Professional Documents
Culture Documents
The Kural is traditionally praised with epithets and alternate titles such as "the
Tamil Veda" and "the divine book."[9][10] It emphasizes non-violence and moral
vegetarianism as virtues for an individual.[11][a] In addition, it highlights
truthfulness, self-restraint, gratitude, hospitality, kindness, goodness of wife,
duty, giving, and so forth,[12] besides covering a wide range of social and
political topics such as king, ministers, taxes, justice, forts, war, greatness of
army and soldier's honor, death sentence for the wicked, agriculture, education,
abstinence from alcohol and intoxicants.[13][14][15] It also includes chapters on
friendship, love, sexual union, and domestic life.[12][16]
The Kural has been widely admired by scholars and influential leaders across the
ethical, social, political, economical, religious, philosophical, and spiritual
spheres over its history.[17] These include Ilango Adigal, Kambar, Leo Tolstoy,
Mahatma Gandhi, Albert Schweitzer, Constantius Joseph Beschi, Karl Graul, George
Uglow Pope, Alexander Piatigorsky, and Yu Hsi. The text has been translated into at
least 40 Indian and non-Indian languages, making it one of the most translated
ancient works. The Kural is considered a masterpiece and one of the most important
texts of the Tamil Literature.[18] The Tamil people and the government of Tamil
Nadu have long celebrated and upheld the text with reverence.[19]
Contents
1 Etymology and nomenclature
2 Date
3 Author
4 Contents
4.1 Structure
4.2 Substance
4.3 Similes and contradictions
5 Commentaries and translations
5.1 Commentaries
5.2 Translations
5.3 Translational difficulties and distortions
6 Publication
7 Comparison with other ancient literature
7.1 World literature
8 Reception
8.1 Popular culture
8.2 Temples and memorials
9 Legacy
10 See also
11 Notes
12 Citations
13 References
13.1 Classical primary sources (Tamil)
13.2 Modern secondary sources
13.2.1 Books
13.2.2 Journals and Magazines
13.2.3 Newspapers
13.2.4 Online
14 Further reading
15 External links
Etymology and nomenclature
Main article: Glossary of names for the Tirukkural
The term Tirukkural is a compound word made of two individual terms, tiru and
kural. Tiru is an honorific Tamil term that corresponds to the universally Indian,
Sanskrit term sri meaning "holy, sacred, excellent, honorable, and beautiful."[1]
The term tiru has as many as 19 different meanings.[20] Kural means something that
is "short, concise, and abridged."[1] Etymologically, kural is the shortened form
of kural paattu, which is derived from kuruvenpaattu, one of the two Tamil poetic
forms explained by Tolkappiyam, the other one being neduvenpaattu.[21] According to
Miron Winslow, kural is used as a literary term to indicate "a metrical line of 2
feet, or a distich or couplet of short lines, the first of 4 and the second of 3
feet."[22] Thus, Tirukkural literally comes to mean "sacred couplets."[1]
The work is highly cherished in the Tamil culture, as reflected by its nine
different traditional titles: Thirukku?a? (the sacred kural), Uttaravedam (the
ultimate Veda), Thiruvalluvar (eponymous with the author), Poyyamoli (the falseless
word), Vayurai valttu (truthful praise), Teyvanul (the divine book), Potumarai (the
common Veda), Muppal (the three-fold path), and Tamilmarai (the Tamil Veda).[9] The
work is traditionally grouped under the Eighteen Lesser Texts series of the late
Sangam works, known in Tamil as Pati?e?ki?ka?akku.
Date
Main article: Dating the Tirukkural
The Kural has been dated variously from 300 BCE to 5th century CE. According to
traditional accounts, it was the last work of the third Sangam, and was subjected
to a divine test (which it passed). The scholars who believe this tradition, such
as Somasundara Bharathiar and M. Rajamanickam, date the text to as early as 300
BCE. Historian K. K. Pillay assigned it to the early 1st century CE.[8] According
to Kamil Zvelebil, a Czech scholar of Tamil literature, these early dates such as
300 BCE to 1 BCE are unacceptable and not supported by evidence within the text.
The diction and grammar of the Kural, and Valluvar's indebtedness to some earlier
Sanskrit sources, suggest that he lived after the "early Tamil bardic poets," but
before Tamil bhakti poets era.[23][24]
In 1959, S. Vaiyapuri Pillai assigned the work to around or after the 6th century
CE. His proposal is based on the evidence that the Kural text contains a large
proportion of Sanskrit loan words, shows awareness and indebtedness to some
Sanskrit texts best dated to the first half of the 1st millennium CE, and the
grammatical innovations in the language of the Kural literature.[24][b] Pillai
published a list of 137 Sanskrit loan words in the Kural text.[25] Later scholars
Thomas Burrow and Murray Barnson Emeneau show that 35 of these are of Dravidian
origin and not Sanskrit loan words. Zvelebil states that an additional few have
uncertain etymology and that future studies may prove those to be Dravidian.[25]
The 102 remaining loan words from Sanskrit are "not negligible", and some of the
teachings in the Kural text, according to Zvelebil, are "undoubtedly" based on the
then extant Sanskrit works such as the Arthashastra and Manusmriti (also called the
Manavadharmasastra).[26]
In his treatise of Tamil literary history published in 1974, Zvelebil states that
the Kural text does not belong to the Sangam period and dates it to somewhere
between 450 and 500 CE.[8] His estimate is based on the language of the text, its
allusions to the earlier works, and its borrowing from some Sanskrit treatises.[23]
Zvelebil notes that the text features several grammatical innovations that are
absent in the older Sangam literature. The text also features a higher number of
Sanskrit loan words compared with these older texts.[27] According to Zvelebil,
besides being part of the ancient Tamil literary tradition, the author was also a
part of the "one great Indian ethical, didactic tradition" as a few of the verses
in the Kural text are "undoubtedly" translations of the verses of earlier Indian
texts.[28]
In the 19th century and the early 20th century, European writers and missionaries
variously dated the text and its author to between 400 and 1000 CE.[29] According
to Blackburn, the "current scholarly consensus" dates the text and the author to
approximately 500 CE.[29]
In 1921, in the face of incessant debate on the precise date, the Tamil Nadu
government officially declared 31 BCE as the year of Valluvar at a conference
presided over by Maraimalai Adigal.[8][30][31] On 18 January 1935, the Valluvar
Year was added to the calendar.[32][c]
Author
Main article: Thiruvalluvar
"The book without a name by an author without a name."
The statue of Valluvar, the author of the Kural text, on an island in Kanyakumari
facing towards the Tamil Nadu coastline
Various claims have been made regarding Valluvar's family background and occupation
in the colonial era literature, all inferred from selective sections of his text or
hagiographies published since the colonial era started in Tamil Nadu.[39] One
traditional version claims that he was a Paraiyar weaver.[40] Another theory is
that he must have been from the agricultural caste of Vellalars because he extols
agriculture in his work.[9] Another states he was an outcaste, born to a Pariah
woman and a Brahmin father.[9][39] Mu Raghava Iyengar speculated that "valluva" in
his name is a variation of "vallabha", the designation of a royal officer.[9] S.
Vaiyapuri Pillai derived his name from "valluvan" (a Paraiyar caste of royal
drummers) and theorized that he was "the chief of the proclaiming boys analogous to
a trumpet-major of an army".[9][41] The traditional biographies not only are
inconsistent, but also contain incredulous claims about the author of the Kural
text. Along with various versions of his birth circumstances, many state he went to
a mountain and met the legendary Agastya and other sages.[42] There are also
accounts claiming that, during his return journey, Valluvar sat under a tree whose
shadow sat still over him and did not move the entire day, he killed a demon, and
many more.[42] Scholars consider these and all associated aspects of these
hagiographic stories to be fiction and ahistorical, a feature common to
"international and Indian folklore". The alleged low birth, high birth and being a
pariah in the traditional accounts are also doubtful.[43]
The author is remembered and cherished for his universal secular values, and his
treatise has been called Ulaga Podhu Marai (the universal scripture).[54][55][56]
Contents
The Kural is structured into 133 chapters, each containing 10 couplets (or kurals),
for a total of 1,330 couplets.[57][f] All the couplets are in kural venba metre,
and all the 133 chapters have an ethical theme and are grouped into three parts, or
"books":[57][58]
Tirukku?a?
A?am (28.6%)
Poru? (52.6%)
Inbam (18.8%)
Book I � A?am (????): Book of Virtue (Dharma), dealing with moral values of an
individual[57] and essentials of yoga philosophy[58] (Chapters 1-38)
Book II � Poru? (??????): Book of Polity (Artha), dealing with socio-economic
values,[57] polity, society and administration[58] (Chapters 39-108)
Book III � Inbam (??????): Book of Love (Kama), dealing with psychological
values[57] and love[58] (Chapters 109-133)
"Virtue will confer heaven and wealth; what greater source of happiness can man
possess?"
(Kural 31; Drew, 1840).[59]
The book on a?am (virtue) contains 380 verses, that of poru? (wealth) has 700 and
that of inbam or kamam (love) has 250. Each kural or couplet contains exactly seven
words, known as cirs, with four cirs on the first line and three on the second,
following the kural metre. A cir is a single or a combination of more than one
Tamil word. For example, the term Thirukkural is a cir formed by combining the two
words thiru and ku?a?.[57]
Of the 1,330 couplets in the text, 40 couplets relate to god, rain, ascetics, and
virtue; 200 on domestic virtue; 140 on higher yet most fundamental virtue based on
grace, benevolence and compassion; 250 on royalty; 100 on ministers of state; 220
on essential requirements of administration; 130 on social morality, both positive
and negative; and 250 on human love and passion.[16]
The work largely reflects the first three of the four ancient Indian aims in life,
known as purushaarthas, viz., virtue (dharma), wealth (artha) and love (kama).[1]
[60][61] The fourth aim, namely, salvation (moksha) is implicit in the last five
chapters of Book I.[62][g] The components of a?am, poru? and inbam encompasses both
the agam and puram genres of the Tamil literary tradition as explained in the
Tolkappiyam.[63] According to Sharma, dharma (a?am) refers to ethical values for
the holistic pursuit of life, artha (poru?) refers to wealth obtained in ethical
manner guided by dharma, and kama (Inbam) refers to pleasure and fulfilment of
one's desires, also guided by dharma.[64] The corresponding goals of poru? and
inbam are desirable, yet both need to be regulated by a?am, according to Kovaimani
and Nagarajan.[65] According to Indian philosophical tradition, one must remain
unattached to wealth and possessions, which can either be transcended or sought
with detachment and awareness, and pleasure needs to be fulfilled consciously and
without harming anyone.[64] The Indian tradition also holds that there exists an
inherent tension between artha and kama.[64] Thus, wealth and pleasure must be
pursued with an "action with renunciation" (Nishkam Karma), that is, one must act
without craving in order to resolve this tension.[64][h]
Tamil Wisdom, by Edward Jewitt Robinson, 1873,[71] with the traditional portrait of
Valluvar
Chapters 1�4: Introduction
Chapters 5�24: Domestic virtue
Chapters 25�38: Ascetic virtue
Chapters 39�63: Royalty, the qualities of the leader of men
Chapters 64�73: The subject and the ruler
Chapters 74�96: Essential parts of state, shrewdness in public life
Chapters 97�108: Reaching perfection in social life
Chapters 109�115: Concealed love
Chapters 116�133: Wedded love
Such subdivisions are likely later additions, but the couplets themselves have been
preserved in the original form and there is no evidence of later revisions or
insertions into the couplets.[67][70] Thus, in spite of these later subdivisions by
the medieval commentators, both the domestic and ascetic virtues in Book I are
addressed to the householder or commoner.[72] According to A. Gopalakrishnan,
ascetic virtues in the Kural does not mean renunciation of household life or
pursuing of the conventional ascetic life, but only refers to giving up immoderate
desires and having self-control that is expected of every individual.[72]
Like the three-part division, and unlike the iyal subdivisions, the grouping of the
couplets into chapters is the author's. Every topic that Valluvar handles in his
work are presented in ten couplets forming a chapter, and the chapter is usually
named using a keyword found in the couplets in it.[73] Exceptions to this
convention are found in all the three books of the Kural text as in Chapter 1 in
the Book of Aram, Chapter 78 in the Book of Porul, and Chapter 117 in the Book of
Inbam, where the words used in title of the chapters are not found anywhere in the
chapter's couplets.[73] Here again, the titles of all the chapters of the Kural
text are given by Valluvar himself.[74] According to Kandasamy, the naming of the
first chapter of the Kural text is in accord with the convention used in the
Tolkappiyam.[75]
According to Zvelebil, the content of the Kural text is "undoubtedly patterned" and
"very carefully structured."[76] There are no structural gaps in the text, with
every couplet indispensable for the structured whole.[68] There are two distinct
meanings for every couplet, namely, a structural one and a proverbial one.[68] In
their isolated form, that is, when removed from the context of the 10-couplet
chapter, the couplets lose their structural meaning but retain the "wise saying,
moral maxim" sense.[68] In isolation, a couplet is "a perfect form, possessing, in
varying degree, the prosodic and rhetoric qualities of gnomic poetry."[68] Within
the chapter-structure, the couplets acquire their structural meaning and reveal the
more complete teaching of the author.[68] This, Zvelebil states, is the higher
pattern in the Kural text, and finally, in relation to the entire work, they
acquire perfection in the totality of their structure.[68] In terms of structural
flow, the text journeys the reader from "the imperfect, incomplete" state of man
implicit in the early chapters to the "physically, morally, intellectually and
emotionally perfect" state of man living as a husband and citizen, states Zvelebil.
[77]
Substance
The Kural text is marked by pragmatic idealism,[79] focused on "man in the totality
of his relationships".[80] According to Zvelebil, the text does not feature "true
and great poetry" throughout the work, except, notably, in the third book, which
deals with love and pleasure.[81] This emphasis on substance rather than poetry
suggests that Valluvar's main aim was not to produce a work of art, but rather an
instructive text focused on wisdom, justice, and ethics.[81]
The Kural text begins with an invocation of God and then praises the rain for being
the vitalizer of all life forms on earth. It proceeds to describe the qualities of
a righteous person, before concluding the introduction by emphasizing the value of
a?am or virtue.[82] Valluvar extols rain next only to God for it provides food and
serves as the basis of a stable economic life by aiding in agriculture, which
Valluvar asserts as the most important economic activity later in Book II of the
Kural text.[82][83]
According to Schweitzer, the Kural "stands for the commandment not to kill and not
to damage."[92] The greatest of personal virtues according to the Kural text is
non-killing, followed by veracity,[97][98][99] and the two greatest sins that
Valluvar feels very strongly are ingratitude and meat-eating.[98][100][101] As
observed by P. S. Sundaram in the introduction to his work, while "all other sins
may be redeemed, but never ingratitude," Valluvar couldn't understand "how anyone
could wish to fatten himself by feeding on the fat of others."[102] The Kural
differs from every other work on morality in that it follows ethics, surprisingly a
divine one, even in its Book of Love.[103] In the words of Gopalkrishna Gandhi,
Valluvar maintains his views on personal morality even in the Book of Love, where
one can normally expect greater poetic leniency, by describing the hero as "a one-
woman man" without concubines.[104] In a social and political context, the Kural
text glorifies valour and victory during war and recommends a death sentence for
the wicked only as a means of justice.[11][105][106]
According to Kaushik Roy, the Kural text in substance is a classic on realism and
pragmatism, and it is not a mystic, purely philosophical document.[96] Valluvar
presents his theory of state using six elements: army (patai), subjects (kuti),
treasure (kul), ministers (amaiccu), allies (natpu), and forts (aran).[96] Valluvar
also recommends forts and other infrastructure, supplies and food storage in
preparation for siege.[96][107] A king and his army must always be ready for war,
and should launch a violent offensive, at the right place and right time, when the
situation so demands and particularly against weak and corrupt kingdoms. A good and
strong kingdom must be protected with forts made of thick, high and impenetrable
walls. The text recommends a hierarchical military organization staffed with
fearless soldiers who are willing to die in war.[108]
"The sceptre of the king is the firm support of the Vedas of the Brahmin, and of
all virtues therein described."
(Kural 543; John Lazarus 1885,[109] & A. K. Ananthanathan 1994).[110]
The Kural text does not recommend democracy; rather it accepts a royalty with
ministers bound to a code of ethics and a system of justice.[111] The king in the
text, states K. V. Nagarajan, is assigned the "role of producing, acquiring,
conserving, and dispensing wealth".[96][111] The king's duty is to provide a just
rule, be impartial and have courage in protecting his subjects and in meting out
justice and punishment. The text supports death penalty for the wicked in the book
of poru?, but does so only after emphasizing non-killing as every individual's
personal virtue in the book of a?am.[111] The Kural cautions against tyranny,
appeasement and oppression, with the suggestion that such royal behavior causes
natural disasters, depletes the state's wealth and ultimately results in the loss
of power and prosperity.[112]
Dedicated commentaries on the Kural text appear about and after the 10th century
CE. There were at least ten medieval commentaries of which only six have survived
into the modern era. The ten medieval commentators include Manakkudavar, Dharumar,
Dhamatthar, Nacchar, Paridhiyar, Thirumalaiyar, Mallar, Pari Perumal, Kaalingar,
and Parimelalhagar, all of whom lived between the 10th and the 13th centuries CE.
Of these, only the works of Manakkudavar, Paridhi, Kaalingar, Pari Perumal, and
Parimelalhagar are available today. The works of Dharumar, Dhaamatthar, and Nacchar
are only partially available. The commentaries by Thirumalaiyar and Mallar are lost
completely. The best known among these are the commentaries by Parimelalhagar,
Kaalingar, and Manakkudavar.[16][127][129] Among the ten medieval commentaries,
scholars have found spelling, homophonic, and other minor textual variations in a
total of 900 couplets, including 217 couplets in Book I, 487 couplets in Book II,
and 196 couplets in Book III.[130]
The best known and influential historic commentary on the Kural text is the
Parimelalhakiyar virutti. It was written by Parimelalhagar � a Vaishnava Brahmin,
likely based in Kanchipuram, who lived about or before 1272 CE.[131] Along with the
Kural text, this commentary has been widely published and is in itself a Tamil
classic.[132] Parimelalhagar's commentary has survived over the centuries in many
folk and scholarly versions. A more scholarly version of this commentary was
published by Krisnamachariyar in 1965.[131] According to Norman Cutler,
Parimelalhagar's commentary interprets and maneuvers the Kural text within his own
context, grounded in the concepts and theological premises of Hinduism. His
commentary closely follows the Kural's teachings, while reflecting both the
cultural values and textual values of the 13th- and 14th-century Tamil Nadu.
Valluvar's text can be interpreted and maneuvered in other ways, states Cutler.
[132]
Besides the ten medieval commentaries, there are at least three more commentaries
written by unknown medieval authors.[133] One of them was published under the title
"Palhaiya Urai" (meaning ancient commentary), while the second one was based on
Paridhiyar's commentary.[133] The third one was published in 1991 under the title
"Jaina Urai" (meaning Jaina commentary) by Saraswathi Mahal Library in Thanjavur.
[134] Following these medieval commentaries, there are at least 21 venpa
commentaries to the Kural, including Somesar Mudumoli Venba, Murugesar Muduneri
Venba, Sivasiva Venba, Irangesa Venba, Vadamalai Venba, Dhinakara Venba, and
Jinendra Venba, all of which are considered commentaries in verse form.[135][136]
Several modern commentaries started appearing in the 19th and 20th centuries. Of
these, the commentaries by Kaviraja Pandithar and U. V. Swaminatha Iyer are
considered classic by modern scholars.[3] Some of the commentaries of the 20th
century include those by Thirumeni Rathina Kavirayar,[137] Ramanuja Kavirayar,[137]
K. Vadivelu Chettiar,[138] Krishnampet K. Kuppusamy Mudaliar,[139] Iyothee Thass,
V. O. Chidambaram Pillai, Thiru Vi Ka, Bharathidasan, M. Varadarajan, Namakkal
Kavignar, Thirukkuralar V. Munusamy, Devaneya Pavanar, M. Karunanithi, and Solomon
Pappaiah, besides several hundred others. The commentary by M. Varadarajan entitled
Tirukkural Thelivurai (lit. Lucid commentary of the Kural), first published in
1949, remains the most published modern commentary, with more than 200 editions by
the same publisher.[140]
Translations
The first European language translation (Latin) was published by Constantius Joseph
Beschi in 1730. However, he translated only the first two books, viz., virtue and
wealth, leaving out the book on love because its erotic and sexual nature was
deemed by him to be inappropriate for a Christian missionary. The first French
translation was brought about by an unknown author by about 1767 that went
unnoticed. The first available French version was by E. S. Ariel in 1848. Again, he
did not translate the whole work but only parts of it. The first German translation
was made by Karl Graul, who published it in 1856 both at London and Leipzig.[142]
[146]
The translations of the Kural in Southeast Asian and East Asian languages were
published in the 20th century. A few of these relied on re-translating the earlier
English translations of the work.[144]
By the end of the 20th century, there were about 24 translations of the Kural in
English alone, by both native and non-native scholars, including those by V. V. S.
Aiyar, K. M. Balasubramaniam, Shuddhananda Bharati, A. Chakravarti, M. S.
Purnalingam Pillai, C. Rajagopalachari, P. S. Sundaram, V. R. Ramachandra
Dikshitar, G. Vanmikanathan, Kasturi Srinivasan, S. N. Sriramadesikan, and K. R.
Srinivasa Iyengar.[152] The work has also been translated into Vaagri Booli, the
language of the Narikuravas, a tribal community in Tamil Nadu, by Kittu Sironmani.
[153]
Besides these inherent difficulties in translating the Kural, some scholars have
attempted to either read their own ideas into the Kural couplets or deliberately
misinterpret the message to make it conform to their preconceived notions. The
Latin translation by the Christian missionary Father Beshi, for instance, contains
several such mistranslations. According to V. Ramasamy, "Beschi is purposely
distorting the message of the original when he renders ??????? as 'the sea of
miserable life' and the phrase ????????????????? as 'sea of this birth' which has
been translated by others as 'the sea of many births'. Beschi means thus 'those who
swim the vast sea of miseries'. The concept of rebirth or many births for the same
soul is contrary to Christian principle and belief."[157]
According to Norman Cutler, both in the past and in the contemporary era, the Kural
has been reinterpreted and fit to reflect the textual values in the text as well as
the cultural values of the author(s).[158] About 1300 CE, the Tamil scholar
Parimelalhagar interpreted the text in Brahmanical premises and terms.[158] Just
like Christian missionaries during the colonial era cast the work in their own
Christian premises, phrases and concepts, some Dravidianists of the contemporary
era reinterpret and cast the work to further their own goals and socio-political
values. This has produced highly divergent interpretations of the original.[158]
[159]
Publication
Parimelalhagar's commentary on the Thirukkural was published for the first time in
1840 and became the most widely published commentary ever since.[170] In 1850, the
Kural was published with commentaries by Vedagiri Mudaliar, who published a revised
version later in 1853.[166] This is the first time that the entire Kural text was
published with commentaries.[166] In 1917, Manakkudavar's commentary for the first
book of the Kural text was published by V. O. Chidambaram Pillai.[171][172]
Manakkudavar commentary for the entire Kural text was first published in 1925 by K.
Ponnusami Nadar.[citation needed] As of 2013, Perimelalhagar's commentary appeared
in more than 200 editions by as many as 30 publishers.[140]
Since the 1970s, the Kural text has been transliterated into ancient Tamil scripts
such as the Tamil-Brahmi script, Pallava script, Vatteluttu script and others by
Gift Siromoney of the International Institute of Tamil Studies (IITS, Madras
Christian College).[173][174]
According to Zvelebil, the Tirukkural borrows "a great number of lines" and phrases
from earlier Tamil texts. For example, phrases found in Kuruntokai (lit. "The
Collection of Short [Poems]") and many lines in Narrinai (lit. "The Excellent Love
Settings") which starts with an invocation to Vishnu, appear in the later
Tirukkural.[177] Authors who came after the composition of the Tirukkural similarly
extensively quoted and borrowed from the Tirukkural. For example, the Prabandhas
such as the Tiruvalluvamalai probably from the 10th century CE are anthologies on
Tirukkural, and these extensively quote and embed it verses written in meters
ascribed to gods, goddesses, and revered Tamil scholars.[178] Similarly, the love
story Perunkatai (lit. "The Great Story") probably composed in the 9th century
quotes from the Tirukkural and embeds similar teachings and morals.[179] Verse
22.59�61 of the Manimekalai � a Buddhist-princess and later nun based love story
epic, likely written about the 6th century CE, also quotes the Tirukkural. This
Buddhist epic ridicules Jainism while embedding morals and ideals similar to those
in the Kural.[180]
The Thirukkural teachings are similar to those found in Arthasastra but differ in
some important aspects. In Valluvar's theory of state, unlike Kautilya, the army
(patai) is the most important element. Valluvar recommends that a well kept and
well-trained army (patai) led by an able commander and ready to go to war is
necessary for a state.[96]
According to Hajela, the Porul of the Kural text is based on morality and
benevolence as its cornerstones.[181] The Tirukkural teaches that the ministers and
people who work in public office should lead an ethical and moral life.[93] Unlike
Manusmriti, the Tirukurral does not give importance to castes or any dynasty of
rulers and ministers. The text states that one should call anyone with virtue and
kindness a Brahmin.[182]
World literature
Scholars compare the teachings in the Tirukkural with those in other ancient
thoughts such as the Confucian sayings in Lun Yu, Hitopadesa, Panchatantra,
Manusmriti, Tirumandiram, Book of Proverbs in the Bible, sayings of the Buddha in
Dhammapada, and the ethical works of Persian origin such as Gulistan and Bustan, in
addition to the holy books of various religions.[184]
The Kural text and the Confucian sayings recorded in the classic Analects of
Chinese (called Lun Yu, meaning "Sacred Sayings") share some similarities. Both
Valluvar and Confucius focused on the behaviors and moral conducts of a common
person. Similar to Valluvar, Confucius advocated legal justice embracing human
principles, courtesy, and filial piety, besides the virtues of benevolence,
righteousness, loyalty and trustworthiness as foundations of life.[185] While
ahimsa remains the fundamental virtue of the Valluvarean tradition, Zen remains the
central theme in Confucian tradition.[186] Incidentally, Valluvar differed from
Confucius in two respects. Firstly, unlike Confucius, Valluvar was also a poet.
Secondly, Confucius did not deal with the subject of conjugal love, for which
Valluvar devoted an entire division in his work.[187] Child-rearing is central to
the Confucian thought of procreation of humanity and the benevolence of society.
The Lun Yu says, "Therefore an enlightened ruler will regulate his people�s
livelihood so as to ensure that, above they have enough to serve their parents and
below they have enough to support their wives and children."[188][j]
Reception
Main article: Impact of Tirukkural
The Kural has historically been exalted by leaders of political, spiritual, social
and virtually every other domain. Rajaji commented, "It is the gospel of love and a
code of soul-luminous life. The whole of human aspiration is epitomized in this
immortal book, a book for all ages."[189] According to K. M. Munshi, "Thirukkural
is a treatise par excellence on the art of living."[189] The Indian nationalist and
Yoga guru Sri Aurobindo stated, "Thirukkural is gnomic poetry, the greatest in
planned conception and force of execution ever written in this kind."[189] E. S.
Ariel, who translated and published the third part of the Kural to French in 1848,
called it "a masterpiece of Tamil literature, one of the highest and purest
expressions of human thought."[33] Zakir Hussain, former President of India, said,
"Thirukkural is a treasure house of worldly knowledge, ethical guidance and
spiritual wisdom."[189]
Popular culture
A Kural couplet on display inside a Chennai Metro train
The portrait of Tirukkural author with matted hair and a flowing beard, as drawn by
artist K. R. Venugopal Sharma in 1960, was accepted by the state and central
governments as the standardised version.[193] It soon became a popular and the
standard portrait of the poet.[104] In 1964, the image was unveiled in the Indian
Parliament by the then President of India Zakir Hussain. In 1967, the Tamil Nadu
government passed an order stating that the image of Valluvar should be present in
all government offices across the state of Tamil Nadu.[194][k]
The Kural does not appear to have been set in music by Valluvar. However, a number
of musicians have set it to tune and several singers have rendered it in their
concerts. Modern composers who have tuned the Kural couplets include Mayuram
Viswanatha Sastri and Ramani Bharadwaj. Singers who have performed full-fledged
Tirukkural concerts include M. M. Dandapani Desikar and Chidambaram C. S.
Jayaraman.[195] Madurai Somasundaram and Sanjay Subramanian are other people who
have given musical rendering of the Kural. Mayuram Vishwanatha Shastri set all the
verses to music in the early 20th century.[196] In January 2016, Chitravina N.
Ravikiran set the entire 1330 verses to music in a record time of 16 hours.[195]
[197]
The Kural is part of Tamil people's everyday life and is used in all walks of life.
K. Balachander's Kavithalayaa Productions opened its films with the very first
couplet of the Kural sung in the background.[195] Kural's couplets are found in
numerous songs of Tamil movies.[198] Several Tirukkural conferences were conducted
in the twentieth century, such as those by Tirukkural V. Munusamy in 1941[199] and
by Periyar E. V. Ramasamy in 1949.[200] These were attended by several scholars,
celebrities and politicians.[201] The Kural's couplets are also found in music,
[195] dance,[202] street shows,[203] recitals,[204] activities,[205] and puzzles
and riddles.[206]
In 1818, the then Collector of Madras Francis Whyte Ellis issued a gold coin
bearing Valluvar's image.[207][l][m] In the late 19th century, the South Indian
saint Vallalar taught the Kural's message.[166] In 1968, the Tamil Nadu government
made it mandatory to display a Kural couplet in all government buses. The train
running a distance of 2,921 kilometers between Kanyakumari and New Delhi is named
by the Indian Railways as the Thirukural Express.[208]
Valluvar shrines and monuments styled after Hindu temples are found in various
parts of Tamil Nadu. The Valluvar Kottam in Chennai (left) is modeled as a Hindu
temple ceremonial chariot, with Valluvar sitting inside.[209] It is connected to a
kalyana mandapa (wedding hall), and features all 1330 Thirukkural couplets
inscribed on perimeter pillar walls (right).[209]
The Kural text and its author have been highly venerated over the centuries. In the
early 16th century, the Shaiva Hindu community built a temple within the
Ekambareeswara-Kamakshi (Shiva-Parvati) temple complex in Mylapore, Chennai, in
honor of Tirukku?a?'s author, Valluvar.[210] The locals believe that this is where
Valluvar was born, underneath a tree within the shrines complex. A Valluvar statue
in yoga position holding a palm leaf manuscript of Tirukurral sits under the tree.
[210] In the shrine dedicated to him, Valluvar's wife Vasukiamma is patterned after
the Hindu deity Kamakshi inside the sanctum. The temple shikhara (spire) above the
sanctum shows scenes of Hindu life and deities, along with Valluvar reading his
couplets to his wife.[210] The sthala vriksham (holy tree of the temple) at the
temple is the oil-nut or iluppai tree under which Valluvar is believed to have been
born.[211] The temple was extensively renovated in the 1970s.[212]
Additional Valluvar shrines in South India are found at Tiruchuli,[213] Periya
Kalayamputhur, Thondi, Kanjoor Thattanpady, Senapathy, and Vilvarani.[214] Many of
these communities, including those in Mylapore and Tiruchuli, consider Valluvar as
the 64th Nayanmar of the Saivite tradition and worship him as god and saint.[213]
In 1976, Valluvar Kottam, a monument to honor the Kural literature and its author,
was constructed in Chennai.[209] The chief element of the monument includes a 39-
metre-high (128 ft) chariot, a replica of the chariot in the temple town of
Thiruvarur, and it contains a life-size statue of Valluvar. Around the chariot's
perimeter are marble plates inscribed with Tirukkural couplets.[209] All the 1,330
verses of the Kural text are inscribed on bas-relief in the corridors in the main
hall.[215]
Statues of Valluvar have been erected across the globe, including the ones at
Kanyakumari, Chennai, Bengaluru, Pondicherry, Haridwar, Puttalam, Singapore, London
and Taiwan.[216][217] The tallest of these is the 41-metre (133 ft) stone statue of
Valluvar erected in 2000 atop a small island in the town of Kanyakumari on the
southernmost tip of the Indian peninsula, at the confluence of the Bay of Bengal,
the Arabian Sea, and the Indian Ocean.[218] This statue is currently India's 25th
tallest. A life-size statue of Valluvar is one among an array of statues installed
by the Tamil Nadu government on the stretch of the Marina.[219]
Legacy
Statue of Valluvar, along with the Vivekananda memorial, off the coast of
Kanyakumari, Tamil Nadu.
The Kural remains one of the most influential Tamil texts admired by generations of
scholars.[160] The work has inspired Tamil culture and people from all walks of
lives, with parallels in the literature of various languages within the Indian
subcontinent.[220] Its translations into European languages starting from the early
18th century brought it global fame.[221] Authors influenced by the Kural include
Ilango Adigal, Seethalai Satthanar, Sekkilar, Kambar, Leo Tolstoy, Mahatma Gandhi,
Albert Schweitzer, Vallalar, Monsieur Ariel, Constantius Joseph Beschi, Karl Graul,
August Friedrich Caemmerer, Nathaniel Edward Kindersley, Francis Whyte Ellis,
Charles E. Gover, George Uglow Pope, Vinoba Bhave, Alexander Piatigorsky, A. P. J.
Abdul Kalam, and Yu Hsi. Many of these authors have translated the work into their
languages.[222][221]
The Kural text was first included in the school syllabus by the colonial era
British government.[228] However, only select 275 couplets have been taught to the
schoolchildren from Standards III to XII.[229] Attempts to include the Kural
literature as a compulsory subject in schools were ineffective in the decades
following Independence.[230] On 26 April 2016, the Madras High Court directed the
state government to include all the 108 chapters of the Books of Aram and Porul of
the Kural text in school syllabus for classes VI through XII from the academic year
2017�2018 "to build a nation with moral values."[230][231] The court observed, "No
other philosophical or religious work has such moral and intellectual approach to
problems of life."[232]
The Kural has inspired many to pursue the path of ahimsa or non-violence. Leo
Tolstoy was inspired by the concept of non-violence found in the Kural when he read
a German version of the book, who in turn instilled the concept in Mahatma Gandhi
through his A Letter to a Hindu when young Gandhi sought his guidance.[189][192]
Gandhi then took to studying the Kural in prison, which eventually culminated in
his starting the non-violence movement to fight against the British.[16] Vallalar
was inspired by the Kural at a young age, who then spent his life promoting
compassion and non-violence, emphasizing on non-killing and meatless way of life.
[222][233]
See also
Eastern philosophy
List of historic Indian texts
A Letter to a Hindu by Leo Tolstoy
Tao Te Ching
Manu Smriti
Vedas
Philosophy Series Sidebar
Notes
a. ^ The Kural strictly insists on "moral vegetarianism",[19][102] the doctrine
that humans are morally obligated to refrain from eating meat or harming sentient
beings.[234][235] The concept of ahimsa or ????? ????????, which remains the moral
foundation of vegetarianism and veganism, is described in the Kural chapter on non-
violence (Chapter 32).[236]
b. ^ For examples of Sanskrit loan words, see Zvelebil's The Smile of Murugan.[237]
f. ^ The couplets are generally numbered in a linear fashion across the three
books, covering all the 1,330 couplets. They can also be denoted by their chapter
number and couplet number within the chapter. Thus, the third couplet in Chapter
104 (Agriculture), for instance, can be numbered either as 1033 or, less commonly,
as 104:3.
h. ^ The doctrine of nishkam karma in Hinduism states that the dharmic householder
can achieve the same goals as the renouncing monk through "inner renunciation",
that is "motiveless action."[240][241][242] Cf. Kural 629: "He who never exulted in
joy will not be depressed by sorrow."[243] This is recommended by the Bhagavad Gita
as well, which discusses and synthesizes the three dominant trends in Hinduism,
namely, enlightenment-based renunciation, dharma-based householder life, and
devotion-based theism, and this synthetic answer of the Gita recommends that one
must resist the "either-or" view, and consider a "both-and" view.[244][245][246]
m. ^ The original inscription in Tamil written in the asiriyapa metre and first-
person perspective: (The kural couplet he quotes is in italics)[252]
????????? ??????? ?????? ???????? | ??????? ?????? ?????? ?????
| ??????? ?????? ??? ?????? | ????????? ??? ???????????? ???????
| ????????? ???????? ??????? ???? | ??????????? ????? ???????????
| ????????? ???????? ???????? ??????? | ??????? ??????? ??????????????
| ??????????? ??????? ????????? ??????? | ?????????? ??????? ??????? ??????????
| ????????? ???????? ???????? | ???????? ?????? ??????? ???????
| ??????????? ???????? ?????? ??? | ..???? ?????? ????? | ????????? ???
1818?? ??????? | ???????? ??????? ???? ?????? ????? | ???????? ??? ?????? ??? ????
| ????????? ??? ????? ???????? | ??? ??????? ????? ???????????
| ????? ????? ??????????????? | ?????????????.
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Alathur Kilar, K?uvai Illai!, ????????? [Purananuru] (Verse 34), See original text
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Avvaiyar. ta:?????????????? . Tirutthanigai Saravanaperumal Aiyar (commentator) �
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Further reading
Stuart Blackburn (2000). "Corruption and Redemption: The Legend of Valluvar and
Tamil Literary History". Modern Asian Studies. 34 (2): 449�482.
doi:10.1017/S0026749X00003632.
Diaz, S. M. (2000). Tirukkural with English Translation and Explanation.
(Mahalingam, N., General Editor; 2 volumes), Coimbatore, India: Ramanandha Adigalar
Foundation.
John Lazarus (1885). Thirukkural (Original in Tamil with English Translation). W.P.
Chettiar. ISBN 81-206-0400-8.
Gnanasambandan, A. S. (1994). Kural Kanda Vaazhvu. Chennai: Gangai Puthaga Nilayam.
Udaiyar Koil Guna. (n.d.). ??????????? ??? ????? ???? [Tirukkural: A National Book]
(Pub. No. 772). Chennai: International Institute of Tamil Studies.
Hikosaka, Shu; Samuel, G. John (1990). Encyclopaedia of Tamil Literature. Institute
of Asian Studies. OCLC 58586438.
Karunanidhi, M. (1996). Kuraloviam. Chennai: Thirumagal Nilayam.
Klimkeit, Hans-Joachim. (1971). Anti-religious Movement in Modern South India (in
German). Bonn, Germany: Ludwig Roehrscheid Publication, pp. 128�133.
Kuppusamy, R. (n.d.). Tirkkural: Thatthuva, Yoga, Gnyana Urai [Hardbound]. Salem:
Leela Padhippagam. 1067 pp. https://vallalars.blogspot.in/2017/05/thirukkural-
thathuva-yoga-gnayna-urai.html
Nagaswamy, R. Tirukkural: An Abridgement of Sastras. Mumbai: Giri, ISBN 978-81-
7950-787-2.
Nehring, Andreas. (2003). Orientalism and Mission (in German). Wiesbaden, Germany:
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Subramaniyam, Ka Naa. (1987). Tiruvalluvar and his Tirukkural. New Delhi: Bharatiya
Jnanpith.
Thirukkural with English Couplets L'Auberson, Switzerland: Editions ASSA, ISBN 978-
2-940393-17-6.
Thirunavukkarasu, K. D. (1973). Tributes to Tirukkural: A compilation. In: First
All India Tirukkural Seminar Papers. Madras: University of Madras Press. Pp 124.
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Nilayam.
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Delhi: Bharatiya Vidya Bhavan. 278 pp. ISBN 978-8-1727-6448-7
Yogi Shuddhananda Bharati (Trans.). (15 May 1995). Thirukkural with English
Couplets. Chennai: Tamil Chandror Peravai.
Kaushik Roy (2012). Hinduism and the Ethics of Warfare in South Asia: From
Antiquity to the Present. Cambridge University Press. ISBN 978-1-107-01736-8.
Kamil Zvelebil (1973). The Smile of Murugan: On Tamil Literature of South India.
BRILL. ISBN 90-04-03591-5.
Kamil Zvelebil (1974). Tamil Literature. Otto Harrassowitz Verlag. ISBN 978-3-447-
01582-0.
Kamil Zvelebil (1975). Tamil Literature. Handbook of Oriental Studies. BRILL. ISBN
90-04-04190-7.
Zvelebil, K. (1962). Foreword. In: Tirukkural by Tiruvalluvar (Translated by K. M.
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External links
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