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PROGRAM PLANNING & BUILDING FOR RTV

LEADI N G T HE
BRO AD C AS T
IND US T RY
TALKING POINTS
PRES EN TA TI ON
O VE RV IE W
THE BROADCAST
STUDIO
THE BROADCAST FLOW
THE BROADCASTING
SYSTEM
BROADCASTING
BOTH A CREATIVE AND TECHNICAL
ENDEAVOR

REQUIRES MANAGERIAL, CREATIVE,


TECHNICAL AND BUSINESS
COMPETENCE.
STATION MANAGER
- OVERSEES THE BROADCAST
OPERATION- FROM PLANNING
TO IMPLEMENTATION TO
CONTROL OF THE PROGRAMS
BASED ON A CLEAR
BROADCAST POLICY.
MS. ANNIE
RENTOY
is the Station Manager of
UNTV-Radio La Verdad
1350
MARAH FANER-
CAPUYAN
station manager of DZMM
TeleRadyo.
MEDIUMS BASIC
NOT ENOUGH SPACE

DEFICIENCIIES
NOT ENOUGH HELP
NOT ENOUGH SPONSORS/MONEY
NOT ENOUGH TIME
THE BROADCAST
STUDIO
THE AREA INTHE RADIO AND TELEVISION STATION
WHERE STORAGE PRODUCTION NEEDS ARE MET.

RADIO STUDIO- NEEDS ONLY A SMALL SPACE FOR THE


STORAGE OF MICROPHONES AND CABLES, WITH A LARGE
CENTRAL STORAGE PLACE FOR SOUND EFFECTS
EQUIPMENT.

TV STUDIO- SHOULD HAVE AT LEAST FOUR TIMES AS


MANY SQUARE FEET OF SERVICE SPACE OUTSIDE
THESTUDIO AS THE AREA OF THE STUDIO ITSELF, FOR
STORAGE AND PRODUCTION NEEDS.
UNTV RADYO LA VERDAD
UNTV RADYO LA VERDAD
ELEMENTS OF A TV STUDIO
A SET BUILDING AND BACKDROP FOR A SETTING
FURNITURE
PROP STORAGE FOR SETS AND COSTUMES
DRESSING AND MAKE UP ROOMS
PRODUCTION FACILITIES FOR TITLES AND ART
WORK
FACILITIES FOR FILM STORAGE AND EDITING,
ENGINEERING MAINTENANCE AND SUPPLIES
EMPTY ROOMS FOR REHEARSALS
Average Studio
rarely exceeds 30x50 feet

equipped with two or three cameras


mounted on wheeled supports

control room, where pictures can be


viewed on all cameras at once
The Control Room
pictures can be viewed on all cameras at once, provided for
the director's greater convenience.

often built on two levels.

On the lower level, monitors are placed and the video


engineers who operate them and their individual controls.
Production directors are placed on the upper level.

Technical Director or the switcher may operate on either level.


Audio Room
under the supervision of the audio engineer.

Audio consoles (controls various microphones


and turntables). It has various types of
microphones:
those that hang from overhead
stand on the floor or tables (radio mikes)
hidden in props or scenery 02
Control Engineers

RPA Summer 2020


Technical Directors
Audio Engineer
Video engineer

02
COMMUNICATION
BETWEEN CONTROL
ROOM AND STUDIO
FLOOR IS ARRANGED
THROUGH AN
INTERCOMMUNICATIO
N SYSTEM.
03
Broadcast Flow/ Procedure

DEPENDS ON THE SIZE OF THE STATION,


LAYOUT, STRUCTURE AND TYPE OF
PROGRAM.

1. ORIGINAL CONCEPT
2. PRESENTATION OF CONCEPT
3. LOOKING FOR SPONSOR
Broadcast Flow/ Procedure

4. PRODUCING PILOTS (INITIAL PROGRAM


OF SERIES)

5. SHOWING OF PILOT PROGRAMS TO


NUMEROUS GROUPS ON VARIOUS
OCCASION UNTIL FINALLY A SPONSOR
HAS BEEN OBTAINED.
Broadcast Flow/ Procedure

6. ONCE APPROVED, THE STATION


MANAGER WILL ASSIGN THE SERIES TO A
PRODUCER/SCRIPTWRITER OR PRODUCER-
DIRECTOR.

7. THE VARIOUS ELEMENTS OF THE


PROGRAM ARE FINALLY PACKAGED, EITHER
FOR LIVE BROADCAST OR FOR RECORDING
IN ADVANCE OF BROADCAST DATE.
The Broadcasting System

STATE OWNERSHIP

when broadcast facilities are owned directly by the


government with broadcasting activities under the
immediate supervision of a government head or a committee
appointed by the latter
PTV 4
or the People’s
Television
Network Incorp
orated (PTNI)

17
Radyo ng
Bayan DZRB
738 kHz

17
The Broadcasting System

AUTONOMOUS CORPORATION

when broadcast facilities are owned and


operated by a corporation that, although government
owned, is almost completely
independent from the government in power.
Though the Philippine
government still owns IBC
13, the channel is run
more like a private
corporation; it doesn’t get
financial support from the
government and relies on
broadcast revenues for its
operations.
The Broadcasting System

PRIVATE OWNERSHIP

when broadcast facilities are owned and operated by


private individual corporation
or individuals, usually regulated in some manner by a
government body.
ABS-CBN Corporation,
commonly known as ABS-
CBN
Financial Plan in the
Broadcasting Industry

TAX OWNERSHIP

when broadcast industry gets primary support from taxes,


ranging from the general
fund appropriation to special taxes on set sales, imports, and
the like.
Financial Plan in the
Broadcasting Industry

LICENSE SUPPORT

when the broadcast industry gets support from license fees


paid annually by the
owners of radio or television sets.
Financial Plan in the
Broadcasting Industry

ADVERTISER SUPPORT

when the broadcast industry gets support primarily from the


sale of advertising to
businesses and services for distributing their message to a
wide audience.

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