CASE STUDY 1…

CHOKHI DHANI
Chokhi dhani is “A placid complex begetting a panoramic countryside view.”
In the magical land of Rajasthan where the heat shimmers like phantom water,
where the things one sees are not really there and where the things that vanish
behind veils of illusion, stands Chokhi Dhani, an ethnic village resort with a blend
of rustic environment and modern amenities making it an important destination
in Pink city.

GENERAL INFORMATION
 Designer: Prof. Chinmay Mehta, Jaipur
 Total area: 18 Acres
 Cost: 1.30 crores (approx.)
 Year of completion: Phase I 1992
Phase II 1995

LOCATION
The site is on the outskirts of Jaipur, located on Jaipur- Tonk highway, 6 kms.
from the airport and 18 kms. from the city centre.

SITE
Site covers an area of 18 acres, of which a five acre land is earmarked for future
projects. It has been divided into two parts: the first is meant for a resort (for
the tourists stay) while the other caters to the needs of day-today visitors.

DESIGN APPORCH
Prof. Chinmay Mehta, an artist-designer and also the Dean, Faculty of Fine
Arts, University of Rajasthan, Jaipur, conceived the project. He made 3-D
sketches in lieu of architectural drawings, plans, etc. to visualize the idea.
SITE PLAN
COMPONENTS
Chokhi dhani is a placid resort complex begetting a panoramic countryside view.
It consists of:
 Ganesha temple

The magical allure of Chokhi Dhani embraced in Rajasthani architecture

welcomes with beautifully carved Ganesha Temple.
 Sargahsulli shopping arcade
The architecture depicts historical clock tower and the ancient craft of shopping
arcade at its best.
 Kotri
The reception hall cum lobby magnificently erected with mud plastered floor,
bamboo net ceiling adorned with Rajasthani paintings and murals will captivate
your imagination.
 Village huts
Chokhi Dhani has 31 Village Huts & 34 Executive Huts. The spacious huts away
from the hub of urban polluted life offers complete solace while one basks in
the splendor of rich Rajasthani culture with every modern amenity and comfort.
 Shekhawati haveli suites
The Shekhawati Haveli with 8 royal suites is expressly designed for quiet,
intimate moments, languorous daydreaming and restful solitude enjoyed by
Thakurs.
 Bindola
The grandeur of this dining hall is truly breathtaking. It serves breakfast, lunch
and dinner of Indian & Chinese tastes.
 Mandani
The conference hall accommodating 120 persons with all secretarial services
 Sajjan Goth
The place forms an ideal venue for board meetings and conferences.
 Kund
Large traditional swimming pool like the one kings enjoyed in historic times and
an adjacent health club.
 Recreational room
Facilities for billiards, table tennis and chess etc.

SYMBOLISM
The site layout depicts a typical village plan with hierarchy of spaces:
Focally placed village head i.e. thakur’s haveli with luxury amenities (kund and
bar) nearby. Then the rest of the village huts spreading all around.
Even the entrance gate is planned borrowing form of toran dwar with a typical
warm village reception of tilak, arti and nagara.
 The resort consists of about 30 hut shaped houses while eight rooms of
the nearby Shekhawati haveli have modern facilities.
 Kotari, the reception hall has a mud-plastered floor and bamboo-net
ceiling with paintings.
 Mandali or the conference hall has elegantly carved 'munshiji' desks,
mattresses and masnads (round cylindrical pillows).
 Sajjan Goth The banquet hall can accommodate hundred persons at a
time.
 Bakhari Slightly descending from the ground level is a square shaped
cocktail bar with its machan on the second floor. It has four decorated
underground spaces made of wood and bamboo.
 Kund a large rectangular shaped pool with umbrellas at the corners
serves as a swimming pool.
 A cluster of huts encircles the centrally erected restaurant and banquet
hall, with streets on both sides leading towards the haveli.
 The open space near the kund becomes a dining space for parties.
 Kabootarkhana Adjacent to the 'Ganesha' temple is the pigeon-house,
where pigeons assemble in thousands.
 Sangri The other part, meant for day-to-day visitors, consists of a large
octagonal hut.
 Attached to the `sangri' is the spacious kitchen where Rajasthani cooks
prepare food in the traditional style.
 Chaupal The open field overlooking the sangri has a congregational area,
on one side and a museum (ajaebghar) on the other. In the evening the
whole village is illuminated with about 2000 lanterns. A village fair is
organized daily with different entertainers who give a variety of
performances.
ELEMENTS, ENHANCING THEME
Very minute detailing has been done to enhance the theme and to create a real
village scene. The whole environment is adorned with such elements as
 Chakki
 hal
 bamboo bridge
 lanterns
 chakkas
 potteries
 cots
 well
 chabutaras (platform)
 aalias (nooks) for deepaks.

PLAN & ELEVATION OF CIRCULAR HUT

PLAN & ELEVATION OF RECTANGULAR HUT

CONSTRUCTION DETAILS
 The foundations have been generally filled with stones and walls built
with stone or brick.
 The straight lines of the walls have been broken and rounded before a
thin plaster of cement is put and then treated with a combination of mud,
cow dung and husk by the village women from the neighboring areas.
 The roofs, wherever air-conditioning was not planned, have been erected
with iron pipes and purlins, which are covered with bamboo net and
terracotta tiles (keloos), brought from different parts of the region.
 The hut structures are provided with windows and doors at times with
‘aaliyas’ covered with built-in spaces for deepaks (terracotta lamps) in
different shapes.
 The walls are decorated with relief murals, created with brick motifs and
relief work designed with thick cement plaster in tempera, mainly with
clay colors geru (Indian red), pilli rnitti (ochre) and saphed rnitti (white
clay).
 The layout design has village temples, devaras, brick jalis and wooden
enclosures.
 Bamboos have been used extensively to integrate one structure with
another. Thus creating harmony.
 The architect has utilized local materials and manpower for the
construction.

CRITICAL ANALYSIS
 Site provides no natural views, which are supposed to be essential for a
project like resort but this shortcoming has been entirely subsided by the
environment created with in the resort.
 Parking area is not detailed as the rest of the resort and hence stands out.
 Walkways after car parking are long and unprotected from rain and sun.
 No covered connections between any two units, but problems aroused by
this are taken care by efficient management.
 Reception hall area, capacity, and facilities are grossly insufficient.
 Visitors and recreation areas are well segregated from residential units
providing privacy and avoiding cross
Circulation patterns.
 Underground bar is although elegant and intimate but also gives feeling
of congested ness.
 Variety in room types is achieved through different forms provided to
huts, variation of interior facilities and the variety of detailing both in
interiors as well as exteriors- give a sense of individuality and
belongingness to the guest.
 In a rather horizontal layout
visual variety in verticality is
achieved through semi-
underground bar and two - storied
huts.
 Strong unity and harmony are
achieved through the use of
materials, detailing and forms. Also
striking contrast can be seen in
haveli / swimming pool and huts.
 A/C units fitted and seen in
exteriors of all units could

be taken care off.

PLAN OF HAVELI

 Loss of sense of direction, also

handled efficiently through attentive management.
 Exploitation of local material and labor has been done in its full causing
very low cost of construction.
 Maintenance and repairs are effort taking but cost low.
 With all its typical ambiance and aura Chokhi Dhani has gained popularity
more like another tourist destination in Jaipur than a dwelling to stay in.