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TROUBLE with PAINT

Adhesive and Cohesive Failure:


Definitions and Fundamental
Macro-Effects
by Clive H. Hare, Coating System Design, Inc.

I
deally, the aging paint film
should erode slowly and steadily
in a more or less predictable
fashion. Any other degradation
may reasonably be classified as a
paint failure, although tradition
would condition us to accept the
cracking and checking of aged oil
paint films and the flaking of clear
polyurethane varnishes over exterior
wood as inevitable and normal. The
failures here, of course, are not so
much material failures (the materials
respond to the exposure in a typical
fashion), as they are a failure in ap-
plication or specification design. Fig. 1
There are certainly coatings that will
Figs. 2a and 2b
give satisfactory, long-term service
(left and bottom)–
as house paints without cracking, Internal stress, produced
and exterior clears on wood may be by shrinkage of an epoxy
formulated to perform under ex- film on solvent loss and
treme conditions without flaking. In crosslinking, sets up strains
within the applied composite
these cases, the appropriate materi-
that are strong enough to
als were simply overlooked when produce substantial
the coating systems were selected. deformation in a thin
It will be our position throughout aluminum substrate.
this series that paint film deteriora- a - The newly “dried” film is
tion involving any kind of delamina- initially flaccid and relaxed.
tion, lateral splitting, cracking, b - After full solvent release
checking, bubbling, or blistering and crosslinking, the film is
should be considered a failure. strong and hard. Internal
strains, which are incurred
Where one may argue that no coat-
as the film polymerizes and
ing will indefinitely tolerate service shrinks, are dissipated by
in some environments without some curling the weak substrate.
manifestations of distress, then a Photos and figures courtesy of
reasonable retort might be that the Clive Hare
use of alternative materials (corro-
sion-resistant alloys, highly crys-
talline plastics, or perhaps glass)
would have been a more appropri-
ate engineering response than the
use of coatings.
continued

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TROUBLE with PAINT

Table 1
Bonding Forces and Binding Energies

Binding Energy
Force Type Description Example (kcal/mole)

Ionic Primary Valency Bonding formed by transfer of valency Metal Salts 150-250
electrons from the outer shell of an
electron-donating atom (metal) into outer
shell of an electron-accepting atom,
to produce a stable valency configuration
in both.

Covalent Primary Valency Bonding formed when one or more Most 15-170
pairs of valency electrons are shared Organic
between 2 atoms. Molecules

Co-ordinate Primary Valency Covalent type bond where both Quaternary 100-200
of shared pair are derived from Ammonium
one of the 2 atoms. Compounds

Metallic Primary Valency Bonding in bulk phase of metals between Bulk Metals 27-83
positively charged metallic ions and the
electron cloud in the lattice points of
the structure.

Hydrogen Bonding Secondary Forces set up between the unshared Water <12
electrons on a highly electronegative
atom on 1 molecule and the weak positive
charge from the “exposed” proton of a
hydrogen atom. (The hydrogen atom is
covalently bonded to an electronegative
atom on a second molecule.)

Dispersion Secondary Weak forces in all molecules that are Most <10
(London) associated with temporary fluctuations Molecules
in electron density caused by the
rotation of electrons around atomic nuclei.

Dipole Secondary Intermolecular forces set up between Polar <5


(Keesom) weak and electronegative charge on Organics
one polar molecule and electropositive
charge on a second polar molecule

Induction Secondary Very weak dipole-like forces between Non-Polar <0.5


(Debye) non-polar molecules set up by weak Organics
dipoles induced by the proximity of
other strongly polar molecules.

If paint is to be considered a vi- and cohesive paint film degradation, nents is known as the interface.
able engineering material, as was which will be our focus this month, Where more than a single coat of
conceived by Mattiello 1 and should never be considered any- paint makes up the model, there will
Bobalek2, then formulators, speci- thing but a failure. be additional interfaces between the
fiers, and applicators must seek to individual coats. A typical paint sys-
provide a product that is as durable Forces that Maintain the tem made up of 3 coats on a sub-
as the article it protects, whether Applied System strate (i.e., the four-component
that article is an automobile, a piece Coated metal (and the coated sub- model depicted in Fig. 1a) will have
of furniture, or a storage tank. We strate in general) may be considered 3 interfaces: 1 between the substrate
cannot, of course, prevent some de- a mechanical model. The coating is and the lower or primer coat, 1 be-
terioration over time. We can, and 1 component, and the metal (or sub- tween the primer and intermediate,
must, however, avoid less natural strate) is a second component. The and 1 between the intermediate and
breakdown. Certainly the adhesive boundary between the 2 compo- continued

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TROUBLE with PAINT

the finish. It will be our custom active functional groups on the mol- maintain the integrity of the film
throughout this series to refer to the ecules of the binder with comple- continuum, which is the continuous
whole (the substrate, primer mid- mentary reactive groups on the sub- strata of the in-place film. The foun-
coats, and finish) as the paint system strate. These very strong bonding dation of these forces is primarily
composite, or paint system. There is forces give much higher adhesion the polymeric skeleton of the binder
also an interface between the finish values than do secondary forces itself, which also holds the pigment
coat and the environment, but this (Table 1). in place, and, as noted in the pre-
interface is not relevant to our dis- Secondary valency bonding is ceding paragraphs, holds the film to
cussions at this time. based on much weaker physical the substrate at the interface. For the
In such a model, adhesive forces forces typified by hydrogen bonds most part, this polymeric skeleton is
operate across the interface to hold and Van der Waals forces. The latter made up of primary valency-bond-
the film to the substrate or any 2 result from weak electrical differ- ed, high molecular weight polymeric
films together. Adhesive forces are ences between non-reacting sites on chains. In some films (lacquers, latex
set up as the paint is applied to the the paint binder and substrate. paints), however, some degree of
substrate (or lower film), wets it, These forces are more likely to be secondary bonding allows individual
and dries. The magnitude of these found in materials (binders and sub- chains to associate. In networked
forces will depend on the nature of strates) having hydroxyls and other (crosslinked) polymers, these inter-
the surface and the binder of the polar groups than on non-polar sur- chain associations are replaced with
coating (the glue that holds the coat- faces such as polyethylene. Sec- primary bonds to give a wholly pri-
ing together). Adhesive bonding ondary valency forces are the same mary bonded skeleton.
forces may be broadly categorized forces that make it difficult to sepa- The metal substrate itself is also
as 1 of 2 types, primary valency rate the mating surfaces of 2 pieces maintained by cohesive forces. In
forces and secondary valency forces. of flat glass or 2 transparencies. metal, cohesive forces result exclu-
The primary bonding forces are a re- Cohesive forces hold the paint sively from primary bonds (metallic
sult of chemical bonds between re- film itself together. That is, they bonds). In concrete, much of the co-

180 / Journal of Protective Coatings & Linings Copyright ©1995, Technology Publishing Company
TROUBLE with PAINT

hesive bonding is ionic in nature, internal stresses produced by the


while in wood and plastics, the pri- film’s resistance to such shrinkage
mary valency bonding is covalent. In set up strains within the film and at
thermoplastic substrates, some old its interface with the metal or lower
coating substrates, and other organ- film.
ics (leather, paper, etc.), secondary The role of internal stress in paint
valency bonding may also play a film failure should not be mini-
part in substrate cohesion. Cohesive mized. As demonstrated in Figs. 2a
forces in the substrate are normally and 2b, even in epoxy systems,
(though not universally) much where shrinkage stresses are not
greater than the cohesive forces large, they are sufficient to greatly
holding the paint film together. distort a weak substrate such as alu-
minum foil. On substrates that are
Straining Forces in the stronger than aluminum foil, e.g.,
Coating Film structural steel, dissipation of the
Opposing the adhesive and cohesive strain is, of course, not possible by
forces that maintain the integrity of deformation of the substrate, and
the model are strains within the the strain is stored within the curing
model induced by internal and ex- film. With such a film, the resulting
ternal stresses applied to it. For the film (represented by a mechanical
purposes of these discussions, a model) is less capable of accommo-
strain may be defined as a deforma- dating additional strains created as
tion incurred within the film as a re- the model responds to external
sult of the imposition of a force (or stresses from the environment.
stress) upon it. The sources of external stresses
As illustrated in Fig. 1b, there are range from physical abuses such as
2 principal kinds of stress applied to impacts and abrasions (e.g., defor-
coating films, internal stress and ex- mations occurring as the painted
ternal stress. As solvent or water metal is bent or stamped) to recur-
leaves the film and as the film solidi- ring cyclic deformations (e.g., vibra-
fies or dries from the applied liquid tion of the metal). A universal type
paint, the film shrinks slightly. The continued

Fig. 3

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TROUBLE with PAINT

of external stress is cyclic hygrother-


mal stresses, which affect all paint
films daily. These stresses are caused
by the differential response of paint
film and metal (or other substrate)
to temperature and humidity. Both
components respond to temperature
by expanding under hot conditions
and contracting under cold condi-
tions but to different extents.
This cycling dimensional change
gradually fatigues even an unsup-
ported film.
The differential response of an ad-
herent film and substrate will severe-
ly stress the adhesive and cohesive
integrity of the system. Additionally,
the water absorption of the film
under conditions of high humidity
(or, worse still, immersion) and the
subsequent desorption of water
under dry conditions will produce
similar dimensional distortions.
These conditions create shear and
tensile stresses (Fig. 3) within the
coating system and at the interface,
if not in the substrate. Such humidi-
ty-induced gradients may well be of
equal or greater significance com-
pared to the thermal gradients.
Humidity gradients are particularly
stressful on substrates such as wood,
where absorbed/desorbed water will
also produce considerable substrate
distortion. This may lead to in-
creased shear and tensile stresses as
the paint film and substrate respond
to the humidity gradients to different
extents and at different rates.

Adhesive and Cohesive


Paint Failure
Adhesive failure (peeling, flaking,
delamination, and other manifesta-
tions shown in Figs. 4a and 4b) oc-
curs where, in the presence of op-
posing stresses, the adhesive forces
are insufficient to hold the paint to
the substrate (whether that be a
metal, wood, concrete surface, or a
lower coat of paint).
Cohesive failure occurs where the
continued

182 / Journal of Protective Coatings & Linings Copyright ©1995, Technology Publishing Company
TROUBLE with PAINT

cohesive forces are insufficient to where the stress is directly applied.


maintain the integrity of any individ- Thus, a stone striking a flexible fin-
ual film (or substrate) in the pres- ish coat may produce a failure in a
ence of the same opposing stresses. lower, less flexible primer (Fig. 5).
Cohesive failure may involve a verti- Similarly, a coating with high in-
cal splitting or rupture (cracking, ternal stress applied over an aged
checking, alligatoring, crows footing, existing coating system made up of
etc., which is shown in Fig. 4c) or a weakened interfaces may not pro-
horizontal rupture (lateral splitting duce failure in the immediate paint
depicted in Fig. 4d). film to which it is applied, but may
produce failure at some other site
within the total coating system. Gen-
Stresses applied erally, when an intact coating system
is stressed to failure, failure will
to any element occur at the weakest site within the
system, either adhesively across
of an intact some weak interface, or cohesively
within some insufficiently continu-
coating system
ous film. In practice, this may be at
will be an interface below the site of the
new application. It is often at the
transferred substrate of the original (now aged)
primer and the original substrate.
throughout the The problem is a major concern for
entire system. the practice of overcoating for the
maintenance of bridges and other
structures coated with lead-based
paint (Fig. 6).
Cracking is more likely to occur in These, then, are the macroscopic
cohesively weak finish coats. These manifestations of adhesive and co-
are supported below but have no hesive failure. Specific examples of
upper support. Lateral splitting is such failure may all be reduced to
more likely in cohesively inadequate these appreciations. To fully under-
undercoats and primer films that are stand the mechanics of such failure
supported both above and below by so we may eventually manipulate
(sandwiched between) more cohe- the system to avoid the problem, we
sively substantial layers (the sub- must understand the involved phe-
strate and the finish). Mudcracking nomena on a molecular level.
in zinc-rich primers (and other
weak, low binder content paint hav- Measuring of Stress and Strain
ing pigment volume concentration/ The entire topic of stress and strain
critical pigment volume ratios in ex- response in paint systems has been
cess of unity) is an example of a long neglected. Thanks to the efforts
vertical cohesive failure. This type of of pioneers like Hill, Ikeda, Zosel,
failure occurs before recoating as Croll, and Touissant, we have over
the zinc-rich primer dries. At this the past 20 years begun to apply
time, the primer may be temporarily and adapt approaches long em-
considered a finish. ployed in plastic, fiber, and rubber
Stresses applied to any element of and elastomer technologies, to un-
an intact coating system will be derstand and quantify the phenome-
transferred throughout the entire na involved.3-8
system. As a result, the coating may In coatings, the work is seriously
fail at a site weaker than the one complicated because a coating film
184 / Journal of Protective Coatings & Linings Copyright ©1995, Technology Publishing Company
TROUBLE with PAINT

Fig. 4

Fig. 5

is by definition substrate-supported, manner in which a paint film should


while other technologies deal with respond to an applied stress) for a
unsupported polymers. given application. This also permits
The cross section of coating films, correlation of molecular structure
which is minimal compared to with that profile. Progress is tenta-
plastics or composites, gives practi- tive. We still cannot quantify the
cal problems in sample preparation. stress and strain patterns distributed
The necessity of removing solvent throughout a multi-layered existing
or water from the drying film is composite. Such quantification might
also critical to adapting many of one day be used to predict the re-
the measurement techniques to sponse of that system to stress in
coatings. service. We are, however, beginning
Notwithstanding these difficulties, to identify directions of such ap-
we can now mathematically define a proaches, and this alone may help
required mechanical profile (the continued

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OCTOBER 1995 / 185
TROUBLE with PAINT

Fig. 6 - Adhesive failure of a newly overcoated lead paint composite from an original mil
scale substrate. Failure is related to high internal strain within the composite produced by
shrinkage of the newly applied epoxy. This has diminished the ability of the composite to
accomodate external stresses (probably hygrothermally derived) that are applied to the
coating system in service.
Photo courtesy of Lloyd Smith, Corrosion Control Consultants & Labs Inc.

to reduce some misapplications in 3. L.W. Hill, Mechanical Properties


the field. of Coatings, Federation Series on
Coatings Technology, (Blue Bell,
Conclusion PA: Federation of Societies for
In the next several months, we will Coating Technology, 1987).
review the concepts of paint film 4. L.W. Hill, “Stress Analysis—A
physics that directly affect our un- Tool For Understanding Coatings
derstanding of the mechanical prop- Performance” Progress in Organ-
erties of coating films. As part of ic Coatings, 5 (1977), 277.
this, we will address other aspects of 5. S.G. Croll, “Adhesion Loss Due
our science, such as solvent loss and to Internal Stress” JCT (June
film formation, the diffusion of pen- 1980), 35.
etrants into and out of a film, and 6. S. Ikeda, “Dynamic Viscoelastici-
the effect of cure temperature on ty of Coating Film” Progress in
performance. Organic Coatings, 1 (1973), 205.
In our next segment, we will re- 7. A. Toussaint, “Influence of Pig-
view the molecular structure of coat- mentation and the Mechanical
ing film binders on which cohesion Properties of Paint Films”
and adhesion so much depend. JPCL Progress in Organic Coatings, 2,
(3), (June 1974), 237.
References 8. A. Zosel, “The Mechanical Be-
1. J.J. Mattiello, “Protective Organic haviour of Coating Films”
Coatings as Engineering Materi- Progress in Organic Coatings, 8,
als,” Proceedings of the Ameri- (1), (1980), 47.
can Society for Testing Materials, 9. M.B. Roller and J.K. Gillham,
46, June 26, 1946, (Philadelphia, “Application of Dynamic Me-
PA) ASTM, 1946. chanical Testing to Thermoset
2. E.G. Bobalek, “Paint Among En- and Coatings Research and De-
gineering Materials” Official Di- velopment,” JCT (January 1978),
gest (December 1962), 1,295. 57.
Copyright ©1995, Technology Publishing Company
OCTOBER 1995 / 187

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