Professional Documents
Culture Documents
UNIT 1
LESSON 1 – SWIMMING CONCEPTS
A. HISTORY
Introduction
As practiced by man, swimming is an art. Humans must adjust to water as an element, learn to assume other than
the vertical position, and finally, employ different arm and leg movements. Humans have become amazingly versatile in the
water, primarily because of their capacity to reason plus their possession of an important physical asset (a set of swivel or ball
and socket joints in the shoulders and the hips) that permits a wide range of movement.
Swimming has been recorded since prehistoric times; the earliest recording of swimming dates back to Stone Age paintings in
the Cave of Swimmers near Wadi Sora in Egypt near the Libyan border from around 7,000 years ago.
Written references date from 2000 BC. Some of the earliest references to swimming include the Gilgamesh, the Iliad, the
Odyssey, the Bible, Beowulf, and other sagas.
In 1538, Nicolaus Wynmann, a German professor of languages, wrote the first swimming book, Colymbetes In 1587
another book in swimming was written in Latin by Everard Digby. About 1697, A Frenchman, Thevenot, wrote a book entitled
The Art of Swimming. The English translation of his book became the most standard reference for many years. Competitive
swimming in Europe started around 1800, mostly using breaststroke. In 1873, John Arthur Trudgen introduced the trudgen
(using alternating over-arm stroke and scissor kick) to Western swimming competitions, after copying the front crawl used by
Native Americans.
Swimming was part of the first modern Olympic Games in 1896 in Athens. At this point, Richard Cavill, an Australian
swimmer developed an up- and –down action of the legs with alternating over-arm stroke in 1902. The stroke became known
as the Australian crawl. Charles M. Daniels in 1906 introduced the American Crawl which is a refinement of an Australian
crawl. In 1908, the world swimming association, Fédération Internationale de Natation (FINA), was formed. In 1912,
swimming on back with an alternating over-arm style and an inverted flutter kick known as the back stroke was recognized as
a competitive event. Women were first allowed to swim in the Olympic Games in 1912 in Stockholm competing in freestyle
races. In 1930’s David Armbruster and Jack Sieg developed a variant of the breaststroke called butterfly with the two kicks per
cycle being called dolphin fishtail kick but was not allowed in the Olympic Games. It was in 1952, when it was accepted as a
separate style with a set of rules.
D. SWIMMING TERMINOLOGIES
1. Aquatics – sports played in water
2. Buoyancy – the tendency of liquid or gas to cause less dense objects to float or rise to the surface
3. Float – to rest in the surface of the water without sinking
Types of Float: Tuck (turtle), prone, supine (back), jellyfish, Survival float
4. Gutter – the edge of the pool in water level
5. Kick – to make trashing movement with the legs
6. Natatorium - a building where swimming and other water act ivies take place
7. Personal Floatation Device (PFD)- a device designed to support a person in the water.
8. Sculling – propelling oneself through the water with the hands and forearms executing a figure of eight action
9. Stroke – a complete cycle of the arms and legs in a coordinated manner.
Types of competitive Strokes: Freestyle, Back, Breast, Butterfly
LESSON 2 – SKILLS
A. BREATH CONTROL
Persons who do not get a regular, sufficient supply of oxygen will soon tire. In all strokes, inhalation and exhalation
must be done in a manner that will result in minimum interference with stroking rhythm and that will minimize any
change in correct body position.
Procedure:
Inhale through mouth.
Close the mouth and slowly lower the head parallel to the water until at least the face and ears are submerged.
Slowly and gradually exhale through mouth or nose
Raise the face from the water and repeat the same sequence.
Learn to breathe comfortably and learn the breathing cycle until 5, 10, 20, 30, 40 or even 50.
B. ENTRIES
Entry using steps, ladders and slopes
Walk down the rail/ wall (steps, slopes)
Climb backwards down a ladder to enter the shallow water
Test the depth, firmness and condition of the bottom before transferring the weight from one foot to the other foot.
Scoop water with their hands, and then wet down the arms, chest neck, and face, thus gradually getting wet all over.
Wade in Entry is used when the water is shallow and the conditions are unknown. This entry is controlled and safe,
allowing the feet and an aid to feel for unseen obstacles below the surface.
Procedure:
Wade slowly and carefully, sliding the feet along the surface of the bottom.
Test the depth, firmness and condition of the bottom before transferring the weight from one foot to the other foot.
Scoop water with their hands, and then wet down the arms, chest neck, and face, thus gradually getting wet all over.
Slide in Entry is used when the depth of the water and the state of the bottom are unknown. This entry is controlled
and safe, allowing the feet to feel for unseen obstacles below the surface.
Procedure:
Sit on the edge of the pool deck with the feet in the water
Feel with the feet for unseen obstacles
Support the body with both hands as they face the edge of the pool deck
Lower the body gently while taking the weight on the hands
Turn the head to the side to protect the face from the edge during the entry
Step in Entry is used when the water is clear, the depth known and the bottom free from obstacles. This entry is
most appropriate for areas where the entry point is not much higher than the water level.
Procedure:
Look at the point of entry.
Step (not jump) out from the edge
Keep the knees slightly flexed and legs ready to give when the feet touch the bottom (the technique is similar to that
required for stepping from a chair onto the floor)
Dive Entry is used when the water is known to be deep and free of obstacles
Procedure:
Stand with toes curled over the edge. This will help prevent slipping on a wet surface.
Lock hands together and lock the head into position with the arms. The arms must remain beyond the head to
protect the head and neck until the diver surfaces.
Push off from the edge, aiming for a long flight through the air, to enter the water at a distance of two meters or
more from the edge. Divers, even when learning, should aim for good horizontal velocity and a long flight.
Upon entering the water, steer- up towards the surface by pointing the fingertips upward and lightly arching the
neck and back. Hands must remain locked in front of the head.
On reaching the surface, hands can be separate and swimming commence.
D. BODY ROTATION
Hold the wall with one hand and rotate around the hand away from the wall, then back to the wall.
Change hands and repeat.
Rotate in complete circle without holding wall.
Jellyfish Float
From a standing position in about chest –deep water, the learners bend forward and place the hands comfortably on
the thighs.
Take a breath and bend from the waist until face is submerged
The hand slide down the legs close to ankles
If done in relaxed manner the feet will usually float free of the bottom.
If body is floating the portion of the back or head is showing above the water
If mastered arms and legs hang suspended and relaxed in this position.
Tuck float
Lie in the back lay out position
Bring the thighs up to the chest and, while rounding the back
Position the face close to the knees.
Keep the knees and feet together with the toes pointed and the heels close to the buttocks
Use stationary sculling to maintain this position
G. GLIDE
Prone Glide
Inhale
Place the face in the water with chin tucked and place the arms stretched and extended forward of the head with
the thumbs touching
Push off from the side of the pool with legs extended backward and together, toes are pointed.
Good head position and a streamlined body position should be continually emphasized in the practice sessions.
F. STROKE
FREESTYLE
– as it is known today was originally known as “Australian Crawl or Front Crawl. This stroke has seen vast improvements
in efficiency and immense increase in swimming speed with further refinement of the stroke in recent years. The
important elements of freestyle may be seen from studying the sequences in the illustrations
1. Body Position
To assume the position for freestyle:
The body is on the front-, flat streamlined, relaxed and as horizontal as possible
The waterline should be at the top of the forehead
The angle of the body can be adjusted by the position of the head
2. Leg Action
The common term for the freestyle kick is flutter kick as the feet appear to flutter at the surface
The legs should be relaxed and the movement begins at the top of the legs
The leg flexes slightly at the knee prior to the down- beat and then straightens on the up- beat
Pointing the toes away from the shin is important in the freestyle kick, but it should be the pressure of the water
that points the foot, not the straining of the swimmer
The action should be smooth and continuous
3. Arm Action
The freestyle arm action is an integrated sequence divided into five segments:
3.1. Entry
3.2. Catch
3.3. Pull
3.4. Push
3.5. Recovery
3.1. Entry
The hand entry into the water must be smooth with a relatively high elbow and raised wrist, the fingers and the
hand entering the water first
Entry should be made approximately on the shoulder line
The index finger and thumb should lead as the hand enters the water
After the entry, the hand pushes forward and slightly downward. As the elbow reaches the extended position, the
other hand is completing its propulsive pushing action under the hips.
3.2. Catch
The catch is made following the entry of the hand
The catch is the initial part of the pull and is performed with the wrist slightly flexed.
The little finger leads the hand in a slight outward sweep which applies force against the water and assists in
propelling the body forward.
The entry and catch components of all strokes are considered by many to be the most important aspects of the
strokes.
3.3. Pull
At the completion of the catch, the elbow has begun to flex and the hand begins a downward and outward pathway
The elbow continues to flex throughout the down- sweep
As the hand approaches its deepest point, the down- sweep is rounded off into an in- sweep, with the elbow flexed
to right angles and the arm continuing in this position under the shoulders
3.4. Push
The push phase commences at the end of the in- sweep. This is approximately under the swimmer’s chest
During the propulsive push phase, the hand moves backwards, outwards and upwards
It is not intended that the hand moves backwards, but rather, due to pressure, propels the body forward
Once the hip has moved over the hand, pressure against the palm of the hand is released and the elbow begins to
flex to allow the hand to leave the water smoothly
The push phase is considered by many to be the most propulsive part of the arm stroke.
3.5. Recovery
The desired arm recovery is with a high elbow action initiated by a roll of the shoulder with the hands passing close
to the sides of the body. The recovery commences at the end of the upward push movement of the hand.
The upper arm/ shoulder initiate the recovery and the elbow is raised. When the hand is clear of the water the arm
rotates forward.
The hand travels upward, slightly outward and forward during the first half of the recovery, with the palm facing
either inward or backward.
The arm then extends forward and downward as the index finger and thumb slide gracefully into the water for the
next catch.
4. Breathing
The arm action will cause the body to roll naturally along its axis. To breathe, the head should roll with the body
rather than be lifted out of the water.
Breathing in should:
Be started as the recovery arm enters the water
Be through the mouth or mouth and nose
Not involve turning the face completely out of the water as a little trough is formed in the water opposite the
mouth.