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Photo analysis as a tool for reflective writing: A photo is worth a thousand words
Topic ...................................................................................................................................... 4
Learning Objective .................................................................................................................. 4
Instructional Problem ............................................................................................................. 5
Audience ................................................................................................................................ 6
Sequence of Instruction .......................................................................................................... 6
Materials and Resources ........................................................................................................ 8
Instructions for Activities ........................................................................................................ 9
SESSION 1 ......................................................................................................................................... 9
SESSION 2 ....................................................................................................................................... 11
SESSION 3 ....................................................................................................................................... 12
SESSION 4 ....................................................................................................................................... 13
CONSTRUCTIVISM
obtaining it. Given this view, learners are more than just active information processors; learners
develop and analyze the provided knowledge (Kay & Kibble, 2016). The purpose of
educators need to create situations that challenge the learners' reasoning and drive them to rethink
In this instructional guide, we used different instructional strategies that reflect constructivism.
For instance, cooperative learning is represented in the jigsaw activity. The Jigsaw technique
accountability, and clearly defined objectives (Schunk, 2012). Social constructivists such as
Vygotsky stress that group learning and peer collaboration allow students to model for and
perceive each other to improve their skills and experience higher self-efficacy for learning
(Schunk, 2012). Another strategy that falls under constructivism is inquiry teaching which we
followed in this instructional guide. Inquiry-based learning or discovery learning method requires
presenting the learners with problems, questions, or puzzling situations for students to resolve,
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In constructivism, assessment methods must reflect the type of learning used in class and match
environment and should be integrated with teaching (Schunk, 2012). Such assessments include
teacher observations which were utilized in this instructional guide. Authentic assessments also
necessitate that learners write reflective pieces, discuss what they studied and why the learnt
EXPERIENTIAL LEARNING
Experiential learning, or "learning by doing," has had favorable results; when learners engage
actively in the learning environment, their understanding is enhanced (McCarthy, 2010). The
through the complete cycle to learn effectively (McCarthy, 2010). The four stages include:
1. Concrete experience
2. Reflective observations
3. Abstract conceptualization
4. Active experimentation
Our topic lends itself to constructivism and experiential learning theory. Learners will be
actively involved in their learning by offering them situations that challenge their thinking and
urge them to rethink their ideas. Students will participate in active learning activities and reflect
on their experiences using cooperative learning practices, in which they will work in groups to
share their knowledge, learn from one another, and collaborate to build new understandings.
Additionally, reflection is an essential aspect of our lesson; therefore, students were provided with
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several opportunities to reflect on their learning. Moreover, incorporating the technological tools
engages students in the learning environment, enhances their learning experiences, and extends
TOPIC
Photo analysis as a tool for reflective writing: A photo is worth a thousand words
In this lesson, we aim to use a photograph as an educational tool to teach reflective writing.
According to Mayer (2017), phrases “words” are and have always been an integral feature for
delivering instruction; however, visuals help individuals acquire knowledge better. Visual analysis
has the potential for engaging students in the process of reflection that impacts their way of
thinking and behavior. Photographs often transport us to periods and settings we have never visited
and educate us of things that we may have overlooked at the time. Hence, photographs are
established in authentic time and setting. Therefore, photographs and illustrations act as active
educational tools that contextualize student learning and intensify their experience. The lesson
focuses on studying and observing Dorothea Lange's photograph "The Migrant Mother" to
formulate understandings of the photo and reflect on the understandings in reflective writing.
Students' reflection is essential for establishing new thoughts and fostering writing skills. The
broad scope of the lesson allows learners to go beyond the lesson's basic requirements to become
LEARNING OBJECTIVE
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1. Examine a photo and analyze its content.
4. Compose reflective writing that shows their analysis of the knowledge gained based on
INSTRUCTIONAL PROBLEM
Students in grade 7 English language classroom are required to develop their critical
thinking skills, media literacy, and technology skills to meet the requirements of the 21st century
learning. This need cannot be met if students learning the English language, read, and analyze texts
only. Recently, there has been growing awareness of teaching language through multiple modes
such as images and audio resources. In order to provide students with better learning opportunities,
instructors must integrate different modes of learning into their instruction. Including different
modes help teachers reach out to all their learners who have different learning styles such as
auditory, kinesthetic, and visual. The use of myriad modalities in communication is referred to as
multimodality; among those modes are visual, spatial, gestural, and linguistic modes (Varaporn &
Sitthitikul, 2019). Integrating multimodal literacy within the curriculum equips students with the
necessary skills for the digital information age (O'Halloran et al., 2017). This brings about an
urgent need to include interesting reading modalities that enhance critical thinking. In this guide,
we are providing teachers and students with a learning opportunity that targets multimodal learning
by analyzing a photo focusing on how multimodal learning develops students' critical thinking and
writing skills.
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AUDIENCE
This instructor guide will target 7th grade English Language Learners in an English class
in a private school in Mount Lebanon. The lesson will take place in the second quarter of the
academic year. The instruction is student-centered targeting technology literate 12-years old
students.
SEQUENCE OF INSTRUCTION
observation discussion
• T-Chart
• Presentation
• Exit Ticket
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10 min T-Chart (groups of
10 min T-Chart
presentation in groups
50min
Research historical 2.Use historical • Warm up
(Coogle)
10 min home groups
10 min presentation
Flipgrid
7
Peer evaluation 10 min Drafting the
scenario
15 role play
5 min
Flipgrid
reflection on Flipgrid
• Smart board
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• Projector
• Worksheets
• Index cards
• Butcher paper
• Old Chairs/ Old gray cloth / ripped clothes (for photo replication)
• Internet connection
• Laptops
SESSION 1
Introduce students to the “Migrant Mother” photograph by Photographer Dorothea Lange using
google docs (Link). Ask them to preview individually for 3 minutes. As they examine the photo,
students are allowed to jot on a scratch paper what they can see.
Warm up activity: Students read the following guiding questions to quick write describing the
§ How many people can you see? Who do you think they are?
Pair work: Students Turn and Talk to a partner about their description of the photo and exchange
Whole class discussion: Students are cold called to share with the whole class different ideas
about their examination of the photograph. Instructor can use number 1 and 2 questions from
(Appendix A).
Group work: Teacher prompts students with more open-ended discussion questions around the
photograph:
In groups of 4 students fill out a T Chart on butcher paper (Appendix B) that includes the following
questions:
§ How about the people in this photograph? How do you think they feel? Find evidence in
Each partner in the group writes down one feeling and finds evidence in the photograph.
In a Round Robin students share their answers in the group for 4 minutes.
Exit Slip: (5 min) Write 3 more things you would like to know about the photograph.
Homework:
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§ Give out the sheet Analyzing Photo Question Sheet (Appendix A) as an extension
§ Give out a supporting link (Moma Learning) for more information on the photo to read for
session 2
SESSION 2
Warmup activity: Discuss with students the three different things they are curious to know more
§ Jigsaw Activity: Students are instructed about what they are supposed to do in their jigsaw
activity (Appendix C). Students are put in home groups of 4 and each student is given a
number from 1 to 4 (index cards). Then each student is given a question to research
§ Then Have students watch the video link - Video Dorothea Lange (MoMA) as an additional
§ After that, number1 students meet together in their expert groups to discuss their answers
and agree on one answer then write it on an index card. The same happens with numbers
2,3, and 4 students. Finally, students return to their home groups to present their answers
• Students in their home groups use Coggle platform to create a mind map that demonstrates
their understandings and the answers they found during their research.
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Mind Map: Students then should use the information gained from the supporting material,
research, and video to answer demonstarte their understanding in a mind map following the mind
§ Place the photograph in the center of the mind map (check Coogle sample), and branch the
main points in branches that extend into sub-branches which include more details. Students
are encouraged to use different colors for the mind map branches as well as illustrations.
SESSION 3
In this session introduce students to Role-play, then tell them they will role play the events of the
incidents when the photographer stopped to take the photo and replicate the photo using a digital
device (Phone/ Camera) project the photograph on the smart board (link). Divide the roles among
students. Each student will play the role of one of the 5 characters below:
Writing a Script: Students use the document Writing a Script (Appendix E) to create their script.
Preparing the Setting: Students prepare their props (old chair/ gray cloth) and costumes (old,
ripped clothes) to role play their scene and replicate the photo.
Role Play: Students dress up and set the props to act out the scene. They will follow a specific
photography rubric to reach the objective of the activity (Appendix F). Then they take a still photo
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Oral Reflection: Students must upload their group photograph on Flipgrid (Link). Then they
record themselves reflecting on their experience (role-play/still photo) using the questions
provided.
• What skills I need to develop for me to handle such an experience in a better way?
SESSION 4
In the last session students will use their class time to create a reflective paragraph and share it on
Figment.com. Students will be provided with a prompt and guiding questions to help them write
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Feedback: Students then will choose one of their peer’s paragraphs to comment on and give
constructive feedback.
Assessment is an ongoing process in a constructivist context that is vital for the learner as
well as for the instructor (Schunk, 2012). The session includes myriad activities accompanied by
assessment rubrics, for formative and summative evaluation. Rubrics are used to help teachers and
students achieve the desired learning outcomes. Rubrics will be handed to students before the
lessons to go over expectations and be ready. An exit ticket (Appendix H) was also used for
formative assessment. Also, students were provided with opportunities to apply what they learned
in real-life situations, such as role-play and replicating the photograph. Finally, students will write
a reflective paragraph and share it on Figment.com. Feedback is provided to students through the
process to ensure improvement of the work and progress of the performance. According to
constructivists, as educators we must go past wrong or correct answers to understand how learners
arrive at their conclusions (Schunk, 2012). Thus, our instructional guide includes an inquiry-based
approach, that engages learners in critical thinking, reasoning, and meaningful learning. Self-
reflection also contributes to assessment since students are encouraged to evaluate their
performance.
Students' actual daily lives and school experiences must be linked through academic
experiences. The use of technology in this guide extends and transfers the learning, which leads to
a better comprehension of the learning objectives. Allowing students to use platforms such as
Flipgrid for reflection and Figment to publish their final product, enable them to connect to the
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outer community then report back to their peers in the class premises, thus bridging real- life
Our instructor guide intends to help educators apply the best instructional material and
resources for the subject and audience of this course. We follow the Triple E Framework Engage,
Enhance and Extend to implement the best teaching practices. This framework guided and helped
us integrate the technological tools in the correct way in our instructional guide. For instance, for
Engagement, which highlights how to use technological tools to support students and help them
reach the desired learning outcomes, we used Flipgrid as a tool where students record their oral
reflection on their role-play/ still photo replication experience. Instructional material and strategies
have been implemented to allow student engagement and authentic learning. Thus, students work
together cooperatively, engage actively, and bridge their understanding by integrating various
technologies.
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3. What kind of expressions are on their faces? What is their body language?
7. How would the image differ if the photographer was positioned in a different location?
APPENDIX B: T CHART
Name: ___________________
Date: ___________________
Feelings Evidence
Partner 1:
Partner 2:
Partner 3:
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Partner 4:
Group name:
Group members:
Date:
Jigsaw Activity
Group Members
Partner 1 In what time in history was this photo taken? Find details
Partner 2 Who is the photographer? Find information about her life, education, profession....
Partner 4 What was the effect of her decision taking this photo on the social and emotional
conditions of people who lived during that time?
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Making A Map: Mind Map Rubric
Teacher’s Name:
Student’s Name:
CATEGORY 4 3 2 1 Points
Format Mind map follows Mind map Mind map follows Mind map does
the branch or partially follows another format, not consistently
hook format. the branch or hook such as bubbles, follow any format
format. circles, boxes, or is chaotic and
lines, etc. difficult to
understand.
Color The mind map The mind map The mind map is The mind map is
uses a different uses different not completely not colored.
color for each colors for some colored.
branch. The mind branches, or the
map is brightly colors are drab.
colored.
Content The mind map The mind map The mind map The mind map
includes the misses some misses most major presents no major
MAJOR points of major points of points of the points.
the material. the material. material.
Verbosity The mind map The mind map The mind map The mind map
presents only one presents multiple presents multiple presents multiple
word or phrase per words or names words or names words or names
branch or hook. on some branches. on many branches. on most or all
branches.
Radiance The mind map The mind map The mind map The mind map
radiates from the radiates from a radiates from a radiates from a
center of the page. central point. central point. Few central point. No
Ideas branch out Some ideas branch ideas branch out ideas branch out
from other ideas out of other ideas; of other ideas; of other ideas; all
in a logical and some branches are most branches are branches are a
organized manner. a single line a single line single line
extending from extending from extending from
the center. the center. the center. OR:
The mind map
does not radiate
from a central
point.
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Illustrations The mind map The mind map The mind map The mind map
includes at least 6 includes at least 4 includes at least 2 includes no
relevant relevant relevant relevant
illustrations. The illustrations. The illustrations. The illustrations, or the
illustrations make illustrations make illustrations make illustrations do not
the mind map the mind map the mind map make the mind
memorable. memorable. memorable. map memorable.
Neatness The mind map is The mind map is The mind map is The mind map is
very neat and somewhat neat not very neat and not readable.
orderly. The mind and orderly. The orderly. The mind
map is clearly mind map is map is readable.
readable. clearly readable.
Group Name:
Group members:
Writing a Script
Imagine what each of the characters in this photograph might feel and say. Then
create a script in which you play the role of the character. You can use first-person
pronouns such as I, me, and, my when sharing your character’s feelings and thoughts.
Participants Script
Participant 1
photographer
Participant 2
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Mother
Participant 3
Child 1
Participant 4
Child 2
Participant 5
Baby
Improvement
Creativity This replicated photo is This is a good, This replicated shot Photo exhibited
highly imaginative, replicated photo. It might have been little to no
going beyond the shows good creativity. better prepared and imagination or
original photo. The executed.in a better good
overall message is way. replication.
consistent.
Meets project The replicated photo The replicated photo The replicated photo Does not show
requirements completely fulfills meets requirements and shows fair evidence evidence of
standards, and shows techniques. of some requirements,
thoroughly shows requirements, techniques and
techniques necessary. techniques Some missing many
components are components.
missing.
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Use of Time and Used time well during Used time well during Used some of the Did not use
effort each class period. to prepare the props allotted during each class time to
Focused on getting the and setting. Usually class period. A little focus on project
product done. Never focused on preparing focus on doing the distracted
distract others. shows the setting and props, setting and a little others no effort
the student made a shows the student made effort made. done
significant effort. a good effort
Topic Photography clearly There is a good There is a fair The topic is not
responds to the given connection to the topic connection to the clear in the
topic. in the photograph topic in the photograph
photograph
Composition The angle and Some thought has been More consideration No
Camera angle composition have been given to angle and needs to be given to consideration
subject carefully considered in composition in the the angel and given to the
placement the photograph. photograph. composition. angel and
composition.
All parts of the All parts of the Some of the
photograph are photograph look good, compositional Most of the
extremely well done. just not at a higher elements are placed compositional
level. correctly in the elements not
photograph exhibited
category 3 2 1 points
Focus States clearly the Implies, but doesn’t Does not clearly
purpose of the clearly state the state or imply the
activity. purpose of the purpose of the
activity. activity.
Never diverges
from the topic Never diverge from Diverges from the
the topic. topic.
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Content Demonstrates a Demonstrates a Lack of
thorough self- reflective analysis development and
reflective including a self-reflection.
analysis description of the Doesn’t include a
including a activity supported description of the
description of by details. activity or have
the activity insufficient
supported by Draws conclusions details.
specific and and makes
illustrative connections to Does not make
details. future plans. any connection to
future plans.
Draws
conclusions and
makes
connections to
future plans.
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Organizatio Presents Presents reflection Presents the
n reflection in a in a well- organized reflection in a
compelling, manner. poorly organized
highly- manner.
organized Includes the
manner. following elements: Elements are
missing which
Includes the Topic sentence impact
following with controlling understanding:
elements: ideas
Topic sentence
Attention getting Transitions that lacks one or
topic sentence Concluding both controlling
which includes statement ideas
controlling ideas
Improper use of
Effective transitions
transitions
No or poorly
Reflective written
conclusion conclusion
Punctuation Mechanics
Mechanics
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Student Name:
Score: / 12
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APPENDIX H: EXIT SLIP SESSION 1
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REFERENCES
Kay, D., & Kibble, J. (2016). Learning theories 101: Application to everyday teaching and
scholarship. Advances in Physiology Education, 40(1), 17.
McCarthy, M. (2010). Experiential learning theory: From theory to practice. Journal of Business
& Economics Research (Littleton, Colo.), 8(5), 131.
https://doi.org/10.19030/jber.v8i5.725
Mayer, R. E. (2017). Using multimedia for e‐learning. Journal of Computer Assisted Learning,
33(5), 403-423. https://doi.org/10.1111/jcal.12197
O'Halloran, K. L., Tan, S., & E, M. K. L. (2017). Multimodal analysis for critical thinking.
PDFCOFEE. (n.d.). Making a map: Mind map rubric category 4 3 2 1 mind map follows the
mind map partially branch or hook format. foll. Retrieved from:
https://pdfcoffee.com/mindmap-rubric-pdf-free.html
Schunk, D. H. (2012). Learning theories: An educational perspective. (6th ed.). Boston: Pearson
Education.
Varaporn, S., & Sitthitikul, P. (2019). Effects of multimodal tasks on students’ critical reading
ability and perceptions. Reading in a Foreign Language, 31(1), 81.
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