song without poetically & musically reflects dramatic feeling
5. DUO, TRIO, & OTHER SMALL ENSEMBLES
6. CHORUS
7. ORCHESTRA
8. BALLET – dance of a formal and stylized nature
9. ACTS AND SCENES – sections of an opera
“AIDA”
- Another popular opera of Verdi. It is called a GRAND OPERA because every bit of it is sung.
The famous marched played during graduation nights is the Grand March from the opera
“AIDA”.
HECTOR BERLIOZ (1803-1869)
- One of the great Romantic composers who expanded the orchestra. In the same way that Liszt
expanded the tonal resources of the piano, Berlioz exploited the CAMBRE that the full
symphony orchestra can make. He was recognized as the matted orchestration of his era.
PROGRAM MUSIC
- compositions with descriptive associations of this are called PROGRAM MUSIC, like the poem
or symphonic poem, an idea conceived by Liszt in the second half of the 19th century.
SYMPHONY FANTASTIQUE
- This is Berlioz example of program symphony. It is composed of 5 movements:
I. DREAMS; PASSIONS IV. March to the Scaffold
II. A Ball V. Dream of the Witch Sabbath
III. Scene in the fields