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Editorial
A prophet once said 'Video
Killed the Radio Star."
As t h e first music video
played o n t h e n e w l y
conceived MTV i n 1981,
perhaps what the Buggies
meant was that when the
(or perhaps manufacture) a band, write a computer
program to spit out some non-offensive but somehow
catchy pop tunes, budget a multi-million dollar video
shoot and make a go of it in the music game. Now you
need a flashy web site and some extensive digital Vo l u m e , 1 9 t Ntnellber 0 6
rights management schemes to work in the background EDITORIAL
and keep your less tech-sawy fans from sharing Editor•In-Chief

music video was born, the your creation with the world, bypassing the retail
Editorial Assistant
game became about much more than just the music. chain altogether.
Video added a whole new level of aesthetics. Perhaps you want to be really bold and include a root kit
Contributing Editors
It was no longer enough to assemble a talented band, on your newest CD to co-opt portions of fans' computers.
write some killer songs and make a go o f it in the The point stands. Ideas, be they in music, business or
music business. personal communications, are much more powerful when
Advertising Sales
In the MTV era, you had to be "camera friendly" too; where they are presented with motion. Whether it's a video Sales Manager
previous generations listened to the radio for the latest business card or a motion photo slideshow, the audience
National Account Executive !...31.
bands, the new way was to turn on MTV (or later, Much is more receptive and your message is delivered with mari.311pp.t.'
Music) to catch what's hot. more impact. ONTARIO/TORONTO
Ad Sales K r 7
The Buggies were a one-hit wonder. Were they still Convenient then that these and a great many other video kanrn3pp, .

together today, they might be singing an entirely related topics are covered in the pages that follow. Dan Vic;
darny2pp.,- -
different tune, one with words to the effect of "Internet j o c k F. ,
Killed the Video Star." pcxL7ppvtl.shm0c4
Enjoy the issue,
Peter nesse
In fact, a quick Google of that phrase does net some Andrew Moore-Crispin peter3ppubFlh:ng
interesting results with that title. Editor-in-Chief MONTREAL A n t h o n y Buttino
anthonyTppubhstvngs..3
In the new-new world, it's no longer enough to assemble WESTERNCANADA V i v i a n In
viviant9ppuNishinica

Contents
Jason Hay
jason3ppud.s,n0ca

Business Group
6v keki President/Publisher S o o n Percy
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In s e l e c t e d r e g i o n s a n d online Director of Marketing A n g e l a Colrzza

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Art Director S t e v e n Stoner
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Hit the Road: Ultra-portable video Production Coordinator C h n s t i e Swat:

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Unlock secrets on your DVDs
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The camcorder dilemma: MiniDV, IT Manager S t e v e 0.ncry
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 Wireless

H i t t h e Road: U l t r a - p o r t a b l e video
Lately there's been a lot of talk about portable video players and the ability zillion miles an hour.
to watch your favourite television shows and podcasts no matter where you This new model bumps up the internal memory to 1GB, but if you want to
go, but there's another kind of portable video: the ability to record video no add more, there's a SecureDigital slot hidden behind a door on the front of
matter where you go. the camera. The camera's capable of shooting in DVD-quality MPEG-4
There are a number of different types of video cameras out there. The most (?20x480, at up to 30 frames per second).
popular type is still undoubtedly the MiniDV camera, with DVD cameras At two inches, the LCD screen is tiny, but it does the job.
certainly picking up steam. Both of those types of cameras can still be a bit As with previous models, the SC-X210L has multiple functions, including
bulky, because they require moving media and the mechanical transport digital still pictures, MP3/WMA playback, and the ability to function as a
inside to make sure everything is moving properly. That's why— if you want webcam when connected to your computer via USB 2.0.
to be truly portable—you might consider a solid state camera.
Solid state cameras make use of flash memory technology. That's the same
type of memory used by the majority of digital still cameras out there. Sanyo Xacti VPC-HD1
Until recently, flash memory wasn't quite up to the task of recording video, mrivi.sanyo.ca 51,099
because its write speed was too low for anything but rudimentary-quality Sanyo's Xacti lineup features
video. Ongoing improvements in flash memory have now made it feasible for some of the best-designed solid
flash to be used for full-motion video and even high definition video. state video cameras on the market:
The downside is that flash-based video cameras aren't exactly cheap, they come with a fairly natural
especially if they record in high definition. Worse, flash memory cards will handgrip that gives easy access
still only hold a limited amount of data on them at this point, so you may find to all of the controls, which are
yourself stocking up on removable memory cards if you don't want to have located in a comfortable place for
to offload your video to a notebook computer several times a day. You can the thumb to reach. The new HD1
get a 2GB SecureDigital [SD) card for around about 4250. model bumps up the specs o f
the Xacti line to include full HD
recording (720p, o r 1280)(760
Samsung SportsCam Extreme SC-X21OL resolution) and 5.1 megapixel still
v.vAv.samsung.ca 5 6 9 9 (approx) images. The Xacti VPC-HD1 features
Samsung's SportsCam Extreme is one of my perennial favourites for one a 2.2-inch OLED screen.
key reason: in addition to a 10x optical zoom lens built right into the body of The camera accepts SecureDigital memory, but the bad news is that SD
the camera, it comes with an external lens module that you can strap around cards are sold separately. You'll want to buy as large a card as you can
your arm or your head in order to record yourself tearing down a ski hill at a afford, since a 2GB card will only hold 29 minutes at best quality.
One of the camera's more interesting capabilities is the ability to capture a
digital still photograph while recording a movie. There is a penalty though:
when the camera takes the digital photo, there will be a slight pause in the
video as the photo records to the memory card.
The HD1 comes with a charging dock that also has component output,
allowing you to view your videos on your high definition television.
By Sean Carruthers

Solid state pros and cons

Pros:

• compact
• no moving parts to wear out
• often double as still cameras and even MP3 players
• no need for real-time video capture—files are drag-and-drop
• high-def models available

Cons:
• focus and exposure not as fast as on full-sized models
• can't fit much best-quality video on even the highest capacity
memory cards (and high-capacity cards are expensive)
• smaller form factor means small hand litters are magnified more
than with full-sized cams
• high definition models expensive

4 H U B : Ducal Livong - M a y 2006

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 Digital Imaging

S h o w off your images w ith a slideshow

Living d i g i t a l l y m e a n s
easily sharing anything on
your computer, including
photographs. Whether you
email your latest pits, post
them t o an online album
site or have people crowd
around y o u r computer,
instead of just a random set
of images, why not make
a slideshow?

ProShow
Gold
Slideshows combine text
titles and captions, images,
and music [and sometimes
spoken commentary) and
are therefore a very rich
method o f t e l l i n g a n
engaging story. Slideshow software packages range from free to a few
hundred dollars and vary in capabilities. ProShow Gold 2.6 from Photodex
Corp. [www.Photodex.com) is one of the top performers, relatively simple to
use but cffenng a lot of power for a reasonable price. You can download it for
USS69.95 cr if you buy the boxed product, you also get a printed manual.
There are a handful c f features that add pro-level sparkle t o y o u r
presentation and ProShow implements them into an interface that's easy to
use. The workspace is similar to that of a video editor, so you drop images
into one time line and audio into another. Icons for transition effects appear
between the images_ The level of customizability that this package offers is
very impressive - right-mouse click on an image and a dersiled pane; opens
with all the options available to you. I found using this package to build long
or short slide shows very satisfying. Some of those killer features:
Transition effects: Transition effects change how one image is replaced by
the next. For example, in a dissolve images appear to meld into each other,
softening their flow. ProShow Gold has a few hundred [280 says the
r• * s ti
J • • • • • • 11 • • • • • •
company) and if you wanted, you could use a different transition between
every image.
Motion effects: ProShow has three motion effects - zoom, pan and rotate
- to give the illusion o f motion t o still images. These can be applied
individually or in combination, and you can also alter how the effect plays
out [slow to fast, constant, fast to slow, etc.).
Audio and Synchronization: With the single audio track you can't do true
multitrack audio mixing, although there is a way to add a narrative comment
to slides by using a microphone plugged into your
sound card and recording directly into ProShow. To my
mind this is the weakest part of the program. Otherwise
the audio options are quite decent. You can set the
images and music to end together, or you can have a
group of images fit within a specific audio segment, or
you can manually synchronize each image individually
to the beat of the music.
Output and packaging: ProShow's output options are
impressive, ranging from creating a menu-driven DVD
that can be viewed on a IND player hooked to a TV set
through other options like Video CD, right down to a
low-res version that can be emailed.
Overall, this i s a fun package t o use, but also a
powerful one. I especially like the easy way you can
combine transition, motion and image effects into some
amazing sequences - rapid fire hard cuts for action
slowing into a lazier pace with images dissolving into
each other for an entirely different mood.

By David Tanaka

To e H U B : Digtai i_rverg - Torcrrto Sactron - M a i p r y www.hr..boarecla.cxrn

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 Digital Imaging

D V, o r N o t D V
The Future On Demand: Developments in Digital Video uses for the technology, and the cycle continues. Just look at what's
Making a great quote about the future is a real challenge; just ask Bill Gates. happening with the iPod.
The risk is that you will be partially contradicted - if not totally blown away Starting as a fairly simple - some would say derivative - portable listening
- by the time we see the sun again. device, it's now a key component of the digital living room, the jumping
These days, one of my favourite future quotes is from William Gibson: 'The off point for a media-on-demand world, even a defining symbol for a
future is already here - it's just unevenly distributed' new generation.
As exciting and paradigm-shattering as developments in digital media Which brings up another future quote, from Sir Winston Churchill: "The
techniques and technology are, they o f course do n o t come from empires of the future are the empires of the mind."
nowhere. People are already working today with what will be a hot new From the first images crudely created on a cave wall, to today's diverse and
gadget tomorrow. dynamic digital landscape, it's the hand, eye and mind that combines
The cool tool release cycle is a complex affair, influenced not only by humanity with technology to create real change.
technical capabilities, but by market realities and corporate priorities. It's So what will you do with some of these new tools?
often a trickle down affair, with core functions defined in military and Super (or Quad) Definition TV: So you think HD is all the rage? New, even
medical test labs, or advanced academic and technical research facilities. higher resolution displays are coming, with upwards o f 1,600 lines
Such new technology reaches the marketplace after scaling - or dumbing - (compared to today's 1080) of video information. Addressable pixels, for
down certain features for end user applications. Then, clever and creative those who count, will increase t o 3840x2160 from today's roughly
customers find their own app, make their own mods and develop whole new 1280x1080 (or 720).

All originates from the unrelenting pursuit of high sound quality !

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Digital Imaging

So don't be at all surprised to see TVs (can we still call them that?)
continue to grow in size, features and functions over the next little while,
much as personal computers have grown in size and capabilities in the past
few years. Not just resolution, but storage, broadband and wireless access,
control centre capabilities and more will be added.
For those wondering what type o f camera will fill such a display, not
to worry:
There a r e s o m e f o l k s a t a company called Red Digital Cinema
(www.red.com) working on what seems to be a 4K digital movie camera,
about twice what top of the line products on the market now offer. Using a
CMOS type sensor, the word i s that the Red camera will deliver 60 fps,
uncompressed 4:4:4 video, or compress it down to a much more familiar
720p and 1.9 Mbps.
Another company called Iconix Video (www.iconixvideo.com) will soon
deliver on its promise of a new high definition camera head, weighing about
2.5 ounces. For a proposed price of 51.6,000 (lots of money to most of us,
but barely a ripple for high end broadcasters cr filmmaker) the multiform HO
POV camera will capture video as 720p (actual :y about 700 lines) and 1080i
(roughly 900 lines), and in frame rates of 24, 25,30, 59 and 60 per second.

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 Digital Imaging

Olympus has shown its extra high-resolution video system - camera and audio channels built-in. It will hit the market with a suggested price just
recorder - that acquires 1,600-line images with four 8.3 million-pixel HD under 8100,000. Its weight and price are a little more than most home
image sensors; the company calls it "Quad HD" or 'Octavision," depending. theatre enthusiasts might bear today, but tomorrow is on the way.
The output of the camera is said to be 3840x2160 with over 1,600 TV lines Digital technology always gets cheaper, more functional, and smaller -
of horizontal resolution [but it weighs about 20 pounds). especially if the projector from Light Blue Optics is any indication. Expect
Companies like Thompson, with its Viper camera, and our own Canadian that by the end of the year, a new generation of pocket-sized digital video
manufacturer, ()also, also have 4K super high resolution cameras, and the projectors will be available, offering full colour imagery at resolutions up to
trend to higher res acquisition and presentation will definitely continue. 2048x1280.
Sony, for example, is showing its 4K digital cinema projector res system Incorporating laser projection and computer-generated holograms
with 10,000 lumen brightness rating, RAID storage, remote control and 16 [CGHs), the new projectors are a technological alternative to conventional
image projection, and are so small that a tiny projector producing large
images could, for the first time, be integrated into a laptop, a PDA, or even a
N A PA I I mobile phone.
t d
Smaller digital bits and bytes aside, developments in nanotechnology and
A Ca t a t

loan W r a y . molecular manufacturing will shrink tomorrow's tools even further.

1 ▶ a 6AAA
I M R
Geneticists and chemical engineers at the University of Toronto recently
••••samismosomkeem presented a fascinating lecture on the molecular movie, and the ways that
bts 1 a
are being developed to directly observe how atoms move in real time. To
make such a movie, scientists and researchers have developed a new type
of camera that uses electron pulses to light up atomic motion. It has a
shutter speed of 100 femtoseconds or 1/10th of a millionth of a millionth
of a second.
Right now, the applications are for, chemistry, biology and physics - but
Churchill and his followers may have something to say about that!

By Lee Rickwood

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Digital Imaging
T h e c a m c o r d e r dilemnro
D V D , or hard disk?
In a perfect world, advances in camcorder technology would always
lead to image improvement. In the real world that just isn't the case.
For proof, we need look no further than the video camera's industry's
current shift towards DVDs as a storage medium. Simply stated, DVD
camcorders don't deliver video that is any clearer, sharper, or more
colourful than that made possible by MiniDV technology. In fact, DVO
camcorders can't match the quality video produced b y high-end,
high-definition MiniDV video cameras.
So why would anyone choose a DVD camcorder? Part of the reason is
perception. For several years consumers have been told that DVO
offers the best video quality available, providing higher definition and
better colour accuracy than VHS. So, when DVD camcorders started
appearing on the market many people assumed that they must be a
step up from MiniDV, which, like VHS, is a tape-based technology. That's
simply not true.
However, many consumers who understand the risk of slightly inferior
picture quality are choosing to purchase a DVD camcorder anyway. Why?
Ease of use.
MiniDV can be a difficult technology to work with. First there's the
constant winding of tape to try to find the clip you're looking for. Then
there's the issue of transferring your video to your PC with the best
picture quality possible, which involves choosing the proper connections
and plenty of waiting time as the MiniDV tape plays and your PC records.
DVD camcorders, on the other hand, make searching for clips as easy as
selecting scenes in a movie played on your DVD player. And most users
find copying files to a PC from a DVD to be a far more intuitive process
than transferring video stored on MiniDV tape.
So, now that we have the whole MiniDV/DVD issue cleared up, let's open
an entirely new can of worms with another burgeoning video recording
technology: hard disk.
it's been a long time coming, but direct-to-hard-drive video is finally
here. The advantages are obvious: there are no tapes or discs to mess
around with, i t provides the ability t o record longer durations o f
uninterrupted video (up to almost 40 hours on some models), and it
makes scene editing and file transfer a breeze.
The disadvantages? A higher price tag, for one. Just like a 60GB iPod
costs hundreds of dollars more than a 4GB model, so too does the price
increase for hard disk camcorders with larger storage capacities. An even
more pressing problem is that hard disk camcorder manufacturers have
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Digital Imaging

y e t to figure o u t a w a y t o achieve p i c t u r e q u a l i t y o n par w i t h MiniDV and

ENO camcorders. Yet another hitch is finite h a r d disk storage. What do you
do if you're on vacation, fill y o u r hard disk, a n d have no w a y to download
your video to free up space? Delete video? B u y a n o t h e r camcorder?
The t a k e - h o m e m e s s a g e i s s i m p l y t h i s : a s i n g l e , p e r f e c t c a m c o r d e r
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w o r t h checking out.

MiniDV
Canon Elura 1 0 0
www.canon.ca
The flagship m o d e l in Canon5 affordable MiniDV line-up, t h e S 5 0 0 Elura
100 allows u s e r s t o s h o o t i n w i d e s c r e e n f o r m a t , d e l i v e r s a n BOOx digital DVD
zoom, a n d p r o v i d e s f u n c t i o n a l i t y f o r u s e r s t o s h o o t 1 . 3 3 - m e g a p i x e l s t i l l Samsung SC-0165
images while recording. vnyw.samsung.ca
This SESO model from Samsung is a n entry level DVD c a m c o r d e r squarely

Sony HDR-HC3 H a n d y c a m targeted a t c a s u a l u s e r s w h o w a n t m i n i m u m h a s s l e . I t s u p p o r t s a l l

www.sonystyle.ca recordable DVD f o r m a t s , h a s a 4 -in-1 m e m o r y c a r d s l o t , c o m e s w i t h a

A p r o s u m e r camcorder r u n n i n g a r o u n d 5 1 , 5 0 0 , S o n y ' s HDR-HC3 remote, and is compatible with PictBridge devices.

Handycam c a p t u r e s w i d e s c r e e n i m a g e s i n t r u e h i g h d e f i n i t i o n a n d c o m e s
equipped w i t h several h a n d y extras, s u c h a s c o o l 2 4 0 f r a m e s -per-second Canon DC40
slow m o t i o n m o d e . It's a l s o capable o f s n a p p i n g o f f i m p r e s s i v e l y clear 4 - vn...w.canon ca
megapixel photographs. It t o o k Canon a w h i l e to get into the OVD game, but t h e y g o t o f f to a great

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Coming soon...
p r ' D m l , • r , : c n s u m e r e l e c t r o n i c s m a g a z i n e

Portable Audio
M P3 players and accessories

- 7 - 1 4 . .

Hlkirt N e t C.•:OVICILS r - • -

to a street box near you

With 60,000 copies across Canada, hub:ce will show readers how to
hub:ce's goal is to make the process integrate this new technology into
of buying consumer electronics easier their lives as well as make better
by helping readers make informed use of technology they already own.
choices on their next ce purchase,
whether it be an nip3 player, pda or
the latest plasma tv.
 Our 17th Year Directions & Hours
5 Lights North of Steolos Av e n u e
550 A l d e n Rd., U n i t 0 11 0 1 Block West of Warden Av e n u e
Markham, Ontario L 3 R 6A6
Te l e p h o n e : ( 9 0 5 ) 4 7 0 - 1 4 2 5
C O M P U T E R I N C . Hours: M o n d a y - Friday: 9 a m - Gpm
Saturday & Sundays: Closed
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 Our 17th Year
550 Alden Rd., Unit 01110
Markham, Ontario L 3 R GAB
C O M P U T E R
h r -F I N C .
Directions & Hours
5 Lights North of Steetes Avenue
1 Block West of Warden Avenue
Hours: Monday • Friday: Sam - 6pm
Telephone: (905) 470-1425 Saturday & Sundays: Closed
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 Digital Imaging

start with the DC40. It sports a 4.3-megapixel image sensor, the entire width
of which is used to capture high resolution 16:9 video, which makes this
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www.jvc.ca
Its 0.68-megapixel image sensor isn't anything to write home about, but
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Digital Imaging

grams - less than a pound. A 2.2-megapixel model, the GZ-MG77, is also S o n y OffOR-HC3Handycam 1 . .
available for around $200 more.

SonyOCR-SR100 Handycam
viww.sonystyle.ca
For only $100 more than the GZ-MG37 you can buy Sony's first hard disk
camcorder, which has an image sensor twice the width of the GZ-MG37 and
is capable of capturing much more detailed moving pictures. It packs a
30GB hard drive too, and is slated to start shipping in Canada this month.
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Digital Imaging
Powerful package from Adobe
Is production studio too "Suite?"
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 Digital Imaging

independently or accessed from any component, and can be used to locate video is returned, any added comments appear right on the editing timeline,
any media asset on the system. Drag-and-drop functionality [from Adobe's as embedded markers. Although the files created aic still pretty large -
Dynamic Link) means you can move After Effects compositions directly into Adobe should work on reducing the overall size without losing any features
Premiere Pro and Encore D M without having to render them first. Changes - this i s a very handy tool for client comments, visitor feedback or
are automatically updated. production team communications.
Each of the stand-alone programs now bundled in the Production Studio There arc real business reasons for such a tool now, but I think there will be
have their own new features and enhancements. Premiere Pro 2.0, the video creative, consumer oriented reasons for its wider use in the future.
editing program, works in real-time with HD, HDV, SD, DV, or film resolutions. Encore DVD 2.0 now has an easy slideshow creation tool, with transitions
Now, I happen to think one of the coolest additions to the program is and pan and zoom effects built-in. Video can be exported right o ff the
something called ClipNotes, a great new way to share, comment on and Premiere timeline, with makers, for DVD creation. New menu linking and
revise video. Taking a video segment right off the Premiere Pro timeline, media assets management tools make creating more sophisticated DVDs
ClipNotes turns it into a password-protected, Acrobat-like portable document almost as easy.
for comment and review. In Photoshop CS2, a great new Vanishing Point tool has been added that
The video, either OuickTime or Windows Media format, comes in one o f lets you clone, paint, and paste new visual elements that automatically
three user selectable presents [ t o control quality and size). The video match the perspective of the surrounding image area. Image Warp is very
can be embedded in cool - i t automatically wraps or warps an image around any shape,
an a c t u a l P D F o r stretching, curling or bending it to fit. Regardless of the tool you use in
transferred via ftp, or Photoshop, opening compositions - including those with layers - is a
even streamed from streamlined and updated process within Photoshop, After Effects, Premiere
a created web page Pro and Encore DVD.
so that others can After Effects 20 has an improved Graph Editor, that offers complete visual
watch it, comment on control o v e r keyframe editing o n t h e timeline, allowing f o r easy
it and attach notes synchronization of animated properties, including text, effects, transitions
about it to the video and back-ground movies.
clip itself. Audition 2.0, the audio editing and restoration package, works with live
Dnce that annotated recordings, imported files or any of the thousands of included royalty-free

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Digital Imaging

musicloops. Clean ups, noise reduction, dialog replacement, hum, click and Studio is not quick or easy, I'm afraid. There's just so much to this program
popremoval and more can be applied to imported AVI, NickTime or MPEG that its strength is in some way its weakness.
files. Audio can now be exported asAVI,MPEG,DV, or WMV. Unless you have a real need for the complete package, and the full power It
Illustrator CS2 (included in the Production Studio Premium version only) contains, you would do better looking elsewhere. Adobe does offer
helps create layered, scalable graphics, text and animation no matter how consumer-level, scaled back versions of its video editing and photo
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 Home Entertainment
C a l i b r a t e g o o d t i m e s , c o m e on!
Let's calibrate. If you want to join Kool and the Gang as an honourary
member, nothing will make you more eligible than learning a little about
how to calibrate your home theatre display. Okay, maybe you'll become
somewhat cooler but probably not 'Kool' enough. Who wants to be in a gang
anyway? Still, It's nice to be able to optimize your display in order to extract
the maximum value from it.
Displays for video are calibrated using test patterns that you may
have noticed on TV channels after their broadcast day. To me, it's often
the best thing on.
The most common test pattern is SMPTE colour bars which have bars of
various colours on the top two-thirds of the screen with a thin strip of the
same colours in reverse order underneath them. Below these bars, there are
three boxes on the left half, one of which is white. Left of these is black and
three very dark black or grey strips underneath the second to last colour bar.
These little vertical strips are called PLUGE.
Take a look at Figure I. Due to the printing process, this may look different
than it should, particularly PLUGE
Firstly, turn your display on for about 20 minutes before you start
Figure 1
PLUGE - - s r o . a c k C h e t awat d a r t grey
soave SPOKE Cars
TO 20 O c t a l Lmrig - - FA e a , C O E D
calibrating. Next, find the colour control on your display and turn It all the
way down so that you have it in black and white mode. This sets up the
display to adjust brightness and contrast which should be called black and
white levels respectively, if they were labeled accurately.
(1)To set the black level (brightness) you use the PLUGE where the leftmost
vertical strip is not darker than the general black strip (middle) but the far
right strip is still visible. You should only see black with one dark grey
vertical strip in that whole bottOm•right area. Remember, these are the 3
little vertical strips under the second to last colour bar in the bottom right
but you should see only one when calibrated.
[2) Next, you need to set the contrast (white level) which is adjusted until
the grayscale of the bars in the top two-thirds are In nice even steps from
light to dark. Take a look at Figure 2 for an idea of what a properly calibrated
display should look like. This assumes its translation to print hasn't mangled
it too badly. Anyway, even grayscale steps are what to shoot for.
The next set of procedures require you to only look at the blue component
Figure 2
PLUGE - 3 strips - superblack, black and dark grey
I Adjust brightness (black) level to where superblack=black and d a r k grey show,
above: adjust contrast (Witte) until grey bars make even steps from left to right
w w w. h a D c a n e a d a . c o m
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[ Home Entertainment
actually sharper. If you've gone through all the steps then your display is asi
Figure 3
calibrated as any punter can get it. Good times.
I r a Adjust colour levet (thrziTa, Lt-tt ti`ese 2 c-4s matt?) & look krgtte By Andrew Carruthers

A A
4 s • . / e ce trt untr these 2 tatts cn the tzp raw match & Took tangent

above:SMPTEBars viewed through blue gel or via blue gun

of the picture which can be done either electronically i f your display is

super fancy-pants or via a primary blue gel like I use. Getting a primary blue
lighting gel is important or you'll miscalibrate.

[3) To set the colour level correctly, adjust the colour control back up until
the two outside top bars are equal i n brightness to each other while.
looking through the gel. This is pretty apparent because the thin strip
underneath each bar is made of the opposite colour you're trying to match
with. When both outside bars just look longer through the blue gel, you've got
it set correctly.

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colour bars that sit on either side o f the middle green bar, which are
coloured cyan and magenta. Adjust the .hue or tint control until these Calibration DVDs and software
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One more thing though, turn sharpness completely off because it doesn't SpyderTV colorimeter $ 3 6 0
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Home Entertainment

Wireless wonder
Sony's wireless home theatre rocks, but can be tricky to set up
Everything seems to be wireless these days - home networks, videogame
controllers, keyboards and mice - but with the exception of the TV remote,
our beloved home theatres remain wired shut.
So Sony (www.sonystyle.ca) decided t o cut the cords with its DVD
Wireless Home Theatre System (model # DAV-FX100W; S1,299.99), a
'home theatre in a box' (HTIB) on steroids, if you will. HTIBs usually include
five speakers, a subwoofer, stereo receiver/amplifier and DVD player.
Sony calls this a 'wireless' system because its rear floor-standing
speakers can be placed at the back of your living room - without any
annoying cables running alongside the couch, La-2-Boy or coffee table.
The good news is that Sony's wireless home theatre works - and well at
that - but it can be a bit of a pain to set it all up, especially for those less
technologically savvy (ironically, usually these who invest in a simpler
HTIB solution).

What it is
Totaling LOGO watts o f power (5 x 143 watts + 285 watts for the
subwoofer), Sony's stylish DVD Wireless Home Theatre System includes
five speakers - front left and right, center speaker, rear left and right, a
huge multidirectional subwcofer to place somewhere in the room and a
thick silver component that houses a five-disc player and S-Master digital
amplifier/receiver.

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 H o m e E n t e r t a i n m e n t

Actually, the receiver/amplifier may not fit In snug home theatre wall units scanned) lines of resolution, the HDMI interface can upscale the video
as it measures 2,75 inches high by 17.5 Inches wide by 16 inches deep, but quality to 720p or 10801 (and you can see the difference).
It sure is a looker with its shiny face, minimalist buttons and aluminum top It also offers component, S-Video and composite ('RCA') output options, as
plate. Sony trades the carousel for a slot-loading mechanism, therefore you well. Secondly, along with storing up to five DVOs (with progressive scan
simply feed multiple discs into the unit one at a time. support) or music C0s,this unit can ass read Super Audio CDs(SACD5), and
This aptly-named Dream system, as Sony calls it in its marketing can offer albums in 5.1 surround ssurd, whether it was recorded in multi-
materials, offers a few bells and whistles not found in most other HTIBs. One channel audio or remixed and rerrastered f r o the criglnal studio tapes.
is a HDMI (High-Definition Multimedia Interface) output, which offers the Burned CDs with MP3 music c4 : " t t T.,7d sr this unit.
best audio and video quality when connected to a HDTV sat, with the proper The receiver supports movies, T,' L - • " ! n :TS i7,:g:tal
cables. Even though your DVDs offer 480 (interlaced or progressively Theatre Surround), Dolby Digital or Os _

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H o m e Entertainment

Users can also add additional components to this deck, such as a cable box amp plugged into the wall and into the rear speakers, you also need to set
or satellite receiver, video game system, VCR or personal video recorder. up and align an infrared (IR) transmitter near your television (which plugs
into your receiver/amp) and must face a matching receiver at the back of the
Setting It all up room. You need a direct line-of-sight for this to work, so it may take a bit of
The four 43-inch tall floor-standing speakers (2-way height adjustable) trial and error, and slight furniture adjustments.
were easy enough to snap together, first by aligning the mouths of the Fortunately, the pay off is worth the extra work to get the rear wireless
stands, then threading the speaker wire through the center of the base speakers operational. The many DVDs I tested—The Lord of the Rings trilogy,
before securing each tower with screws at the bottom and back of the unit. King Kong and animated flicks such as Chicken Little — sounded crystal
In all, it takes about 20 minutes to out it together. You could, however, clear, loud and well-balanced between the lows, mids and highs. Music CDs
choose to mount the speakers to a wall instead. and SACDs also sounded awesome.
I thought Sony included an extra component in the box by mistake until I Movie and music lovers in search of a complete home theatre solution
figured out this system ships with a separate (and relatively small) amp with a few less wires to get tangled up in won't be disappointed with this
that powers the rear left and right speakers. Dream system. Just be forewarned it takes a bit of patience and savoir-faire
It was setting up the wireless rear speakers that took some time to figure to set it all up.
out. Sony adopted DIAT wireless technology (Digital Infrared Audio By Marc Saltzman
Transmission) to beam the audio to the rear speakers. Along with the extra

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Home Entertainment

Unlmok s e c r e t s on y o u r D V L i s
HUB reveals more Easter eggs posse of stormtroopers behind him.
It's been six months or so since we looked at a handful of Easter eggs To access it, enter the area called THX from the main menu, and then use
hidden on your favourite OVDs. the DVD remote to press numbers '11" (or "10+, 1," depending on your DVD
You know, those goodies you can find by pressing a combination of player), followed by "3' and then '8," to launch the secret music clip.
buttons on your remote, which may unlock little-known extras such as "1138," by the way, refers to George Lucas' first feature film, THX 1138.
humorous video clips, games, music videos, celebrity interviews or behind-
the-scenes footage. Toy Story 2: Special Edition
No, these aren't the bonus features listed on the back of the DVD box — Pop in the secondDVD from this two-disc set. Take a look at the main menu
these are secret gems planted by Hollywood studios to reward movie fans and you'll notice Woody's sheriff star. Use the four arrow buttons on the DVD
for finding them. remote to navigate around the menu until the star is Illuminated.
Considering Easter is just behind us, 1 - 1 . 111 C S P I C I A . S I M M S
Now press Enter (or Select on some
we thought it fitting to reveal a few DVDplayers) and you'll be treated to
more of these eggs you can find on many an animated outtake of Jessie's song.
DVOs today. A l O Now go back to the main menu and
The following are a few of our faves, each STORY enter the Behind the Scenes area. Then
with step-by-step instructions on how to select Publicity. Once Inside, highlight
unlock them: the sheriff star again and press Enter.
This will play an outtake clip of Woody
Star Wars Episode Ill: Revenge Of The Sith throwing a baseball.
Who knew Yoda was into hip-hop? Lastly, when you're on the main
Watch the lean green dancing machine menu again, do nothing and eventually
get his groove on by unlocking a hilarious one of those green aliens will make a
clip of Yoda bustin' some moves wrth a cameo appearance.

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Home Entertainment
Selnfeld: Season 6 Flightplan
Each of the Selnfeld DVDbox sets Pop in the DVD from this Jodie
contains many hidden goodies. Foster thriller and select Sneak
OnSeason 6, for example, pop in Peaks from the main menu. Once
the first disc and select the Setup inside, press the Left arrow button
option from the main menu. Once on the DVD remote twice and one of
Inside, use the arrow keys to the in-seat display screens will be
highlight the word Main Menu - highlighted. Press Enter to watch
but don't press Enter just yet. an in-flight video shown during
Instead, press the Left arrow the film.
button on your remote and then Go back to the main menu and
press Enter. Here you will see a se eot E:e:T.I Features, and then
clip of the Seinfeld cast talking - • • Movie: The Making
about the Rob Reiner tribute. W:,; see by your
Goback to the main menu and ::.• s : : . - e r t a r y is made
this time, enter the Extras area. up of a few different featurettes. , : _ • : _ • s : r over to the D entry
Here, highlight the word Running with the Egg, Part 1 and then press the Up (called Connecting Flights) and r e t c e
arrow on the OVO remote and the poison spray can will illuminate. Press remote. An arrow on the screer 7, : e s : '
Enter for a humorous secret clip. access the hidden clip of the film's e-xer...-.Ne c•--- • tz • - E Lcd.:t the i
Onthe second disc in this box set, select the Extras option from the main impact 9/11 had cn the making of this fIrr.
menu. Now highlight the word Setup but don't press Enter Just yet.
Instead, tap the Right arrow on your remote twice and the pecan will be M a r SaIurnan •
illuminated. Now press Enter to hear Jerry talking about little-known facts
about the show.
Try to find the secrets on the third and fourth disc - they exist.

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V i d c a s t i n g g i v e s you s h o w s t o go
Vidcasting gives you shows to go feedback and ratings that have been left. You can then select individual
Hot on the heels of the podcasting revolution that allowed owners of episodes of the show to download from a master list, or subscribe to the
digital audio players (OAPs) to download audio broadcasts to their whole show through iTunes, which will then automatically download
portable machines, the fast-growing phenomenon of video podcasting new shows when they become available.
accommodates the new wave of video-supported players such as the Aside from independent vidcasts in a variety of categories including
video iPod, Creative Zen Vision:M and Toshiba Gigabeat. Arts & Entertainment, Technology, Travel and Business, iTunes also
Video podcast, vidcast, vodcast, viog or videocast are all terms for offers TV briefs from channels like MTV, Discovery Channel and G4 Tech
essentially the same thing: a Video On Demand service that makes TV - all for free.
segments o f video available for download manually or through RSS
feeds and then synched to a portable media player with the help of a ZENcast
software client. v,ww.zeriCaSt.com
Here are a handful of the web's top video podcasting aggregator sites ZENcast.com works i n conjunction with t h e ZENcast Organizer
- the places to go to find video content for your digital audio player. software t o allow owners o f Creative audio players (including the
video-capable Zen Vision:M) t o download content and sync i t with
iTunes their devices.
httpitwww.apple.com,rturres The majority of downloads at ZENcast.com are audio-only, but there
;,ccla's 7 1 - s 7 . . . ‘ e - . 5 a health: s e ' e z t o - v ' a e : are a handful of vidcasts in each section that are denoted by a separate
_z - Z ZaZa Z-Z a Variety of TV a. _ icon. The vidcasts, all free, include video blogs and independent video
that can " r e e an: auto-synched with a V.ZEZ podcast shows as well as corporate news content from sources
thri-Jugh including CNET, BBC and ESPN.
- - ; n the Padcasts section of V-.e Content is divided into sections including Lifestyle, Entertainment, IT
Music ' - - ee , e" !MIL ScHardware and World Affairs with sub-categories.
Eu c: . sea a cescription and any reader Unfortunately there's no comments or ratings system to separate the
wheat from the chaff. There aren't even full descriptions o f the
download, leaving users to take a chance simply based on the title.

Phones,Phones I Sources for vidcasts

Diggnation (digg.com)
&MorePhones! TA Weekly show based on the top stories from the technology news web
site Digg.com. Hosted by Kevin Rose and Alex Albrecht.
T h e L a r g e s t Selection Labrats (www.labratstv)
T h e B e s t Prices Guaranteed! Tips and tricks about consumer technology, hosted by Andy Walker and
HUB'S own Sean Carruthers.
Shop F r o m Learn Excel from MrExcel
[wvnvmrexcel.com/podcast/learnexcelpodcast.html)
0 ROGERS , ' Host Bill Jelen provides daily 2-minute video tutorials that cover some
WIRELESS g e n 1 111 aspect of working with Microsoft Excel.
Photoshop TV (www.photoshoptv.com)
Hosted by National Association o f Photoshop Professionals members
B u y Phones only\ 7 4\ 9 " ss Scott Kelby, Dave Cross and Matt Kloskowski, who provide news, tips
wri, no servce umccked and shortcuts on Photoshop and digital imaging.

NOKIA 4 - ...-. c rm.) E r i c . . c r i Pipp'tcast www.npoletrairiing.coirdrii+lec,4stclitra)

This collection o f movies and tutorials, created b y Apple-certified
0 MOTOROLA instructors, covers advanced multimedia topics including image
management, vlogging, editing RAW images and protecting video with
1( wv I o v v I 't -ices
watermarks.
Accessories , s s O Bluetootli p //LciL c o r n r e c o l
Hosted by Don McAllister, this weekly show is devoted to tutorials for
A./,ii l a h e Mac, iPod and alines.
lertifoje Viers Fed( Le? 11,111 Pjapor,ti..chiuys.blegi,put rum)
For the Japanophile techies out there, this vidcast features coverage of
tech expos in Japan and demonstrations of quirky Japanese gadgets.
P R Q Whipping 6 Handling C r . / e i . 2 4 rinGTi
Like industrial robots.
www.phones4less.ca
TO 30 H U E : a-c.a2 LJvna - Torcento Socuon - M a y 2 0 0 6 w w w. h u b c a n a c t e . c o r n
IVVin(.t1L.It";L:

Mefeedla Digital Podcast

www c o r n wen./ digiialpodcast,com
Mefeedia is home to more than 300,000 independent videos and Digital Podcast is a podoast aggregator with a separate category for video
vIdeoblegs, The site supports RSS foods and tan integrate with iTunes and podcasts, all content is s . . , , o p o r t s subscriptions or individual
Sony'sPSPMedia Manager. Users must sign up for the free service. You can downloads. There are good o -s for each dowrosal. as well as a
find some very esoteric stuff here, from independent art movies to review system for feeltaolt. arc • t i : . • .
burlesque game shows to autobiographical video diaries, content can be sorted in a vane; - . . . ,.
Content Is ranked by popularity. There are descriptions for the better than all other sites review - - - • - 2 E
vidcasts, and many of them have reviews (although it's unclear who's doing
the reviewing.) By Erin Bell

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 Organize your stuff
I'm reminded of my father, who owned thousands of pieces of vinyl. For
each of his albums he manually typed detailed information - cataloging not
just track titles and band members, but also producers, engineers and
guest artists - on colour•coded pieces of paper which he then filed In a Handheld Barcode Scanners
library o f more than a dozen black binders. He used red sticker tope to Many organizer applications that handle items with barcodes provide
number his albums so he could find them. Needless to say, months of his users the option of entering data via a handheld barcode scanner. These
life were poured into the management of his collection. devices can be pricey, but if your collection Is big enough a scanner can
Alas, his obsessive collector gene was passed on to me - though my vice shove days off of your initial cataloguing effort.
The catch is finding one; barcode scanners are typically sold to industry
rather than consumers, If you cant find one at your local electronics store
t• I . P o . :no gm

EMIRS I) / 1 , . try searching online.

— - The Microvision Flic scanner (www.flicscanner.com) is recommended by
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Is movies rather than music. I've managed to amass more a thousand

Memory Modules
DVDs, and I recently decided that I wanted to begin cataloging them.
However, I wasn't about to haul out an old typewriter and a sticker gun.
My tools would be a bit more modern: a software application and a
handheld scanner.
The trick was in determining the best application for the job; there are
dozens of DVD collection software packages on the market. I ended up
downloading and testing a variety of options before settling on Movie
Flash Products
Collector from Collectorz (www.collectorz.com), a company based in The
Netherlands that specializes in organizer applications for all sorts of

6_
collections, ranging from video games and comics to COs and MP3s.
Movie Collector satisfied just about every need I had, and provided
features to handle collection management tasks I hadn't even thought
about, like rating each movie and tracking borrowed items, the latter
much to the dismay of my deadbeat friends.
Once a DVD is entered — either manually by typing its name or digitally
Digital Products
by scanning its barcode with a handheld scanner — Movie Collector
draws from online resources such as IMDB and Amazon to populate the
database with all sorts of information, including box art, names of cast
and crew, a movie synopsis, genre and running time. This data can then
be sorted and reports created, allowing users to access all kinds of
collection stats, such as which DVDs they have yet to watch or the
number of movies they own that were originally released in the 70s.
All of Collectorz' organizers function similarly to one another, which
makes them an appealing option for managing multiple collections. The
downside is that each application i s sold separately, and they run

pecom
around S50 each.
Movie Collector whetted my appetite to try more organizers. I decided
my modest collection o f wines could do with some administration,
so I downloaded Vintage Manager from Illinois-based Indian Wine
(www.vintagemanageccom).
This complex application runs a SOL backend (don't worry — everything
is installed a n d configured automatically) a n d provides nearly
comprehensive cellar management functionality. Once a bottle i s
catalogued by label, appellation, winery, and vintage, users can proceed
to add a wide variety of additional information, including dollar value,
tasting notes, reviews from critical journals, and matching recipes. If you
have a large collection you can track each bottle's location by rack row
and column number, and even set up multiple cellars.
Vintage Manager's presentation is a little rough around the edges — I
noticed a number of typos and language problems — but these issues
can be overlooked given the sheer power of the application. A basic

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version can be downloaded for a little less than $60 while the professional can also catalogue e-books, track which books have been borrowed from
version (used b y many restaurant sommeliers) can be purchased for their libraries and access popular online book stores with a single mouse
about $120. click. The entire package costs less than $30.
Bottles organized, I moved on t o another of my collections: books. To Regardless of the composition of your collection, rest assured there is a
manage my many shelves of fiction and non-fiction I installed Graphicalic's specialized software application designed to manage it. All you have to ask
E-Library (vinvw.graphicalic.dk/e-library). yourself is whether it's worth spending a few bucks to get organized. To
Sporting an accessible and intuitive graphical interface that allows users to answer that question, I just think about the hundreds of hours my dad spent
quickly sort their tomes by title, author, publisher, and vendor, E-Library behind his typewriter.
draws from an extensive database o f widely available books to provide
access to author biographies, abstracts, and publication information. Users By Chad Soper,

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 O n e [Laptop p a r .r1H
i1 laptop bridge the digital divide?
Poverty-stricken children in developing countries are in desperate need of
many things: food, medicine, shelter, safety... and laptops?
One Laptop Per Child is a Delaware-based non-profit organization chaired by
Nicholas Negroponte, professor of Media Technology at the Massachusetts
Institute of Technology (MIT), founder of Wired magazine, and a founding
chairman of the MIT Laboratory. The organization's goal is to manufacture
durable and robust laptops for what seems like the impossibly low cost of
USS100, and distribute them to children in developing countries around the
world. The initiative is seen as a means of bridging the so-called 'digital
divide that gives rich countries access to technology and the ability to
communicate globally, while leaving poorer countries in the dark.
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Per Child web site (http-filaptop.ora'Awins'ow into the world and a tool with
which to think!

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 Negroponte's vision f o r t h e 5100 laptop involves seeing i t become a
ubiquitous fixture for schoolchildren. It would be textbook, communication
tool and word processor all in one, and, failing that, it could at least serve as
the only light source in the home.
While a $100 laptop may sound like nothing but idealistic vapourware, it's
actually edging closer and closer towards becoming a reality. Corporate
backers for the project include Google, Red Hat, Advanced Micro Devices, and
Brightstar Corp. On Nov. 16, 2005, a working prototype was unveiled by
Negroponte and UN Secretary-General Kofi Arian at the World Summit on the
Information Society in Tunis, Africa. On April 16 it was announced that Ouanta
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and had shifted into post-production testing and debugging.
Argentina is reported to have already purchased between 500,000
and 1 million laptops, and other countries including China, Nigeria,
Brazil, India, Egypt and Thailand have also expressed interest.
Keeping the cost down
Several things are contributing to the incredible 5100 price tag,
including drastically reducing the cost of the screen, trimming a lot
of the fat away from the traditional laptop design, and implementing
a business plan of mass-producing the units by the millions.
The laptop's screen was designed by Mary Lou Jepsen, OLPC's
chief technology officer (and the former CTO of Intel). It's an eight-
inch rear-projection display (as opposed t o LCD) and r u n s i n
high-resolution monochrome mode f o r word processing, and
low-resolution colour mode for things like Internet surfing.
The laptop has a 400MHz processor, three USB ports, microphone
and headphone jacks, and a 128MB flash memory hard drive,
according to the latest specs posted on the web site. The machine
doesn't get that hot because of the relatively slow processor and lack
of disk drive, so there's nd cooling system.
The laptop features several ingenious design decisions, including a
E E
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hand crank for situations where electricity is not available — the

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Personal Computing

hand crank for situations where electricity is not available - the crank
promises ten minutes of power per rotation. The prototype also features a
hinge so that the unit can open up to a writing tablet, be flipped up to be
watched a s a video player, or used i n traditional laptop fashion i n
conjunction with a OWERTY keyboard and touchpad.
Negroponte is also adamant about keeping the project open-source to
avoid software licensing costs that run up the price of laptops at retail.
'Today's laptops have become obese," he states. 'Two-thirds o f their
software is used to manage the other third, which mostly does the same
functions nine different ways." T h e $100 laptop runs on Linux, a free
open-source operating system supplied by Red Hat (according to a Wall
Street Journal article, Steve Jobs' offer of Mac OS X was declined because it
was not open source).
Perhaps the most significant feature of the $100 laptop is its promise of
out-of-box access to email and the Internet courtesy of built-in WiFi. The
laptops also have the ability to create a peer-to-peer 'mesh network' with
other machines, for areas where telecommunication networks are either
non-existent or prohibitively expensive. This 'mesh' technology is being
developed at MIT; there's no clear word yet on how far the mesh network will
be able to extend.

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Certain voices are less than optimistic about viability of the $100 laptop.
Some argue that $100, while a relative pittance by our standards, is still too
expensive. The average daily wage in Ethiopia, for example, is USS1 per day,
while in Mozambique, minimum wage is only USS53.3 per month, making
even a $100 laptop a luxury that many countries can ill-afford.
There's also a concern that the laptops will end up on the black market, sold
by the children's parents for cash, and ultimately make their way into the
hands o f adults who see a laptop with Internet access as a valuable
commercial tool. Negroponte has addressed such criticism by predicting
that no more than two per cent of the laptops should fall into the grey
market, because his goal is to make the laptop so pervasive that it would
instantly be associated with the classroom. (He compares stealing the
distinctively coloured and shaped laptop to stealing a mail truck.)
There are also social concerns. Just how useful will the laptops be if there's
no educational infrastructure in place to help children understand how to
use them? Will the introduction of technology help the community, or
merely disrupt it? How equipped are parents and teachers t o monitor
what children are doing on the Internet and protect them from i t s
shadier aspects?
Asks technology blogger Dave Rogers, 'Will all these connections facilitate
education, or will they serve as distractions? The world needs doctors,
engineers (the kind that know how to work with atoms .. you know, "real"
engineers) and lawyers, not just file-sharers and webloggers."
In a study published in 2002 called 'Reconceptualizing the Digital Divide",
University o f California Associate Professor Mark Warschauer described
cases where attempting to introduce technology into communities failed
due to social factors that weren't taken into consideration. In New Delhi, for
example, computer kiosks were installed into poor neighbourhoods with the
goal of teaching children how to use the Internet. The initiative was only
partially successful d u e t o factors including l a c k o f community
organization, the fact that the community wasn't consulted about the
placement o f t h e k i o s k s , l a c k o f
organized instruction on how to use the
kiosks, a n d t h e unreliability o f t h e
Internet connection.
A similar initiative to modernize the small
village of Ennis, Ireland by providing an
Internet-ready PC to every family, a Web
site for every business, and smart cards
for each person, m e t w i t h similarly
disappointing results. According t o the
study, a visit to Ennis three years later
indicated that 'the town had little to show
for its money. Advanced technology had
been thrust into people's hands with little
preparation. Training programs had been
run, b u t t h e y w e r e n o t sufficiently
accompanied by awareness programs as
to w h y people should u s e t h e n e w
technology in the first place. And in some
instances, w e l l -functioning s o c i a l
systems were disrupted in order to make
way for the showcase technology."
The study observed that problems can
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 Pemnnal Computing

of these actions, nor the fact that in many cases, social change must take "It's a bit like refusing to teach people how to read because they might
place in order to properly receive the technology. get the wrong ideas. It's true that Internet access presents dangers to
"Meaningful access to ICT [information and communication technology] children, and responsible communities and programs need to build in
encompasses far more than merely providing computers and Internet safeguards, but I'm not convinced that those dangers are worse than the
connections," Warschauer concludes. 'Rather, access to ICT is embedded in risks of illiteracy."
a complex array of factors encompassing physical, digital, human, and It's a sentiment that seems to sum up the One Laptop Per Child project
social resources and relationships. Content and language, literacy and nicely. Idealistic and naive, perhaps, but at least someone is making the
education, and community and institutional structures must all be taken effort to bridge the digital divide.
into account if meaningful access to new technologies is to be provided.' ByErin Bell
Or. Gillian Kerr, psychologist and founder of RealWorld Systems
(www.realworldsystems.net], proposes rolling out the One Laptop Per Child
initiative along with community training programs that teach users about
the Web, and perhaps introductory games or other interactive programs to
help young people create avatars and learn to communicate safely.
She stresses that OLPC has to be sensitive to how computers are used in
the context of the culture they're being introduced to, and needs to create
initiatives to monitor and minimize the destructive aspects as defined by
that particular country. "Democratic involvement and participation in local
decision-making is admirable in some countries and forbidden in others,'
she points out. 'Educated and articulate girls are hoped for in some places
and feared in others. Introducing societies to the intemet will never be an
easy or obviouS process because all of the problems and opportunities of
the global community are manifested on the Internet'
Despite the potential dangers, Kerr is uncomfortable with the idea of
restricting Internet access to communities that aren't perceived as having
the resources or sophistication to manage it.

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 M o v i n g t o M a c : Intel Inside
The biggest news in the world of Mac (a small virus scare aside) is processor into a notebook form factor without melting all of the notebook's
undoubtedly Apple's decision last year to transition its entire lineup of innards, Apple realized that a change had to be made. Thus the transition to
computers over to Intel processors. For some, it was a strange move: after Intel's new Core Duo line of processors in early January with the iMac,
all, the company had been touting the superiority of the PowerPC processor followed by the MacBook Pro in February and the Mac Mini in March.
over Intel's models for a while, even going so far as to refer to the 64-bit GS During his keynote at MacWorld in January, Steve Jobs repeatedly pointed
processor as 'the fastest processor ever' at launch. out that the move to the Intel processor would boost the Mac's speed by a
A lot can change in a short time, however. Intel's chips kept getting faster factor of two to five times, and to show how peppy the new Intel iMacs were,
and more energy efficient, while the 65 was finding it hard to keep up, he showed a few benchmark numbers. During m y many years o f
especially in production numbers. With their continuing inability to get a GS benchmarking PCs I've learned t o regard benchmarking numbers
suspiciously, especially when there isn't a range of different tests involved
in the benchmark. So I figured the best thing to do would be to get my hands
on one of the new iMacs and give it a few speed tests against the most
recent version of the GS iMac.

7.ch Imc.;1.!ac
?p7;& ca imac

I got my hands on the 17-inch iMac with a 1.83 GHz Core Duo processor
inside, and was able to compare it to a 17-inch iMac with a 1.9 GHz 65
processor with the same amount of RAM (1.5GB). There are a few other
tweaks inside the computers; the Intel version bumps the bus speed from
633 MHz to 66? MHz, and increases the L2 cache from 512KB to a whopping
-
2MB to handle both cores. The graphics component has also been upgraded

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 Personal Computing

from the MI Radeon X600 to the X1600. All of these

things should add up to a performance gain... but how
much of a gain?
Surprisingly, Apple's claim of two to five times was
pretty accurate not only with the SPEC synthetic
benchmark it quoted during the keynote, but with real
world applications too.
For example, rendering a seven-minute long Ouicktime
file from 640 x 480 H.264 into an iPod-ready file took the
65 machine about 18 minutes, while the Intel machine did
it in just over 7 minutes.
Handbrake, a program designed to rip DVDs straight to
MP4 files, took 20 minutes 49 seconds to render one
chapter of aDVD on our GSmachine, while it accomplished
that same task on the Intel machine in only 4 minutes
and 17 seconds.
And in Adobe PhotoShop C52, which many guessed would
suffer for the move, the Intel machine managed to
outperform the GS in the tests we ran, including
application of radial blur to a large image in 1 minute 40
seconds (Intel) instead of 2 minutes 28 seconds (G5).
In other words, 'the bottom line seems to be that the
speed of the Intel Macs really are faster than the GS, so
long as you pick applications that are able to run.
BySean Carruthers
• Ashort list of things :77::
Are your apps Intel-compatible?
One of the things that Apple hasn't exactly been trumpeting about the new Intel-based
Macs is that they won't actually run all of the Mac applications currently on the market.
It's not surprising, really: the switch to a new processor means that the code for many
of these applications requires rewriting ;n order to execute properly, and some
applications will be harder than others 7: :cr./en.
While Apple made pretty sure that its ::• • ors were ready
to go when the first Intel Macs went c,- • . - - e - e 37: - ..."-Je variety of
applications out there - both from * . h i r d - p a r t y - that aren't
optimized for the new processors. r ; -=
software known as Rosetta, which : = . ; •-.. • : •-;
software into Intel-friendly instru7: a t a cost to .<•`:•--c
until applications become "Universa,' - . 5 7 : sag, at:e. -
PowerPC or Intel Macs - a lot of softwa-r. „ _ -
The bad news first: most pro _
includes things like Final Cu.: P 7 : E/2.7:2.3,
promised that its pro applications will make the . 3 ' 3
matter of months, and users cf the cld versisrs z a r
depending on the appi to.crossgradetc Liniverss 3 ' 7 - 3 - 3 7 3 .
Thegood news is tha-. T're 7--&-..rty of softwa-e 7'3:7 3 7 a 3•••••• exeo.r.e
on the new Intel mach - s F-.7.5e.,.a.
While Adobe surprise:: e v a c
release a Universal S _ - e r t • e . s
suite, it does seem to. • - : -73
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Business cards are the currency of new connections and we exchange
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however, a physical limit to what will fit on a business card— that is, unless
your business card carries a digital payload.
Small business card CD-R disks are easy to come by and to record and,
using these instead of a paper card, you can hand over a sophisticated
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can be a brochure of your services, it can include still images and video
output showing your skills and past achievements and it can even carry
audio narration — it's up to you.
Before you think you have to hire a multimedia expert to do all this, think
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checkerboard changes. Effects change the look of the clip in some way such with the camera on its side). You can use only one transition between
as changing its colour or rotating it 90 degrees (handy if you've shot video clips but, provided the effects don't cancel each other out (e.g. using
sepia and a colour effect), you can add multiple different
effects to a clip or still image.
Titles can appear between elements in the movie - for
t y p m e Va r a . 9 example you may have one that starts the presentation or
or • appears before a new topic or segment or you can position
them so they appear over a still image or movie. To create
wile...
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t necklace whether to place the title before a clip, or on it and then
configure its details.
*jade ' d bl To narrate y : t . r ;-..rese-tat7,7,, choose Tools, Narrate
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to see that tr7e e c h o o s e
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Add titles to your movie: this one is on the still image and lets us introduce the topic - You can, once 7- s :s done, re-.-- a n d
it will disappear before the image does. make a,m"e, .e -s e *: a : e w e t -
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To t a l G a m e r

A g e o f E m p i r e s III
Publisher. Microsoft Developer. Ensemble Studios resources like food, metal, and wood and put them t o use erecting
ESRB: Teen R a t i n g : 4/5 buildings and growing your population, all the while exploring your
Platform: Windows PC (3.0 GHz Pentium 4 with I GB of Kingston 400 MHz surroundings and working towards various military a n d economic
Dual Channel DOR RAM, and a 128 MB NVIOIA GeFORCE 6800 OC graphics objectives. Like most strategy games, the key to success lies in ensuring
card; displayed on an HP PL4200N 42" Plasma HDTV) that you build appropriate units for tasks currently a t hand, such as
The third instalment i n Ensemble's acclaimed RTS franchise doesn't cannons for town sieges and pikemen to protect against cavalry.
introduce any earth shattering elements, but if you've enjoyed previous The franchise's gimmick of researching technology improvements and
AOE games there's every reason to think this one will satisfy as well. eventually upgrading the level o f your civilization has returned largely
Set in the New World, players have the opportunity to play as eight great unchanged — save the concept of home cities. Home cities are located in
colonizing nations, ranging from Britain to the Ottoman Empire. Each force the Old World and act as a base from which to send advanced units to the
has its own set of strengths and weaknesses — the Russians, for example, New World. As the game progresses home cities grow in power and become
begin w i t h more resources than other countries, while t h e French capable of sending out a greater variety of support units.
have a t a l e n t f o r If so little has changed you might be wondering why you should consider
forging relations with picking up a copy o f AOEIII. That brings us back to the game's graphics,
Native American tribes, which, in my opinion, are pretty much a must-see.
allowing them to begin Ensemble employed the same physics engine that powers Half-Life 2 to
taking advantage o f create stunning, unscripted animations, such as blades of a windmill being
native t r a d i n g a n d randomly blasted off by a squad of musketeers, and infantrymen sent
technology o p t i o n s soaring by the blast of a cannonball.
more quickly. You'll need a pretty powerful machine to take advantage of all of the eye
Once the game starts candy the game has to offer, but if you have the processing power it's
its RTS business a s definitely worth checking out.
usual. Yo u ' l l g a t h e r By Chad Sapieha

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To t a l G a m e r

R i s e o f N a t i o n s : R i s e of L e g e n d s
After scoring a hit with the historical real-time strategy (RTS) game Rise of
Nations and its expansion pack, Thrones and Patriots, Big Huge Games
decided to do something a little different for its next project.
Rise of Nations: Rise of Legends, due out this month for PC, will be set in a
fantasy world and will feature three unique races: the Vinci (steampunk
inventors and tinkerers), the magic-using Alin (based on an Arabian Knights
motif), and a mysterious alien race called the Cuotl whose ship has crashed
on the planet.
HUB was recently treated to a sneak peak of the game in action courtesy of
Big Huge Games VP of Development & Operations Tim Train.
°We love history games, and I'm sure we'll go back to history games at
some point, but we really wanted to free ourselves from the constraints,'
explains Train. 'Yes everybody's seen a phalanx, everybody knows what a
phalanx looks like, there's no question about the musketeer, and there's only
so many things you can do with that in terms of special effects. What does a
phalanx have for special effects? Nothing."
Besides the new setting, which Train says will give the company a chance
to flex its creative muscles and push graphical boundaries, the developers
are planning to push the RTS envelope in a few other ways as well.
Econornu
Players in Rise cf Legends will be able to kick-start their economy with a
few button clicks.
Tra.n: "One of the things were trying to do to move RTS games forward is
to get rid of that whole 10 or 15 minutes at the beginning of the game where completely change the way a map plays.
all you're doing is building up the farms, slaughtering whatever animal
happens to be in the game, and all that sort of thing. Caring about "econ" is
fun, raiding or defending against raids is fun — what's not fun is doing the
same thing over and over again. We wanted to get you into decision-making
a lot quicker."
Neutral sites
Neutral sites occur all over the map and can be either attacked and
conquered, traced with to establish caravan routes, or bought outright with
enough gold.
i f you choose to attack the neutral sites early, then you're going to
have to lose some of your army in order to take the site. So there's this
inherent trade-off of, do you want to get the neutral site early on so your
opponents can't get it, or do you want to trade with it over time and be
more peaceful, at which point you can buy it or even get it for free later on
in the game.
Buying or conquering neutral sites actually enables the player to build
unique units that they can only get from that neutral site. So the conquest
of neutral sites become very important'
Train. "There are all these different ways you can do stuff using the
Dominance that rewards really clever play and not just 'let me just build up
my giant mass of guys and let me throw them into the fray,' which is what a
whole lot of RTS games are all about."
National borders
Each faction in Rise of Legends has a border around its territory that can
expand and shrink when a player takes over new neutral sites or uses
certain technologies. As a rule, players can't build outside their national
borders [although there are certain spells that can get around that).
-ro n. "The whole idea of national borders was huge in Rise of Nations. The
thing that made us just pull our hair out with most other RTS games was the
whole idea of 'oh, you built a tower behind my lines and now I lose the game
because I didn't notice that you were building this castle behind m y
territory.' That doesn't feel very realistic. It's not like empires are won or lost
because I secretly built a castle right next to your capital.°
Customization vs. randomization
All of the maps in Rise o f Legends are custom-designed t o ensure a
degree of quality and control over the artistic look, but at the same time
the studio didn't want to completely sacrifice the fun that random elements
add to the mix.
Items like resources (raw materials), relic bonuses, neutral sites and
certain elements o f the terrain are all randomized i n ways that can
Train: 'For example, you might have a big mountain that blocks you off
from the other side. This randomly generated object can be a whole
mountain that blocks the entire map, so then it's a transport game where
you have to build transports and land armies, or it could be that there are no
centre or side passageways so the only way around is this one choke-point
at the north end o f the map, which is where all the fighting's going to
concentrate. Or you could have any combination of those things, so scouting
becomes really important. One custom map can provide all of these hours of
different kinds of gameplay based on what the random elements are."
By Erin Bell

Dominance
There are four powers in Rise of Legends that are awarded to players for
satisfying certain in-game criteria. The Military Dominance, for example, is
bestowed on the player who creates the most foot soldier units, and will
grant them the power to lure enemy foot soldiers over to his or her side.
Another example i s t h e Tactical Dominance, which i s awarded f o r
destroying a certain number of enemy workers, which grants the ability to
cast the Ceasefire spell that temporarily renders your enemies incapable of
attacking you.

6 H U B : Digital Living - M a y 2 D C 6 www.hubca- nada.corn

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