Computer Ethics

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 Computer Ethics

Question 1

Personal History of the photographer

Diane Arbus was an American photographer known for her terrifying black and white

photography. You have converted black and white images by photographing a stranger, a

criminal, and a street artist. She maintained a close relationship with the people who wanted to

photograph him to get the look she wanted the face of. She follows the psychological and

personal reality of life, and her image enters the audience. Although she grew up in a wealthy

'family' as she was, she wanted other aspects of life, extraordinary people with strange or

sophisticated attitudes and behaviours, people from the lower classes of society (Sakhno &

Berest, 2018). In the world of fashion and children's photography, it was far from the traditional

way. She is a professional photographer for popular magazines such as Harper's Bazaar, Esquire

and The Sunday Times Magazine. (Lord, 2021) After her separation, she maintained a good

relationship with her husband; however, she suffered from loneliness and health problems and

committed suicide at 48.

Reason for the selection

I chose this photographer due to the mentorship and strengths she offered in her job. Despite the

pain, Albus continued to bravely as her main factor was courage. She struggled to get into

modelling, but she may have become nervous (Cornman, 2021). A passionate teacher who had

taken many beautiful photos, the model had provided a very desirable New York photo lesson.

She emphasized the importance of the camera as a tool for exploring the external and internal

world. Her message that photography should reveal something about the photographer and the
subject was well received by Arbus. "She kept calling and saying that she wanted to study with

me," recalls the actor.

Question 2

The Settings and Subjects of the Photos

Choice: Child with Toy Hand Grenade in Central Park, N.Y.C. 1962

This was probably one of the most famous ones procured by the photographer according to my

selection. According to my, the images are few and confusing. That being said, it is not

uncommon to see a frightened, angry child holding a bomb in one hand on a nail-like touch in a

pressured position. Standing alone, separated from the park. Images are considered one of the

most important and influential paintings of 20th-century art and post-modern art theory. Arbus

has taken many "empty" pictures of children playing with smiles in the park if one looks at the

contact form. However, when choosing the final image, she decided on the most vivid one.

Interestingly, Arbus took pictures of the things she stumbled along the way and had time to build

personal relationships with people and take photographs. She started taking photos that were

very different from her previous culture since its original purpose was behind it. Arbus'

straightforward and controversial approach to photography meant that her photographs did not

attract their players. After meeting him, author Norman Mailer said, "Giving the camera to Diane

Arbus is like putting a sharp bomb in a child's hand." The toy bombs are just here, but Arbus also

presents the theme in an unusual way. On the contact sheet, it is clear that Albus took a "normal"

photo of the smiling boy but decided to print this unique photo (Lord, 2021). She was strong, her

hands tied like nails, her face mad. The picture looks horrible, but it can be widespread, showing

the despair of all the children standing and taking pictures of themselves.
Question 3

The photographer's point of view, vision, ideas, beliefs, philosophy, concerns and

understanding

In any case, Arbus' work can be understood as strange, fun, and intellectually complex. This is

another step. One may feel that she are violating their social contract and title because looking at

their pictures often gives them a sense of 'uniqueness. Arbus turns people, even the ordinary and

neutral, into mirrors (Lord, 2021). Arbus became world-famous for her provocative images, and

she is still one of them. Although often criticized for opposing the title, the power of the image

still exists. Arbus used documentary photography techniques or photojournalism to portray real

objects in their natural environment. However, she has created her work for the sake of her

career, as her journey is always linked to the photos she took (Carrabine, 2019). She has a variety

of subjects, as she cannot imagine drawing without considering the environment that makes it

possible (Sakhno & Berest, 2018). That being said, it's hard to imagine a picture taken outside of

Arbus. Arbus found the beauty of conspiracy and excitement in unfamiliar topics, often creating

excellent images of people who could be considered "worthy" to stand in front of the camera

lens.

She selects unique characters from the margins of her community to build her career and says

she "believes there is something that no one can see without taking a picture." rice. This is far

from the art that is often thought to be the only one delights in beauty, rather than portraying the

world as 'real' or 'real'. A community-based concept of self-identity is the return of Arbus as

artists, makeup artists and men, or a face mask. Her critics believe that her choice of subjects
reflects who she is since her only suffering at a young age was unfortunate (Carrabine, 2019).

This made him crave things she could not afford with money, such as her experience in a less

affluent country. She is often praised for her sensitivity to these articles, her level not

immediately understood in her photographs, writings, and the testimonies of men and women

who paint.
 References

Carrabine, E. (2019). Unsettling appearances: Diane Arbus, Erving Goffman and the sociological

eye. Current Sociology, 67(5), 669-685.

Cornman, L. (2021). Diane Arbus: Documenting the Abnormal.

Lord, C. (2021). What becomes a legend most: the short, sad career of Diane Arbus (pp. 237-

250). Routledge.

Sakhno, D. I., & Berest, V. (2018). VISUAL TRANSFORMATION OF THE NORM:

TOWARD THE DIANE ARBUS’‘FREAKS SHOW’. In 5th INTERNATIONAL

MULTIDISCIPLINARY SCIENTIFIC CONFERENCE ON SOCIAL SCIENCES AND

ARTS SGEM 2018 (pp. 139-144).