Professional Documents
Culture Documents
Standard
A teacher knows the teacher’s content area and how to teach it.
Effective instruction results in students gaining knowledge and skills and being able to
apply what they’ve learned to new experiences. Achieving this outcome begins with curricular
design that goes beyond following the sequence of lessons in a textbook or asking children to
participate in activities that might be fun but aren’t focused on a common objective. The
created by Grant Wiggins and Jay McTighe (2005) focuses on “… tackling two recurring
problems: … aimless coverage of content, and isolated activities that are merely engaging (at
best) while disconnected from intellectual goals in the learners’ minds” (p. 56). The
multidisciplinary unit and assessments I developed demonstrates my ability to use the UbD
process to identify big ideas and essential questions based on standards from different content
areas and create a cohesive unit of study that sets the stage for deeper understanding. It also
shows my ability to create and scaffold formative assessments that lead to a culminating
performance task, which allows students to apply their learning to an authentic problem or
situation.
The first step in the development of my unit was to choose content standards in the areas
of social studies, writing, visual arts, and mathematics. I then developed a big idea for the unit
and essential questions related to each content area. This provided a “ … coherent design…” as
well as “ … multiple way to take in and explore ideas” (Tomlinson & McTighe, 2006, p. 163).
Researchers have noted the value of integrating different content areas as a method to help
students “ … study a topic in depth when they explore it through different disciplinary lenses”
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(Drake & Burns, 2004, p. 21). By aligning the standards in the different content areas, my unit
provides a framework for students to research local history, understand and apply the skills of
mathematics and visual arts when analyzing and creating murals that symbolize history and
culture, and lets students illustrate and justify their selection of local symbols to represent their
community. Incorporating local culture into this multidisciplinary unit also helps “ … to make
learning more relevant to students, and its ability to bridge traditional academic disciplines with
students and their communities” (Shriner et al., 2010, p. 59). Designing this cohesive in depth
study within the context of local culture follows the best practices outlined in the UbD
formative assessments into each lesson that lead to the skills and knowledge necessary to
complete a culminating performance task. Rather than the traditional assessment method of one
unit test, in the UbD model “effective assessment is more like a scrapbook of mementos and
pictures than a single snapshot” (Wiggins & McTighe, 2005, p. 152). Examples of the different
formative assessments in my unit which give a variety of snapshots of student learning include
the Venn diagrams used to compare and contrast local murals, quizzes using different response
formats (i.e. multiple choice, matching, etc.), student creation of individual murals scored with a
rubric, written justifications for choices of symbols used in the murals, and journal entries to
chronicle reflections and questions throughout the unit. These assessments give me an
opportunity to check student understanding within and after each lesson, and then adjust for
instructional needs such as reteaching or enrichment on an individual or small group basis. These
formative assessments also give students opportunities to reflect on their own learning. This
self-reflection is a metacognitive process that builds the skills “… for students to become self-
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directed in their learning” and “… to take responsibility for managing, monitoring, and
Another feature of the UbD process is to present students with authentic opportunities to
demonstrate their learning. The culminating performance task in my unit asks students to
collaboratively create the design for a group mural, create a presentation that includes the
justification for their design, and provide detailed installation specifications. This is a simulation
of the process communities use when installing public art and gives students a chance to use the
students language to talk about their own learning and thinking process” (Hammond, 2015, p.
148). Embedding culturally responsive methods and comprehension skills in the content areas of
the unit reinforces the goals of deeper understanding that underlie the UbD curricular framework.
This simulated real-world application of the skills and knowledge acquired during the unit is also
more important tasks” (Wiggins & McTighe, 2005, p. 155). The research they conduct when
doing the research for their personal mural provides students an opportunity to explore historical
events and form their own opinions, which they then apply to the culminating performance task.
These discussions and and potential debates are also recognized as an effective literacy strategy
as they learn to “ … weigh arguments and evidence, helping kids articulate how to merge their
thinking with the information to form an opinion” (Harvey & Goudvis, 2007, p. 245-246).
Creating opportunities for collaboration is also considered important for giving students
opportunities to build a trusting relationship with each other and the teacher. Sousa and
Tomlinson (2011) explain that this contributes to a safe classroom environment that improves
Creating effective instructional units of study goes beyond opening a textbook and
covering the content. The development of deeper understanding requires planning that connects
the standards of different content areas, and asks students to apply the skills and knowledge they
Grant Wiggins and Jay McTighe is the method I have used to create these types of lessons and
units. Learning this curriculum development process has helped me to make learning more
meaningful for students and to design formative and summative assessments that reflect best
practices.
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References
Drake, S. M., & Burns, R. C. (2004). Meeting standards through integrated curriculum. ASCD.
direct=true&db=e000xna&AN=106684&site=eds-live&scope=site
Hammond, Z. (2015). Culturally responsive teaching & the brain: Promoting authentic
engagement and rigor among culturally and linguistically diverse students. Thousand
Harvey, S., & Goudvis, A. (2017). Strategies that work: Teaching comprehension for
http://search.ebscohost.com.ezproxy.uas.alaska.edu/login.aspx?
direct=true&db=nlebk&AN=1521987&site=ehost-live
Jacobs, H. H., & Association for Supervision and Curriculum Development. (2010). Curriculum
http://search.ebscohost.com.ezproxy.uas.alaska.edu/login.aspx?
direct=true&db=e000xna&AN=317221&site=eds-live&scope=site
Shriner, M., Schlee, B., & Libler, R. (2010). Teachers’ perceptions, attitudes and beliefs
org.ezproxy.uas.alaska.edu/10.1007/BF03216913
Sousa, D. A. and Tomlinson, C.A. 2nd Ed. (2011). Differentiation and the brain: How
IN.
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Wiggins, G. & McTighe, J. 2nd Ed. (2005). Understanding by design. Pearson Merrrill Prentice