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  • A.Ext Remcl Oseup: 1 .Ukuranbi Dangpandangpengambi L Angambar

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    Pasya Salsabila
    23 views13 pages
    The document discusses different techniques for photographing subjects, including: 1. Extreme close-up, headshot, close-up, medium close-up, midshot, medium shot, and full shot angles to focus on different body parts. 2. Camera angles including high angle from above to make the subject look smaller, low angle from below to make the subject look more powerful, bird's eye view from above at an angle to connect surroundings, and eye level view at subject's height for a natural perspective. 3. Dutch angle from an unnatural orientation to make the photo feel uncomfortable or disorienting.

    Original Description:

    English announcement

    Original Title

    Announcement

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    The document discusses different techniques for photographing subjects, including: 1. Extreme close-up, headshot, close-up, medium close-up, midshot, medium shot, and full shot angles to focus on different body parts. 2. Camera angles including high angle from above to make the subject look smaller, low angle from below to make the subject look more powerful, bird's eye view from above at an angle to connect surroundings, and eye level view at subject's height for a natural perspective. 3. Dutch angle from an unnatural orientation to make the photo feel uncomfortable or disorienting.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    23 views13 pages

    A.Ext Remcl Oseup: 1 .Ukuranbi Dangpandangpengambi L Angambar

    Uploaded by

    Pasya Salsabila
    The document discusses different techniques for photographing subjects, including: 1. Extreme close-up, headshot, close-up, medium close-up, midshot, medium shot, and full shot angles to focus on different body parts. 2. Camera angles including high angle from above to make the subject look smaller, low angle from below to make the subject look more powerful, bird's eye view from above at an angle to connect surroundings, and eye level view at subject's height for a natural perspective. 3. Dutch angle from an unnatural orientation to make the photo feel uncomfortable or disorienting.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    of 13

    1

    .Uk
    uranB
    idan
    gPan
    dan
    gPe
    ngambi
    l
    anGambar
    a.
    Ext
    remC
    los
    eUp

    P
    engambi
    l
    angambars
    angatde
    kats
    ehi
    nggade
    tai
    lobj
    ekt
    erl
    i
    hats
    angatj
    el
    as.
    b.
    HeadS
    hot

    P
    engambi
    l
    angambaryan
    gfo
    kusdar
    iat
    ask
    epa-
    dagu.
    c
    .Cl
    oseUp

    P
    engambi
    l
    angambarf
    okusdar
    iat
    ask
    epal
    a-
    bah
    u.
    d.
    Medi
    umC
    los
    eUp

    P
    engambi
    l
    angambardar
    iat
    ask
    epal
    ahi
    nggadada.
    e
    .Mi
    dSh
    ot(s
    ete
    ngahb
    adan)

    P
    engambi
    l
    angambardar
    iat
    ask
    epal
    a-P
    inggan
    g.
    f
    .Me
    diumS
    hot(t
    igas
    epe
    remp
    atbadan)

    P
    engambi
    l
    angambardar
    iat
    ask
    epal
    a-L
    utut
    .
    g.
    Ful
    lSh
    ot(s
    elur
    uhbadan)

    P
    engambi
    l
    angambardar
    iat
    ask
    epal
    a-k
    aki
    .
    h
    .Lo
    ngS
    hot

    Pengambi
    l
    angambardenganmember
    ikanpor
    si
    backgr
    oundataufor
    egr
    oundl
    ebi
    hban yak
    seh
    inggaobj
    ekter
    li
    hatk
    eci
    lat
    aujauh
    .
    2
    .SudutP
    engambi
    l
    anGambar(C
    ame
    raAn
    gle
    s)
    a.
    HighAn
    gle

    Po
    sisi
    kame r
    abe r
    adadiatassubj
    ekdansudutkame
    ra
    mengarahkebawah.Ef
    ek: mengec
    il
    kansubj
    ek,
    memberik
    ank e
    sanin
    fer
    iorpadasubj
    ek.
    b.
    LowAn
    gle

    Po
    sisi
    kameraber
    adadibawahs
    ubj
    ekdans
    udutk
    ame
    ra
    menghadapkeat
    as.
    Efe
    k:
    yait
    ume mbes
    ark
    ans
    ubj
    ek,
    membe
    rik
    ank
    esans
    upe
    rio
    r
    padasubje
    k.
    c
    .Bi
    rdE
    yeVi
    ew

    Posi
    sik
    amer
    abe r
    adadiatassubjekdansudut
    kamerame
    nghadapkebawahs ecaravert
    ik
    al.
    Efe
    knyamenek
    ankanpadakeci
    lnyasubj
    ek
    denganme
    nghubungk
    ande ngank on
    dis
    iseki
    tar
    .
    d.
    EyeL
    eve
    lVi
    ew

    Posi
    sik
    ame r
    abe r
    adas ej
    aj
    arde
    ngansubj
    ekdansudutpandang
    kameramenjadil
    urussec
    araho
    ris
    ont
    alte
    rhadapsubj
    ek.E
    fekn
    ya
    yai
    tume mberi
    kankesannor
    mal
    dann
    atur
    al.
    e
    .Dut
    chAn
    gle

    P
    o s
    is
    ikameramenghasi
    lk
    anorie
    ntasigambaryang
    t
    idaknatur
    alp
    adas ubj
    ek.
    Efe
    knyame mberi
    kanke
    san
    t
    idaknyaman,
    dis
    o r
    ient
    asip
    adaf ot
    o.

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