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Drawing- is a means of making an image, using any of a wide variety of tools and techniques. It
can be subjective through emotive works and it can be objective through technical works.
Stages of drawing in Architecture:
1. Pre -Design
2. Schematic Design
3. Design Development
4. Construction Documentation – Finalized part of the drawing phase.
5. Construction Administration
Types of Drawings:
• Artistic Drawings – It is about the discipline of drawing and delineating figures or
abstract forms that represent a real or an imaginary object.
It has been used since prehistory as a language of universal characteristics that allows the
transmission of information, description, ideas and feelings.
Its purpose is aesthetic, or to convey an idea or feeling
Several views are usually represented as top view, roof, floor, elevation, bounded and
covered among others.
Two projections of the object are needed to provide useful information about it.
Drawing Methods
Hand drawings – is the traditional sketching with a pen on a paper. For a long time architects
have used hand drawings to explore ideas and assess multiple options during the design stage.
The first hand drawings in the history of architecture are dated back to 10,000 B.C.E at this time
the drawings were merely artistic, but then they gradually evolved to become architecturally
meaningful.
Computer Generated Imagery (CGI) - is as the name suggests the processes of using a
computer application to create a representation of a project, with the soul purpose of
communication.
Parti - is often obtained through numerous diagrams that analyze form, space, orientation,
context, and more. Typically loose in style, these drawings initiate an often-complex design
with an abstract suggestion.
Site analysis - is often documented with overlaid diagram sketches illustrating wind
directions, solar paths, topography and terrain, vegetation and landscape, infrastructure,
contextual relationships, directional views and more. This visual information begins to define
a buildable area and orientation for building placement.
Building Design - Conceptual building sections are explored with sketches that consider floor-
to-floor heights, structural depths, vertical circulation, and potential daylighting strategies.
Building elevation sketches record initial ideas of style, proportion, exterior materials, and
color. In combination, these illustrations provide useful analysis for consideration in the design
of the building’s mass, roof design, exterior fenestration and more.
Details - Hand sketches are efficient for problem solving construction details. A number of
illustrations can be produced quickly, incorporating varying ideas that reach a single solution.
The evolution of the process provides documented analyses which can then be compared to
identify the best solution
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ARCHITECTURAL LETTERINGS
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Lettering - is defined as writing of titles, sub-titles, dimensions, etc., on a drawing.
Importance of Lettering - To undertake production work of an engineering components as per
the drawing, the size and other details are indicated on the drawing. This is done in the form of
notes and dimensions.
Main Features of Lettering
• legibility, uniformity and rapidity of execution. Use of drawing instruments for lettering
consumes more time. Lettering should be done freehand with speed.
• Practice accompanied by continuous efforts would improve the lettering skill and style.
Poor lettering mars the appearance of an otherwise good drawing
Single Stroke Letters - The word single-stroke should not be taken to mean that the lettering
should be made in one stroke without lifting the pencil. It means that the thickness of the letter
should be uniform as if it is obtained in one stroke of the pencil.
Vertical letters - are preferred for easy and fast execution, instead of sloped letters.
• Note: Lettering in drawing should be in CAPITALS (i.e., Upper-case letters).
• Lower-case (small) letters are used for abbreviations like mm, cm, etc.
Size of Letters
Size of Letters - is measured by the height h of the CAPITAL letters as well as numerals.
Standard heights for CAPITAL letters and numerals recommended by BIS are given
below:
• 1.8, 2.5, 3.5, 5, 6, 10, 14 and 20 mm
•Note: Size of the letters may be selected based upon the size of drawing.
In order to obtain correct and uniform height of letters and numerals, guide lines are drawn,
using 2H pencil with light pressure. HB grade conical end pencil is used for lettering.
Capital Letters:
❖ Ratio of height to width for most of the CAPITAL letters is approximately = 10:6
❖ However, for M and W, the ratio = 10:8 for I the ratio = 10:
Numerals:
❖ For numerals 0 to 9, the ratio of height to width = 10 : 5. For I, ratio = 10 : 2
Spacing:
❖ Spacing between characters = a = (2/10)b
❖ Spacing between words = e = (6/10)b
Notes:
❖ Notes - are lettered comments placed on the drawings. There are general notes, which
apply to the whole sheet or set, and local notes, which have a leader line pointing to the
feature discussed
❖ Notes describe specific features and clarify intent, such as “slope floor to drain.” Here are
some tips for their placement.
❖ Notes can be placed between dimension lines and object lines. Arrange notes at the same
time as dimension lines so they don’t overlap. Avoid long leader lines between notes and
the items they point to.
❖ Group the notes around the construction they refer to. For instance, in a wall section,
place all notes that refer to the floor slab in one general area close to that slab.
❖ Notes that apply to other areas should be placed elsewhere. Place notes as close to the
items they point to as possible; for example, the topmost note directed to the floor slab
should describe the topmost material in the floor slab construction, and so on. This will
avoid crossed leader lines.
❖ Align notes at the left; an even margin improves readability.
❖ Draw leader lines at an angle to avoid confusion of leader lines with the drawing’s
vertical and horizontal lines. They may also be drawn with an irregular curve.
❖ Start leader lines at the beginning or end of the note, not in the center. They should touch
the material they’re referring to.
❖ Notes should be short and to the point. Nomenclature should be consistent throughout the
set of drawings.