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BY CABE ATWELL
The Theremin is an electronic musical instrument with its roots in the dark world of espionage.
It was the year 1919. In the new the Theremin is a standard instru- both sides of the 556 timer into
Soviet Union, the Russian phys- ment around the globe. The “astable” mode. In other words,
icist Lev Sergeyevich Termen sound a Theremin produces—a the 556 timers will generate wave
(aka Léon Theremin) was tasked spooky “weeeeeeee-oooooooh” forms at certain frequencies. If
with researching proximity sen- sound heard in a lot of science the frequency is in a particular
sors that could detect a human fiction and horror movies—can range, it can be heard through
body. He used high-frequency be mimicked by today’s syn- the speaker. In other words, the
electromagnetic oscillations and thesizers. Even the contactless regularity of the waveform will
created the “radio watchman,” interfacing can be reproduced in generate a sound tone.
a device that changes the pitch other ways, and inexpensively too. In this device, the tones are
of a tone based on the proximi- This project will attempt to make changed using phototransistors
ty of a body. Vladimir Lenin, the the simplest version of a contact- in a particular configuration. Pho-
Bolshevik leader, was impressed less theremin-like tone-producing totransistors sense how much
by the device. He even took les- device. At the heart of this project light surrounds them, and they
sons on how to use it as a musi- is a 556 timer integrated circuit change electrical properties as
cal instrument. Lenin sent Léon (IC). This particular IC technical- the lighting changes. This effect
Theremin around the world to ly consists of two separate 555 will be harnessed to create a high-
demonstrate the Theremin. timer IC circuits on a single chip. ly sensitive interface for the tone
Eventually, Theremin ended up in Each side of the 556 timer here, in generators on the 556 timer.
the USA, in 1928, where he patent- this project, will produce a differ- First, let’s take a look at the
ed the device. Electronic music ent tone. One low and one higher schematic.
was born! pitched.
Flash forward ninety years, and The circuit configuration places
2
What is happening here is a precise controlling of the 556 timer. The resistor labeled “R1” and the phototran-
sistors on the left side, and R2 and the phototransistors on the right side, control how long the output pulses
are on and off for either side of the 556 IC. The phototransistors in their configuration are acting like a vari-
able resistor. Typically, a transistor controls the current flow between the emitter and collector depending
on the current applied to the base. The base current, in this case, is being changed by the light level. Hence,
the emitter-to-collector current changes. Since there are two transistors configured opposite to each other,
the current can flow in both directions.
The output pulses from the 556 are also known as Positive and Negative Time Intervals—the time the pulses
are in the on and off state respectively. The total time between pulses is the positive (on) and the negative
(off) time intervals added together, also known as the frequency of the sound.
The ratio between the resistor and the effective resistance of the transistors can be seen in this equation:
Frequency = 1.4/((R1+2Rt)/C1)
As you wave your hands and fingers over the device, the amount of light falling on the phototransistors will
change. This changes the value of Rt, which changes the frequency of the 556 chip, which changes the sound
you hear.
To build this project, a handful of items will be needed:
When assembled on a breadboard, the project will look something like the above image. Exact wire color or
length isn’t important. As long as all the points are connected, then everything will work.
01 01
02
02 ON THE BREADBOARD TO
PIN 14 (VCC) ON THE CHIP
(TRADITIONALLY, THIS USES
A RED JUMPER WIRE). THEN
CONNECT THE NEGATIVE RAIL
ON THE BREADBOARD TO PIN
7 (GND) WITH THE BLACK WIRE.
03
05
5
06
07
09
10
THE PHOTOTRANSISTORS
11
13
7
14
15
17
18
18 CAPACITOR SHOULD BE
CONNECTED TO PIN 12.
19
20
9
THE PROJECT WILL IMMEDIATELY START MAKING A SOUND. THE LEFT SPEAKER, AND LEFT SIDE OF THE BOARD, WILL PLAY
THE LOWER-PITCHED TONE. THE RIGHT SIDE WILL PLAY THE HIGHER-PITCHED SOUND. CAREFULLY MOVE YOUR HANDS AND
FINGERS OVER THE PHOTOTRANSISTORS TO BLOCK LIGHT, AND THE SOUNDS WILL CHANGE.
ALTERNATIVELY, GET A FLASHLIGHT AND SHINE IT ON THE PHOTOTRANSISTORS. THE SOUNDS WILL CHANGE DEPENDING ON
THE LIGHT INTENSITY.