Professional Documents
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Contemporary Arts
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V: Concept Map
Analysis and
Description
Interpretation
Applied to Appreciating in
Contemporary Contemporary Contemporary
Arts Arts Art
EXPLORE
In this lesson, you will learn how to describe contemporary art by discussing its
subject matter, material, art elements, and principles. Your knowledge of the
elements of art and principles of design is essential to description. You will
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encounter more materials and mediums in contemporary art and the form will have
more variations, compared to what you have learned in your previous art classes.
As mentioned in Chapter 1, there are more than 100 styles and movements under
contemporary art. In describing, we limit our discussion to the major art movement
styles and leave the other styles to the students who specialize in the study of art
history.
Artist's Statement:
"Play depicts reality in the battle field. It draws contrast between what innocent
minds use as source of their entertainment and the real scene in the battle arena”.
Michael Bacol, March 8,2015
There are three elements that constitute description of contemporary art: what the
artwork is all about (subject matter), what materials/medium were used in the
process of art-making, and the art elements, and principles. At this point, we do not
yet make any judgment.
Subject matter is what you see that is depicted in the artwork. It may be a
human form where the figures are engaged in an activity, or a combination of
texture and color. It may also be a figure made from found objects put together or
assembled into a coherent whole.
Art elements and principles refer to the physical qualities of the image. The
artist uses color, lines, space and other elements to create visual images. These are
arranged into an organized manner that observes unity, harmony, rhythm, or other
principles of design in a creative way.
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The art elements and principles What are the dominant elements in the
artwork?
http://www.michaelcacnio.com/balloons.html
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The old system of artistic patronage was such that the artists were
dependent on patrons, such as the church, wealthy individuals, the state or
powerful institutions. But this has ended and the contemporary artists feel free to
experiment and make highly personal art. They coined the slogan, “Art for the sake
of art” and t er to themselves as “avante-garde.” They explore the use of new
technology, movement and speed, as well as fabrication and construction.
Artist's Statement:
"Inspired by the song. He's Got the Whole World in His Arms, this works depicts
Jesus Christ embracing the whole world as symbolized by the heads inside his
embrace. There are 12 heads in the sculpture and it is very personal since I am one
of 12 children”. Harry Mark Gonzalez, 2015.
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Artist's Statement:
"With the onset of the Filipino workers' diaspora, these conversations have taken on
a larger and crucial role a lifeline for loved ones, a form of family reunion, a post-
modern confessional box for people separated by thousands of miles" -Manny
Montelibano, 2015..
It was the philosopher Immanuel Kant who laid the philosophical foundation
for artistic modernism that has influenced contemporary artists. According to Kant,
the viewers of art should put themselves in a state of sensory awareness, give up
their personal interests and not associate art with anything when they respond to it.
Therefore, they should consider art as independent of any purpose or utility other
than aesthetic value.
Aesthetics is the branch of philosophy that deals with the nature, beauty, and
value of art objects and experiences. It involves appreciating, understanding, and
judging the value of art. An aesthetic judgment should be neither personal nor
relative. The viewer should rise above time, place, and personal biases to reach a
judgment of art to which all reasonable people would agree. This is also called
"psychic distance”.
Contrary to Kant's idea is the belief of Clive Bell and Roger Fry that in
viewing art, the artist's intent or any social influence that went into the making of
an artwork should be disregarded. Instead, the "significant form” of the artwork is
what should be exclusively attended to. In this case, only the form is important and
attention to other aspects of the artwork such as its subject matter, narrative
content, function to a culture of references to the ordinary world, are considered
distractions to art viewing.
After World War II, critic Harold Rosenberg declared, "a painting is not a
picture of a thing it's the thing itself" Artists should “just paint" and not care about
anything else to push it to the extreme, artist Andy Warhol claimed that everything
is art. Pop art, comic book imagery, and the other art styles that emerged claimed
to have important narrative content and demanded social and cultural
interpretations beyond Bell and Pry's "form" In effect, the boundaries between high
art and low art and between the elite and popular audience were challenged.
Another point of view that has shaped contemporary art was Arthur Danto's
proclamation that art need not be beautiful; it need not have a pictorial subject;
and need not deploy its forms in pictorial space" An example is artist Pablo
Picasso's cubist style where he dropped the three-dimensional forms as well as "art,
the beautiful." Picasso and his followers eliminated the need to have an art object
itself because the idea is more important than the finished work.
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Arnold Hauser, on the other hand, believes in the social history of art. He
insists that visual image is a window to a specific time and space, to culture or to a
social condition. An artwork can "infer into the milieu or social environment in which
the artist lives or from where the artwork comes. It can also account in terms of its
actual origin for the outlook on life" (Hauser, 1959: 208).
Art analysis starts with a description of an artwork. Here, the viewer focuses
on beauty. design qualities and the value of an artwork. This is where we determine
what the features suggest and decide why the artist used these to convey specific
ideas. Analysis requires an understanding of the content by separating the parts of
the subject matter This can lead to grasping the artwork's organizational structure,
nature, function, and value.
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After you have done the tedious work of describing analyzing and interpreting
the contemporary artwork, you can now make a judgment: Is it a good artwork? On
what criteria and evidence did you base your judgment? Based on the criteria
and evidence, what is your judgment about the quality of the artwork?
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The expression on the figures’ faces is one of love and dependence, devoid of
anger and hatred. Such depiction of divine love makes the viewer want to be in
God’s embrace. It is a beautiful art piece that is perfect for display indoors, one that
can stimulate conversation among guests. It also exemplifies God’s love, a value
essential to humanity.
Summary
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ANSWER SHEETS
Name: ________________________________________
LEVELING-UP ACTIVITIES
Lesson 5
Activity 1
Activity 2
Describe the painting Puerto Galera IV by Pacita Abad, use the three elememts
that constitute description in contemporary art.
https://pacitaabad.com/artworks/
categories/5/501-underwater-wilderness-
puerto-galera-iv-1986/
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Lesson 6
ACTIVITY 3
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5. How does the post-modern art differ from modern art?
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6. It is necessary for the viewers to understand the philosophy, theories, and
issues that shaped contemporary art because
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Activity 4
Write an art analysis of Manny Montelibano’s digital art entitled. Discretion of the
Lip Movement (see p.11). Use the elements and guide questions on the below.
Elements Statements
Elements Answer
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