Adaptation is used in those cases where the type of situation being referred

to by the SL message is unknown in the TL culture. In this case, a translator can

create a new situation that can be considered equivalent.

Example:

Your Sincerely (SL) is translated into Dengan Hormat (TL).

Based on the explanation above, now we know about translation, whether

it’s about the meaning, process, functions, tehcnicals, procedures or methods, and

so on. Every kinds of translation has a different meaning, that is based on the

writers. If we know about the meaning kinds of translation, so we know how to

analyze the text by using the procedure.

CHAPTER III

METHODOLOGY

This thesis deals with four main research items, the first is research design,

the second is data and data source, the third is data collecting method and the

fourth is data analyzing method. Research method can be namely as scientific way

to get the data with purpose and certain use. Research method consists of

qualitative method and quantitative method, which both of them has a different

meaning.

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3.1 Research Design

This thesis conducted in the form library research in which the data is in

the form of English and Indonesia language. Library research is a research that is

done in library where a researcher faces many kinds of literatures that is suitable

with the objective and problem of the analysis.

3.2 Data and The Data Source

Data is everything that is found about the object of the analysis. For this

case, the writer uses primary data. Primary data is the data which collected and

has direct connection with the research which is being done.

The source of data are collected from a magazine of airline that is written

in two languages. Every sentence in the magazine becomes the data. The title of

magazine is Mandala magazine, it consist of 49 pages and published at July-

September 2008. But , to analyze it the writer limit it in some pages, they are

pages: 23-28 of transit time. The TL text is observed to find out the Oblique

translation procedure in the data are applied or not, which are used as a basis of

the research data.

3.3 Data Collecting Method

The data that are considered to be relevant for this study are collected

using technique of sampling. Purposive sampling is used to collect the required

data. Sutopo (2002:36) says that “teknik cuplikan penelitian kualitatif cenderung

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bersifat “purposive” karena dipandang lebih mampu menangkap kelengkapan

dan kedalaman data”, besides; Bailey (1987:94) also cites:

“In purposive sampling the investigator does not necessarily have a quota
to fill from within various strata, as in quota sampling, but neither does he
or she just pick the nearest warm bodies, as in convenience sampling.
Rather, the researcher uses his or her own judgment about which
respondents to choose and picks only those who best meet the purposes of
the study.”

3.4 Data Analyzing Method

In analyzing the data in this thesis, the writer uses the descriptive

qualitative method. The qualitative research also called as naturalistic qualitative

research because the researching doing on natural setting.Qualitative research is

more descriptive because the data shaped of words and more emphasize on

process more than product.

According to Bogdan and Biklen (1982) in Sugiyono: 2009, “qualitative

research is descriptive, it means the data collected are in the form of words of

pictures rather than number’.

The data is analyzed in two steps. First, the writer tabulated all of the

selected data consisting of oblique translation procedures. Second, the writer

categorized and classified the kinds of oblique translation procedures.

The classification is done by grouping the data depending on the problem.

The purpose of tabulated here to find out the oblique translation and the

differencies both kinds of translation method. The analysis is done by finding the

oblique translation through the contexts of both source language (SL) and the

target language (TL).

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 In the analyzing qualitative data, Bogdan (in Sugiyono: 2009), says that:

Data analysis is the process of systematically searching and arranging the

interview transcript, fieldnotes and other materials that you accumulate to increase

your own understanding of them and to enable you to present what you have

discovered to others.

The systematic procedures in conducting the analysis are follows:

1. collecting the data from Mandala magazine

2. reading the data source

3. identifying the data

4. analyzing the data and find out the oblique translation procedures

5. classifying the data

6. finally making the conclusion and suggestion

From the way above,the writer tries to analyze the data to find out the oblique

translation procedures. After that the writer draws tables for making classification

of each transposition, modulation, equivalence, adaptation.

Percentage of each oblique translation procedures:

No. Types of oblique Number of cases Percentages

translation

1 Transposition 29 29%

2 Modulation 104 104%

3 Equivalence 3 3%

4 Adaptation 9 9%

Total 145 145%

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 CHAPTER IV

ANALYSIS AND FINDING

4.1 Analysis

In this chapter, the writer will analyze the oblique translation procedures

by using Vinay and Darbelnet’s theory. The data are taken from Mandala

Magazine which is limited it in some pages, they are pages: 23-38 of Transit

Time. As have been mentioned in chapter II, the oblique translation procedure by

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Vinay and Darbelnet consists of transposition, modulation, equivalence, and

Adaptation.

4.1.1 Transposition

The method called transposition involves replacing one word class with

another without changing the meaning of the message. Beside being a special

translation procedure, transposition can also applied within a language.

4.1.2 Modulation

Modulation is a variation of the form of the message, obtained by a change

in the point of view. This change can be justified when, although a literal, or even

transposed, translation results in grammatically correct utterance, it is considered

unsuitable, unidiomatic or awkward in the TL.

4.1.3 Equivalence

Equivalence is applied when there are two texts, which have a same

situation, but those texts are using completely different stylistic and structural

methods. This procedure means that the process of translating one language into

another language that emphasizes on closet natural meaning.

4.1.4 Adaptation

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 Adaptation is used in those cases where the type of situation being referred

to by the SL message is unknown in the TL culture. In this case, a translator can

create a new situation that can be considered equivalent.

4.1.5 DATA IDENTIFICATION

No. SOURCE LANGUAGE TARGET LANGUAGE CASE

1 The Magnificent Seven Tujuh yang top grup T
award-winning crew Maliq dengan sederet
& D’Essentials are freeing penghargaan, Maliq
their minds for the next &D’Essentials membebaskan
adventure. pikiran mereka untuk
petualangan selanjutnya.

2 Band member and Ifa, pemain keyboard band T

keyboard player Ifa says
the seven-piece group fuses a
number of musical
influences to create their own
refreshing sound.
ini, mengatakan kelompok
beranggotakan tujuh orang
ini menggabungkan berbagai
macam pengaruh music
untuk menciptakan alunan
musik mereka yang khas dan
menyegarkan.

3 “our references come from “kami banyak terpengaruh M

black music. oleh black music.

4 There are many influences, Mulai dari reggae sampai M

from reggae to disco. disco.

5 We usually call it soul, or Kami biasa menyebutnya M

simply ‘Maliq Music’.” soul, atau ‘Musik Malik’
saja.”

6 Aside from its own sound, Selain dari jenis musik, M

the band has its own band ini juga memiliki
philosophy. filsafahnya sendiri.

7 Maliq is an acronym for Malik adalah singkatan M

the group’s personal dari slogan yang dianut
mantra – ‘Music And Life grup ini – ‘Music Ans Life
Instrument Quality’, while Instrument Quality’,
d’Essentials describes the sementara d’Essentials

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 backing band. menggambarkan band
pendukungnya.

8 Still supported by a solid Dengan masih didukung T

core of fans who followed
the band over the three
years it toured cafes and
lounges across Indonesia,
Maliq gigs now attract
thousands.
penggemar setianya yang
sejak tiga tahun lalu
mengikuti band ini
manggung diberbagai kafe
dan longue di Indonesia,
pertunjukan Maliq kini
bisa ditonton oleh ribuan
orang.

9 “in Malysia and Brunei, we “di Malaysia dan Brunei, M

haven’t released anything kami belum pernah
formally, but somehow melakukan promosi apapun
they’ve gotten hold of our secara formal, namun entah
CD and it’s getting lots of bagaimana mereka bisa
air play.” memperoleh CD kami dan
mengudarakan lagu-lagu
Maliq di sana.”

10 Ifa says Maliq’s distinctive Ifa mengatakan gaya Maliq M

style and stage act turns dan aksi panggung mereka
heads as well. yang khas cukup menarik
perhatian khalayak.

11 “We put a lot of thought Kami serius saat E

into our arrangement and memikirkan aransemen dan
appearances, from the penampilan kami, mulai dari
costumes to choreography.” kostum sampai koreografi.”

12 Maliq & D’Essentials’ Album Maliq & M

second album Free Your
Mind has been repackaged
for a motion picture and is
getting strong airplay
across Indonesia.
D’Essentials’ kedua yang
berjudul ‘free Your Mind’
telah dikemas ulang untuk
sebuah lagu film dan
mendapatkan sambutan
yang luar biasa di seluruh
Indonesia.

13 The band is already Maliq kini telah mulai M

beginning to record its next merekam album mereka
album, which should hit selanjutnya yang
stories in early 2009. dijadwalkan di rilis awal
tahun 2009.

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14 An eye for art diversifying Memburu karya seni bagi M
your investments. anda yang ingin mencoba
jenis investasi yang
berbeda.

15 Art may be the new Seni bisa jadi merupakan M

glamour investment on the bentuk investasi baru yang
block – but handle it with penuh daya tarik, namun
care. anda perlu berhati-hati.

16 Harumi Supit irons it out. Harumi Supit M

menuliskannya lebih jauh.

17 Indonesian art valuations Nilai hasil karya seni M

have benefited in recent
times from the spike in the
price of the Chinese
contemporary art - as
buyers cast their eyes on
more affordable art from
other Asian nations.
Indonesia akhir-akhir ini
mengalami lonjakan yang
tinngi seiring dengan tidak
bergemingnya harga karya
seni kontemporer Cina –
banyak pembeli kini
mengalihkan perhatian
mereka untuk mencari
hasil karya seni yang lebih
terjangkau dari negara-
negara Asia lainnya.

18 “Art is becoming much “Seni menjadi lebih popular T

more popular than before. dari pada sebelumnya.

19 The development in the past Perkembangan dalam dua A

two to three years has been tiga tahun terakhir amat
really tremendous,” says menggembirakan,” ujar
curator Amir Sidharta, kurator Amir Sidharta,
founder of SIDHarta pendiri dari rumah lelang
Auctioneer. SIDHarta Auctioneer.

20 Christie’s Hong Kong Rumah lelang Christie di T

auction of South East Asian
Modern and Contemporary
art in May this year was a
record breaker, with prices
for Indonesian paintings
ranging from US$4,828 for
new artist Bunga Jeruk, to
US$763,160 for deceased
master Hendra Gunawan.
Hong Kong yang melelang
Karya Seni Modern dan
Kontemporer Asia Tenggara
pada bulan mei tahun ini
telah memecahkan rekor
yang baru, di mana harga
lukisan di Indonesia yang
dibuat oleh seniman baru
Bunga Jeruk dihargai
senilai US$4,828 (lebih dari
Rp. 45 juta) sampai senilai

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 US$ 763,160 (sekitar Rp. 7,1
miliyar) untuk hasil karya
almarhum pelukis Hendra
Gunawan.

21 According to Bloomberg, Menurut Bloomberg, harga T

prices of works by emerging untuk seniman yang sedang
artists like I Nyoman naik daun seperti I Nyoman
Masriadi and Putu Masriadi dan Putu
Sutawijaya have recently Sutawijaya sudah naik
risen as much as 10 times in sepuluh kali dalam setahun
a year. ini.

22 “You can still get some good “Anda masih bisa M

works lower than ten million memperoleh karya seni
Rupiah (US$1,100). yang indah di bawah
sepuluh juta rupiah (
US$1,100).

23 That would be cheap now,” Tapi harga itu sudah M

says Sidharta. dianggap murah
sekarang,” kata Sidharta.

24 “Before you could get them “Sebelum Anda bisa M

for under five million. memperolehnya dengan
harga di bawah lima juta.

25 The enduring names such Nama – nama pelukis yang T

as Nyoman Masriadi, Rudy sudah kesohor lebih mahal
Mantofani, and lagi, seperti Nyoman
Handiwirman, are much Masriadi, Rudy Mantofani,
more expensive.” dan Handiwriman.”

26 However, other artists such Pelukis lain seperti Dadang M

as Dadang Kristanto or Agus Kristanto atau Agus Suwage
Suwage can fetch up to three bisa meraup sampai tiga
billion Rupiah, or miliar Rupiah, atau sekitar
US$32,000. US$32,000.

27 A note of caution Yang perlu diperhatikan M

28 The prospective rise in Prospek kenaikan harga M

value may sound alluring –
from five million to a cool
billion Rupiah in just two
years.
karya seni ini nampaknya
terasa cukup menggiurkan
– dari lima juta rupiah
melambung ke miliaran
rupiah hanya dalam dua
tahun.

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29 But don’t sink your Tapi jangan dulu bernafsu M
retirement savings into art menghabiskan semua
just yet. simpanan Anda untuk
karya seni.

30 Edwin Rahrdjo of Edwin’s Edwin Rahardjo dari T

Gallery, one of the oldest and Edwin’s Gallery, salah satu
most respected in Jakarta, galeri tertua dan bergengsi di
advises caution. Jakarta, mengingatkan.

31 “It’s a speculative market, “Ini adalah pasar yang T

it’s a bit dangerous.” spekulatif, sedikit
menyerempet –nyerempet
bahaya.”

32 As he warns, one person’s Walaupun demikian, M

perception of value will persepsi seseorang atas nilai
always differ from another. seni selalu berbeda dari satu
orang ke orang lainnya.

33 “ I have it in my mind, you “Bisa jadi pendapat saya M

have your own opinion, it dan pendapat Anda
might be different.” berbeda.”

34 Furthermore, art may not Selain itu, nilai karya seni M

retain its value over time. bisa jadi tidak bisa
bertahan selamanya.

35 Hanafi, an Indonesian painter Hanafi, seorang pelukis M

who has exhibited in
Indonesia and abroad, says
today’s valuations may also
vary over time, according
to the prevailing tastes.
Indonesia yang sudah
memamerkan karyanya di
dalam dan luar negeri,
mengatakan bahwa nilai
saat ini bisa berubah
seiring berjalannya waktu,
bergantung kepada cita
rasa seni saat itu.

36 “What was considered good “Apa yang dianggap bagus di A

in the 1950s or in the 1970s, tahun 1950-an atau 1970-an,
differs in today’s context.” berbeda dengan sekarang.”

37 According to the painter, Menurut Hanafi, minat M

Indonesians are interested orang Indonesia memang
but still uneducated when it ada tapi masih kurang
comes to art. pengetahuannya untuk
urusan seni.

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38 As a result, one of the
problems with pricing
Indonesian artwork is that
the domestic art community
has yet to reach a point
where it can provide a fixed
point of reference for
valuations.
Akibatnya, salah satu T
masalah yang dihadapin
dalam menentukan harga
karya seni Indonesia adalah
bahwa komunitas seni dalam
mencapai tahap untuk dapat
memberikan rujukan untuk
menilai sebuah karya seni.

39 Staring Out Bagaimana Memulainya M

40 What should one look for Jadi apa yang harus pertama M
when investing in art ? –tama dilakukan saat
berinvestasi dalam bidang
seni ?

41 Unlike the stock market, art Tidak seperti pasar saham, M

market valuations are penentuan nilai karya seni
highly subjective. benar –benar subyektif.

42 Rahardjo and Sidharta advise Rahardjo dan Sidharta M

that you should first learn menyarankan bahwa yang
about an artist before pertama kali dilakukan
buying. adalah meneliti sang
seniman lebih jauh
sebelum memutuskan
untuk membeli.

43 Then the factors to take into
consideration include track
record, reputation, domestic
and internasional name
recognition, current tastes,
and market price.
Faktor lain yang juga perlu M
dipertimbangkan adalah
rekam jejak, reputasi, serta
pengakuan nasional dan
internasional si pelukis, cita
rasa seni, yang tengah
berkembang dan harga
pasar.

44 On the upside, growing Dari sisi positifnya, semakin T

international interest should meningkatnya minat pasar
spur market prices higher. internasional akan memacu
harga pasar lebih tinggi lagi.

45 “The interest is primarily “Minat yang ada masih dari M

local still,” says Sidharta. domestik saja,” ujar
Sidharta.

46 “But there is a really “Namun ada peningkatan M

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 significant increase in the yang signifikan di pasar
regional and international regional dan internasional.”
markets.”

47 On the down side, the Dari sisi negatifnya, pasar M

Indonesian market remains Indonesia masih bersifat
highly speculative, and any spekulatif, dan setiap
slow down in economic kemunduran dalam
growth could in turn impact pertumbuhan ekonomi pada
the art market. gilirannya bisa berdampak
pada pasar karya seni.

48 Rahardjo cautions against Rahardjo memperingatkan A

buying art for investment bahayanya membeli karya
reasons alone. seni hanya untuk investasi
semata.

49 “It is dangerous. “Hal ini berbahaya. M

50 The problem is, many Misalnya, banyak orang T

people now buy for yang membeli untuk
investments, simply because investasi karena nilainya
the prices soar in auctions.” melonjak saat dilelang.”

51 And as with any investment Dan seperti halnya investasi M

based upon excitement, what yang didasarkan pada gairah
goes up can just as quickly semata, nilainya bisa
come down. meluncur turun secepat
naiknya.

52 Instead, a good rule of Kiat praktis yang bisa M

thumb is to buy a piece of dipakai adalah membeli
art that you really like, by an sebuah karya seni yang anda
artist with an established benar –benar sukai, oleh
track record of exhibitions. seorang seniman yang
pernah melakukan beberapa
pameran.

53 Recomendatios by good Rekomendasi dari galeri M

galleries help, but choose an
artist who is not too
expensive compared with
their contemporaries.
yang terpercaya bisa
membantu, tapi pilih lah
pelukis yang karyanya tidak
terlalu mahal dibandingkan
dengan pelukis kontemporer
lainnya.

54 And as with any high-risk Dan seperti halnya investasi M

inevestments, never invest beresiko tinngi lainnya,

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 more thanyou can afford to jangan sekali- kali
lose. berinvestasi pada sesuatu
yang bisa membuat Anda
bangkrut.

55 With luck, your investments Dengan sedikit M

will appreciate. keuntungan, investasi Anda
akan berkembang.

56 Meanwhile, just hang it on Namun sementara itu, pajang M

your wall and enjoy saja investasi Anda tersebut
improved view of life. dan nikmati
pemandangannya yang
bisa membuat hidup lebih
indah.

57 Enter Dragon adored in his Pesona Sang Naga dipuja di E

homeland, universally tanah airnya dan dikagumi di
admired in boxing, dunia pertinjuan, sang
Indonesian hero Chris Jhon pahlawan Indonesia Chris
is a sporting enigma. John adalah seorang
olahragawan yang penuh
teka teki.

58 Glenn Connley meets the Glenn Connley dari ESPN M

world champion. mengunjunginya dari
dekat.

59 In a sport dominated by fast- Di dalam olahraga yang M

talking fighters, light – didominasi dengan para
fingered promoters and often petarung yang sering kali
inexplicable judging bermulut besar, para
decisions, Yohannes promotor yang oportunis,
Christian John is a rare serta keputusan dewan juri
diamond in a world of yang sering kali mengundang
rough. tanda tanya, Yohannes
Christian John adalah setetes
air yang menyejukkan di
sebuah padang pasir yang
gersang.

60 His nickname may be “The Orang mungkin A

Dragon” but Chris John has
the demeanor of a shy
schoolboy.
memanggilnya “Sang Naga”
namun jika kita mengenalnya
lebih jauh, Chris John tak
lebih dari seorang pribadi
yang pemalu.

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61 In fact, he is everything you Malahan, sifat-sifat John M
don’t expect a world jauh sekali dari gambaran
champion boxer to be. orang-orang tentang
seorang juara dunia tinju.

62 He is not a big mouth. John tidak bermulut besar. M

63 He doesn’t trash-talk Ia juga tidak pernah memaki T

opponents. lawannya.

64 He doesn’t have a criminal Ia pun tidak memiliki A

record. catatan kejahatan.

65 In fact, quite the opposite. Gambarannya jauh dari M

itu semua.

66 John is a dedicated family John adalah seorang yang M

man who carries himself sangat mencintai keluarga
with a quiet dignity. dan menjaga martabatnya
dengan pembawaannya
yang tenang.

67 His calm silence and Sikapnya yang pendiam dan M

unthreatening body bahasa tubuh yang tidak
language speak volumes mengancam merupakan
about his character. cermin dari sifatnya yang
sebenarnya.

68 Even standing over yet Bahkan saat menganvaskan M

another vanquished rival, lawan-lawannya di ring,
his look is almost raut wajahnya seakan
apologetic. menunjukkan penyesalan.

69 “My father taught me that “Ayah saya mengajarkan M

without honor you have kepada saya bahwa tanpa
nothing, your are nobody. kehormatan, kita tidak
punya apa-apa, kita bukan
siapa-siapa.

70 You must have pride and Kita harus punya T

principals,” he told kebanggaan dan prinsip,”
Mandala. ujarnya kepada Mandala.

71 Knowledgeable boxing Beberapa analisis tinju M

analysts rate John as one of menempatkan John sebagai
the top five boxer in the salah satu dari lima besar
world, in any weight petinju dunia, yang

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 dividion. mewakili semua kelas.

72 He’s only the third Ia merupakan orang M

Indonesian to wear a world Indonesia ketiga yang
championship belt of any pernah memenangkan
description. gelar sabuk juara dunia.

73 His record is remarkable. Catatan prestasi John amat M

mengagumkan.

74 John has not been beaten in Dia tidak pernah terkalahkan M

42 professional fights. dalam 42 kali pertandingan
professional.

75 The only blemish is a Satu-satunya catatan buruk M

technical draw against
Venezuela’s Jose Rojas in
December 2004.
adalah saat
pertandingannya
dinyatakan imbang secara
teknis saat melawan Jose
Rojas dari Venezuela pada
bulan Desember 2004.

76 The bout was called off after
both fighters were badly cut
following an accidental head
clash in the fourth round-
John was a clear winner
when they met 18 months
later.
Pertandingan saat itu harus T
ditunda ketika kedua petinju
sama-sama terluka setelah
berbenturan kepala di ronde
kekempat – John menang
mutlak saat keduanya
kembali bertemu 18 bulan
kemudian.

77 Following the latest defence Setelah pertandingan M

of his WBA World untuk mempertahankan
Featherweight Title (a gelar juara dunia kelas
seventh-round knockout of bulu versi WBA (yang
promising young berakhir dengan KO pada
Panamanian Roinet ronde ketujuh melawan
Caballero), I sent a copy of petinju berbakat Panama,
the fight to Brien A Roinet Caballero), saya
McDonald, Executive mengirimkan video hasil
Producer of ESPN’s iconic rekaman pertandingan itu
Fight night program in the kepada Brien A McDonald,
United States. Produser Eksekutif Fight
Night, sebuah program
andalan stasiun ESPN yang
ditayangkan di Amerika
Serikat.

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78 “This guy is incredible.
79 I’d heard about him, of
course, but this is
unbelievable,” McDonald
says of The Dragon’s
compact style, speed and
trademark stamina.
80 He has been harassing me
ever since for more news
on Indonesia’s most
popular sportman.
81 These days John spends a
lot of his time in Perth,
Western Australia, working
with trainer Craig Christian
at Harry’s Gym.
82 But his heart clearly Walaupun begitu, hatinya M
remains in his beloved tetap berada di Indonesia.
Indonesia.
83 “I am looked upon as a “Orang
world champion. sebagai seorang juara dunia.
84 But what really matters is I
am looked upon as a world
champion from Indonesia,”
he says.
85 “when you fight Chris John,
you are really taking on
more than 120 million
people.
86 You can’t win.”
87 John recalls being taught John
“Pria ini luar biasa. M
Saya memang pernah M
mendengar tentang Chris
sebelumnya, namun
kehebatan dia sulit
dipercaya,” ujar McDoald
mengomentari gaya
bertinju Sang Naga yang
lincah, cepat dan kekuatan
staminanya yang sudah
menjadi cirri khas.
Brien terus merecoki saya M
sejak itu dan meminta saya
menulis lebih banyak lagi
tentang olahragwan yang
saat ini paling popular di
Indonesia.
Saat ini John banyak T
menghabiskan waktunya di
Perth, Australia Barat untuk
berlatih bersama pelatihnya
Craig Christian di sasana
Harry’s Gym.
melihat saya M
Namun saya ingin orang M
melihat saya sebagai juara
dunia dari Indonesia,”
ujarnya.
“jika anda melawan Chris M
John, itu berarti bertarung
dengan lebih dari 120 juta
orang.
Anda tidak bisa M
mengalahkan itu.
teringat saat ia M
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 (and forced) to fight by his
father Djohan Tjahjadi,
himself an amateur boxer,
who says boxing was all he
had to give his son.
diajarkan (dan dipaksa)
untuk bertinju oleh ayahnya
Djohan Tjahjadi, yang
merupakan seorang petinju
amatir, ia mengatakan bahwa
hanya bertinjulah satu-
satunya yang ia bisa
wariskan kepada anaknya.

88 It was also the perfect tool Bertinju juga merupakan M

to occupy the hyper-active
youth after the family moved
from Jakarta to Banjarnegara
in Central Java when John
was just six years old.
kegiatan yang sesuai untuk
meredam Chris kecil yang
hiperaktif setelah
keluarganya pindah dari
Jakarta ke Banjarnegara di
Jawa Tengah, saat itu ia baru
berusia enam tahun.

89 Today John says simply, “I Dan kini dengan rendah M

thank my father for who I hati John berkata: Saya
am today.” berterimkasih kepada ayah
saya yang telah membuat
saya seperti sekarang.”

90 The moat telling moment in Kisah yang paling M

a glittering career came in
his 12th professional fight
back in Juli 1999.
dibicarakan dalam
perjalanan kariernya yang
cemerlang terjadi saat
pertandingan profesionalnya
yang ke-12 pada bulan Juli
1999.

91 John was knocked down Saat itu John dipaksa M

twice in the first round untuk mencium kanvas
against fellow Indonesian dua kali dalam ronde
Muhammad Alfaridzi. pertama saat ia melawan
rekan petinjunya dari
Indonesia, Muhammad
Alfaridzi.

92 Despite suffering a broken Walaupun hidungnya patah M

nose and blurred vision, he
went the distance and, after
12 energy-sapping rounds,
was the unanimous winner.
dan pandangannya kabur, ia
kemudian mengambil taktik
dengan menjaga jarak,
setelah 12 ronde yang
menguras tenaga, ia bisa
memenangkan pertandingan
itu dengan hasil mutlak.

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93 These days he rarely goes Dalam beberapa M
down but regularly goes pertandingannya yang
the distance. terakhir ia jarang
dijatuhkan namun erring
kali mengambil jarak saat
bertanding.

94 According to Christian, his Menurut Christian, etika M

work ethic and drive match
his God-given talent and
bravery.
kerjanya dan dorongan
semangat saat bertanding
sesuai dengan bakat dan
keberanian yang telah Tuhan
berikan kepadanya.

95 “He drives himself so hard “Ia benar-benar memacu M

because he would rather die dirinya dengan keras
than let the people of karena ia merasa lebih baik
Indonesia down. mati dari pada
mengecewakan seluruh
rakyat Indonesia.

96 I have trained CJ for 10 Saya sudah melatih CJ untuk M

championship fights and
never once has he said to me
“I can’t” – he is the easiest
boxer in the world to train
because he will never let his
country down”.
sepuluh kejuaraan dan tidak
pernah sekalipun ia berkata
“saya tidak bisa” – ia adalah
petinju yang paling mudah
dilatih karena ia tidak
akan pernah mau
mengecewakan
negaranya”.

97 “I think he will have about “Saya rasa dia mampu M

six more fights, retiring
undefeated as the best
featherweight the world
has ever seen.
untuk bertanding enam
kali lagi, lalu ia akan
menggantungkan sarung
tinjunya sebagai petinju
yang tak terkalahkan dan
petinju kelas bulu terbaik
yang pernah dimiliki
dunia.”

98 Chris John’s place in Nama Chris John sudah M

boxing folklore is already terpahat dalam legenda
secure. petinju dunia.

99 As for the title of best Sementara untuk gelar M

Indonesian fighter ever – petinju terbaik Indonesia,

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 that decision was gelar itu sudah lama ia
unanimous a longtime ago. raih, dan nampaknya hal
itu sudah tidak perlu
diragukan lagi.

100 Back to the Banks a decade Kembali ke Bank sepuluh T (plural to

after its national low point tahun setelah berada di titik singuar)
how has Indonesia’s banking terendahnya, bagaimana
sector re-emerged and sector perbankan Indonesia
recharged? dapat bangkit kembali dari
keterpurukan?

101 Devi Asmarani reports Berikut laporan dari Devi M

Asmarani.

102 A decade ago, as customers Sepuluh tahun yang lalu, A

queued at bank counters and
ATMs to withdraw their
savings, the Indonesian
banking sector had a rude
awakening.
saat para nasabah mengantri
di konter bank dan ATM
untuk menarik tabungannya,
sector perbankan Indonesia
terbangun menghadapi
kenyataan yang sebenarnya.

103 A decade ago, as customers Sepuluh tahun yang lalu, saat M

queued at bank counters and
ATMs to withdraw their
savings, the Indonesian
banking sector had a rude
awakening.
para nasabah mengantri di
konter bank dan ATM untuk
menarik tabungannya, sector
perbankan Indonesia
terbangun menghadapi
kenyataan yang sebenarnya.

104 The Indonesian Rupiah had Nilai tukar mata uang T

lose around 80 per cent of rupiah terhadap Dollar AS
its value against the US turun sampai 80 persen.
dollar.

105 A battered economy had Krisis ekonomi yang M

diminished purchasing melanda telah menurunkan
power. daya beli masyarakat.

106 With eroding capital and Semakin berkurangnya T

many lenders defaulting, the pinjaman modal yang
crisis exposed the banking tersedia dan semakin
system’s major banyaknya peminjam yang
shortcomings-a fact that gagal mengembalikan
snowballed into a crisis of pinjamannya telah
confidence. menyingkapkan kelemahan

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 besar system perbankan yang
kemudian berkembang
menjadsi sebuah krisis
kepercayaan.

107 While bank number rose for Waaupun jumlah bank T

108 to over 230 within a
decade, this was undermined
by weak management, lack
of transparency and a rash of
bad lending decision.
meningkat dari 108 menjadi
lebih 230 buah dalam waktu
sepuluh tahun, hal ini tidak
di iringi dengan manajemen
yang kuat, kurangnya
transparansi dan keputusan
pemberian pinjaman yang
buruk.

108 “Up to that point, the “sampai titik ini, industri M

banking industry had been perbankan tidak dikelola
poorly managed, encouraged dengan baik yang dipicu oleh
by very liberal policing. pembuatan kebijakan yang
terlalu mahal.

109 This had nourished its Memang hal ini telah M

grown, but generally made it menyuburkan
prone to abuse, “says bank pertumbuhan, namun
analyst Avilliani of the secara umum membuatnya
Institute for Development of rentan terhadap
Economics and Finance penyalahgunaan”, ujar
Indonesia. analis perbankan Aviliani
dari Institut Pengembangan
Ekonomi dan Keuangan
Indonesia.

110 When the government Saat pemerintah pada T (Adj + N

revoked the license of 16 akhirnya membekukan izin to N +
insolvent banks in October 16 bank yang pailit pada modifier)
1997, the rush intensified. bulan Oktober 1997, terjadi
rush besar-besaran.

111 Most banks, including Sebagian besar bank, M

stronger ones, experienced termasuk bank-bank besar
runs on their deposits. dan kuat, kehabisan
simpanannya.

112 Within a year, 67 banks Dalam kurun waktu M

were closed, 12 merged, and setahun, ada 67 buah bank
many were taken over by the ditutup, 12 bank merger dan
government- which spent banyak lagi yang diambil
650 trillion Rupiah alih pemerintah- yang

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 (US$69.89 billion) in public menghabiskan 650 trilyun
funds bailing out the sector. rupiah (sekitar 69.89 milyar
dollar) dana masyarakat
untuk membayarkan
jaminan sektor ini.

113 Painful as it was, this Walaupun menyakitkan, M

chapter of the country’s babak sejarah perbankan ini
banking history help usher in membantu lahirnya sebuah
a much-improved system, system yang lebih baik
following an exhaustive berkat program
restructuring program. restrukturisasi yang
dilakukan secara
menyeluruh.

114 Painful as it was, this chapter Walaupun menyakitkan, T

of the country’s banking babak sejarah perbankan ini
history help usher in a much- membantu lahirnya sebuah
improved system, following system yang lebih baik
an exhaustive restructuring berkat program
program. restrukturisasi yang
dilakukan secara
menyeluruh.

115 Indonesia now has 128 Kini, Indonesia memiliki M

banks, and further 128 buah bank, dan
consolidation seems konsolidasi tahap
imminent. seanjutnya kini tengah
dipersiapkan.

116 “after the banking crisis, the “setelah krisis perbakan A

Central Bank implemented Bank Indonesia telah
corrective policies which menerapkan berbagai
emphasized prudence. kebijakan perbaikan yang
menekankan pentingnya
prinsip kehati-hatian.

117 This helped boost the quality Hal ini berhasil membantu M
of the banking industry,” kualitas industri
says Elvyn Masassya, perbankan”, kata Elvyn
chairman of Financial Masassya, chairman dari
Intelligence consultancy firma konsultan Financial
firm. Intelligence.

118 These measures included Termasuk diantara beberapa M

tighter restriction on kebijakan ini adalah
lending, requirements for pembatasan yang lebih ketat
financial transparency, and dalam pemberian pinjaman,

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 higher International persyaratan transparansi
standards of competence keuangan, dan standar
and integrity. kompetensi internasional
serta integritas yang lebih
tinggi.

119 All banks must now be Semua bank kini harus T

members of the new menjadi anggota lembaga
Indonesian Deposit Penjamin Simpanan (LPS),
Insurance Corporation yang melindungi simpanan
(IDIC), to keep depositors nasabah jika terjadi kondisi
insured in the event of darurat.
another emergency.

120 All banks must now be Semua bank kini harus T

members of the new menjadi anggota lembaga
Indonesian Deposit Penjamin Simpanan (LPS),
Insurance Corporation yang melindungi simpanan
(IDIC), to keep depositors nasabah jika terjadi kondisi
insured in the event of darurat.
another emergency.

121 In the past five years, bank Dalam lima tahun terakhir, M
profits have steadily risen as keuntungan bank telah
consumer confidence meningkat secara stabil
returns. seiring dengan semakin
meningkatnya kepercayaan
masyarakat.

122 “Even banks with financial “Bahkan bank-bank yang M

problems back then have dulu bermasalah kini telah
emerged stronger,” says bangkit kembali dan
Elvyn. semakin menguat”, kata
Elvyn.

123 Banking leaders Beberapa Bank ternama M

124 Many banks underwent Banyak bank mengalami M

major changes since the
crisis, some with new
investors, others due to
mergers.
peribahan besar semenjak
terjadinya krisis, beberapa
diantaranya di dukung oleh
para investor yang dan
beberapa lainnya
melakukan merger.

125 Foreign investors from Banyak investor dari M

around Asia have njected seluryuh Asia yang telah
technologies, management menanamkan teknologi,

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 and technical competencies, manajemen dan keahlian
aiding the turnaround. teknis mereka untnuk
memulihkan kondisi ini.

126 Foreign investors from Banyak investor dari T

around Asia have njected seluryuh Asia yang telah
technologies, management menanamkan teknologi,
and technical competencies, manajemen dan keahlian
aiding the turnaround. teknis mereka untnuk
memulihkan kondisi ini.

127 One of these is Bank Salah satu bank yang M

Central asia (BCA). menerapkan hal ini adalah
Bank Central Asia (BCA).

128 Taken over by the Sebagai sebuah bank yang M

Indonesian banking diambil alih oleh badan
Restructuring agency (IBRA) penyehatan Perbankan
in 1998 then acquired by NAsional (BPPN) di tahun
Mauritius-based Farindo 1998 dan kemudian
Investment Ltd, BCA grew diakuisisi oleh sebuah
to become a dominant perusahaan yang berbasis di
transactional bank with a Mauritius, Farindo
strong network of branches Investment Ltd, BCA kini
and ATMs, and a leader in teah tumbuh menjadi bank
Internet and mobile banking. transaksi yang dominant
yang memiliki jaringan
cabang dan ATM yang kuat,
dan merupakan pemimpin
dalam perbankan internet
dan mobile.

129 BCA’s debit cards are Kartu debit BCA diterima T

accepted by over 2,000 oleh lebih dari 20.000 outlet,
merchants, while its credit dan kartu kreditnya banyak
cards are known for their dikenal berkat program
retail discounts. diskon ritelnya.

130 The country’s largest bank, Bank terbesar d negeri ini M

state-owned Bank Mandiri
is an example of a successful
restructuring from the
merger of four government
banks in October 1998.
adalah Bank Mandiri. Bank
yang dimiliki oleh Negara ini
merupakan kisah sukses
restrukturaisasi perbankan
setelah menggabungkan
empat bank pemerintah di
bulan Oktober 1998.

131 It has a widespread Jaringannya kini dapat M

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 network across Indonesia, dijumpai di seluruh
with 642 branches and 4,000 Indonesia, dengan 642
ATMs. cabang dan 4000 ATM.

132 Bank Mandiri continues to Bank Mandiri terus A

retain dominance with mempertahankan
corporate consumers, dominasinya pada pelanggan
including major state-owned korporat, termasuk
companies. perusahaan-perusahaan
utama BUMN.

133 State owned Bank Negara Bank lain milik Negara yang T
Indonesia (BNI) publicly mendapatkan bantuan dari
listed in 1996, was given pemerintah setelah krisis
assistance by the keuangan adalah Bank
government after the Negara Indonesia (BNI)
financial crisis. yang telah go-public di
tahun 1996.

134 The bank has bounced back,
refocusing particularly on
small and medium scale
enterprises and consumers
banking.
Bank yang telah sepenuhnya M
pulih ini memfokuskan
kembali kegiatannya pada
sector perbankan untuk
perusahaan kecil dan
menengah serta konsumen.

135 With over 900 branch Dengan lebih dari 900 kantor M
offices, including five cabang, termasuk lima
overseas, some 2,300 ATMs cabang di luar negeri, 2.300
and a syariah unit, BNI’s ATM dan sebuah unit
expansion plans include the syariah, BNI kini berencana
purchase of smaller untuk membeli beberapa
provincial banks. bank daerah yang lebih kecil.

136 Indonesia’s oldest bank, the Bank Indonesia tertua, Bank E

state-owned Bank Rakyat Rakyat Indonesia (BRI) tetap
Indonesia (BRI) has kept its mempertahankan fokusnya
focus on serving, small-scale untuk melayani nasabah
consumers. berskala kecil.

137 The bank has nearly 4,500
branch offices, 90 per cent of
which are located in smaller
towns and villages, where it
provides micro loans to new
entrepreneurs.
Bank ini memiliki 4.500 T
kantor cabang yang 90
persen nya berlokasi di kota
kecil dan desa, dimana
mereka memberikan
pinjaman mikro bagi para
pengusaha yang baru.

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138 Danamon, a merger of nine
private banks, has become
the second largest player in
the country’s micro lending
sector.
139 Its Self-Employed Mass
Market loan known as
Danamon Simpan Pinjam
(DSS) was established in
2004 for micro and small-
scale enterprises and is now
serving some 400,000
customers across the country,
from some 51 mobile units
deployed to rteach out to
traders in wet markets.
140 Critics say Indonesia still Banyak
has too many banks. menyatakan
Indonesia masih terlalu
banyak memiliki bank.
141 Out of 128 state-owned and
private banks, 15 of them
comtrol 85 per cent of assets
and markets.
142 The government’s
Indonesian Banking
Architecture, a blueprint to
streamline the industry
within 10 years, is aimed at
having the number of
banks.
143 The policies, and the
industry as a whole, are
still going through an
evolutionary process,”says
Elvyn.
144 As with the past decade,
Danamon, sebuah bank M
hasil gabungan sembilan
bank swasta nasiaonal,
adalah bank terbesar kedua
dalam sector pinjsmsn mikro
di negeri ini.
Pinjamannya yang dikenal T
dngan Danamon simpan
Pinjam (DSS) didirikan di
tahun 2004 untnuk
memberikan pinjaman
kepada perusahaan berskala
kecil dan kini melayani
sekitar 400.000 nasabah
diseluruh Indonesia yang
beberapa diantaranya
dilayani dengan 51 buah unit
kendaraan untuk menjangkau
nasabah pedagang di pasar-
pasar tradisional.
pengkrijtisi M
bahwa
Dari 128 bank milik A
pemerintah, 15 diantaranya
menguasai 85 persen asset
dan pasar.
Arsitektur Perbankan M
Indonesia, sebuah cetak
biru perbaikan industri
perbankan pemerintah
Indonesia, berencana
untuk mengurangi jumlah
ini sampai setengahnya
dalam kurun waktu 10
tahun.
Berbagai kebijakan dan M
industri secara
keseluruhan masih akan
terus berevolusi”, kata
evilyn.
Seperti halnya satu decade M
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 eventually the strong will lalu, pada gilirannya bank-
survive. bank kuatlah yang pada
akhirnya akan tetap
bertahan.

145 Now freelance, Devi Devi Asmarani pernah M

Asmarani was a senior
correspondent in Indonesia
for the Straits Times for
eight years.
menjadi koresponden senior
di Indonesia untuk surat
kabar The Straits times
selama delapan tahun. Ia
kini bekerja sebagai
seorang penulis lepas.

The source language in this analysis is English language and the target

language is Indonesia language.

4.2 FINDINGS

From data identification, the source language is English Language and the

target language is Indonesia Language. Cases in data identification is iidentify the

result of data, which abbreviation Transposition with T, Modulation with M,

Equivalence with E, and Adaptation with A.

The total of the data in identification is 145 data. The writer found 29

transposition (20%), 104 modulation (71,72%), 3 equivalence (2,06%), and 9

adaptation (6,20%). Finally, in this analysis of Mandala magazine, the dominant

types that found out is Modulation and Transposition.

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 From the explanation above, the analysis and finding, we can see the table

of the percentages of the analysis:

No. Kind of Oblique Number of cases Percentages

translation

1 Trannsposition 29 20%

2 Modulation 104 71,72%

3 Equivalence 3 2,06%

4 Adaptation 9 6,20%

Total 145 cases 99,99% (100%)

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 CHAPTER V

CONCLUSION AND SUGGESTION

5.1 CONCLUSION

Most of people think that a translation is difficult. But, if we study more

about it, whether about the process, meaning, technical, and so on, I think it will

be easy to translating. Which we know that translation is translate from one

language to another language or translate from Source Languuage to Target

Language to get the meaning.

Based on the problem, the answer of the problem is in the data of Mandala

Magazine, the writer found all of kind of oblique translation. The most dominant

oblique translation found in the data of Mandala magazine is Modulation.

From the analysis or data identification, the many data is 145 data. The

writer found The writer found 29 transposition (20%), 104 modulation (71,72%),

3 equivalence (2,06%), and 9 adaptation (6,20%). So, the kinds of oblique

translation that many used are modulation and transposition. While equivalence

and adaptation are very a little.

5.2 SUGGESTION

There are other parts of translation that can be observed from the data in

this thesis. Therefore, it is suggested to those who are interested in studying

translation to make other translation from this thesis such as translation shifts,

translation equivalence, and others. It is also suggested for those who are

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interested to observe seven procedures of translation to explore more about each

process in translation such as the elaboration of borrowing, calque, and so on.

In writing this thesis, the writer know that this thesis is not too perfect.

Maybe it still need a correction again. For that, the writer hopes, critics, and

suggestion for all to complete my thesis, in order that this thesis will be more

complete and will give many usefull for us.

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