Professional Documents
Culture Documents
0 ASEN 2000
over political power, and revise the principles governing the Yugoslav
federal system, all in the defence of Serbian rights. The Kosovo issue and
the sense of victimisation it engendered was one of the most potent
instruments used to mobilise mass support for a policy of Serb separatism.
This contributed to the break-down of the Yugoslav political system and
eventually to armed conflict in Slovenia, Croatia, Bosnia-Hercegovina and
most recently in Kosovo, where the story began.
Rape was only one of an arsenal of tactics Albanians were accused of
using against Serbs in Kosovo, but it was one that aroused intense reactions.
Defenders of the Kosovo Serbs interpreted sexual violence in Kosovo as
part of a deliberately orchestrated Albanian campaign to terrorise and
humiliate the Kosovo Serbs, encourage them to sell their lands and
emigrate. The depiction of rape in Kosovo implied that sexual violence in
Kosovo had a radically different character from that elsewhere in the
country: that rape was an age-old weapon of Albanian nationalism; that it
was an everyday occurrence; that no Serb, regardless of age, sex or status,
was safe from sexual assault; that the Albanian judiciary protected rapists, a
policy that was either ignored or condoned by the republican and federal
authorities; and that all Albanian men were potential or actual rapists. The
presumption was that rape in Kosovo was committed primarily from
nationalist motives. In an unconscious echo of the feminist approach to
rape, nationalists described it not as a sexual crime, but as an act of
violence. Women, however, were not the main victims in their analysis.
Rape in Kosovo was ‘an act of genocide’ and ‘an attack on the Serbian
nation’ (e.g. PopoviC 1987: 152; Vukovid 1987: 56). The outcry over rape -
and over the fate of the Serbs in Kosovo - reached its peak in 1988 and
1989, when the province’s autonomy was curtailed by de facto reincorpora-
tion into Serbia.
Analyses of Serbian nationalism in the 1980s have mentioned the hysteria
over ‘nationalist’ rape, usually interpreting it as a crude attempt to
manipulate public opinion. Even at the time, critics of nationalist trends in
Serbia noted that the incidence of rape was lower than elsewhere in the
federation, and pointed out the way that the politicisation of rape
aggravated Serb-Albanian relations and fed Serbian paranoia (Horvat 1988:
115-17; Gaber and Kuzmanid 1989: 213-26). Subsequent analyses have
elaborated these points more clearly (PopoviC et al. 1990; Meinarid 1994:
76-97). While allegations of ‘nationalist’ rape clearly did contribute to
increasing national tensions in Yugoslavia, the clamour over the subject also
had wider ramifications. Sexual violence became a focus of public discourse
in the 1980s because of the way the subject linked assumptions and anxieties
to do with gender (and especially masculinity) to a vision of Serbian
nationhood under threat and to an aggressive nationalist programme. This
link had implications both for the conduct of public politics and for
individuals’ private lives.
566 Wendy Bracewell
Serbian Orthodox Church had been protesting about rape and other forms
of Albanian violence in Kosovo since the early 1980s, but it was not until
the case of Djordje MartinoviC was taken up by the Serbian intellectual
opposition in 1985 that the issue of sexual violence in Kosovo was widely
publicised.6 The nationalist intelligentsia continued to focus attention on
sexual violence as an aspect of the threat to the Serb nation in KOSOVO,
foregrounding ‘nationalist’ rape in political and academic journals, debates,
public petitions, and in works or art and literature, and condemning a state
which could countenance such ~iolence.~ The politicians who appropriated
the nationalist rhetoric over Kosovo also found accusations of rape an
effective way of mobilising popular sentiment, and kept the issue in the
limelight - thus MiloSeviC used references to rape in Kosovo to condemn
the victimisation of Serbs and present himself as the protector of Serbian
rights and national integrity (MiloSeviC 1989: 257, 269).
The press followed the lead given by the intellectuals and politicans.
Reports of rape in Kosovo published in the Serbian press after 1985 moved
from short accounts in the ‘black chronicles’ dealing with crime and violent
death to full-scale coverage, often exaggerated and sensationalist, of any
incident that could be construed as nationally motivated sexual violence. A
few specific incidents (most not actually rapes) were widely covered - an
indecent assault on a girl in Plemetine in 1986; an assault on an Orthodox
prioress in 1988; a break-in at the home of a Serb woman in PriStina in
1988 - but many less verifiable anecdotes also circulated. In part the greater
press coverage was due to the increased freedom to deal openly with
political controversy (and by market-driven sensationalism), but political
interests also determined the treatment of the issue.* Accounts often blurred
the boundary between rape and other forms of violence, so acts that might
more correctly be described as attempted rape, statutory rape or assault - or
even crude behaviour - were described as rape when an Albanian was the
aggressor and a Serb was the target (Hokat 1988: 115; TijaniC 1988:
127-8).
The utility of the rape panic for nationalist politics in the 1980s is obvious:
it made graphically manifest the victimisation of the Serbs in Kosovo, the
barbarity of the Albanian enemy and the culpability of the regime which
condoned this state of affairs. But the way nationalist ideologues presented
the issue also played on concerns about the gender order, linking the plight
of the nation to a putative crisis of Serbian masculinity. Posing Serbia’s
problem in such a way implied a ready-made solution: an aggressive
political programme that could redeem both national dignity and masculine
honour. This version of Serbian nationalism both required and reinforced a
particular masculine ideal (tough, dominant, heterosexual) and a comple-
570 Wendy Bracewell
and depraved. The second message is subtler, implying that while Albanians
are depraved, the Serbs are unmanned (in line with the popular under-
standing that being forced to submit to male rape dishonoured only the
victim, while confirming the assailant’s potency). The Serb’s lack of virility
is confirmed by the condom he is wearing: a reminder that the Serbs, with
their low birthrate, were losing a demographic race with the Albanians in
Kosovo. The themes of Albanian deviance, the physical and demographic
threat to Serbs in KOSOVO,and Serbian weakness were constants in
nationalist discourse. Mihajlovik’s cartoon focused attention on the subtext
of these themes: the connection between the threat to the nation and to
Serbian manliness.
A petition of Serb intellectuals in 1986 asserted straightforwardly that
this episode was a metaphor for the position of the Serbs: ‘the case of
Djordje Martinovik has become that of the entire Serb nation in Kosovo’
(reprinted in MagaS 1993: 51). The sexually coded language commonly used
by the ideologues of nationalism reinforced the point that Serbia, like
Martinovik, had been emasculated by Albanian nationalism and Yugosla-
vism. In the words of nationalist critics, the Serbian nation had been placed
in an unnatural position, forced to submit, violated and degraded by
Albanian autonomy and separatism, and had passively, even masochisti-
cally, failed to defend itself.“ Still, commentators hesitated to exploit the
image of violated manhood (few treatments were as explicit as Mihajlovik’s
cartoon). Perhaps this was partly because those who were skeptical of
Martinovik‘s story also stressed the sexual aspect, portraying Martinovik as
trying to hide his own deviance behind a tale of victimisation. Perhaps a
measure of homosexual anxiety was involved. The Serb satirist Brana
CrnCeviC hinted at this in an assessment of MartinoviC’s significance: for the
Serbs, MartinoviC ‘will always be a martyr and a saint impaled just like one
of his forefathers on a stake’, while for the Serbs’ enemies ‘he will be used
for ridicule; they are already pointing out that the myth of Serbian
manliness has been utterly overturned’ (Duga 10 June 1985, in Spasojevik
1985: 318). But perhaps a line of argument comparing the Serbian nation to
MartinoviC in terms of a raped and humiliated male body had only limited
utility in mobilising a nationalist project, even one shaped by images of
victimisation. What course of action was left to a nation which was so
comprehensively unmanned?
There was no such hesitation in interpreting the rape of Serb women in
Kosovo. Here too the issue was the same, but the message was inflected
differently when it was made through the bodies of women. For men to be
forced to submit to such violation negated their very being (just as it was
‘unnatural’ that Serbia should be ‘humiliated’ and ‘degraded’ by a constitu-
tional arrangement that deprived the nation of ‘dignity’). Nationalist
interpretations saw sexual violence against women, on the other hand, as
being less about the experience of the victims themselves than about the
challenge to Serbian masculine pride:
572 Wendy Bracewell
f
Figure 1. Milenko Mihajlovic, KnjiTevne
novine, 15 June 1987 Figure 2. Milenko Mihajlovii, Knjiievne
novine, 1 October 1988
The Albanian separatists are inflicting on us the greatest dishonour by raping our
sisters and mothers, by assaulting our young children. Are we - the nation that
destroyed the Ottoman Empire, that broke apart the Austro-Hungarian Monarchy,
that united the South Slavs - are we really going to stand for this? (Ilustrovuna
politiku 5 July 1989: 10)
It must be stressed that the outrage over rape in Kosovo had little to do
with violence against women as such. There was no condemnation of the far
more prevalent phenomenon of rape within the national community (Serb/
Serb, or Albanian/Albanian). The fact that sexual violence against women
was not the main object of public concern was made clear in a law on
‘nationalist rape’, hastily added to Serbian Criminal Code in 1986. The new
Provisions made sexual assault across national lines a separate offence and
punished ‘nationalist’ rape more severely than ‘ordinary’ rape. The law
Rape in Kosovo 573
When this was published a year later, in the midst of a witch-hunt directed
from Belgrade against the Kosovo party leadership, Hoxha’s apparent
equation of Serb women with prostitutes sparked popular fury. Serbian
women in Kosovo took to the streets in well-reported public protests,
demanding his resignation for impugning their sexual respectability and
national honour. But honour was not the only issue. They also made
explicit political demands, calling for military rule from Belgrade, and
proclaiming ‘Kosovo is Serbia’ (Zntervju 23 October 1987: 7-10; NZN 25
October 1987: 12-14; Danas 27 October 1987: 7-10). These demands were
574 Wendy Bracewell
now more than the protests of the province’s beleaguered Serbs or an issue
for opposition intellectuals in Belgrade, since Slobodan MiloSevic had
taken up the cause of the Serbian nation in Kosovo, and was using it to
‘differentiate’ (and purge) opposition in the party and to mobilise popular
support.
These women demonstrated in the streets in a way that was unprece-
dented for the women of socialist Yugoslavia, in spite of its putative gender
equality. Yet they presented themselves entirely in terms of their relations
with their menfolk. Their banners read: ‘We are not whores, but the
mothers and sisters of the sons of Serbia and Yugoslavia!’ (NZN 25 October
1987:12). It was their relations with their men and their nation that were
relevant - it was as mothers (of Serb sons) and sisters (of Serb brothers)
that they were raped; it was as mothers and sisters (not as women, or even
simply as Serbs) that they claimed the right to protest; and it was as
mothers and sisters that they called on their sons to protect them. ‘We are
the mothers of Tito’s soldiers!’ and ‘Our sons will protect us!’ were the
slogans they shouted out as they gathered in front of the Yugoslav army
barracks calling for military rule. These women were asserting a rigid
gender differentiation, dividing the Serbian nation into virtuous mothers
and heroic soldiers; those who nurture the nation and those who are called
upon to defend it. The protests over rape defined - and simultaneously
undermined - Serb masculinity, not just in contrast to Albanian potency
but also in relation to Serbian women’s vulnerability and claims to
protection. l4
The demonstrators’ slogans illustrate the way the clamour over nation-
alist rape helped construct a rhetoric of gender which was both traditionalist
and national. In some ways this was simply a continuation of existing
attitudes towards gender relations. In spite of its formal commitment to
women’s emancipation through socioeconomic change (and its very real
achievements), Yugoslav socialism had never seriously confronted the
persistent gender hierarchy which privileged men and subordinated women.
In the 1980s the socialist government, trying to cope with unemployment
and a labour surplus by encouraging women out of the labour market, had
Mtiated a shift away from the language of emancipation and equality
towards a model of separate and complementary gender roles. The crisis of
communism gave this shift an added impetus, since ideals of gender equality
could be dismissed as socialist and anti-national. Those who condemned
Yugoslav socialism as artificial, unnatural and anti-Serb invoked a con-
trasting ‘natural order’ in which nation and ‘patriarchal values’ were
mutually reinforcing. (It should be emphasised that a revived ‘Serbian
patriarchy’ was traditionalist rather than traditional, selecting specific
aspects of ‘Serbian culture’ for their political utility while ignoring others.
Values such as masculine honour and heroism, patriarchal families with
many children Or Illrdl Simplicity were appealing in an increasingly urban
and industrial Serbia precisely because they evoked a lost past. T~ see the
Rape in Kosovo 575
A crisis of masculinity?
This was certainly the tone of Serbian public politics in the 1980s in general,
and prescriptions for the Kosovo problem in particular. If failing to resist
aggression had emasculated the Serbs, nationalist calls to action asserted
that Serbs could stand up and be men once again. MiloSeviC’s calls for
immediate, direct action on behalf of the Serbs in Kosovo were char-
acterised, even by his opponents, as ‘manly’, as opposed to the pussy-
footing of the Yugoslav leadership (e.g. PavloviC 1988: 31 1). The MiloSeviC-
led assault on the party bureaucracy (the ‘anti-bureaucratic revolution’)
used the image of working-class masculinity to contrast ‘real Serbs’, workers
in blue overalls, with hard bodies and dirty hands, the true representatives
of the nation, to the soft, effeminate, de-nationalised middle-class ‘armchair
bureaucrats’ (foteljaSi), who had betrayed both their nation and their
Rape in Kosovo 579
They were slower to criticise the way that nationalist rhetoric manipulated
men, but as war euphoria mounted feminists in Yugoslavia developed a
sustained critique of the patriarchal nationalism that not only reduced
women to self-sacrificing mothers producing children for the nation, but
also required men to be heroic warriors prepared to kill and die (e.g. PapiC
1992). Women, and especially feminists, dominated the various forms of
anti-war action, but they were not the only activists. They were also joined
by men, particularly from among the urban population, the professions and
the young. The outbreak of war made it clear that not all Serbian men
accepted an equation between manliness, national honour and militarism.
Many such men made their attitude plain by refusing to answer their call-up
papers or by deserting from the Federal Army. Others resolved the
contradiction between their own values and the requirements of official
nationalism in more violent ways. One reservist, Miroslav MilenkoviC,
apparently felt it unmanly to refuse the gun issued him, as fellow recruits
were doing, but having accepted it then turned it on himself, committing
suicide in front of his unit. A published collection of tributes collected
during anti-war vigils commemorated his act; the comments stress the
dilemma between the official definition of ‘patriotic heroism’ and private
concepts of masculine honor (Grobnica za Miroslava Milenkovila 1991).
However, different views of what it meant to be a man and a Serb did
exist. Anti-war activists embodied an alternative to the hegemonic masculi-
nity promoted by the dominant political order - one that was controlled
and rational rather than violent, committed to negotiation rather than force,
580 Wendy Bracewell
The Serb in the cafe had a clear idea of what a Serbian man ought to be -
and he assumed that this was relevant to public politics. So did the Serb
intellectuals and politicians who put the Serbian nation at the centre of
political debate in the 1980s. In many ways the Serbian nationalist project
of the eighties and nineties can be seen as making it clear who the real men
were. The sense that the Serbs were victimised in Kosovo and in Yugoslavia
and the calls for a reassertion of national dignity were structured by a
shared understanding of masculinity; and, at the same time, a militant
nationalism helped reinforce male privilege in Serbian society and subordi-
nate or marginalise Serbian women. From this perspective nationalism and
patriarchy can seem to go hand in hand, almost inevitably, in this case as in
Rape in Kosovo 585
others. But looking critically at the way men and masculinities are
implicated in the nationalist project helps give us a more differentiated and
dynamic perspective on the interactions of gender and nation.
Both gender and nation are best seen as relational identities, not
reflections of a natural or immanent essence but created through a process
of highlighting difference. In the discourses around rape in Kosovo, and in
the ensuing struggles over the Serbian question, nationalist ideologues
defined the Serb nation in relation to a series of ‘others’, understood in
terms of both gender and nation - relationships which had implications for
social relations. Patriotic Serb masculinity depended heavily on the notion
of vulnerable Serb femininity (heroes and mothers; protectors and
protected); a relationship which justified control over Serbian women, but
also required the militarisation and self-sacrifice of Serbian men. Serbian
nationalism also emphasised other gendered dichotomies which shaped
relations among men. Serb nationalism was defined by setting ‘real Serbs’
against virile but bestial Albanians, against ‘emasculated’ Serb communists,
against ‘effeminate’ Serb peace-activists, against ‘hormonally challenged’
opponents of the MiloSeviC line. Ideas about what it meant to be a man
were an important resource in the competition to define and control Serbian
nationalism, and they were used by both men and women. In turn, laments
over Serbian dignity and honour helped reinforce particular understandings
of masculinity, mapping out what was and what was not appropriate
behaviour for a Serb man - in particular, legitimating and encouraging
violence as a way of recuperating national dignity and masculine honour.
But this was an ideological proposition, not a description of social or
cultural reality; it required a good deal of labour to remake Serb men in line
with the patriotic image and to mobilise Serb heroes for war.
This line of appeal was quite successful, garnering support from a large
proportion of the Serbian population, ensuring that the nationalist project
conferred not just power but popular legitimacy on the political elites. Even
though MiloSeviC‘s fortunes wavered with the changing fortunes of war, the
level of electoral support for ‘Serb heroes’ such as Vojislav SeSelj indicates
the continued potency of the equation of nation, manliness and militarism.
Even so, this model of patriotic masculinity was not all-conquering, nor was
the vision of Serb nationalism it sustained. Precisely because both were built
around the identification and suppression of difference, they contained - or
even provoked - possible alternatives which could be mobilised against the
hegemonic ideal. Defining Serbian nationalism in terms of blood, history
and patriarchy involved the silencing of other possibilities. These were then
available for those excluded or marginalised by this definition to use in
counter-identities (thus the mobilization of a modern, cosmopolitan, civic,
even feminist-friendly Serbian identity - or an even more aggressive and
militarist one). Identities were negotiated and renegotiated, depending in
large part on struggles over power, and the resulting configurations had
implications not just for women, but also for power relations and
586 Wendy Bracewell
Notes
1 Thus studies have shown how the widespread idealisation of the nation as female, and
especially as a mother, not only ‘naturalises’ national sentiment, but also strengthens the idea of
a natural division between public (male) politics and private (female) domesticity, reinforces the
idea that maternity is women’s primary role, legitimates state surveillance and regulation of
women’s bodies and female sexuality, and perpetuates male domination of women. Nira Yuval-
Davis (1997) gives an excellent overview of this approach. For case studies, see Heng and
Devan (1992); McClintock (1993); Tsagarousianou (1995); Bracewell (1996).
2 This position characterises a good deal of the work on women and nationalism; specifically
on men and masculinity see Nagel (1998). Theweleit (1987, 1989) is a controversial account of
the German Freikorps that illustrates some of the problems of treating ‘men’ as a homogeneous
category.
3 The first scholarly analyses are surveyed in a useful review essay (Stokes e f 01. 1996); the
authors point out that these approaches do not move us any closer to an understanding of why
humans are so willing to kill.
4 For a survey of feminist debates over relations between masculinity and violence, Segal
(1997: 233-71).
5 The incidence of inter-ethnic rape reported (e.g. Albanian-Serb) was considerably lower, and
that of intra-ethnic (Albanian-Albanian, Serb-Serb) rape higher than the theoretical norm
(PopoviCet ul. 1990: 44-6). The total numbers were fairly low: 323 criminal charges for rape and
attempted rape between 1982 and 1989, of which 31 were Albanian assaults on Serbs or
Montenegrins (and there were no such cases recorded from 1987 to 1989) (PopoviC e f 01. 1990: 41).
6 Opposition intellectuals around the Serbian Writers’ Association were very active in the
Martinovic case. An official meeting of the Association in August 1985 discussed MartinoviC,
and a communique expressing concern was sent to the Serbian parliament; a petition circulated
among intellectuals; and Dobrica CosiC, the central figure in the opposition intelligentsia,
protested MartinoviC‘s treatment to government authorities. The journalist Svetislav SpasojeviC
gives a detailed account of the early stages of this agitation (SpasojeviC 1986).
7 An example is the series of protest evenings ‘On Kosovo, for Kosovo’ held by the Serbian
Writers’ Association in Belgrade in 1987. The three representative texts published in the
Association’s journal Knjifevne novine (1 June 1987) all detail the sufferings of the Serbs in
Kosovo, with two focusing specifically on Albanian sexual violence.
8 Particularly after MiloSeviC‘s victory over his political rivals in 1987, and the subsequent
purge of the Polifiku news group, which became a mouthpiece of official nationalism. For this
analysis I have surveyed the popular journalism published by the Polifiku group (and Dugu,
separately owned, but similar); the debates in Knjijevnc novine (a forum for nationalist
intellectuals); and the writings of individual intellectuals and politicians. (For the Serbian press
in the 1980s and 1990s. Thompson, 1994: 56-8,67-70.)
9 A striking example was an allegorical painting by Serbian academician MiCa popovi~,
Rape in Kosovo 587
entitled ‘1 May 1985’ (the date of the assault on MartinoviC). This showed Christ being raised
onto the cross by Albanians in skullcaps, a large mineral water bottle in the foreground leaning
towards his groin, while a policeman looks on (illustrated in SamardiiC e f al. 1989).
10 MihajloviC‘scartoons, with their perceptive evocations of current political debates, appeared
regularly in Knjifevne novine.
I I Thus, for example, the Serbs were in a ‘politically inferior position’, the Serbian nation’s
‘integrity brutally denied’ (‘Memorandum SANU’, Duga [special edition] June I989:, 34-47);
‘deceived, forced to submit, bought off, degraded, and dishonoured‘ (Dobrica CosiC in
ffiji3evne novine I June 1987); ‘emasculated . . . deprived of rights . . . deprived of a soul’ (the
Serbian journalist and satirist Brana CrnEeviC in Duga 8 July 1989 16). For a discussion of the
term ‘degraded’ with reference to the Serbian nation, see GojkoviC (1995: viii-ix); for ‘Serbian
masochism’, see Popov (1993: 17-18).
12 See, e.g. PetroviC and BlagojeviC (1989: 116, 138) (rape ‘represents much more than an
injury to the physical integrity of the victim and her humiliation; it is a humiliation and an
affront inflicted on the head of the household, a proof of his impotence’). This theme was
stressed in press accounts ( e g Politika 1 Nov. 1986: 13) and more literary treatments (e.g.
A. IsakoviC, KnjiZevne novine 1 June 1987: 5).
13 Renata Salecl’s argument that the emphasis on attempted rape denied Albanian nationhood
by fantasising Albanians as impotent and unmanly (1993: 80) is unconvincing; Serb weakness
was constructed in contrast to aggressive Albanian masculinity.
14 The ways other nationalist projects have derived symbolic capital from the call to protect
women and simultaneously preserve male honour have been explored in two richly suggestive
articles looking at responses to wartime rape (Harris 1993; Butalia 1994).
15 This discourse drew heavily on ‘ethno-psychological’ models which defined Serb (or more
precisely Dinaric) culture as essentially patriarchal. See GoluboviC (1995: 148-50) for a
discussion of this literature and more generally for changes in social and cultural values in
Yugoslavia and Serbia.
16 A number of versions of this complling image were reproduced in the press, it was sold as
a poster, received several awards and inspired a number of literary treatments. One exemplary
poem, ‘ h n a sa puSkom iz Prekala’, is reprinted in PavkoviC (1995). See also the interview with
Mile Jelasijevik (the photographer) in DjokoviC (1990).
17 Surveys of public opinion in the 1980s and 1990s did find a high degree of correlation
between nationalism and conservative social values among both men and women, though men
were more likely than women to identify with the nation (GoluboviC 1995: 115-20, 148-52,
179, 343-6).
18 Only about 15-30 per cent of eligible young men from the Belgrade area and 50 per cent
from Serbia answered the call to mobilisation; around 2O,ooO-30,000 young men are believed
to have deserted the army and fled the country at the beginning of the war (BaCkoviC 1998).
19 See for example a text entitled ‘ImaS kompjuter, vrati piltolj’ (‘You’ve got a computer, hand
in your pistol’) (DemiroviC 1992) and a number of other similar texts in the same collection,
pointedly entitled ‘Another Serbia’ (Drugu Srbiju). Examples of alternative masculinities can
also be found in literary works with emphatically a-nationalist and non-heroic men as the
central characters, for example Vladimir ArsenijeviC‘s novel, U porpalublju (1995).
20 MiloieviC‘s ally in Srpska Krajina, Goran HadiiC, was driven to deny that he was a
homosexual in interviews after agreeing to the stationing of UN troops in Croatia (Duga 27
March 1993: 21); Biljana PlavSiC, one of the leaders of Republika Srpska, cut adrift after rejecting
the Contact Group’s peace plan in 1994, claimed that the only true Serbs were those who were
proving their manliness on Bosnian battlefields (and MiloSeviC‘swife Mirjana MarkoviC snapped
back that PlavSiC‘s war-mongering was evidence of a hormonal disorder) (Vreme 10 May 1993:
36-7); the extremist Vojislav Seklj was persistently rumoured to be a homosexual.
21 See, for example, the eulogy to Djordje BoSkoviC GiSka, commander of the paramilitary
Serbian Guard, comparing him to the bandit heroes of the national epics and contrasting him
to ‘those who have spent their whole lives hushed and protected under a bell jar’, ‘men who
588 Wendy Bracewell
have been granted privileges and exemptions from any sort of obligation or debt of honour’
(Dugu 28 September 1991).
22 The comments are from opposition politicians Vuk DraSkoviC and Vojislav SeSelj
respectively (Popov 1993: 28).
23 Victims’ accounts and interrogations of prisoners are problematic sources for the rapists’
motives, but they repeatedly depict rape being committed as an expression of national hatred
and revenge, an instrument of male bonding, and a proof of virility. For examples of rape
narratives, see Amnesty International (1993); Helsinki Watch (1993); Stiglmayer (1994).
24 The title of an article on the increase in reports of domestic violence (‘Pravo dobrih Srba’ in
NIN 22 October 1993: 29). See also ‘Are women part of the nation?’ (‘Jesu li iene narod?’ in
Osmicu 1 November 1990 12-13), specifically quoting MiloSeviC‘s statement in the context of
wife-beating.
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