Hifi €NGINEé For more Hi-Fi manuals and set-up information please visit www.hifiengine.com© YAMAHA ‘samake He-Ke Seroe oY PRE-MAIN AMPLIFIER Owner's Menuel CA-IO000Congratulations upon your selection of the Yamaha CA-1000, one of the world’s finest stereo premain amplifiers. Please read this manual carefully to avoid errors in connection, placing and operation, in ‘order to derive all the years of outstanding listening pleasure your CA-1000 wes built to provide, CONTENTS Feamres 02.2... Precautions. Other Parts of Your Audio System ‘Speaker Connection 6 Record Player Connection and Operation... 7 ‘Tape Deck Connection and Operation... & 8 2 Tuner Connection and Operation . ‘Aux 1.2 Connection and Operation Headphone Connection. . ‘Microphone Connection . . Pre-Out, Main fn Connection and Operation. 10 Connection Diagram... 6... " Front Panel Parts and Functions, 2 Rese Panel Parts and Functions. “ TYPE A Modol . . 4 TYPE B Modal ........ - 18 TYPE C Model... 16 TYPE D Model .... .W7 Controls ‘Loudness Controls Muting Switch... Mocle Switch... Operation Switch, . ‘Tone Controls Balance Adjustment... Low & High Filters ‘Troubleshooting - Block Diagram Accessor Specifications . Performance Chart.harps uan er ta a a y aFor optimum performance and service life, be sure to tead this marual carefully before connecting or ‘operating the CA-1000. Pay spacial atntion to the following points. © Avoid exposing the Unit to direct sunlight or excessive heat. © Due to the extreme high power of the CA-1000, its output transistors can dovelop 2 great deal of heat. While this can result in a temperature of 70°C of more the top ventilator screen, it is no cause for alarm as long as the unit has plenty of air. For this reason, be sure the body is resting on its legs (the lower ventilator sersen must not be blocked), and that any unit placed on the top is also separated 2y legs. ‘© Atter the power is switched on, no sound will be heard from the speakers for approximately four seconds. This is due to the working of the shock noise protection circuit. After this period the circuit normally goes off and the speakers will sound, © Be sure to operate all switches according to the explanations which follow in this manual, Be careful to avoid sudden surges of power or sudden chutotfs in any made. © When adjusting the volume, be sure to set the loudness to Flat position. Thon, if the volume level Is low enough to require this effect, turn the knob to the left until the proper setting is reached. ‘© When connecting or disconnecting input and out- ‘put cords, make sure the volume sivitch is turned down all the way snd that the powor switch is off. © Do not clean the exterior with thinner or other Volatile products. If some thinner or insecticlde oes spill on the cabinet by accident, wipe it off immediately. Hf your stereo hat a voltage selector, before you plug in the power cord check that the selector 's set to your local current. If not properly set, turn the knob and reset it to the correct position. Voltage settings: 110, 130, 220, 260V (the 150, 26OV settings are not connected.) ‘Voltage SelectorThere ace these sats of speaker terminals on the roar paral (A. 8 and C). This lots you connect threo ets of stereo speakers in aiferent parts of your home, and then awiteh them on and off in any combination using the front panel speaker slecior ‘Tho sclctar hes in ation to A, B and 6 satis, combination posites: A+B and A +c. Moke sure the impodcrce of sll connected speaker systems is 80, oF use just one system if itis 40, With the selector mitch st to OFF no sound wil bbe heard from any ofthe speakers. This the setting ‘or private listening via the hasdpones. Notes: © Make sure to connect the lefe speaker at sean ‘rom the listening position) to the L terminals, ‘he right 0 Rim any st © Be especially careful nt to mic the (+) and (=) legos. This can cause an outot phase signal and duce store response (see Fig) © The speaker tarminls are pusiblever types. As shown in Fig. 2, simply hold down the lever, Insert the bare nd ofthe lend fly into the hole tnd then release the lever. The wiee is held by ering pres. 1 ene of both leads fom » speaker are not fully onnected, there will be no sound from that speaker. Be sre each lad i securely locked into the termina. Fiat FRONT PANELoes ri “There are two sete of PHONO inputs, permitting connection of tno rec players with mavirg mag ret cartridges, In addition, the PHONO 1 terminals fan be sitched via the INPUT IMP. selector to sccept signals from a rocord player with an MM farvidge(GOKEL oF 100K — seo Fig.) or an NIC {imoving eal) cartridge. When sat to MIC postion ‘he terminal sutomatically seviches on the builtin IM amp for direct connection. At this position Input sensitivity is 00H, impeance is 10082, Note: Be ware to corefully read the record player Coomer’s manual, a vell a5 that for the tartridge, before connecting the player to the PHONO 1 jacks. The INPUT INP. snitch on the CA-1000 is set ot SOK when ‘oui leaves the fxtory. Be careful nat tom he laf ane ih signal cords feom te turntable wen coanecting to elthar PHONO Vor PHONO 2 jacks. 1 there is alo a groure wire from the rcord player, fry connect it to the GND termina onthe C4:1000 rer panel Note: Tho set fe dlverd fom the factory witha ‘short pin gross the PHONO 2 jacks. Remove ‘hs pin before using them. When you fstn to 3 raeord, be sure to fist et the ‘unetion sich on the font pane the proper st. ting (PHONO 1 or PHONO 2). Then the record sound can be heard trom the speakers or headphone, ceording to tat elector sting, your turntable has a crystal or coramic cartridge, {do not use the PHONO ack. lnstea, connect the record payer to one ofthe AUX ac ses. FRONT PANEL FUNCTION venen, Prone] ‘ye fo REAR PANELLa ‘There ara two sats of REC OUT and PB jacks, emitting you to connect and use two tape decks at ‘once This lets you record on bath decks at once, as wall ai dubbing trom one deck 10 the otter Connect the rear panel TAPE A EC OUT jacks and the tape deck’s LINE IN jacks. Then connect the eek's LINE OUT jacks to the CA-1000 reer pane TTAPE AA PIB jacks. In both cates be careful not to milf: and right eek, I a second dock used, connect to the TAPE 8 se the same way. See Fig. TAPE PLAY Sette tapeswitchtoPLAY A of PLAY 8; depending pon wich Seto jacks the tape signal you wish to hear is being fein from. Then the recorded signal wl be near. RECORDING Set the tape switch to SOURCE and the signal being heard will ko be fed to the TAPE A and & REC ‘OUT jacks for recording, If either or both ofthese decks as ofr recording, te signal will be recorded 1 the tape, Im this way you can record on only one ck, wither deck if you have ®wo, or both, If your deck isa thrsehoud type (seperate recoudng and playback hee, the just recorded signs ean be rmonitorad by setting tho tape witch for play PLAY A or PLAY B, depending on which deck). As org a the deek's contro ae left a thy ar, and ‘the function switch ks not touched he recording il ‘continue while you heer what has been recorded ‘split second esl. ‘TAPE DECK CONNECTION ‘TAPE DUBBING ‘When wo docks aro connocted itis posible to record from one t0 the other via the CA-1000. To Fecord from the deck connected to the B jacks 10 the duck connocted to the A Jaoks et the fist for play, the sacond for recording, Then set the tape switch 19 DUB B > A ard the signa! wll pas from ‘the B dock to the A deck. To record in the opposite. rection reverse the deck settingr and st the tape switeh to DUB A» 8, See Fig. 4 Note: The function awiteh setting has no eect hate. It doas nat operate unless the tape ‘switch is set 10 SOURCE [ ‘Bubbing positie tetmeen desks connected to “Tape A and Tape 8 torminas TAPE ny cance nu Re BR ‘Dubbing ean be done in sthe direction.Connect the tuner L and R output cords to the propor joa on tho tear paral (tho upp ack ‘he lower right When you want 20 listen to an AM or FM broadoast vie he tuner, set the Function mitch to TUNER, Tune in the station with the tuning knob on the tune, then adjust the volume, etc, with the CA-1000 controle See Figs 6, 8. omer mg Fas Both these sets of auxiiory input jacks feature 120mV sansitvity snd 40%? impedance. Thir flat froquency response does away with the need for equalization for any inpt signal, Use these jacks to fonneet an Brace carrie deck, to tas another tuner, for mice mixing, ot. Switch to tho signal coring in via either of these sets of jacks with the front panel mode switch. Soe Figs 7, 8. MooE ia? STRACK TAPE DECK FigsFor private lstning such a late at night when you o aot want to disturb others, plug a pair of stereo headphones into the jack a1 shown in Fig. 8 Ge sure tho plug fly ingerted into the jock. Then set the speaker selector suitch to OFF. Now vou can turn tho volume up a loud a you ike without any sound coming from the speakers. ‘There are of couse let and right sides to the head- ‘hones, so examine then carefully before use, Use a microphone with an impedance betwoan 20082 and 60K. See Fia. "1 siteh ON. Thon these jacks willbe bypasied. fhe switch i Set OFF the preamp signal it not fed to ‘the main amplifior diverting Ie must be eo vin the MAIN IN ack, From there it can be fad to a multhemp system anne divider or fourehannol quadrilize amp, et, before being passed back in whele o in part trough ‘the CA-1000 min amp. “These jacks con aso be used for comparative tats oF recording vi separate control amp. rinen, TES Fao we. Geap= (O_O: To use 2 micvoohone, fist plug its cord into the ‘mike jk on the rar panel Thon set the function suitch to MIC t0 speak thiough the miceephone I the volume is set too high a this tine (especially if you are in font af one or more epeskare) Rowling ‘an occur. 1 only one microphone is used, sot the MODE switch to MONO for tht chon! (ce Fig. 10), er Ure TTY Ao (On the rear panel are PRE OUT and MAIN IN jacks, ‘a uell 9 2 COUPLER switch which can be set so that the preamp and main amp sections of the CA: 1000 can be used separately. To use the st in the normal sition, with the sign pasting crecty ‘rom the preamp o themain anp, set the COUPLEA Figt2@ BASS (Bass Tore Control, Bass turnover and Dates switch) Tris is both 8 be tone control and a curve ‘control switch that suitches betwoun 250H2 ‘nd 500H. With the sith at ie canter pos tien the tone control amp besemes a fia amp. ‘Tre outer portion of the knob i for te raht ‘channel, the Inner portion forthe laf. Soe 1.10 for deta on tore conto @ TREBLE (Treble Tone Control, Treble ture ‘ovo an Dest switch) ‘This both a weble tone control and a cue ‘control switeh that switenes between 2.5KH2 and Ski, With the switch ais centr position the tone contro! amp bocames a flat amp. The ‘outer portion of the knob is for the ight hanna, the inner portion for the left. See 12.20 for detals on tone contrts, MODE Switch This switch is used to select the progam source, Seo 9.19 for details on Mode switch operation. ‘TAPE Switch ‘This switch lets you monitor the sound ftom ‘the tape decks} connected to the TAPE PE and REC OUT Jacks on the rear pana, 1 1910 sacks are connected, use this switch 10 dub ‘om one 19 the other, See pS for deta on tape deck connection. FUNCTION Switch Uso this switch to select between program sources from other Units connected: to rear pena jacks. AUXTE, ‘AUX 2: See p..@ for details on AUX con: eetions an operation. TUNER: Seep. 9 for tuner connection snc ‘operation dealPHONO 1 2: Seo p. 7 for record player con ion deals Mic: Seep. 10. for microphone con nection and use, continuous loudness con ‘tol. See p.18 for loudness control datall, BALANCE Control Contiols the relative volume from the left and Fight speakers. Turning to the right makes the left channel speaker sound weaker, turning to the lft does the same to the right speaker. At ‘the center postion (the dot both speakers are evenly balanced. Mater the balance contrel to your room acoustics by first setting for a moneurat signal ‘thon adjusting so that the sound seems to originate from # point midway between the speakers. VOLUME Control Controls the overall volume, Turn to the right 10 increase volume. Power Lamp Tells you when the unit is plugged in ana sitehed on. POWER Switch Powers the amplifier when switched on. PHONES Jack Connect a stereo headphone set here, See p.10 for devas on headphone use, SPEAKERS [Speaker Selector Switch} This switch lots you power any of the up to thiee speaker sets connected to the raar panel terminals. See p.6 for speaker connection and selection detail OPERATION Switen Use this switch to select Normal (class B) or low-power elsss A} amplifier output. See p.19 for detail LOW Fitter ‘This filter cuts low frequency tones to remove noise at the botiom end of the frequency spectrum. It has two positions in addition to OFF, providing cutoff at 70Hz and 20H2. See p.21 for details HIGH Fitter “This fltar cuts high frequency tones to remove ‘noise st the top end of the frequency spectrum. It has two positions in adcition to OFF, providing cutoff at kHz and 12kHz. See p.21 for dolls, AUDIO MUTING Switch With this switch set at its ~204B position the amplifier gain (i.e, the total volume) is reduced by 2008 (to 1/10} with no need to adlust the VOLUME control. See p.18 for detis.‘@ TYPE A MODEL AUK 2 Jacks ‘AUX 1 Jacke See p.9 for connection and function of auxiliary inputs ‘TUNER Jocks See p. 9 for deta PHONO 2 Jocks PHONO 1 Jaces/INPUT IMP Switeh See. 7 for details ‘TAPE B Seep. 8 for detals REC OUT Jacks TAPE PB Jocks TAPE A. Seep. & for details REC OUT Jacks TAPE PB ices [PRE OUTMAIN IN Scop. 10 for detail PRE OUT Juces MAIN IN Jecks COUPLER Switch SPEAKERS ABC Turminals See p. 6 for etal. ‘Ac OUTLETS SWITCHED: Power to this outlet depends ‘pon the poston of the POWER. site on the front pane. i ‘hat switch Is off, 29 1 this ‘outlet: Maximum power supp: 200 LUNSWITCHED: Independent of the front pana POWER switch, Powar is supplied vo this outlet 48 long. a8 the CA-1000 power ord plugged in. Maximum power supply: 200W. PRIMARY FUSE Protects the amplifier cieuitry. When replacing be sure to use 3 fuse ofthe se ating. GND (Ground) Terminal [MIC (ierophone) Jock See p. 10 for details Power Supply Cord© TYPE B MODEL ® eee e0 AUK 2 Jacks e AUK 1 Jocks Seep. 9 for connection ond function of suxilary inputs ‘TUNER Jocks Soe p. 9 for dete ® PHONO 2 Jocks PHONO 1 Jocks/INPUT IMP Switeh Seep. 7 ® for details TAPEB Soop. 8 fordetai REC OUT Jacks TAPE PB Jacks TAPE A Seep. 8 for deralls REC OUT Jeke TAPE ?8 Jacks PRE OUTMAIN IN Seep. 10 for details. PRE OUT Jacks MAIN IN docks COUPLER Switen SPEAKERS ABCTerminals See p. 6 tor ‘etal ‘Ac OUTLETS SWITCHED: Power to this outlet depends "upon the position ofthe POWER switeh on the front panel If that switeh iS off, 39 m this outlet. Maximum power supply o0W. LUNSWITCHED: Independent of the front pane! POWER swita, Power i supplied to shis outlet 1 long 36 the CA-1000 power cord is plugged in. Maximam poner suppiy: 200. PRIMARY FUSE Protects the amplifier circuitry. Wher replacing, Be sure toute ‘uso of the same rating. GND (Ground) Terminal! IMIC (Mierophone| Jack See p. 10 for deals. Power Supply Cora VOLTAGE SELECTOR© TYPE C MODEL e 606 ee DOOO® AUX 2 Jacks AUX 1 Jacks See p. 9 for connection and function of auxiliary inputs. TUNER Jacks Soo p. 9 for details. PHONO 2 Jacks PHONO 1 Jacks/INPUT IMP Switch See p. 7 for details. TAPE Seep. 8 for details. REC OUT Jacks TAPE PB Jacks TAPEA Seep. 8 fordetails. REC OUT Jacks ‘TAPE PB Jacks PRE OUT-MAIN IN See p.10 for details. PRE OUT Jacks MAIN IN Jacks COUPLER Switch SPEAKERS A BC Terminals details, PRIMARY FUSE Protects the amplifier circuitry. When replacing, be sure to use a fuse of the same rating. GND (Ground) Terminal MIC (Microphone) Jack See p. 10 for details. Power Supply Cord See p. 6 for© TYPE D,E MODELS AUX 2 Jacks AUX 1 Jaoks Seep. 9 for connection and function of auxiliary inputs. TUNER Jacks See p. 9 for details. PHONO 2 Jacks PHONO 1 Jacks/INPUT IMP Switch Seep. 7 for details TAPE B See p. 8 for details. REC OUT Jacks TAPE PB Jacks TAPE A Seep. 8 for details. REC OUT Jacks ‘TAPE PB Jacks PRE QUT-MAIN IN See p.10 for details. PRE OUT Jacks MAIN IN Jacks COUPLER Switen SPEAKERS A BC Terminals details. PRIMARY FUSE Protects the amplifier circuitry. When replacing, be sure to use a fuse of the same rating, GND (Ground) Terminal MIC (Microphionel Jack See . 10 for details. Power Supply Cord VOLTAGE SELECTOR See p. 6 for‘Tho ears seeithity to extreme high and low sounds fs noticeably reduced at low volume levels, The louchnaes control hes been included to compensate for tis fact. With conventional loudest contol, ‘nee the conto is wchad anit works mechanically In eonjunetion withthe volume control setting ana. But such a syst does not tke Into consideration the varying efficiency of speaker systems, and con thus gle rise co unnatural frequency response. In ‘order to match the actual volume level and other charactrstics of the speakers and room acoustics 4 Solution was found during the CA1000 design Stages It corsets of « continuous loudness contol which canbe precisely ajustd for 2 response cure {that sounds most-natural secordng co tha actual ound hose, not that pasting twoush the output ineks. Set the contol to FLAT and It has absolutly no stock. Then rise the volume to the highest level you expect to ute. Now, whenever you turn the foudness control to the left the volume will be reduced at the same time, letting you match the found to the room scouts and Your on listening references. This eorective cures works within the ‘0dB wo 1248 range for compete natural sound ot any tee ‘This soitch parmite instant reduetions in volume level without touching and then leter resgjusting the volume contrl. When flicked to its ~20d8 postion the preamp goin i reduced 2048 (1/10) ‘the original level. Ths steal! for temporary volume reductions, sch ab 2 telephone cal in the mile of ‘record, 1 you listen at tho ~2048 level en then rasa the volume, retrcing the svitch 10 NORMAL may result in an oxcasive suge of power which can damage yout speakers. For this reason, one the muting switen i used, be sure to return fe to the NORMAL portion for regular volume listening MUTING Switch sung, MTN Figt4This switch uid to sleet the way you with tod vide or combine the variout parte of the rouren fignal wieetes by the function sivteh. When the fit is eet (0 MOND Lor MONO R, st will ice only the gal coming in Brough te ltr Fight Jack for that particular program, then pass that Signal through both lft and right output chante (peakers, headphones, PRE QUT). This sting & soft wea Tstning to a mencphonic radi, tape fo TY sound sign When the oviteh is set to MONO L+R both left and right sound source signa ae fet mixed, then the mixed signa is fed to both output channels. This is the best position when playing » monophonic record For stereo signals, s8t to STEREO NOAM. Then the left and right sound sourco signals ae Kept sepsrated sll the way through tho system to the ‘urout, with each side heard theough the proper speoker, te ‘The stereo signals are seperated in the same Way when the aviteh is sotto REV, except that inthis "ace the lft signals ae fd tothe right output acs, the ght signals to te lee ODE Sen on ONS ders te During A mode operation the smplillr producas « ‘eat deal of hast, 50 suficint care for venation ‘rould be taken, ensure that the air vets nthe base any top are rot covered Use this switch to ature yourselt the best posible performance at ail timos. Chase A assures extremely low crosover distortion for the clarity at all frequencies needed for various types of scious music, sch an chamber music se lectiors. In other words, when hgh output Is recesry, last 1B mode should be used, but flow signa situations Wor ietanes, shen highly officiant speskers are Used, ute the clns A mode to take adventage of its lower dlvtorion, and resultant better sound ‘ualty. The mode should be selected eccorng 10 the cvcumanees. Set the swith to NORMAL for ‘hse B mode, t0 CLASS A for class A mode. OPERATION Switeh (OPERATION Nema (CLASS en OPERATION OPERATION: mst a FigsProper tone quality differs according to the itoring oom and your tates this Gueuit permits you to ad- Just the tone settings to match your listening condl- tions. There are separate bass and treo controls, ‘Tho bass eantials are dvided Inco 11 click stops, ‘sch opocoximatly $4. The middle setting is for flat expanse. ‘The knab i divided into outer portion (ltt channei) and inne: portion (ight channel) To acjust both channels at ones, fist line up the dots on ach part of the knob. Turn to the right 0 Increase bass tones, to the left to dosroee thom ‘The switch to the Hight of this tone conto} is the tone defeat sriton, This witch shuts off the boss ‘one control circuit when sotto Its middle pasion, tus providing on instant flat response without disturbing the tone contol sttingt. The site ean ‘aso be set to S0OHZ ond 250Kz, depending upon how wide en effect you want the control to have ‘the SOOH2 setting provides wider effect ‘The treble tone control works in the same way, except thatin his case the human ear is more sensitive 1 tonal change. For this wesson each cick stop hat a finer (248) effect. The same double knob is used for the bass contro, with outer section forthe Taft channal, the inner forthe right. To the of of thi knob is the treble tone defeat switch. Treble tone control can be caried out above two evtofl Poims set by ths switch: 25kHz or SkHz, The 2.BkH2 ection provides a wider effect. Tone Control ‘ast and Treble Turnover and Defeat SwitchesaE eee: “The knob en the outtlde of the volume contra sto ‘adjust the loferight balance. For normal listening it ‘should be st to the mitpoin, indicated by the dt. the sound is for some reson unbelancad, use this kkoob to adjust. The sound wil Become stronger in ‘he direction in which the knob is turned. This ‘control sini to correct baanes prebiems cri: ting in the ound soures. ‘Tease filter re t0 eliminate noe and intetorence Jn the low and high ends of the frequency scale, “Thai cutoff points ean als be adjusted bythe front panel controls. ‘Thare are to filter positions for cutoff at 20H2 and 70H2, Tho 20Hz setting i effective in canealing {Mbsonie note, such as that from a warped record, which ean cause low-frequency distortion at the Speaker stage, The cantar position of each fitar ks OFF. Cutott chorsctristies at either on sting are TadB/octeve. Excopt in unusual cases, I Is best to keep the 20H iter on, in oxder to avoid vibrations from poor uatcy speaker cons, “There ate alsa two high flor settings, to canes ‘ele noite ich as that from 2 voratched record, ‘te: GHz and 12kHe. Sot to the GHz point the fier affects a greater portion of tha frequaney sale ‘than the T2KH2 setting, For this reason ti Bost to Timit the setting to 12KHE Hf the olse lov! is sut- feienly reduced at this point. Cutoff characteris {or both stings are 6 /octave. The mi postion (OFF, andtha switch shoul be lefthore under norma Tistening conditions BALANCE Adjesiment fout section] Figt9 Low HIGH FILTERS LOWFLTER HIGH FILTER.Trovbie couse ‘onection| To poner ohn ah on ‘Condos stent ape oct Po Blown power fre. eo Connects Si, Bat aan pra Fa Seen om = ith | aoe i ote owen Rev. Tove rom one aba asker ‘Spaeth ot ates onl meopary esd or Sop sti ‘Sound ely ps ring parmaen. “Tews poteton sale ut bac stn oe fia Son nn te got une OV the aay cro wil Bah <7 ‘oor ba sponsor ea mapa Spamcon alpha ‘eo and =) conn of sah pene Keio Waring site wo ~ 2008 poTon ‘let turn atime soo down then et Aue Ming ih di toner ust nod ‘Wn clung he alms fi etd oudres lich or at porn, tune he vale cor! forthe teat t you sxpect tous. ‘i do ae dase ina pane a 6 ag ag TT Teor ‘Conner ied GNO Weil on (C1000 rar oral, Dacoaret if vo Imoroene® ot Inererenc ra taiby ona lo Taman Tepes curing POND oportn) ‘SL ART wa ROT TTA i as “Varios a vl ben FMUAW root corr ad toe leak, TR aaa Gay ae 10 he spears, or by anuraable pay oowio. | Guipt concider, slayer, dak etc difon | a or ed eset ach tine function Std ig vot‘Use the peds when another amp, record player, ete Is placed on top of the CA-1009, They protect the upper surtace fom scaches. To use, remove the paper from each pat and stick jt 9 the bottom of ‘the other units foot et. Wrereh: ‘Tis hexagonal wrench is used to adutt the function and speaker slector settings if they are not lined up ‘oh the indicationsCLASSE POWER OUTPUT ‘Dynamic Power (IHF) 200 warts (4) - 200 wats (82) 30 watts (882) Continuous AMS Power (each channel driven} 100/100 wares (49) at 1,000H2 = {80/80 watts (89) at 1 000H2 16/15 wats (89) Continuous RMS Power (both channels criven) 100+ 100 watts (40) at 1,000Hz = 75 + 75 watts (802) at 1,000H2 18+ 16 worts (80) Continuous RMS Power (both channels driven) 85 + 85 watts (412) 2¢ 20 0 20,000Hz Fe ee aE Fs ieen (am) TOTAL HARMONIC DISTORTION Power Amplifier Only less than 0.1% at rated power less than 0.1% at rated power less than 0.04% at 1 watt Jews than 0.02% at T wate ‘Preamplifier Only (PHONO to PRE OUT) legs than 0.1% at rated power less than 0.1% at rated poer (AUX to PRE OUT) less than 0.02% strated power less than 0.02% at rated power iss than O.1% at rate Overall (AUX to Power Output) ower fess than 0.05% strated INTERMODULATION DISTORTION [70Hz:7/000Hz= 471 SMPTE method) Power Amplifier Only less than 0.1% (29) atrated power less than 0,11 (80) at reted power Power Amplifier Only fess than 0.05% (822) at 1 watt less than 0.05% (80) at 1 watt Overall (AUX to Power Output) ess than 0.19 (80) at rated output __les thar 0.1% (882) at rated output "Bt 100,000H2 LOAD IMPEDANCE DAMPING FACTOR (69) FREQUENCY RESPONSE (at 1 atl ‘Overall (Tuner, AUX, TAPE PB to Power Output) 10 to S0,000Hz + 0.5d8, ~14B Overall (MIC 19 Power Output) 20:0 20,000H2 + 0.548, —208 Power Amplifier Only 40 to 100,000H2 + 04, 168, ~ Deviation rom RIAA (30 to 15,000H2) 40.248, ~0.248 Se ‘CHANNEL SEPARATION (at rated pow Power Amplifier Only better than 6088 Overal from PHONO 1,2 better than 5038 Overall from Tuner, AUX, TAPE PB. better than 5008 _ bereer than 6038 — HUM AND NOISE (IHF, Closed circuit A Network) ‘Overall from PHONO 1,2 better than 80dB ‘Qverall from MIC boter than 70dB, ‘Overal from Tuner, AUX, TAPE PB. better then 9038, Deter than 1008, bettr then_ 90aSmV (SOKA, 100482) 200uV (1008) 3mV (50K) 310mV (THD. 0.156) 25mvV (50K) IC Max, Input Capability 200mV (T.H.D. 0.158) TUNER, AUK 42 120mv (40KD} Tare roAB 120m (40462) _ ower Ampifier Input TISMY (40k), 330mV (CLASS A) a GURT CEVEL AND MAFEDANEE Ti ee, OH ‘TAPE REC OUT AS. 120m (2k) PRE OUT TPB mV (240) ‘TONE CONTROLS BASS __TREBLE _ _ FILTERS tow 248 at 20H2, 70H (1048 oct) High _ 38 at 6,000! 12,000H2 (GaB/oct) . 1048 at 1004, + 10, “GENERAL ‘Semiconductors (6 FETs; 65 Transistors; 26 Diodes: 5 Zener Diodes Power Source ACHO, 117, 120, 220, 240V, 50/B0H2 Power Consumption Max. 420 watts Rated 280 watts ‘Ae Outlets Switched 2 (total 200 watts) Unevitehed 2 (total 200 watts) Dimensions 436mm (17°) W x 144mm (53) Hx 323mm (12%") Weight BG 1942 Design and specifications subject to change without notice for improvements.«=~ @ YAMAHA NIPPON GAKKI CO.,LTD. HAMAMATSU, JAPAN