Opus Bellae - Op. 2 No.

2
In Db Major

                        
Samuel Bustos

  
 
A Lento e liberamente

    

                   
    
 


   

         
                      
13


     
                     
     
   
 

              
   
  
  
B Tempo Rubato, espressivo e dolce


25


       
        
        
   
   
   
 


  
 

 

      
     
            
37

                       
             
    

                          
         
49

             
  
                               

        
    
60


    Accel.    
              
       

                                        
   
69

         
        
3

        

                  
      
             
77 C Presto

    

                 



  
    


            
  


   
  
83

  
      
          
  
 
      




                     
  
     
  
90

  
          
          
          

2
  
                
 
97


        


                  
     
  

                          
      
103

     
    
         
  
 
  

                
         
109

              
   
                      

  
                  
 

115

          

    


   



     
         
122

                      
         
   

3
               
       
  
D Moderato, legato espressivo


130

   
          
         


   

      
                
          
143

      
       
     
       
     

               
  
        
 
       
 
155


  
            
          


      

            
                 
 
166 Inizia lentamente e diventa progressivamente più forte e veloce

              


                
Accel.


    


            
                
174

                     
 

             
 
Rit.

 


 

4
  
                    
 
E


180
Presto

   
    
     
          
     

A tempo

        
              
   
     
  
187


              
       
  

    

      


              

     
194

  
                                 
    

 
            
   
F Prestissimo, legato


201

 
                                  
        3 3


          
208

         
                
           
 3  3  3
 3
3
3 3 3

5
 
          
212

         
          
        
      3 
3
3
3
3
 3 3

 Presto 
                
216

                 
                
3

 
 3 3
 3 3

3 3

          
        
222

                             
      
 

      
                     
229


                                     
        
Rit.

 
   
    

 
      



237




          
 
A tempo

 
Rit_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _