This document discusses the history of contemporary architecture and theater in Iraq from the early 20th century. It notes that Iraqi art was initially influenced by European styles but later developed a unique style blending modernism with traditional Islamic art. Theater flourished in major Iraqi cities until World War I, and theater departments later opened in art institutes and universities. While Western influences were important, Iraqi theater developed its own forms addressing domestic issues. One example is a semicircular theater in Sulaymaniyah featuring colonnades, stepped seating, and classical materials like stone, though its design also incorporates some Gothic and Roman elements.
This document discusses the history of contemporary architecture and theater in Iraq from the early 20th century. It notes that Iraqi art was initially influenced by European styles but later developed a unique style blending modernism with traditional Islamic art. Theater flourished in major Iraqi cities until World War I, and theater departments later opened in art institutes and universities. While Western influences were important, Iraqi theater developed its own forms addressing domestic issues. One example is a semicircular theater in Sulaymaniyah featuring colonnades, stepped seating, and classical materials like stone, though its design also incorporates some Gothic and Roman elements.
This document discusses the history of contemporary architecture and theater in Iraq from the early 20th century. It notes that Iraqi art was initially influenced by European styles but later developed a unique style blending modernism with traditional Islamic art. Theater flourished in major Iraqi cities until World War I, and theater departments later opened in art institutes and universities. While Western influences were important, Iraqi theater developed its own forms addressing domestic issues. One example is a semicircular theater in Sulaymaniyah featuring colonnades, stepped seating, and classical materials like stone, though its design also incorporates some Gothic and Roman elements.
(History of contemporary architecture and urbanism second
essay, the classic theaters in Iraq)
The contemporary art movements and especially the theater which is one of the fine arts in Iraq began in the early 20th century, influenced by and interacting with the European styles appearing at that time, and with European methods of teaching and practicing art. Later, with the rehabilitation of ancient traditions from the golden age of Islamic art, a unique reciprocation was created between the rich artistic history of the region and the radical new possibilities offered by Modernism. The outcome was a flourishing and authentic contemporary art movement in the Arab world. In the dynamic and unpredictable environment that has been Iraq from the mid-20th century to the current situation; the contemporary art movement has developed in part as a reflection of the socio-cultural situation in Iraq, and in part as a voice for criticism and comment on it. In Iraq, cultural managers are needed to guarantee that the cultural sector can cultivate again and accomplish its tasks in the aftermath of the war, Throughout the advancement of a new governmental system and against the terrorism of the fundamentalist Islamic State. Culture in Iraq contributes to the development of education, community values, and openness more actively than it is often the case in the Western world. Theater has a long tradition and a great significance in Iraq. Until the First World War it was centralized in the cities of Baghdad, Mosul, and Basra. With the British colonization the influence of theater development, just like other areas of the fine arts. Around the end of the 1920s theater departments were established at institutes and universities of fine arts and classical and later epic theater was taught and performed. However, theater in Iraq is more than just a Western influence, there was an outstanding deal of synergy during its improvement. Today, the Iraqi theater has its own form and deals vigorously with the problems in the country. For that reason, I think that the theatres and the styles of design theatres is neglected in Iraq and also its newly emerged buildings in Iraq as its influenced and affected by western architecture and the openness exist in the that style of architecture, and also Iraq has unique type of architecture which is Mesopotamian architecture or(Babylon architecture ) ,which is mainly they were designing temples and palaces and hanging gardens in that age, that described the golden age of the iraqian architecture, one of the classical theatres exist in Sulaymaniyah has a form of semicircular and the colonnade in the front of the amphitheater and the spectators place is stepped area, and its has differences in levels in the site of the of the building, in the façade of theatre they use classical material like stone and marbles ,also the Doric columns in specific order, and the openings of the building are pointed arch which is gothic style. In the entrance of the buildings there are huge ionic colonnade and detailed decoration and moldings in the façade of the building with semicircular arch in gate of the building which leads to the stepped area of the spectators, this amphitheater is erected in the open place and everyone can enter the space and enjoy the performance they do and I think its kind a copy paste of the roman amphitheater style .