Professional Documents
Culture Documents
Lighting LAA
Media Studies
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Yama Bahadur
Thomas Tallis School
Media Studies
Mr Field
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Soft Lighting
Soft Light is light that creates shadows with a gradual transition from light to dark. There
are no hard shadows in s oft lighting. Soft light can be created by different light sources
which prevents the hard shadows f rom appearing. Soft light r efers to light that tends to
"wrap" around objects, casting d iffuse shadows with soft edges. Soft light i s when a light
source is large relative to the subject.
Hard Lighting
Hard lighting is a type of lighting which creates sharp shadows and well d efined outlines
on and off the subject. It is a very strong light which m akes shadows and every detail on
the subject stand out. For example, the lighting shows a lot of the defects of a face, such as
wrinkles, scars etc.
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Practical lighting
Practical lighting can be a torch or a fire etc, used to create lighting in a film. Practical
lights are light sources that are visible within the shot. They will have a spread of functions
like adding depth or to justify that the light within the scene is r eturning from this light
sources. Practical lighting can also often be assisted by reflectors as it enhances
more lighting on the characters face, making emotions and facial expressions more
recognisable.
Side Lighting
Side lighting is light that falls on a subject matter a t roughly ninety degrees to the camera.
This implies t hat o ne side of a subject matter is l it a nd also the different sides are in
shadow. In terms of serving to to convey a subject’s form and type this can be ideal. Of the
3 directions, s ide lighting creates the strongest sense that a subject matter has 3
dimensions. There’s forever a catch but The catch d uring this instance is d
istinction. Side
lighting doesn’t e qually illuminate your subject.
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Back Lighting
Backlighting i s caused once the light supply is behind the topic shining towards the
camera. If your subject obscures the light supply and if exposed the background rather
than your subject the results are going to be a silhouette. Silhouettes look flat, virtually
sort of a cardboard cut-out. If the form of your subject is robust this may be terribly
effective. This effect c
reates a glowing effect on the edge of the subject or person, while
the other areas are darker. This lighting technique is usually made more intense by an
artificial source but can also be from n atural light from the sun or from the moon.
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Fill Lighting
In television, film, stage, or photographic lighting, a fill light may be u
sed to reduce the
contrast of a scene to match the dynamic range of the recording media and record the
same amount of detail typically seen by eye in average lighting and considered normal. The
purpose of this light is to f ill in the shadows created by the key light, preventing them
from getting too dark.
Venetian Lighting
Venetian lighting is a very creative way of creating light on an object or character. The
lighting creates g
reat shadows on the character to create a s inister effect. The lighting
was often used in H ollywood as it was cost effective. Here are some examples of venetian
lighting used in film:
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As you can see in the examples, the lighting is caused by the blinds in the shot. The blinds
create a s inister and shadow e
ffect on a character. The venetian blinds setup is a famous
his can be a great contrasting effect adding detail to
and well used trick for many films. T
your shot.
Chiaroscuro Lighting
Chiaroscuro is an italian term and it refers to dark and light lighting. It mostly refers to
the dark/light contrast used in cinema. It was first used in film in 1915 while filming The
Warrens of Virginia.
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Rembrandt Lighting
Rembrandt lighting c ould be a lighting technique t hat's utilized in studio portrait photography.
It is achieved u
sing one l ight and a reflector, or 2 lights, and is f ashionable a s a result of it's
capability of manufacturing pictures that seem e ach natural and compelling with minimum
equipment. Rembrandt lighting is c haracterised by associate degree w ell-lighted triangle
below t he attention of t he topic on the less w ell-lit side of the face. it's named after the Dutch
painter o ld master, W ho typically used t his sort of lighting.
Uplighting
Uplighting is a popular lighting effect created by strategically p
lacing lighting fixtures
on the floor and pointing them up. Thus creating the effect of "up lighting". U plighting is
a very effective way to dramatically improve the ambience of an event space.
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Spotlighting
You can use a flashlight to create this effect, but a powerful spot might be necessary if you
need more illumination. It c reates focus on a certain subject. For example, a character
hears a sound and goes to investigate with a flashlight. This makes it more suspenseful
and s cary for the viewer. It is often u
sed in horror movies.
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Film Noir
Film Noir mostly uses Low key lighting throughout, causing light/dark contrasts and
dramatic shadow patterns. The shadows of venetial blinds that cast upon a character or a
subject are now iconic visuals of Film Noir. Characters are obscured by darkness to create a
rather anonymous and scary scene. In the scenes, they do not use more than three lighting
techniques: the key light, fill light, and back light. These help to create an outline and
separate the character from the background. Hard light is used to create harsh shadows,
where as soft lighting is used to make characters look more glamorous.
Hard Lighting:
In film noir, they usually used hard lighting. This was because the lighting c
reates a very
large and hard shadow w hich can create horror and an anonymous figure for the viewer.
Fog can also add great effect to a silhouette character. It can illuminate the character and
cast and eerie glow which can be used in horror films or films based on mystery.
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In this you can clearly see the hard shadow on the wall. It can c
reate a mysterious sense
as we can not clearly see the character. Shadowy figures are a huge part of film noir, and is
also a highly used technique in films now. It can create mystery and an anonymous feel to
a character. This is highly used in horror films and mystery films to create build up.
Chiaroscuro Lighting:
Chiaroscuro is an italian word which means light and dark. Chiaroscuro lighting was used in
paintings and later on then in cinemas. The lighting makes the characters face half lit with
light. Each director has their own perception of using this technique. For example, some
can lit half of the characters face and some all of the characters face. Chiaroscuro not only
creates a sense of depth and volume in paintings but also Films and on scenes.
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Soft Lighting:
Soft lighting is the opposite to hard lighting. There isn't so sharp shadows which makes
the character less scary. This is done by a
iming the light around the character and not
on the character. The lighting technique can be used to make the character seem
important however, also very friendly and innocent as the l ighting creates a warm
welcoming.
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Horror Lighting
Use of shadows:
Shadows are used in horror films to signify that a certain character is a bad c haracter or
that something bad i s going to happen. Shadows c an make a character seem m ore
scarier and potentially make a character look scary even before seeing the character.
In the photo above, the s hadow created by the lighting a
bove the character creates an
anonymous like character. We can not see the characters e motions or facial expressions
however, we can view the characters body shape, which shows a creepy, skinny, evil like
figure.
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Atmospheric effects:
Atmospheric lighting c an often have a big effect on the viewers impression on characters
and scenes etc. It can be used to reveal certain characters in a more sinister w
ay, to add
tension and create build up.
In the photo above taken from a film, you can see the character is being introduced to
viewers in a rather s inister w
ay. The bright s unlight in the background creates a s inister
effect on the character, leaving viewers wondering who the character is.
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Up lighting:
Uplighting i s used to make a subject look scarier and more evil t o the audience. This is
made by placing a light underneath the characters face to create s hadows going upwards.
This is used in a lot of horror films to create an evil s cene of a character.
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Music Videos
Lighting to convey mood:
M Huncho - Birds
We can see in this music video, the character/rapper is in a balaclava and the lighting is in a
red coloured tone. This creates a devilish and sinister effect on the viewers. Moreover,
the character is in a balaclava which can connote anger and violence and also m ystery.
The music video ‘Birds’ by M Huncho has various different types of lighting techniques. The
red colour connotes anger and a sense of fierce. The balaclava can back this up too, as the
balaclava can connote crime and murder. Furthermore, there is spot lighting used to make
the subject look more clear and visible. Also, to let the viewers know that the subject is
important.
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‘212’ by Azelia Banks
In the music video for ‘212’ by Azelia Banks, there is a black and white filter used
throughout the video. This creates the video to appear as edgy and strides out. The video is
very plain and simple the whole way through which is why it is an abstract video.
There is a contrast between her and the wall behind her. This is because she sticks out due
to the clothing she is wearing and the black and white features.
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