Professional Documents
Culture Documents
Ronald A. Simkins
Constructing Gender
Scholars who study gender and the social roles of men and
women have commonly distinguished between the terms sex' I
males and females problematic. Sex definition is not a 'fact'. Rather, con-
cepts of gender are implicit within the definitions of sex. In other words,
one must already know what it is to be a male or female before one can
confirm it genetically ('Goodbye to Sex and Gender', Sociological Review
44 (1996], pp. 1-16).
19. C. Delaney, 'The Meaning of Paternity and the Virgin Birth
Debate', Man 21 (1986), pp. 494-513; idem, The Seed and the Soil;
J.A. Barnes, 'Genetrix: Genitor: : Nature: Culture', in J. Goody (ed.), The
Character of Kinship (Cambridge: Cambridge University Press, 1973),
pp. 61-73; T. Monberg, 'Fathers Were Not Genitors', Man 10 (1975), pp.
34-40; M. Strathern, 'No Nature, No Culture: The Hagen Case', in
c.P. MacCormack and M. Strathem (eds.), Nature, Culture and Gender
(Cambridge: Cambridge University Press, 1980), pp. 174-222; and Moore,
Feminism and Anthropology, pp. 25-30.
20. Yanagisako and Collier summarize the point succinctly: 'Sexual
intercourse, pregnancy, and parturition are cultural facts, whose form,
conse1uences, and meanings are socially constructed in any society as I
are mothering, fathering, judging, ruling, and talking with the gods'
('Toward a Unified Analysis of Gender and Kinship', p. 39).
21. Compare the three levels of analysis presented by Yanagisako and
Collier, 'Toward a Unified Analysis of Gender and Kinship', pp. 40-48.
They add the level of historical analysis, recognizing that conceptions of
gender change over time, which the subject of this paper presupposes.
38 Genesis
Although the earth has a human to till the soil at the end of the garden
narrative, the creation myth does not come to an end until the advent of
rain and Yahweh's establishment of the seasonal cycle at the conclusion
of the flood (Gen. 8.20-22).
27. Gen. 2.25 marks a transition in the narrative. It forms both the
conclusion to the preceding section on the creation of the woman, and
the introduction to the following section. Because the twofold theme of
this verse-the human couple'S nakedness and lack of shame-is
developed in the following section, it has been assigned to that section.
28. The centrality of the wordplays between ha'iidiim and hii'fldiimfi and
between 'ts and 'issa for understanding the narrative's presentation of
40 Genesis
barren desert. The arable land is dependent upon the man to till
it and sow seed in it for vegetation. For this reason the man was
created.
Scholars have long noted that the creation of humans from
dirt or clay is a common ANE metaphor. What has not been
noticed, however, is the cultural understanding of creation in
which this metaphor is rooted. 32 In the Mesopotamian creation
myths the fashioning of clay served as a metaphor for gestation
during pregnancy. In the myth of Atra1}asis, for example, Enki's
treading of clay and Belet-ili's pinching off of fourteen pieces in
order to create humans are juxtaposed to a description of the
process and rites of childbirth.
The myth of Atra1}asis contains two accounts of human cre-
ation. Whereas the first account presents the creation of humans
in an abstract and general way, the second account details the
process by which humans are created out of clay:
Far-sighted Enki and wise Mami
Went into the room of fate.
The womb-goddesses were assembled.
He trod the day in her presence;
She kept reciting an incantation,
For Enki, staying in her presence, made her recite it.
When she had finished her incantation,
She pinched off fourteen pieces of day,
And set seven pieces on the right,
Seven on the left.
Between them she put down a mud brick.
She made use of a reed, opened it to cut the umbilical cord,
Called up the wise and knowledgeable
Womb-goddesses, seven and seven.
Seven created males,
Seven created females,
For the womb-goddess is creator of fate (1249-60; S iii 1_11).33
32. See the discussion in RA. Simkins, Creator and Creation: Nature
in the Worldview of Ancient Israel (Peabody, MA: Hendrickson, 1994),
pp.41-8l.
33. S. Dalley, Myths from Mesopotamia: Creation, the Flood, Gil-
gamesh, and Others (Oxford: Oxford University Press, 1991), pp. 16-17.
42 Genesis
prepares the clay by stomping it with hi, feet, but in this context
his actions serve as a metaphor for the shaping of the fetus in
the womb. Mami, the divine midwife, recites incantations so
that the fetus will be born properly. This was a common task of
Near Eastern midwifes. 34 After her incantation, she pinches off
fourteen pieces of clay, which is analogous to the movement of
the fetus into the birth canal. Finally Mami puts down a mud
brick as a birthstooP5 and then delivers seven males and seven
females.
The metaphorical association between the fashioning of clay
and the process of childbirth is made explicit in the following
lines of the myth, which give instructions for performing the rit-
uals appropriate for a woman giving birth. When a woman
gives birth a mud brick should be put in the birthing house for
seven days in honor of Mami, and the mother shall sever herself
from the baby by cutting the umbilical cord (5 iii 15-19). The next
lines of the myth repeat Mami's role in the creation of humans,
but with more specific detail:
The womb-goddesses were assembled
And Nintu was present. They counted the months,
Called up the tenth month as the term of fates.
When the tenth month came,
She slipped in a staff and opened the womb.
Her face was glad and joyful.
She covered her head,
Performed the midwifery (I 277-84).36
45. R.B. Coote and D.R. Ord, The Bible's First History (Philadelphia:
Fortress Press, 1989), p. 57.
46. A. Tosato, 'On Genesis 2.24', CBQ 52 (1990), pp. 389-409, argues
forcefully that the etiological reference to marriage is a late gloss to the
text from the Persian period. However, his assumptions of the verse's
discontinuity in form and content are not persuasive, and leave his
argument unconvincing.
47. Trible, God and the Rhetoric of Sexuality, pp. 94-105.
48. Galambush, "adam from 'adama, 'issa from 'lsI, p. 35.
49. The man's naming of the animals is often interpreted to be an
expression of human dominance or superiority over the animals. See
G. von Rad, Genesis (trans.J.H. Marks; Old Testament Library; rev. edn,
Philadelphia: Westminster, 1972), pp. 82-83; Westermann, Genesis 1-11,
pp. 228-29; Gordon Wenham, Genesis 1-15 (WBC, 1; Waco, TX: Word
Books, 1987), p. 68. This meaning of naming, however, is foreign to the
Yahwist's narrative. In the myth, name-giving is placed in the context of
finding a suitable helper for the man. The significance of name-giving
must be understood in this context. As recognized by G. W. Ramsey: 'If
46 Genesis
ently, and these 'facts' are symbolized in the myth by the woman
coming from the man. Although the man is born from the
'female' land, the woman is dependent upon the man for her
existence. The myth structures this ambiguous relationship bet-
ween the man and the woman, symbolized by the wordplay
between 'is and 'issa, in reflection of the mutually dependent
relationship between hii'iidiim and hii'ildiima. The specific depen-
dencies of this relationship remain to be articulated.
The pivotal episode in the garden narrative focuses on the
woman's dialogue with the serpent and her and her husband's
subsequent eating of the forbidden fruit of knowledge (2.25-3.7).
the act of naming signifies anything about the name-giver, it is the qual-
ity of discernment' ('Is Name-Giving an Act of Domination in Genesis
2.23 and Elsewhere?', CBQ 50 [19881, pp. 24-35 [34]). See also J. Magonet,
'The Themes of Genesis 2-3', in P. Morris and D. Sawyer (eds.), A Walk
in the Garden: Biblical, Iconographical and Literary Images of Eden
aSOTSup, 136; Sheffield: Sheffield Academic Press, 1992), pp. 40-41.
50. Compare RR Hutton, 'God or Beast? Human Self-Understanding
in Genesis 2-3', Proceedings of the Eastern Great Lakes and Midwest Bib-
lical Societies 6 (1986), pp. 128-41 (129).
SIMKINS Gender Construction 47
By eating the fruit the human couple become like God, knowing
good and evi1. 51 The knowledge of good and evil-probably a
merism for universal or cultural knowledge-is what distin-
guishes the human couple from all the other creatures that
Yahweh created from the arable land. 52 Through knowledge the
man and woman gain the potential for culture; the human
couple become creators like God.
The specific way in which the human couple's newly acquired
knowledge makes them like God is indicated by the context. The
episode frames the man and woman's acquisition of knowledge
with references to their nakedness. Before they eat the fruit, the
human couple are naked and not ashamed. 53 The implication is
that the man and the woman are sexually unaware. 54 Without
knowledge they are like children unacquainted with the signifi-
cance of their bodies, and so their nakedness means nothing to
them-their publicly displayed nakedness does not call into
51. A number of scholars have compared the transformation of the
human couple to a rite of passage. See Hutton, 'God or Beast?' pp. 136-37;
and S. Niditch, Chaos to Cosmos: Studies in Biblical Patterns of Creation
(Studies in the Humanities, 6; Chico, CA: Scholars Press, 1985), pp. 31-34.
52. On the many interpretations of 'knowledge of good and evil' see
Westermann, Genesis 1-11, pp. 242-45; and H.N. Wallace, The Eden
Narrative (Harvard Semitic Monographs, 32; Atlanta: Scholars Press,
1985), pp. 115-32. On the specific meaning of 'cultural knowledge' see
R.A.Oden, 'Divine Aspirations in Atrahasis and in Genesis 1-11', ZAW
93 (1981), pp. 197-216 (213).
53. Or, 'do not shame each other'. See J.M. Sasson, 'welO' yitbOsasfl
(Gen. 2.25) and Its Implications', Bib 66 (1985), pp. 418-21.
54. Shame, the complement of honor, was a positive social value in
the culture of ancient IsraeL Not to be confused with guilt, it refers to a
person's concern for reputation (honor). A person who is shamed, on
the other hand, has lost reputation by either acting shamefully or failing
to defend one's reputation (one's honor) against the challenge of others.
See the essays in D.O. Gilmore (ed.), Honor and Shame and the Unity of
the Mediterranean (American Anthropological Association Special Pub-
lication, 22; Washington, DC: American Anthropological Association,
1987); and the discussion in 8.J. Malina, The New Testament World: In-
sights from Cultural Anthropology (Louisville, KY: Westminster/John
Knox Press, rev. edn, 1993), pp. 28-62. For a primarily psychological anal-
ysis of shame see Lyn M. Bechtel, 'Shame as a Sanction of Social Control
in Biblical Israel: Judicial, Political, and Social Shaming', ,SOT 49 (1991),
pp.47-76.
48 Genesis
question thffir reputation. 55 After they eat the fruit, however, the
man and the woman know that they are naked and they
appropriately cover themselves. The human couple are now
aware of their sexuality; their nakedness has significance to
them, and therefore they cover their genitals. They display
shame, guarding their public reputation so that they will not be
perceived as acting like a shameless person, a person without
honor. The fruit of knowledge has made the human couple like
God, and their similarity to God is symbolized by their knowl-
edge of sexuality.56 The ramifications of this knowledge, of the
human couple being like God, are spelled out in the remainder of
the narrative.
In the final episode the Yahwist myth presents the particular
social roles of the woman and the man as the consequence of the
human couple's new status of being like God (3.8-24). These
social roles are not simply described but, as the content of myth,
they are prescribed. Moreover, the social roles personify the
ancient Israelites' understanding of gender. They represent the
normative patterns of social behavior for Israelite men and
women. In other words, the first man's role as a farmer and the
first woman's role as a mother symbolize the appropriate
behavior for all Israelite men and women.
Scholars have traditionally interpreted the consequences out-
lined in this episode to be Yahweh's punishments imposed upon
the human couple for disregarding Yahweh's prohibition
against eating the fruit of knowledge. 57 But this interpretation is
inadequate. First, the woman and the man are not cursed for
their actions. Secondly, in only one case does Yahweh impose
55. See L.M. Bechtel, 'Genesis 2.4b-3.24: A Myth about Human Matu-
ration', lSOT 67 (1995), pp. 3-26 (17).
56. A striking parallel to the transformation of the human couple is
present in the Epic of Gilgamesh. Enkidu is created out of day and lives
like a wild animal. However, through a sexual encounter with a harlot,
he is transformed into a civilized man. The harlot's response to
Enkidu's transformation highlights the parallel: 'You have become
[wise] Enkidu, you have become like a god.'
57. See the standard treatments by von Rad, Genesis, pp. 91-98; and
Westermann, Genesis 1-11, pp. 252-67. Against these interpretations see
Meyers, Discovering Eve, pp. 86-88; and J. Barr, The Garden of Eden and
the Hope of Immortality (Minneapolis: Fortress Press, 1992), pp. 1-20.
SIMKINS Gender Construction 49
58. Compare the argument made by B.D. Naidoff, 'A Man to Work
the Soil: A New Interpretation of Genesis 2-3', lSOT 5 (1978), pp. 2-14.
59. On the translation of Gen. 3.16 see Meyers, Discovering Eve,
pp.95-121.
50 Genesis
will be born from the woman. 60 Rather than the arable lana, the
woman will be the mother of all living (3.20).
Although the Yahwist myth describes the woman's social role
in relation to the man, the man's social role is described in rela-
tion to the arable land (3.17-19). The man's newly acquired
knowledge and awareness of sexuality is expressed not in terms
of procreation, but in terms of agriculture. The man now has the
knowledge to work the arable land, which is the purpose for
which he was created. No longer will the man live off the fruit
of God's garden. Through his toil and sweat the man will pro-
vide for his own subsistence-a task made more arduous until
the advent of rain. 61 The man will be like Yahweh in his social
role of working the soil. Just as Yahweh planted a garden and
caused trees to sprout up from the earth, the man will also bring
forth life from the barren ground. Yet, unlike Yahweh, the man's
fate is linked to the arable land from which he came.
Agriculture Procreation
Yahweh (Yahweh?)
planted
II metaphor? セ@ I(semen?)
+ t
hii'itdiimd hii'itdamd
セ@
Divine
birth
ᄋセュ[エ。pィッイ@
Human
hii'iidiim =======''is
I
seed セ@ remen
hii'itdamd
+ metaphor --...' iSsa
I
germination 1 セ@ birth