What I Know What’s In

1. A 6. CORRECT 1. C 6. TRUE

2. C 7. INCORRECT 2. D 7. FALSE

3. C 8. INCORRECT 3. C 8. TRUE

4. A 9. INCORRECT 4. A 9. TRUE

5. C 10. CORRECT 5. C 10. FALSE

What’s New
1. Moralist 4. Marxist

2. Structural/Formalist 5. Reader-response

3. Feminist 6. Historical

What’s More
Activity 1: IDENTIFYING LITERARY APPROACH

1. Historical 4. Marxist

2. Feminist 5. Moralist

3. Reader-response 6. Structural/Formalist
Activity 2: SUPPORTING THE LITERARY APPROACH

7. 

8. 

9. 

10. 

Activity 3: MATCHING LITERARY APPROACHES AND THEIR IDEAS

LITERARY APPROACHES
Structuralist/ Moralist Marxist Feminist Historical Reader-
Formalist response
1. A 2. D 3. C 4. B 5. F 6. E

Activity 4: ANALYZING LITERARY APPROACHES

7. C

8. D

9. B

10. A

What I Have Learned

1. challenging 6. Historical

2. approaches 7. Moralist

3. tools or vehicles 8. Feminist

4. enhance 9. Marxist

5. Readers-response 10. Structuralist/formalist

What I Can Do
A.

1. CALISTTRUSTUR =STRUCTURALIST

2. OPRES-ERDAERNSE = READER-RESPONSE

3. TSEIMNFI =FEMINIST

4. MRASILTO =MORALIST

5. MTSARIX =MARXIST

6. SAHTLCIIRO =HISTORICAL

B.
1. Formalistic criticism examines plot, characterization, dialogue,
point of view, setting, and style to show how these elements
contribute to the theme or unity of the literary work. The
meaning and value of a literary work resides in the text itself,
independent of the author's intent.

2.Critical approaches to literature reveal how or why a particular

work is constructed and what its social and cultural implications
are.Understanding critical perapectives will help you to see and
appreciate a literary as a multiplayered construct of meaning.
Assessment
In the late 1980s, American independent film broke out of the tiny “art houses” (specialty
theaters) of a few major American cities and became a much stronger presence in
American public culture. Independent filmmakers see themselves as challenging the
hegemony of Hollywood, eschewing entertainment—fantasy, pleasure, happy endings—
and offering instead harsh and “edgy” stories about life in contemporary society.

Hollywood” as both fantasy and material reality dominated the world of American
entertainment for virtually the entire twentieth century. But from very early in the history
of the industry, there were challenges to the Hollywood hegemony, with various attempts
to create alternative sites of movie-making outside of the big studios.

Additional Activities
A.

1. Reader-response 4. Feminist

2. Historical 5. Marxist

3. Moralist 6. Structural/Formalist
B.
1.It is stating from her point of view about the story,nd
telling us co-readers about what the author red. It is
telling us that the story is mysterious and is thrilling at
the same time.

2.Structuralist/formalist

3. My version of “The X GaMe” CriTique

It was a pleasure to read your novel, The X Game. The title itself evokes a
sense of play and mystery— What is the X? And what kind of game is it?
In critiquing your novel, I read it first as a reader, then again as an editor.
Although you will find occasional comments inserted in bubbles in the
electronic manuscript, the majority of my feedback is summarized here in
this critique. I will close this critique with my editorial recommendations
and final words.You wisely start in the middle of the action and propel
the protagonist—and the reader—into the unknown, which we know is
going to be dangerous. There are encounters—with a mysterious
creature and an attack by wolves—that keep the action going and the
reader reading—all good. After Egri is rescued by Jordan (perhaps too
conveniently?) and taken to the manor, he is confronted by a stranger—
Marlo—who is the one who summoned him in the first place. What Egri
does not know, but we readers know, is that Marlo is not a normal human
being. In fact, he too is a supernatural creature, possibly a vampire. In
other words, the protagonist is not really safe nor is he in an ordinary
place, but rather he has entered an extraordinary world, and that as much
as he wishes to turn back, it is too late.