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2.Is it possible to break the form and still call it that same form ( i.e. in the case of
the “haiku”, from the original Japanese to the English and Filipino counterparts)?
3.Which form do you think is the hardest to write? Why? Which form looks the
easiest to write?
4.How does each form contribute to their purpose ( e.g. “tanka” as descriptive
poetry, “awit” as used in storytelling, sonnet as in Shakespeare’s works )?