Professional Documents
Culture Documents
2 Engineering
PREFACE
This learning material is for instructional delivery purposes of the faculty
members of Samar State University only. This is intended solely for the
consumption of officially enrolled students of the course and this should not be
sold, reproduced, shared nor copied by other individuals.
The entire course is divided into four packets which will be delivered to your
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Management System for additional resources. After you studied you are to answer
the questions and the individual activities asked from you which is found in the
assessment section of the module. You can take the assessment and submit the
class requirements online or through hard copies to the LGU links. Be aware of
the deadline of submissions of the said documents, online or not. Late
submissions will affect your grade.
More than the ratings, it is our hope that you learn for your future. It’s okay
to ask help from anyone but do not compromise the chance to learn the lessons.
By copying without learning, it is you who will be affected. According to Brian
Herbert, the capacity to learn is a gift, the ability to learn is a skill, and the
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making sure that you learn is what we are hoping for.
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UNIT 2:
Introduction to FM Broadcasting System and Standards
2.0 Intended Learning Outcomes
After reading this material, students are expected to:
2.1 Introduction
The bandwidth allocated to FM channels is much wider than AM, and this allows the
bandwidth of the audio signal that can be transmitted to extend to about 15 kHz. This
good frequency response, combined with good signal-to-noise ratio and low
interference, makes FM capable of high-quality audio.
Because it is the frequency, and not the amplitude, of the carrier that is varied, FM
produces sidebands in a different way from AM. Without going into details, the
modulating signal produces a range of upper and lower sidebands, extending much
more than plus or minus 75kHz from the carrier frequency. When using subcarriers,
the sidebands extend out further than for mono audio alone. As illustrated in Figure 1,
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the radio spectrum available for the main signal from an FM station is specified by the
FCC as plus or minus 120 kHz from the carrier frequency.
Because FM channels are allocated at 200 kHz spacing, the transmitted signal from an
FM station therefore extends to some extent into adjacent channels both above and
below its allocated frequency. The maximum RF emission bandwidth allowed is
specified by the FCC and is reduced for much of the adjacent channels. To reduce
interference, however, first adjacent FM channels are not usually allocated for use in
the same transmission area.
Two-channel stereo sound, consisting of left and right program channels, is used
almost universally at analog FM radio and TV broadcast stations. A system of
transmitting stereo over AM was developed and incorporated into the FCC’s rules.
However, because of increased potential for interference with other stations and the
generally poorer audio performance of AM, the system was not widely adopted. Few
AM stations these days transmit in stereo.
No matter what type of analog broadcast station is involved (FM, AM, or TV), all stereo
broadcast systems use a method for coding the left and right audio channels that
ensures that the stereo signal can be decoded and played by both stereophonic and
monophonic receivers. It is not sufficient to simply transmit a left channel signal and a
right channel signal. Instead, a “main program” channel must be transmitted that
combines both the left and right audio signals together so it can be used by a
monophonic receiver, and a “stereo program” channel must be transmitted that can be
coupled with the main program channel to produce left and right program material at a
stereo receiver.
Figure 2 illustrates the method used to achieve this result. Before transmission, the left
and right channels are added together to produce a combined mono sum signal (left +
right), and the right channel signal is subtracted from the left to produce the
supplementary stereo difference signal (left - right). After passing through the
transmission system, the “left + right” signal can be received by mono receivers and
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played over a single loudspeaker. At a stereo receiver, the sum and difference signals
are added together, and subtracted from each other, as follows:
The stereo coding process is carried out using a stereo generator. Whether we are
talking about an analog FM or TV station, the transmitter is only able to accept one
audio signal to be modulated; therefore, the stereo generator has also to combine the
sum and difference signals together in a special way, as described next. This system
for broadcasting stereo sound is known as the Zenith system because it was
developed by the Zenith Radio Corporation.
In the case of FM radio, the stereo generator produces a composite output signal as
shown in Figure 3. The “left + right” main program signal needed for mono
reception is baseband audio, with 15kHz bandwidth. A stereo pilot tone of 19 kHz is
added as a reference signal, and the “left - right” stereo difference signal needed to
produce the stereo channels is amplitude modulated onto the 38kHz second harmonic
of the 19 kHz stereo pilot (i.e., a subcarrier at twice the frequency). Because the
stereo difference signal is an audio signal with 15 kHz bandwidth, the modulated
subcarrier has lower and upper sidebands, carrying the program information, which
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extend 15 kHz below to 15 kHz above the suppressed 38kHz subcarrier. This whole
composite stereo signal, which is still at baseband, is fed to the FM transmitter.
The arrangement for analog TV is similar but with a different stereo pilot frequency.
Although all combined together, these different signals do not interfere with each
other because they have different frequencies. This also means that a stereo receiver
can easily separate the signals out again for decoding. A mono radio receiver may
not be able to separate out the stereo subcarrier signal from the mono signal, but this
is not important because the stereo signal is near the top of the range of human
hearing and is not reproduced by the receiver. The stereo pilot mentioned earlier is
an unmodulated subcarrier (i.e., a subcarrier that does not have any additional
information added to it). One purpose of the stereo pilot is to provide a reference
frequency for demodulating the stereo subcarrier. It also tells receivers that the host
FM or analog TV station is broadcasting in stereo. If an FM or analog television
station does not transmit the stereo pilot signal, then receivers will assume that the
station is broadcasting a monaural program, and they will not try to decode the
received audio into a left and right channel.
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generate additional income by leasing out some, or all, of their excess channel
capacity to third parties for subcarrier services such as background music, radio
paging, or the Radio Reading Service. The same is true for TV broadcasters, although
the subcarrier space available to them is slightly different than the subcarrier space
available to FM stations. The FCC refers to these as subsidiary communications
authorization (SCA) services.
The three most common FM band subcarriers in use today, apart from the 38 kHz
stereo subcarrier, are the 57 kHz (RDS), 67kHz, and 92kHz subcarriers, as shown in
Figure 4.
Figure 4. FM Stereo Signal with 57 kHz (RDS), 67 kHz, and 92 kHz Subcarriers
In 1993, the National Radio Systems Committee (NRSC) adopted a standard for
transmitting digital data at 1187.5 bits per second on a subcarrier in the FM
baseband. This standard is called the United States Radio Broadcast Data System
(RBDS), often referred to as RDS, for Radio Data System. Updated editions of this
standard were adopted by the NRSC in 1998 and 2004.
The RDS signal carries data such as station identification, song titles, artist names,
and other program-related information; it can also accommodate other text such as
weather and traffic updates. RDS data can be displayed as scrolling text on a
receiver’s display panel.
The RDS subcarrier is centered on 57 kHz, the third harmonic of 19kHz (the FM
stereo pilot frequency), and the recommended bandwidth is approximately 4kHz.
As shown in Figure 4, the RDS signal fits between the stereo program material and
the 67kHz subcarrier.
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A. Definition of Terms
1. FM broadcast band
That portion of the radio frequency spectrum from 88 MHz to 108 MHz. The
band is divided into 100 channels.
2. FM broadcast channel
A band of frequencies 200 kilohertz wide and is designated by its center
frequency. Channels for FM broadcast stations begin at 82.1 megahertz and
continue in successive steps of 200 kilohertz to and including 107.9 megahertz.
3. FM broadcast station
A station employing frequency modulation in the FM broadcast band and
intended to be received by the general public.
4. Frequency Modulation
A system of modulation where the instantaneous frequency varies in proportion
to the instantaneous amplitude of the modulating signal, and the instantaneous
radio frequency is independent of the frequency of the modulating signal.
5. Center frequency
The carrier frequency allocated by the Authority.
6. Frequency Swing
The instantaneous departure of the frequency of the emitted wave from the
center frequency resulting from modulation.
a. The height of the radiation center of the antenna above the terrain 3 to 16
kilometres from the antenna. (Generally, a different antenna height will be
determined for each radial direction from the antenna. The average of
these various heights is considered as the antenna height above average
terrain).
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16. Multiplexing
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In its simplest sense, multiplexing implies that two or more independent sources
of information are combined for carriage over a single medium, namely, the radio
frequency “carrier”, and then are separated at the receiving end. In stereophonic
broadcasting, for example, program information consisting of left and right audio
signals are multiplexed onto an FM carrier for transmission to receivers which
subsequently recover the original audio signals.
18. Channel
A transmission path. The distinction between the concept of a “Channel” and a
“signal” are not always clear. The usage herein distinguishes between
transmission channels; e.g., main channel, stereophonic subchannel, etc., and left
and right audio “signals”.
20. FM Baseband
The frequency band from 0 Hertz (Hz) to a specified upper frequency which
contains the composite baseband signal.
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26. Subchannel
A transmission path specified by a subchannel signal occupying a specified band
of frequencies.
34. Cross-talk
An undesired signal occurring in one channel caused by an electrical signal in
another channel.
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37. SCA
The term SCA is an acronym for a “Subsidiary Communications Authorization.”
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2
CHANNEL
NO.
FREQUENCY
(MHz)
CHANNEL
Engineering
NO.
FREQUENCY
(MHz) 1
201 88.1 251 98.1
202 88.3 252 98.3
203 88.5 253 98.5
204 88.7 254 98.7
205 88.9 255 98.9
206 89.1 256 99.1
207 89.3 257 99.3
208 89.5 258 99.5
209 89.7 259 99.7
210 89.9 260 99.9
211 90.1 261 100.1
212 90.3 262 100.3
213 90.5 263 100.5
214 90.7 264 100.7
215 90.9 265 100.9
216 91.1 266 101.1
217 91.3 267 101.3
218 91.5 268 101.5
219 91.7 269 101.7
220 91.9 270 101.9
221 92.1 271 102.1
222 92.3 272 102.3
223 92.5 273 102.5
224 92.7 274 102.7
225 92.9 275 102.9
226 93.1 276 103.1
Table 1.
227 93.3 277 103.3
228 93.5 278 103.5
229 93.7 279 103.7
230 93.9 280 103.9
231 94.1 281 104.1
232 94.3 282 104.3
233 94.5 283 104.5
234 94.7 284 104.7
235 94.9 285 104.9
236 95.1 286 105.1
237 95.3 287 105.3
238 95.5 288 105.5
239 95.7 289 105.7
240 95.9 290 105.9
241 96.1 291 106.1
242 96.3 292 106.3
243 96.5 293 106.5
244 96.7 294 106.7
245 96.9 295 106.9
246 97.1 296 107.1
247 97.3 297 107.3
248 97.5 298 107.5
249 97.7 299 C. M. D. Hamo-ay
107.7
250 97.9 300 107.9
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1. Class A Station
2. Class B Station
3. Class C Station
Table 2. Frequency assignments for Manila, Laoag, Legaspi, Cebu, Davao and Zamboanga
7. Radio Frequency Protection Ratios
a. The following radio frequency protection ratios (Table 3) provide for the
minimum physical separation between stations and protection of stations from
interference.
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D. Technical Requirements
1. Safety Requirements
All equipment using electrical power shall conform with the provisions of the
Philippine Electrical Code and the Philippines Electronics Code so as to
ensure the safety of property, equipment, personnel and the public in general.
2. Transmitting Facilities
b. Antenna System
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For the protection of air navigation, the antenna and supporting structure shall be
painted and illuminated in accordance with ATO regulations.
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ii. Construction
3) Interlocks on doors.
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v. Indicating Instruments
2) In the event that the plate voltmeter or plate ammeter in the last radio
stage is defective, the operating power shall be maintained by means
of the radio-frequency power meter.
vi. Installation
d. Monitoring Equipment
i. Frequency Monitor
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a. The modulating signal for the main channel shall consist of the sum of the
left and right signals.
b. A pilot subcarrier at 19,000 Hertz plus or minus 2 Hz, shall be transmitted
that shall frequency-modulate the main carrier between the limits of 8 and
10 percent.
c. The stereophonic subcarrier shall be the second harmonic of the pilot
subcarrier and shall cross the time axis with a positive slope
simultaneously with each crossing of time axis by the pilot subcarrier.
d. Amplitude modulation of the stereophonic subcarrier shall be used.
e. The stereophonic subcarrier shall be suppressed to a level less than one
percent modulation of the main carrier.
f. The stereophonic subcarrier shall be capable of accepting audio
frequencies from 50 to 15,000 Hz.
g. The modulating signal for the stereophonic subcarrier shall be equal to the
difference of the left and right signals.
h. The pre-emphasis characteristics of the stereophonic subchannel shall be
identical with those of the main channel with respect to phase and
amplitude at all frequencies.
i. The sum of the side bands resulting from amplitude modulation of the
stereophonic subcarrier shall not cause a peak deviation of the main
carrier in excess of 45 percent of total modulation (excluding SCA
subcarriers) when only a left (or right) signal exists; simultaneously in the
main channel, the deviation when only a left (or right) signal exists shall
not exceed 45 percent of total modulation (excluding SCA subcarriers).
j. The maximum modulation of the main carrier by all SCA subcarriers shall
be limited to 10 percent.
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k. At the instant when only a positive left signal is applied, the main channel
modulation shall cause an upward deviation of the main carrier
frequency; and the stereophonic subcarrier and its sidebands signal shall
cross the time axis simultaneously and in the same direction.
l. The ratio of peak main channel deviation to peak stereophonic subchannel
deviation, when only a steady state left (or right) signal exists, shall be
within plus or minus 3.5 percent of unity for all levels of this signal and all
frequencies from 50 to 15,000 Hertz.
m. The phase difference between the zero points of the main channel signal
and the stereophonic subcarrier sidebands envelope, when only a steady
state left (or right) signal exists, shall not exceed plus or minus 3 degrees
for audio modulating frequencies from 50 to 15,000 Hz.
n. Cross- talk into the main channel caused by a signal in the stereophonic
subchannel shall be attenuated at least 40 decibels below 90 percent
modulation.
a. Permissible uses of the SCA must fall within one or both of the following
categories:
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b. An application for the SCA shall specify the particular nature and
purpose of the proposed use. If visual transmission of program material is
contemplated, the application shall include certain technical information
concerning the visual system, on which the Authority shall rely in issuing
an SCA. If any significant change is subsequently made in the system,
revised information shall be submitted. The technical information to be
submitted is as follows:
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iv. The total modulation of the main carrier, including SCA subcarriers,
shall meet the requirements of 6.2.2.
v. Frequency modulation of the main carrier caused by the SCA
subcarrier operation shall, in the frequency range 90 to 15,000 Hz,
be at least 60 dB below 100 percent modulation: Provided,
however, that when the station is engaged in stereophonic
broadcasting, frequency modulation of the main carrier by the SCA
subcarrier operation shall, in the frequency range 50 to 53,000 Hz,
beat least 60 dB below 100 percent modulation.
vi. The center frequency of each SCA subcarrier shall be kept at all
times within 500 hertz of the authorized frequency.
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a. The studio being the recognized source of program materials and other
forms of intelligence of various kinds and content, must be properly
equipped to faithfully respond to these impressions and produce the same
to the highest degree possible, up to the turnover point which is the
transmitter input.
i. Each studio shall be associated with a control room from which the
operational area of the studio may be viewed with. However, when
the studio arid control rooms are integrated into one, an announcer
shall perform simple front panel type functions like level
adjustments and switchings during his/her board hours.
ii. Studios and control rooms shall be so constructed that they are
adequately insulated from sources of extraneous noise and
vibration, and the acoustic treatment of such studios and control
rooms shall be in accordance with good engineering practice.
b. Auxiliary Transmitter
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ii. Its operating power shall not be less than 10% or never greater than
the authorized operating power of the main transmitter.
iii. A licensed operator shall be in control whenever an auxiliary
transmitter is placed in operation.
iv. When installed in a location different from that of the regular main
transmitter, a type- approved modulation monitor and a frequency
monitor are required to be installed with it.
2. The frequency bands and transmitter power output authorized for the above
services are as follows:
a. Studio-To-Transmitter Link
The maximum power allowable for STL Bands A, B, and C shall 15 watts.
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437.5-438 MHz
The maximum power allowable for Communications, Coordination and
Control Link shall be:
F. Operating Requirements
1. Hours of Operation
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4. Operators Requirements
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5. Log Requirements
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c. If a maintenance log is kept aside from the operating log, the following
entries are recommended:
i. An entry of the time and result of the test of auxiliary transmitter.
ii. A notation of all frequency checks and measurements made
independently of the frequency monitor and of the correlation of
these measurements with frequency monitor indications.
iii. A notation of the calibration check of automation recording devices.
An entry of the data and time of removal from the restoration to
service of any of the following equipment in the event it becomes
defective:
Final R.F. stage plate voltmeter readings.
Final R.F. stage plate voltmeter readings.
Transmission line radio frequency voltage current, or power
meter readings.
The entries required concerning quarterly inspections of the
condition of the tower lights and associated control equipment
and an entry when towers are cleaned and! or repainted.
Entries which describe fully any experimental operation of
transmitter.
Any other entries required by the current instrument of
Authorization of the station and the provisions of this subpart.
d. A log must be kept of all operations during the experimental period. If the
entries required above are not applicable thereto then the entries shall be
made so as to fully describe the operation.
f. Each log shall be kept by the person or persons competent to do so, having
actual knowledge of the facts required, who shall sign the log when starting
duty and again when going off duty. The logs shall be made available upon
request by an authorized representative(s) of the appropriate regulatory
body during reasonable hours of the day.
g. A log shall be kept in orderly manner in suitable form, and in such detail
that the data required for the particular class of station concerned are
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at least once each calendar month with not more than 40 days expiring
between successive measurements.
h. Program and operating logs for SCA operation may be kept on special
columns provided on the station’s regular program and operating log
sheets.
i. Technical standards governing the SCA operation shall be observed by all
FM broadcast stations engaging in such operation.
a. Definition of Terms
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b. Licensing Policies
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c. Operational Requirements
i. Unattended Operation
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i. Frequency Tolerance
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The licensed of a station authorized under this subpart shall make the
station and the records required to be kept by the rules in this subpart
available for inspection by representatives of the Authority.
The call sign of the translator or booster together with the name,
address, and telephone number of the licensee or local
representative of the licensee, if the licensee does not reside in the
community served by the translator or booster, and the name and
address of a person and place where station records are maintained,
shall be displayed at the translator or booster site on the structure
supporting the transmitting antenna, so as to be visible to a person
standing on the ground at the transmitter site. The display shall be
maintained in a legible condition by the licensee.
In cases where the rules contained in this part do not cover all phases of
operation or experimentation with respect to external effects, the
Authority may make supplemental or additional orders in each case as
may be deemed necessary.
i. Station Records
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An updated Public Information File shall made available at all times to the NTC
inspector or to any interested party. The Public Information File shall be kept on file
at each broadcast station and shall contain the following:
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Assessment of Learning
Quiz: Fill-in the blanks.
1. The bandwidth allocated to FM channels is much wider than AM, and this
allows the bandwidth of the audio signal that can be transmitted to extend to
about _____ kHz.
2. For FM broadcasting, the range of RF frequencies is ________ in the very high
frequency (VHF) band.
3. A _________ is station employing frequency modulation in the FM broadcast
band and intended to be received by the general public.
4. The ratio of the effective free space field intensity produced at 1.6 kilometres in
the horizontal plane expressed in millivolts per meter for one (1) kilowatt
antenna input power, to 137.6 millivolts per meter is called ___________.
5. The antenna power gain is expressed in ________.
6. The electric field intensity in the horizontal direction is called _______.
7. As applied to FM broadcasting, ________ means the service resulting from an
assigned effective radiated power and antenna height above average terrain.
8. In its simplest sense, ___________ implies that two or more independent sources
of information are combined for carriage over a single medium, namely, the
radio frequency “carrier”, and then are separated at the receiving end.
9. A signal which is the sum of all signals which frequency-modulates the main
carrier is called ____________.
10. The band of frequencies from 50 (or less) Hz to 15,000 Hz on the FM baseband
which contains the main channel signal is called the _____________.
11. An undesired signal occurring in one channel caused by an electrical signal in
another channel is called ________.
12. The term SCA is an acronym for ____________.
13. The portion of the total length of scanning line that can be used specifically for
picture signal is called __________.
14. The period between 12 midnight to 5:00 a.m. local standard time (1600-2100 (MT)
is referred to as _____________.
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For 25 points, make an outline of the Technical Standards and Operating Requirements
for FM Broadcasting Stations in the Philippines.
Assignment:
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2.3 References
2.4 Acknowledgment
The information contained in this module were taken from the reference cited
above. These are all based on the standards set by KBP. The following members of
the Technical Standards Committee of the Kapisanan ng mga Brodkaster sa Pilinas
are hereby acknowledged:
Arcadio Carandang, Jr. --- Chairman
Leoncio Galang --- Vice-Chairman
Carlos Saliuan, Jr. --- NTC Representative
Alfredo Ceralde --- Member
Romualdo Lintag --- Member
Salvador Castillo --- Member
Filomeno Babas --- Member
Ernesto Claudio --- Member
Rolando Agbay --- Member
Endorsed by:
MIGUEL C. ENRIQUEZ
Chairman – Kapisanan ng mga Brodkaster ng Pilipinas
ANDRE S. KAHN
President – Kapisanan ng mga Brodkaster ng Pilipinas
Approved by:
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MARIANO E. BENEDICTO II
Commissioner – National Telecommunication Commission
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