Professional Documents
Culture Documents
WORKBOOK
That a public building should have the ‘exact’ appearance of a public building is an idiocy
that comes to be accepted as correct when the city no longer seems capable of giving
expression to collective meanings – that is, when the process of privatisation has begun.
This was never before a problem in itself, but rather primarily a practical problem of
truthfulness and of necessity.
The finest buildings in the constructed city, those which overcome this emphasis
on ‘theme’, call attention to their own ‚truth‘, and therefore their recognisability, with
the result that they are always far ahead of any glamorous designs. I am thinking of
Soane, for example, or Schinkel, for whom architecture is primarily a matter of technique.
Giorgio Grassi, Avant Garde and Continuity, 1980
The city’s identity was once given by its monuments. The church, the town
hall, the market, and the theatre were like figures that stood above the quotidian
houses and workshops. These were the stable anchors, around which the dynamism
of the everyday city was played out. As the state became richer and more powerful,
the ambition and complexity of the city responded. In the idealised plans of renaissance
Italy, the transformations of baroque Rome, and the brutal capitalist vision of
Haussmann’s Paris, we see cities that are the artistic expression of a powerful political
will. One senses that Schinkel, in early 19th century Berlin, already recognised that
this state of affairs was no longer tenable, and that the discipline of urban design
had already been superseded by architecture. At the end of the 19th century Camillo
Sitte’s book Der Städtbau nach seinen künstlerischen Grundsätzen attempts to formalise
the picturesque condition of the ancien regime European city. Although the book
would be very influential in the development of modern city planning, it was written
at a time when the possibilities to control the design of the city had almost disap-
peared, and its influence during the course of the 20th century would be a city
design that was primarily concerned with concealing the prevailing economic and
political forces behind the romantic image of the beautiful city and the good life.
This turn of events is not all bad. In our dramatically heterogeneous contempo-
rary society, the old monumental buildings, even without their intensive use and
widely understood iconography, still provide a structure and impart meaning to the
important places in the city. In a context of reduced possibilities and lowered ambitions,
architecture still has a role to play in imparting identity to our cities. Architecture has
the capacity to express the conditions of its production at the same time as to engage
with, and intensify concrete reality. As Roger Diener has said, town planning attains
its essence in those situations when it can bring a place into order with one house.
We studied examples from 14th century Florence to 20th century Basel in order
to understand the condition of the figure in the city. We went on to design buildings
that possess this quality, even though they may not be big, or have a special use.
They were located on prominent, yet fragmented sites in a range of small cities in
Switzerland.
4 FS 2011 The Urban Figure 5 References Overview 1:500
References
Bridgnorth Town Hall Josef Plecnik Diener & Diener Architekten Leon Battista Alberti Hans Poelzig Adolf Loos
p. 4 Peglezen Hochstrasse Sant Andrea Chemical Factory Geschäfts- und Wohnhaus
p. 6 p.8 p.10 p. 12 Goldman & Salatsch
p.14
0 5 10 15 20
27 Student Projects
Student Projects
Basel, Hochstrasse
Annina Meier / Pontus Falk
Vanessa Joos / Kirsten Koch
Tobias Abegg / Amadeo Linke
Marcel Baumann / Sabrina Maniglio
Biel, Silbergasse
Franziska Wittmann / Marie Wunder
Thomas Rodemeier / Andre Perrnonet
Illaria Gianola / Augusta Prorok
Jitesh Mewada / Dhara Surana
Neuchatel, Place-d’Armes
Baseli Candrian / David Späh
Fabiano Andina / Dido Schumacher
Rico Bürkli / Noriaki Fujishige
Roger Lienert / Manu Gross
Zürich, Stauffacherquai
Alex Wright / Nathalie Körner
Lisa Grübel / Karin Zimmermann
Kerstin Pulss / Mia Seuss
Stephanie Schleh / Christian Schwizer
29 Student Projects
Basel, Hochstrasse
30 FS 2011 The Urban Figure 31 Student Projects
The Urban Figure Professor Adam Caruso Pontus Falk Annina Meier
32 FS 2011 The Urban Figure 33 Student Projects Annina Meier / Pontus Falk
Interior Perspective
Third Floor
The Urban Figure Professor Adam Caruso Pontus Falk Annina Meier
34 FS 2011 The Urban Figure 35 Student Projects
site plan1:500
The Urban Figure, Prof. Adam Caruso, FS 2011, Vanessa Joos, Kirsten Koch
36 FS 2011 The Urban Figure 37 Student Projects Vanessa Joos / Kirsten Koch
The Urban Figure, Prof. Adam Caruso, FS 2011, Vanessa Joos, Kirsten Koch elevation Hochstrasse, regular floor plan 1:50
38 FS 2011 The Urban Figure 39 Student Projects
THE URBAN FIGURE / PROFESSOR ADAM CARUSO / ASSISTANTS STEFAN FÜRST, OLVER LÜTJENS, MURAT EKINCI / STUDENTS TOBIAS ABEGG, AMADEO LINKE
SITUATION 1:500
40 FS 2011 The Urban Figure 41 Student Projects Tobias Abegg / Amadeo Linke Tobias
INTERIOR PERSPECTIVE
DETAIL NORTH
DETAIL
FACADE
NORTH
1:10 FACADE 1:10
FLOORPLAN 1:50
42 FS 2011 The Urban Figure 43 Student Projects
Elevation, 1:400
The Urban Figure Professor Adam Caruso Marcel Baumann Sabrina Maniglio
44 FS 2011 The Urban Figure 45 Student Projects Marcel Baumann / Sabrina Maniglio
The Urban Figure Professor Adam Caruso Marcel Baumann Sabrina Maniglio
perspective interior
The Urban Figure Professor Adam Caruso Marcel Baumann Sabrina Maniglio
The Urban Figure Professor Adam Caruso Marcel Baumann Sabrina Maniglio
46 47 Student Projects
Biel, Silbergasse
48 FS 2011 The Urban Figure 49 Student Projects
Siteplan 1:500
Prof. Adam Caruso - André Perronnet & Thomas Rodemeier - Springsemester 2011 - ETH Zürich
54 FS 2011 The Urban Figure 55 Student Projects Thomas Rodemeier / Andre Perrnonet
Prof. Adam Caruso - André Perronnet & Thomas Rodemeier - Springsemester 2011 - ETH Zürich
Section 1:50
Prof. Adam Caruso - André Perronnet & Thomas Rodemeier - Springsemester 2011 - ETH Zürich
THE URBAN FIGURE - FS 11 - PROFESSOR ADAM CARUSO - ILARIA GIANOLA - AUGUSTA PROROK
58 FS 2011 The Urban Figure 59 Student Projects Illaria Gianola / Augusta Prorok
A
A
A
THE URBAN FIGURE - FS 11 - PROFESSOR ADAM CARUSO - ILARIA GIANOLA - AUGUSTA PROROK
THE URBAN FIGURE - FS 11 - PROFESSOR ADAM CARUSO - ILARIA GIANOLA - AUGUSTA PROROK
A
60 FS 2011 The Urban Figure 61 Student Projects
Neuchatel, Place-d’Armes
66 FS 2011 The Urban Figure 67 Student Projects
SITE PLAN 1:500 THE URBAN FIGURE | CHAIR ADAM CARUSO | BASELI CANDRIAN | DAVID SPÄH
68 FS 2011 The Urban Figure 69 Student Projects Baseli Candrian / David Späh
PERSPECTIVE THE URBAN FIGURE | CHAIR ADAM CARUSO | BASELI CANDRIAN | DAVID SPÄH
TYPICAL FLOORPLAN 1:50 THE URBAN FIGURE | CHAIR ADAM CARUSO | BASELI CANDRIAN | DAVID SPÄH
THE URBAN FIGURE | CHAIR ADAM CARUSO | BASELI CANDRIAN | DAVID SPÄH
SECTION 1:50 THE URBAN FIGURE | CHAIR ADAM CARUSO | BASELI CANDRIAN | DAVID SPÄH
70 FS 2011 The Urban Figure 71 Student Projects
SITE
72 FS 2011 The Urban Figure 73 Student Projects Fabiano Andina / Dido Schumacher
PERSPECTIVE OF INTERIOR
The urban figure - Professor: Adam Caruso - Fabiano Andina & Dido Schumacher The urban figure - Professor: Adam Caruso - Fabiano Andina & Dido Schumacher
SECTION
Situation Neuchatel 1:500 The Urban Figure Professor Adam Caruso Manuel Gross Roger Lienert
80 FS 2011 The Urban Figure 81 Student Projects Roger Lienert / Manu Gross
Interior Perspective
Section 1:50
Zürich, Stauffacherquai
84 FS 2011 The Urban Figure 85 Student Projects
site plan
1:500
The Urban Figure Stauffacherquai, Zürich Prof. Adam Caruso ETH Zürich FS 2011 Natalie Körner, Alexander Wright
86 FS 2011 The Urban Figure 87 Student Projects Student Projects Alex Wright / Nathalie Körner
interior perspective
The Urban Figure Stauffacherquai, Zürich Prof. Adam Caruso ETH Zürich FS 2011 Natalie Körner, Alexander Wright
section
1:50
The Urban Figure Stauffacherquai, Zürich Prof. Adam Caruso ETH Zürich FS 2011 Natalie Körner, Alexander Wright
floor plan
1:50
The Urban Figure Stauffacherquai, Zürich Prof. Adam Caruso ETH Zürich FS 2011 N
88 FS 2011 The Urban Figure 89 Student Projects
Morg
en
arte
ch
nstr
ss
asse
gä
erd
W
e
ss a
str
erd
W
Morgartens
trasse
Ernst-Nobs-Platz
e
ss
Hallwylplatz Stau
tra
ffac
herb
-S
rück
tt
on
ze e
-C
na
re
se
Ve
s
ga
en
rt
ga
erd
W
Sc
hö
nt
als
tra
ss
e
se
tras
lzlis
lhö
Sih
W
eb
ers
tra
ss
e
i
ua
erq
h
ac
uff
e
Sta
ss
tra
yls
llw
Ha
se
s
tra
lzlis
lhö
Sih
e
ss
ra
st
ts
m
la
Sih
Sc
hö
nt
als
tra
ss
e
e
ss
tra
lis
ölz
lh
Sih
Ho
lz
ga
sse
e
ss
ra
st
ts
m
la
Sih
Mane
ssestr
asse
sse
ga
its
ke
tig
ch
re
Ge
se
as
str
lzli
lhö
Sih
Sih
lh
ölz
lib
rü
ck
e
e
ra ss
Fr
est
eig
nk
he
ut
sc
nd
st
Bra
ra
ss
e
Tu
nn
els
tr
as
se
Situation M 1:500
THE URBAN FIGURE I Prof. Adam Caruso I Lisa Grübel I Katrin Zimmermann
i
er
en
G
Line Perspective
Section M 1:50
THE URBAN FIGURE I Prof. Adam Caruso I Lisa Grübel I Katrin Zimmermann THE URBAN FIGURE I Prof. Adam Caruso I Lisa Grübel I Katrin Zimmermann
92 FS 2011 The Urban Figure 93 Student Projects
The Urban Figure, Professor Adam Caruso, Kerstin Pulss, Mia Seuss
94 FS 2011 The Urban Figure 95 Student Projects Kerstin Pulss / Mia Seuss
The Urban Figure, Professor Adam Caruso, Kerstin Pulss, Mia Seuss
The Urban Figure, Professor Adam Caruso, Kerstin Pulss, Mia Seuss
The Urban Figure, Professor Adam Caruso, Kerstin Pulss, Mia Seuss
96 FS 2011 The Urban Figure 97 Student Projects
Assistants
Murat Ekinci, Stefan Fürst, Oliver Lütjens,
Simon Trüb, Antonella Vigliotti
Student Assistants
Annie Blackadder
Concept design
Moiré, Marc Kappeler, Markus Reichenbach &
Ruth Amstutz